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Interchange

Dostępne opracowania:

fortepian solo (3)
gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy) (2)
gitara solo (2)
książka (2)
książka z przykładami nutowymi (1)
linia melodyczna (klucz wiolinowy) (1)

Interchange znajdziesz w 11 publikacjach wymienionych poniżej:


Okładka: Tagliarino Barrett, Chord Tone Soloing

cena 95,95 zł.


nuty.pl

Tagliarino Barrett
Chord Tone Soloing

angielski Chord Tone Soloing


Ilość stron:112
Format:230 x 305
Opracowanie na:książka
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1) lub Gitara elektryczna (1)
Rodzaj produktu:książka + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL062968

Szkoła gry na gitarze elektrycznej, w której autor zawarł naukę improwizacji, oraz gry różnorodnych stylów muzycznych. Książka jest bogata we wszelkie zagadnienia niezbędne do podjęcia gry na tym instrumencie. Dodatkowo do publikacji została dołączona płyta CD z nagranymi ścieżkami demonstracyjnymi.


Learn how the professionals create monster solos with this easy-to-use book/CD pack! The accompanying CD includes 68 tracks of exercises, licks, solo examples, and play-alongs. Includes all necessary foundation materials; detailed instructions on how and what to practice; essential concepts for players at every level; developing your real-time melodic reflexes; soloing over any progression in any style of music; using chords as an endless source of ideas; and more.


Spis treści:

Introduction
About the CD
Part I: A Preview to Chord - Tone Soloing
Chapter 1: Let's Jam
Chapter 2: Chord - Tone Targets on a Basic Blues
Part II: A Solid Foundation
Chapter 3: Getting Serious About Practicing
Chapter 4: Timing
Chapter 5: The Five Patterns
Chapter 6: Major Scales
Chapter 7: Intervals
Chapter 8: Chords and Arpeggios
Chapter 9: Diatonic Harmony
Chapter 10: Finding Key Centers
Chapter 11: Minor Scales and Keys
Chapter 12: Modes
Chapter 13: Extensions
Chapter 14: Modal Interchange, Secondary Dominants, and Modulation
Part III: CHord - Tone Soloing Exercises
Chapter 15: 3rds and 7ths
Chapter 16: The Frosty Fretboard
Chapter 17: Arpeggiation
Chapter 18: Targeting 1, 3, 5, or 7
Chapter 19: Steady Eighth - Note Lines
Chapter 20: Scalar Connection to Any Chord Tone
Chapter 21: Ascending Arpeggios and Descending Scales
Chapter 22: Choosing Your Targets
Conclusion
About the Author
Acknowledgments

Okładka: Wyche Sid, Schroeder Carl, Harmony And Theory

cena 111,95 zł.


nuty.pl

Wyche Sid, Schroeder Carl
Harmony And Theory

polski Harmonia i teoria
angielski Harmony And Theory


Ilość stron:160
Format:230 x 305
Opracowanie na:książka z przykładami nutowymi
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL064792

Prezentowana książka Keitha Wyatta i Carla Schroedera krok po kroku wprowadzi Cię w zagadnienia dotyczące harmonii klasycznej jak i rozrywkowej. Znajdziesz tu lekcje dotyczące m. in. interwałów, rytmów, skali, akordów, kluczy i modulacji.


This book is a step-by-step guide to MI's well-known Harmony and Theory class. It includes complete lessons and analysis of: intervals, rhythms, scales, chords, key signatures; transposition, chord inversions, key centers; harmonizing the major and minor scales; and more!


Spis treści:

Introduction
TOOLS - Notes, Rhythms, and Scales
Pitch
Major Scales and Sharp Keys
Flat Keys and Accidentals
Intervals
Triads
Note values
Time Signature and Ties
Minor scales
Pentatonic scales
Structures - chords and chor progressions
Harmonizing the major scale
Harmonizing the minor scale
Diatonic seventh chords
Key centers
Blues
CHord inversion
Extended chords
Other chord types
Variations - harmony and melody in the real world
Modes
Variations in Minor Harmony
Wariations in Minor Melody
Modal Interchange
Secondary dominants
Altered chords
Altered scales
Diminished seventh chords
Symmetrical scales
Diatonic chord substitution
Flat five substitution
Modulation
Afetrword
Appendix I: Chord symbols
Appendix II: Solutions to exercises

Okładka: Nolan Nick, Gill Danny, Rock Lead Performance

cena 103,95 zł.


nuty.pl

Nolan Nick, Gill Danny
Rock Lead Performance

polski Wiodąca gitara rockowa
angielski Rock Lead Performance


Ilość stron:80
Format:230 x 305
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara elektryczna (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:biografii: angielska
opisów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL064873

Podręcznik gry na gitarze elektrycznej, jako gitarze prowadzącej w zespole rockowym. Zawiera omówienie technik, skal, tworzenia solówek. Ćwiczenia i przykłady zapisane są w standardowej notacji i za pomocą tabulatury. Dla omówienia skal zamieszczone są też diagramy gitarowe. Do książki dołączona jest płyta CD z przykładami.


Techniques, scales and soloing concepts for guitar complete with a CD with over 70 full-demo tracks; in-depth study of modes; soloing over chord changes and modulations; harmonic minor, diminished and other scales; blues-based music; and much more!


Spis treści:

About the Authors
Tuning Notes
Chapter 1: Modes
Finding the Key Center
Chapter 2: Modal Playing
Major Scales Starting on Different Notes
Comparing Modes to the Parallel Major Scale
Modal Songs
Chapter 3: Covering Chords
Double Stops
Chord Riffs
Covering the Chords
Chapter 4: Soloing over Changes
The Harmonic Minor Scale
The Diminished Seventh Chord
The Diminished Seventh Arpeggio
Symmetrical Shapes
The Dark Side of Harmonic Minor
The Bluesy Harmonic Minor
Modulations
Modal Interchange
Secondary Dominants
Minor Key Application
Chapter 5: Blues - Based Music
Going Further
Playing Blues in Major Keys
Guitar Notation Legend

Okładka: Martino Pat, The Best Of Pat Martino

cena 167,95 zł.


nuty.pl

Martino Pat
The Best Of Pat Martino

polski Najlepsze utwory Pata Martino
angielski The Best Of Pat Martino


Ilość stron:112
Format:230 x 305
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor aranżacji/opracowania: Marshall Wolf
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL064934

Publikacja przeznaczona do gry na gitarze w stylu jazz wg Pata Martino. Pat Martino znany jest jako doskonały muzyk lat 60 - tych. W 1980 przeszedł poważną operację, która spowodowała utratę pamięci, w wyniku czego Martino zmuszony był do nauki wszystkiego od nowa. Z tym zestawem książki i płyty CD, możesz nauczyć się firmowanych riffów, solówek i kompozycji tego znakomitego nowoczesnego jazzowego wirtuoza gitary. W książce znajdziesz zarówno wskazówki do gry, jak i 14 utworów, m. in.: "Along Came Betty", "Blue in Green", "Nefertiti", "Oleo", "Road Song", "Stone Blue" i inne. Dodatkowo do książki dołączona jest płyta CD zawierająca wersje demonstracyjne poszczególnych utworów.


Pat Martino learned how to play superb jazz guitar twice; he emerged as a powerful musical force in the '60s, playing pro at age 15, then had to relearn everything after brain surgery in 1980 caused him to forget how to play. With this book/CD pack, you can learn the trademark riffs, solos and compositions of this remarkable modern jazz guitar virtuoso. Features in-depth explorations of 14 works: All Blues • Along Came Betty • Blue in Green • Nefertiti • Oleo • Road Song • Stone Blue • The Visit • and more.


Lista utworów:
All Blues (John Coltrane, Miles Davis)
Along Came Betty (Benny Golson)
Blue In Green (Miles Davis)
El Hombre (Pat Martino)
Interchange (Pat Martino)
Nefertiti (Wayne Shorter)
Nightwings (Pat Martino)
Noshufuru (Pat Martino)
Oleo (John Coltrane)
Road Song (Wes Montgomery)
Stone Blue (Pat Martino)
Strings (Pat Martino)
The Great Stream (Pat Martino)
The Visit (Pat Martino)

Spis treści:

Introduction
Author's Note
Discography
The Recording
The Pat Martino Sound
El Hombre
Strings
The Visit
Road Song
The Great Stream
Along Came Betty
Nefertiti
Interchange
Noshufuru
Nightwings
Stone Blue
Oleo
All Blues
Blue In Green
Guitar Notation Legend

Okładka: Thomas John, Voice Leading for Guitar

cena 171,95 zł.


nuty.pl

Thomas John
Voice Leading for Guitar

angielski Voice Leading for Guitar - Moving throigh the Changes


Ilość stron:156
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL065123

Szkoła prowadzenia voicing'u na gitarę. Opisane są w niej dokładnie akordy, kadencje, sposoby ich łączenia i rytmizacji. Do publikacji załączona jest płyta CD na której nagrane są przykłady ćwiczeń, komentarze lektora oraz akompaniament zespołu dla zamieszczonych w publikacji utworów.


Just knowing how to play a chord is never enough to make good music. Voice leading - moving individual chord voices smoothly from one chord to the next - is an essential skill for jazz guitarists. This book/CD pack by Berklee associate professor of guitar John Thomas shows you how to voice lead both chord tones and tensions, and will help you add a new level of sophistication to your music. This book is designed for intermediate to advanced guitar players. The accompanying CD features jazz tunes, blues and rhythm changes that you can play along with.


Spis treści:

Introduction
CD Track List
Rules of the (Fret)Board
Chapter 1 Harmony Review and Introduction to Voice Leading
Harmony review
Voice Leading in Action: Simple Chord Familes on the Guitar Neck
Voice Leading Chord Tones and Tensions
Other Smooth Moves: Parallel Movement
Drop-2 Voicings
Chapter 2 Major II/V/I Progressions
II/V/I Practice Guide
Practicing II/V/I Progressions
How to Work with Comping Rhythms
Comping Rhythms
II-7/V7/IMaj7 Progressions
Chapter 3 Minor II/V/I Progressions
I-7(b5)/V7(b9)/I-7 Progresions
Chapter 4 Practice Tunes and Rhythms
(None of the Things You Were)
(None of the Things You Were) Variation Using Rhythm No. 1
(Spring Arrives)
(Spring Arrives) Variation Using Rhythm No. 2
(Dear Old Stockmarket)
(Dear Old Stockmarket) Variation Using Rhythm No. 4
(I Smell Catastrophe)
(I Smell Catastrophe) Variation Using Rhythm No. 3
(Turn On Your Headlight)
(Turn On Your Headlight) Variation Using Rhythm No. 5
(If I Knew How to Cook)
(If I Knew How to Cook) Variation Using Rhythm No. 3
(I Should Have Thought About Me) Using Rhythm No. 12
(Rambos Chin) Using Rhythm No. 11
(On Great Love) Using Rhythm No. 9
(Remember Me) Using Rhythm No. 10
Rhythm Changes
Rhythm Changes (Mixed Comping Rhythms)
Blues in F - Try Your Own Comping Thythms
Blues in F Using Rhythm No. 2
Chapter 5 Extra Credit: Advanced Progressions and Turnarounds
The Functions of #IV-7(b5): What It Is and How to Use It
Madal Interchange: What It Is and How to Use It
Interpolative II-7: What It Is and How to Use It
Chromatic Approach: What It Is and How to Use It
Diatonic Turnarounds: What It Is and How to Use It
Dominant Approach: What It Is and How to Use It
Sub V7 Dominant Substitutions
Using Dominant Approach With Blues Changes
Dominant Approach Applied to Dominant 7 and Substitute Dominant 7 Turnarounds
Dominant Approach: Dominant to Dominant 7
Dominant Cycle of Fifths: Mixolydian to Mixolydian
Dominant Cycle of Fifths: Mixed to Mixed Dominants
Dominant Chords: What They Are and How to Use Them
For Further Listening
Glossary
Appendix Modes and Chord Scales
Chord Scale Quick Finder
Scale Syllabus for Improvisation
Modes in Seventh Chords for Guitar
About the Author

Okładka: , The Real Book, vol. 3

cena 203,95 zł.


nuty.pl

The Real Book, vol. 3

angielski The Real Book, vol. 3


Ilość stron:464
Format:203 x 280
Opracowanie na:linia melodyczna (klucz wiolinowy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Instrument melodyczny (klucz wiolinowy) (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

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Kod produktu:NPL065643

Czterysta standardów jazzowych zapisanych za pomocą linii melodycznej (klucz wiolinowy) i akordów. Publikacja przeznaczona jest na instrumenty Bb. Koncepcja Real Book zrodziła się w latach 70'tych kiedy to książki podobne do tych, lecz wydawane nielegalnie, towarzyszyły większości muzyków jazzowych na ich koncertach.


The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any copyrights or royalties paid to the master composers who created these musical canons. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You and your customers won't even notice the difference...the covers look the same, the engravings look the same, the songlist is nearly identical, and the price remains fair even on a musician's salary! But every conscientious musician and music store owner will appreciate that these books are now produced legally and ethically, benefitting the songwriters that we owe for some of the greatest music ever written! 400 songs, including: Ain't Misbehavin' • All or Nothing at All • Along Came Betty • Cheek to Cheek • East of the Sun (And West of the Moon) • Funkallero • H & H • I've Got the World on a String • I've Got You Under My Skin • The Jive Samba • The Lady Is a Tramp • Milestones • Moonlight in Vermont • A Nightingale Sang in Berkeley Square • On a Clear Day (You Can See Forever) • Samba De Orfeu • Stormy Weather (Keeps Rainin' All the Time) • Things Ain't What They Used to Be • The Very Thought of You • Violets for Your Furs • Watermelon Man • and more.


Lista utworów:
(I'm Afraid) The Masquerade Is Over (Allie Wrubel)
(Love Is) The Tender Trap (Frank Sinatra)
(There Ought To Be A) Moonlight Savings Time (Harry Richman, Irving Kahal)
(There'll Be Bluebirds Over) The White Cliffs Of Dover (Walter Kent)
A Blossom Fell (Diana Krall, Nat King Cole)
A Cottage For Sale (Willard Robison)
A Dreamer's Holiday (Mabel Wayne)
A Good Man Is Hard To Find (Sufjan Stevens)
A Nightingale Sang In Berkeley Square (Manhattan Transfer)
A Pretty Girl Is Like A Melody (Irving Berlin)
A Sleepin' Bee (Harold Arlen)
A Taste Of Honey (The Beatles)
Ac-cent-tchu-ate The Positive (Harold Arlen)
After You (Mike Stern)
After You've Gone (Sophie Tucker)
Ain't Misbehavin' (Hank Williams, Jr.)
Ain't That A Kick In The Head (Dean Martin)
Aisha (McCoy Tyner)
All My Tomorrows (James Van Heusen)
All Or Nothing At All (Frank Sinatra w/Harry James Orchestra)
All The Way (Frank Sinatra, Kenny G)
Allanjuneally (Kenny Werner)
Alone Too Long (Nat King Cole)
Along Came Betty (Benny Golson)
Always And Forever (Heatwave, Pat Metheny)
Among My Souvenirs (Connie Francis, Marty Robbins)
Amor (Amor, Amor, Amor) (Ben E. King)
Antigua (Antonio Carlos Jobim)
Aquellos Ojos Verdes (Green Eyes) (Jimmy Dorsey)
Aren't You Glad You're You (Jimmy Van Heusen)
As Long As I Live (Jack Teagarden)
At Long Last Love (Frank Sinatra)
At Sundown (Walter Donaldson)
Autumn In 3 (Kenny Werner)
Baia (Bahía) (Ary Barroso, Ray Gilbert)
Ballad For Trane (Kenny Werner)
Bark For Barksdale (Gerry Mulligan)
Be Careful, It's My Heart (Irving Berlin)
Bein' Green (Frank Sinatra, Kermit the Frog)
Bernie's Tune (Bernie Miller)
Bésame Mucho (Kiss Me Much) (The Beatles, The Coasters)
Between The Devil And The Deep Blue Sea (Andre Previn)
Beyond The Blue Horizon (Lou Christie)
Bijou (Woody Herman & His Orchestra)
Bitches Brew (Miles Davis)
Blackberry Winter (Alec Wilder, Loonis McGlohon)
Blue Bird (Charlie Parker)
Blue Champagne (Frank Ryerson, Grady Watts, Jimmy Eaton)
Blue Prelude (Woody Herman)
Bolivia (Cedar Walton)
Born To Be Blue (The Judds)
Bossa Antigua (Paul Desmond)
Brazil (Kenny G, The Ritchie Family)
Breakin' Away (Al Jarreau)
Bud Powell (Chick Corea)
Buzzy (Charlie Parker)
By Myself (Linkin Park)
Bye Bye Baby (T-Bone Walker)
Caldonia (What Makes Your Big Head So Hard?) (Woody Herman & His Orchestra)
Careful (James S. Hall)
Cariba (Wes Montgomery)
Celia (Bud Powell, Charles Mingus)
Change Partners (Crosby, Stills & Nash, Ella Fitzgerald, Fred Astaire & Ginger Rogers, Jimmy Dorsey, Lawrence Welk)
Cheek To Cheek (Fred Astaire)
Cheetah (Kenny Burrell)
Cheryl (Charlie Parker)
Chicago (That Toddlin' Town) (Frank Sinatra)
Come Fly With Me (James Van Heusen)
Continuum (Jaco Pastorius)
Copenhagen (Robert Earl Keen)
Crazy (Aerosmith, Gnarls Barkley, K-Ci & Jojo, Mercyme, Pat Green, Patsy Cline)
Crazy She Calls Me (Bob Russell)
Cry Me A River (Janice Harper, Joe Cocker, Julie London)
Dark Eyes (Russian Cabaret Song)
Day Dream (Billy Strayhorn, Duke Ellington)
'Deed I Do (Fred Rose, Walter Hirsch)
Dig (Lew Tabackin, Miles Davis, Mudvayne)
Diminushing (Django Reinhardt)
Don't Ever Go Away (Por Causa De Voce) (Antonio Carlos Jobim)
Don't Know Why (Norah Jones)
Don't Take Your Love From Me (Henry Nemo)
Don't Worry 'Bout Me (Frank Sinatra, Zoot Sims)
Dream Dancing (Fred Astaire)
Dreamy (Erroll Garner)
Drop Me Off In Harlem (Duke Ellington)
Early Morning Mood (Chet Baker)
East Of The Sun (And West Of The Moon) (Brooks Bowman)
East St. Louis Toodle-oo (Duke Ellington)
East To Wes (Emily Remler)
Easy Street (June Christy)
Eleven Four (Paul Desmond)
Elogie (Earl Bud Powell)
Everything Happens To Me (Matt Dennis)
Ev'ry Time We Say Goodbye (Stan Kenton)
Ev'rything I Love (Peggy Lee)
Exactly Like You (Jimmy McHugh)
Falling In Love Again (Can't Help It) (Linda Ronstadt, Marlene Dietrich)
Feel Like Makin' Love (Bad Company, D'Angelo, Roberta Flack)
Fields Of Gold (Sting)
Fine And Mellow (Billie Holiday)
For Every Man There's A Woman (Harold Arlen)
Freckle Face (Count Basie)
From This Moment On (Linda Eder, Shania Twain)
Full Moon And Empty Arms (Buddy Kaye, Ted Mossman)
Funkallero (Bill Evans)
Get Happy (Harold Arlen)
Glad To Be Unhappy (Lena Horne)
Gone With The Wind (Allie Wrubel, Herb Magidson)
Good Morning Heartache (Billie Holiday, Diana Ross)
Got A Match? (Chick Corea Elektric Band)
H & H (Pat Metheny)
Happy Hunting Horn (Richard Rodgers)
Hard Hearted Hannah (The Vamp Of Savannah) (Bob Bigelow, Charles Bates, Jack Yellen, Milton Ager)
Harlem Nocturne (Earle Hagen)
Haunted Heart (Arthur Schwartz)
Heart And Soul (Huey Lewis, The Monkees, T'Pau)
Heat Wave (Irving Berlin)
Here's To My Lady (Rube Bloom)
High Hopes (Pink Floyd)
Hit That Mess (Bulee Gaillard, Harry D. Squires)
Hooray For Love (Harold Arlen)
How Are Things In Glocca Morra (Tommy Dorsey)
How Deep Is The Ocean (How High Is The Sky) (Ben Webster)
I Ain't Got Nobody (And Nobody Cares For Me) (Bessie Smith)
I Ain't Got Nothin' But The Blues (Duke Ellington)
I Can't Believe That You're In Love With Me (Clarence Gaskill, Jimmy McHugh)
I Concentrate On You (Cole Porter)
I Could Have Danced All Night (Frederick Loewe)
I Cried For You (Abe Lyman, Arthur Freed, Gus Arnheim)
I Didn't Know What Time It Was (Richard Rodgers)
I Don't Know Enough About You (Dave Barbour, Peggy Lee)
I Don't Know Why (I Just Do) (Fred E. Ahlert)
I Don't Want To Walk Without You (Jule Styne)
I Found A Million Dollar Baby (In A Five And Ten Cent Store) (Harry Warren)
I Got The Sun In The Morning (Irving Berlin)
I Gotta Right To Sing The Blues (Harold Arlen)
I Guess I'll Hang My Tears Out To Dry (Dexter Gordon)
I Hear Music (Hampton Hawes)
I Keep Going Back To Joe's (Jack Segal, Marvin Fisher)
I Left My Heart In San Francisco (Tony Bennett)
I Like The Likes Of You (Vernon Duke)
I Wanna Be Loved (Elvis Costello)
I Wish I Were In Love Again (Richard Rodgers)
I Wish You Love (Gloria Lynne)
I Wished On The Moon (Bill Perkins)
I Won't Dance (Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein II, Otto Harbach)
If I Didn't Care (Jack Lawrence)
I'll Be Around (Michael W. Smith, Spinners, Steve Vai, The Mills Brothers)
I'll Be Seeing You (Irving Kahal, Sammy Fain)
I'll Close My Eyes (Billy Reid, Buddy Kaye)
I'll Get By (As Long As I Have You) (Fred E. Ahlert)
I'll Take Romance (Ben Oakland)
Ill Wind (You're Blowin' Me No Good) (Harold Arlen)
I'm Always Chasing Rainbows (Harry Carroll)
I'm Glad There Is You (In This World Of Ordinary People) (Jimmy Dorsey, Paul Madeira)
I'm Hip (Bob Dorough)
I'm Old Fashioned (Jerome Kern)
I'm Sitting On Top Of The World (Ray Henderson)
In A Little Spanish Town ('Twas On A Night Like This) (Mabel Wayne)
In Her Family (Pat Metheny)
In Love In Vain (Jerome Kern)
In The Cool, Cool, Cool Of The Evening (Hoagy Carmichael)
Indian Summer (The Doors)
Interchange (Pat Martino)
Isfahan (Billy Strayhorn, Duke Ellington)
It All Depends On You (B.G. DeSylva, Lew Brown, Ray Henderson)
It Never Entered My Mind (Richard Rodgers)
It Only Happens When I Dance With You (Dick Hyman)
It's A Big Wide Wonderful World (John Rox)
It's A Good Day (Peggy Lee)
It's A Lovely Day Today (Elmo Hope)
It's A Most Unusual Day (Jimmy McHugh)
It's Been A Long, Long Time (Jule Styne)
It's De-Lovely (Cole Porter)
It's Impossible (Somos Novios) (Elvis Presley, Perry Como)
It's So Nice To Have A Man Around The House (Harold Spina)
It's The Talk Of The Town (Jerry Livingston)
It's Too Late (Carole King, Gloria Estefan)
It's You Or No One (Morgana King)
I've Got My Love To Keep Me Warm (Benny Goodman)
I've Got The World On A String (Dick Hyman)
I've Got You Under My Skin (Cole Porter)
I've Grown Accustomed To Her Face (Gordon MacRae, Rosemary Clooney)
I've Heard That Song Before (Jule Styne)
I've Never Been In Love Before (Billy Eckstine, Chet Baker, Stan Kenton)
Jamba (Jack Wilkins)
James (Billy Joel, O.A.R., Pat Metheny)
Java Jive (Ben Oakland, Milton Drake)
Jersey Bounce (Bobby Platter, Ed Johnson, Robert Wright, Tiny Bradshaw)
Just A Gigolo (Louis Armstrong)
Just Squeeze Me (But Don't Tease Me) (Duke Ellington)
Just The Two Of Us (Grover Washington Jr. with Bill Withers)
Kickin' The Gong Around (Harold Arlen, Ted Koehler)
Lazy Afternoon (Jerome Moross, John Latouche)
Lazybones (Hoagy Carmichael, Johnny Mercer)
Learnin' The Blues (Rosemary Clooney)
Let There Be Love (Dave Billbrough, Lionel Rand)
Let's Face The Music And Dance (Dick Hyman)
Let's Get Away From It All (Matt Dennis, Tom Adair)
Line For Lyons (Gerry Mulligan)
Line Games (Pat Martino)
Linger Awhile (Vincent Rose)
Little Girl Blue (Richard Rodgers)
Little Shoes (Mike Stern)
Little White Lies (Julie London)
Little Willie Leaps (Miles Davis)
Look To The Rainbow (Burton Lane)
Lost In The Stars (Kurt Weill)
L-O-V-E (Al Green, Natalie Cole)
Love Is A Simple Thing (Arthur Siegel)
Love Letters (Bonnie Raitt, Elton John, Elvis Presley, Ketty Lester, Rob Schneiderman)
Love Me Or Leave Me (Dave Pell)
Love You Madly (Duke Ellington)
Lover, Come Back To Me (Sigmund Romberg)
Lullaby Of The Leaves (Bernice Petkere)
Makin' Whoopee! (John Hicks)
Mambo #5 (Perez Prado & His Orchestra)
Manhattan (Bob Seger, Eric Johnson)
Marmaduke (Charlie Parker)
Mas Que Nada (Sergio Mendes)
Masquerade (Andrew Lloyd Webber, John Jacob Loeb)
Maybe I Should Change My Ways (Duke Ellington, John Latouche)
Mayreh (Horace Silver)
Mean To Me (Fred E. Ahlert, Roy Turk)
Midnight Sun (Asia)
Milestones (Miles Davis)
Mimi (Richard Rodgers)
Mona Lisa (Nat King Cole)
Moon And Sand (Alec Wilder, Morty Palitz)
Moonlight Becomes You (Jimmy Van Heusen)
Moonlight In Vermont (John Blackburn, Karl Suessdorf)
More (Ti Guardero Nel Cuore) (Kai Winding)
More I Cannot Wish You (Frank Loesser)
Mountain Greenery (Richard Rodgers)
My Baby Just Cares For Me (John Pizzarelli)
My Blue Heaven (Walter Donaldson)
My Heart Belongs To Daddy (Cole Porter)
My Heart Stood Still (Artie Shaw, Stan Getz)
My Ideal (John Coltrane)
My Lucky Star (B.G. DeSylva, Lew Brown, Ray Henderson)
My Man (Mon Homme) (Maurice Yvain)
My Melancholy Baby (Ernie Burnett)
My Silent Love (Dana Suesse)
My Sin (B.G. DeSylva, Lew Brown, Ray Henderson)
Nancy - With The Laughing Face (James Van Heusen)
Never Let Me Go (Dinah Washington)
Nevertheless (I'm In Love With You) (Bert Kalmar, Harry Ruby)
No Moon At All (Dave Mann, Redd Evans)
Nobody Else But Me (Jerome Kern)
Norwegian Wood (This Bird Has Flown) (The Beatles)
Old Cape Cod (Patti Page)
On A Clear Day (You Can See Forever) (Burton Lane)
On A Slow Boat To China (Frank Loesser)
On The Street Where You Live (Dennis De Young, Vic Damone)
On The Sunny Side Of The Street (Jimmy McHugh)
One For My Baby (And One More For The Road) (Frank Sinatra)
Out Of This World (Michael W. Smith)
Passport (Charlie Parker)
People (Barbra Streisand)
Perhaps (Charlie Parker)
Poinciana (Song Of The Tree) (Nat Simon)
Poor Butterfly (Raymond Hubbell)
Pretend (Nat King Cole, Suzanne Ciani, The Mavericks)
Pure Imagination (Anthony Newley, Leslie Bricusse)
Put On A Happy Face (Charles Strouse)
Quizás, Quizás, Quizás (Perhaps, Perhaps, Perhaps) (Osvaldo Farres)
Re: Person I Knew (Bill Evans)
Red Top (Ken Kynard, Lionel Hampton)
Reflections In D (Duke Ellington)
Revelation (Cyrus Chestnut)
Ridin' High (Benny Goodman)
Rifftide (Coleman Hawkins)
Rockin' Chair (Gwen McCrae, John Lee Hooker, Oasis)
Romance Without Finance (Lloyd Grimes)
Room 608 (Horace Silver)
Rose Room (Art Hickman)
Rosewood (Woody Shaw)
S.O.S. (Abba, Good Charlotte, Rihanna, Wes Montgomery)
Samba De Orfeu (Luiz Bonfa)
Save The Bones For Henry Jones (Danny Barker, Vernon Lee)
Say It Isn't So (Bon Jovi, Daryl Hall - John Oates, Julie London)
Say It With Music (Irving Berlin)
Seems Like Old Times (Carmen Lombardo, John Jacob Loeb)
Segment (Charlie Parker)
Sentimental Me (Jim Morehead, Richard Rodgers)
Shawnuff (Charlie Parker, John 'Dizzy' Gillespie)
Shoo Fly Pie And Apple Pan Dowdy (Guy Wood)
Sing, You Sinners (Sam Coslow, W. Franke Harling)
Sister Sadie (Horace Silver)
Skylark (Hoagy Carmichael)
Small Fry (Hoagy Carmichael)
Small World (Jule Styne)
So Danco Samba (Jazz 'N' Samba) (Antonio Carlos Jobim)
So In Love (Donnie McClurkin, Rob Schneiderman)
Soft Lights And Sweet Music (Mel Lewis)
Somebody Loves You (Peter De Rose)
Something Wonderful (Richard Rodgers)
Sometimes I'm Happy (Vincent Youmans)
Song For Helen (Bill Evans)
Song For Strayhorn (Gerry Mulligan)
Song Of The Jet (Samba do Aviao) (Antonio Carlos Jobim)
Soon It's Gonna Rain (Harvey Schmidt)
Spring Can Really Hang You Up The Most (Tommy Wolf)
Spring Will Be A Little Late This Year (Frank Loesser)
Squeeze Me (Clarence Williams, Thomas Waller)
Stablemates (Benny Golson)
Stay As Sweet As You Are (Harry Revel)
Steeplechase (Charlie Parker)
Steppin' Out With My Baby (Irving Berlin)
Stormy Weather (Keeps Rainin' All The Time) (Harold Arlen)
Sweet And Lovely (Charles N. Daniels, Gus Arnheim, Harry Tobias)
Swinging On A Star (Jimmy Van Heusen)
Take Ten (Paul Desmond)
Teach Me Tonight (Gene DePaul)
Teen Town (Jaco Pastorius)
Telephone Song (Vaughan Bros.)
Ten Cents A Dance (Richard Rodgers)
That Old Black Magic (Harold Arlen)
That Old Feeling (Lew Brown, Sammy Fain)
The Best Thing For You (Dick Hyman)
The Best Things In Life Are Free (Luther Vandross & Janet Jackson)
The Blessing (Ornette Coleman)
The Breeze And I (Caterina Valente)
The Creole Love Call (Duke Ellington)
The End Of A Love Affair (Frank Sinatra)
The Face I Love (Astrud Gilberto)
The Glory Of Love (Count Basie, Jimmy Durante, Peggy Lee, The Platters)
The Jive Samba (Cannonball Adderley)
The Lady Is A Tramp (Richard Rodgers)
The Lady's In Love With You (Benny Goodman)
The Look Of Love (ABC, Kenny G, Sergio Mendes & Brasil '66)
The Love Nest (Louis A. Hirsch)
The Man That Got Away (Harold Arlen)
The Meaning Of The Blues (Bobby Troup, Leah Worth)
The Night We Called It A Day (Matt Dennis, Tom Adair)
The Odd Couple (Neal Hefti)
The Party's Over (Jule Styne)
The Rainbow Connection (Kenneth L. Ascher, Paul Williams)
The Single Petal Of A Rose (Duke Ellington)
The Song Is Ended (But The Melody Lingers On) (Irving Berlin)
The Thrill Is Gone (B.B. King)
The Touch Of Your Lips (Ray Noble)
The Very Thought Of You (Kate Smith, Nat King Cole, Ray Conniff, Rick Nelson)
The Visit (Pat Martino)
Theme For Ernie
There Are Such Things (Abel Baer, George W. Meyer, Stanley Adams)
There Goes My Heart (Joni James, The Mavericks)
There's A Mingus Amonk Us (Randy Brecker)
They Say It's Wonderful (Irving Berlin)
Things Ain't What They Used To Be (Mercer Ellington)
This Can't Be Love (Richard Rodgers)
This Could Be The Start Of Something Big (Steve Allen)
This Is All I Ask (Beautiful Girls Walk A Little Slower) (Gordon Jenkins)
Three Little Words (Harry Ruby, Joe Nathan, John Jacobson)
Time After Time (Cyndi Lauper, Cyndi Lauper featuring Sarah McLachlan, Inoj, Ozzy Osbourne)
Time Was (Miguel Prado)
Too Close For Comfort (George Weiss, Jerry Bock, Larry Holofcener)
Too Late Now (Tommy Flanagan)
Toot, Toot, Tootsie! (Good-bye!) (Dan Russo, Ernie Erdman, Gus Kahn, Ted Fiorito)
Trick (Patrick Azzara)
Try To Remember (Harvey Schmidt)
Two Of A Mind (Paul Desmond)
Un Poco Loco (Bud Powell)
Unforgettable (Dinah Washington, Natalie Cole)
Upside Downside (Mike Stern)
Violets For Your Furs (Matt Dennis, Tom Adair)
Wail (Earl 'Bud' Powell)
Walk On The Wild Side (Lou Reed)
Walkin' My Baby Back Home (Fred E. Ahlert, Roy Turk)
Watermelon Man (Herbie Hancock)
What A Diff'rence A Day Made (Maria Grever)
What A Wonderful World (Louis Armstrong, Louis Armstrong with Kenny G., Rod Stewart feat. Stevie Wonder)
What Did I Have That I Don't Have? (Burton Lane)
What I Did For Love (Marvin Hamlisch)
What Now My Love (Elvis Presley, Herb Alpert, Sonny & Cher)
When The Sun Comes Out (Harold Arlen)
When You're Smiling (The Whole World Smiles With You) (Joe Goodwin, Larry Shay, Mark Fisher)
Where Or When (Dion & The Belmonts)
While We're Young (Alec Wilder, Morty Palitz)
Whistle While You Work (Frank Churchill)
Whittlin' (Pat Metheny)
Who's Afraid Of The Big Bad Wolf? (Frank Churchill)
Why Did I Choose You? (Michael Leonard)
Why Don't You Do Right (Get Me Some Money, Too!) (Peggy Lee)
Why Try To Change Me Now (Cy Coleman, Joseph McCarthy)
Will You Still Be Mine (Matt Dennis)
Wintersong (Paul Desmond)
Witchcraft (Wolfmother)
With Every Breath I Take (Cy Coleman, Leo Robin, Ralph Rainger)
Wouldn't It Be Loverly (Frederick Loewe)
Wrap Your Troubles In Dreams (And Dream Your Troubles Away) (Harry Barris)
Yes Indeed (Sy Oliver)
You Belong To My Heart (Solamente Una Vez) (Agustin Lara)
You Better Go Now (Robert Graham)
You Made Me Love You (I Didn't Want To Do It) (James V. Monaco)
Younger Than Springtime (Gordon MacRae, Stan Kenton)
You're Blase (Sarah Vaughan)
You're Driving Me Crazy! (What Did I Do?) (Walter Donaldson)
You're Mine You (John Green)
You've Changed (Connie Russell, Keyshia Cole)

Okładka: Różni, Fantasias for Piano

cena 110,95 zł.


nuty.pl

Różni
Fantasias for Piano

polski Fantazje na fortepian
angielski Fantasias for Piano
niemiecki Fantasien für Klavier
francuski Fantaisies pour piano


Ilość stron:32
Format:223 x 300
Opracowanie na:fortepian solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska, niemiecka
Stopień trudności:7 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL067608

Fantazja to utwór muzyczny, bardzo często wirtuozowski, posiadający elementy improwizacyjne. Niniejsza publikacja stanowi wybór 6 fantazji siedemnasto- i osiemnastowiecznych kompozytorów, jak Jan Sebastian Bach, Wolfgang Amadeusz Mozart, Felix Mendelssohn, Fryderyk Chopin, Robert Schumann i Johannes Brahms. Zbiór ten doskonale obrazuje, jak forma tego gatunku muzycznego ewoluowała na przestrzeni dwustu lat.

At first the term fantasia, as for example used by Frescobaldi, Sweelinck, pachelbel and their countemporaries, was interchangeable with recercar, preambel and capriccio. In Elizabethan England, however, it gained a stronger identity and greater independence as in the keyboard and consort works of William Byrd and the lute music of John Dowland. A tradition having been established, many Jacobean composers, notably Orlando Gibbons, wrote fantasias for a consort of viols or a broken consort. Purcell loosely classified his In Nomines for strings as fantasias.

Lista utworów:
Fantasie über The last Rose of Summer E-Dur (1827) op. 15 (Mendelssohn Bartholdy Felix)
Fantasie c-Moll BWV 906 (Bach Johann Sebastian)
Fantasie d-Moll (1782) KV 397 (Mozart Wolfgang Amadeus)
Fantasie (1892) op. 116 nr 6 (Brahms Johannes)
Fantasie-Impromptu (1835) op. 66 (Chopin Frédéric)
Fantasiestück "Grillen" (1837) op. 8 nr 4 (Schumann Robert)

Okładka: Różni, Waltzes Vol.1

cena 64,95 zł.


nuty.pl

Różni
Waltzes Vol.1

polski Walce na fortepian, z. 1
angielski Waltzes for Piano, Vol. 1
niemiecki Walzer für Klavier, Band 1
francuski Valses pour piano, nr. 1


Ilość stron:32
Format:223 x 302
Opracowanie na:fortepian solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: niemiecka, francuska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL067643
Produkty podobne:

Walc jest tańcem pochodzenia niemieckiego w metrum 3/4. W twórczości fortepianowej walc przestał być tylko i wyłącznie tańcem do zabawy, ale stał się samodzielnym utworem koncertowym. Widoczne jest to w twórczości zwłaszcza Fryderyka Chopina, którego walce charakteryzują się ogromnym artyzmem i wirtuozerią. Publikacja stanowi wybór 5 walców na fortepian takich kompozytorów, jak: Franz Schubert, Fryderyk Chopin, Edward Grieg, Piotr Czajkowski i Claude Debussy. Utwory przeznaczone są dla zaawansowanych pianistów.

The word "walzen" appeared in the mid-eighteenth century as a description of a mode of dancing, a whirling of couples in close embrace. Various titles were at this time commonly given to the popular tripletime dances of southern Germany, Austria and Bavaria, such as Dreher, Weller, Schleifer and Ländler. They were collectively known as Deutscher (German dances). By the late eighteenth century the title Walzer had also established itself and become to a certain extent interchangeable with Deutscher and Ländler. The waltz was, however, already little faster. Its popularity increased rapidly as it spread to other part of Europe, eclipsing several other dance forms and causing objections to be raised on moral grounds because of the physical closeness of the partners and speed of the music: in some areas of Switzelrnad it was even prohibited.

Lista utworów:
12 Ländler op. 171 (Schubert Franz)
Valse Cis minor op. 64 (Chopin Fryderyk)
Valse-Impromptu op. 47 (Grieg Edvard)
Valse sentimentale op. 51 (Tchaikovsky Pyotr)
La plus que lente (Debussy Claude)

Okładka: Biscardi Chester, Piano Sonata

cena 116,95 zł.


nuty.pl

Biscardi Chester
Piano Sonata

polski Sonata fortepianowa
angielski Piano Sonata
niemiecki Sonate für Klavier


Ilość stron:28
Format:230 x 305
Opracowanie na:fortepian solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
Stopień trudności:8 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL067890

Chester Biscardi (ur. 1948) jest amerykańskim kopozytorem i pedagogiem. Kompozytor w swojej twórczości stara się dociec w jaki sposób dzieła literackie i obrazy mogą mieć wpływ na skład muzyki. ''Piano Sonata'', powstała w 1986 roku i jest jednym z bardziej znanych utworów Biscardiego. 3 - częściowa budowa utworu nawiązywać ma do tryptyku. Utwór charakteryzuje się nowoczesną harmonią i czystym, amerykańskim dźwiękiem. Sam kompozytor sugeruje tę sonatę wszytskim, którzy nie znają jego muzyki, jako 10-cio minutową próbkę jego pracy twórczej.

Since the early 1970's, I have been interested in the ways literature and painting influence musical ideas and form - how literatury images or use of color can inspire everything from the smallest melodic shape to a work's overall structure. The structure of ''Piano Sonata'' is based upon Jasper Johns' Voice 2. Voice 2 has gone trough three transformations: originally an oil and collage tryptich (1971), later a three-panel litograph (1982), and, in a final version, a nine-panel interchangeable series made of the 1982 lithograph. Johns borrows material from earlier works and utilizes overlapping, extension, and repetition as the main ingredients of form. ''Piano Sonata'' is divided into three sections which reflect three musicial textures: angular and pulsating; fast runs and chords; and lyrical. As with Johns' series, the three sections of ''Piano Sonata'' evolve into nine interactive sections and a coda. ''Piano Sonata'' was written for Antohny de Mare and premiered on his New York debut recital in 1986.
C.B.

Lista utworów:
Piano Sonata (Biscardi Chester)

Okładka: Leavitt William, A Modern Method For Guitar - Volumes 1, 2, 3 Complete

cena 198,95 zł.


nuty.pl

Leavitt William
A Modern Method For Guitar - Volumes 1, 2, 3 Complete

polski Wspóczesna szkoła na gitarę - części 1,2,3 - całość
angielski A Modern Method For Guitar - Volumes 1, 2, 3 Complete


Ilość stron:432
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Feist Jonathan
Zawartość:

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Kod produktu:NPL076172
Produkty podobne:Leavitt William - A Modern Method For Guitar - Volume 2
Leavitt William - A Modern Method For Guitar, Volume 1
Leavitt William - Méthode Moderne De Guitare: Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition) - Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition), Volume 1

Trzy częściowa szkoła gry na gitarze Williama Leavitta, zebrana została w jednej publikacji. Jest ona wykorzystywana do nauki gry na gitarze w prestiżowym Berklee College of Musik. Część pierwsza zajmuje się harmonią, melodyką, akompaniamentem a także podstawowymi technikami (np. arpeggio). W części drugiej wprowadzone zostają zagadnienia interwałów, przewrotów akordów, improwizacji, gitary rytmicznej i gry w duecie. Część trzecia pogłębia wiedzę zdobytą wcześniej.

Now guitarists can have all three volumes of this classic guitar method in one convenient book! Created by popular demand, this new edition of the method used as the basic text for the renowned Berklee College of Music guitar program is a complete compilation of the original Volumes 1, 2, and 3. Innovative solos, duets and exercises progressively teach melody, harmony and rhythm. Perfect for the serious guitar student and instructor alike.

Lista utworów:
Lullaby [Brahms, Johannes]
Merrily We Roll Along
White Coral Bells
Old Macdonald Had A Farm
The Cobra [Leavitt, William]
The Pebble [Leavitt, William]
Two-part Invention (No.13) [Bach, Johann Sebastian]
My Old Kentucky Home [Foster, Stephen]
Long, Long Ago
The Waltz [Leavitt, William]
Andante (Symphony No.94 'The Surprise') [Haydn, Franz Joseph]
Home On The Range
Rock Candy [Leavitt, William]
An Ancient Rock [Leavitt, William]
Accidentally [Leavitt, William]
Another Waltz [Leavitt, William]
Big Ben [Leavitt, William]
Duet For Dot [Leavitt, William]
Duet For Two [Leavitt, William]
Frere Jacques
Giant Steps [Leavitt, William]
America, The Beautiful

Spis treści:

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar – The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales – Position II
Principal Real Melodic Minor Scales – Position II
Triad studies – chords in G major
Arpegios – Three note chords -major triads
Arpegios – Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales – poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies – chords in F Major
Technical study
About chord construction
Major scales – position IV
Principal Real Melodic Minor Scales – Position IV
Chord construction – four part harmony
Arpeggios
Rhythm Guitar – The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes – A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios – four note F chords
Arpeggios – four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales – Position V
Chord construction – three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios – Four note Bb chords
Arpeggios – Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar – The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment – The Appogiatura
Rhythm Guitar – The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios – four note Eb Chords
Arpeggios – four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales – Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios – four note Db chords
Arpeggios – Four note B chords
Rhythm Guitar – The right hanad (Samba)
Polka -dot (polka duet)
Major Scales – Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios – Four note F# chords
Arpeggios – Four note Gb chords
Arpeggios – Four note C# chords
Chords (Three note voicings) Dominant 7 chords – open voicings – all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios – Diminished chords (spelling most used)
Arpeggios – Dominant 7(b5)
Theory: Diatonic 7 Chords – Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales – position X
Principal Real Melodic Minor Scales – Position X
Chords (Three note voicings) Major 6 and 7 chords – close and open voicings
Chord construction – five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar – The right hanad (Joropo, Nanigo)
Arpeggio study – seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords – close and open voicings
Iim7-V7I chord study
Chord-scale relationships – special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody – from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships – major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar – The right hanad (Paso Doble)
Chord study – Minor 7 with 5b in the bass
Chord spelling – five note arpeggios – Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling – five note arpeggios – Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling – five note arpeggios – Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings – adding the 5th degree
Chords-preparation of four-part open voicings – adding the root
Chord spelling – five note arpeggios – minor 9(b5) chords
About improvisation
„It's Late” (duet)
Chords-preparation of four part open voicings – adding the 3rd degree
Chords-preparation of four part open voicings – adding the 7rd degree
Scale – chord relationship – Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

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Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski Kurs nagrywania AudioPro, cz. 3
angielski The AudioPro Home Recording Course, Volume 3


Ilość stron:272
Format:215 x 275
Opracowanie na:książka
Rodzaj produktu:nuty drukowane + 2 płyty CD
Wersja językowa:angielska
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Kod produktu:NPL078018
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully





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