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Eleven Four

Dostępne opracowania:

2 klarnety i fortepian (1)
2 linie melodyczne (klucz wiolinowy) (1)
fortepian i CD (1)
fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy, diagramy chwytów gitarowych (1)
linia melodyczna (klucz wiolinowy) + akordy (1)
perkusja (1)
perkusja i CD (1)
teoria muzyki (1)

Eleven Four znajdziesz w 8 publikacjach wymienionych poniżej:


Okładka: Boston, The Best Of Boston

cena 115,95 zł.


nuty.pl

Boston
The Best Of Boston

Ilość stron:80
Format: 228.6 x 304.8
Opracowanie na:fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy, diagramy chwytów gitarowych
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1) lub Głos wokalny lub Gitara lub Keyboard
Rodzaj produktu:nuty drukowane
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL049995


Eleven hits from this classic rock band's four albums, including: More Than A Feeling * Peace Of Mind * Don't Look Back * Amanda * We're Ready * and more. Also features an in-depth interview with band members Tom Scholz and Brad Delp.


Lista utworów:
A Man I'll Never Be (Boston)
Amanda (Amanda McBroom, Boston, Waylon Jennings)
Don't Look Back (Boston, Wynonna)
I Need Your Love (Fred Sampson, Tom Scholz)
Livin' For You (Boston)
Long Time (Tom Scholz)
More Than A Feeling (Boston)
Peace Of Mind (Boston, George Strait)
To Be A Man (Tom Scholz)
We Can Make It (Al Kasha, Bob Cedro, David Sikes, Michael Lloyd, Tom Scholz)
We're Ready (Boston)

Okładka: Hanon Charles-Louis, Hanon For The Developing Pianist

cena 72,95 zł.


nuty.pl

Hanon Charles-Louis
Hanon For The Developing Pianist

angielski Hanon For The Developing Pianist


Ilość stron:48
Format:230 x 305
Opracowanie na:fortepian i CD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska, angielska
tytułów utworów: angielska
Stopień trudności:2 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Otwell Margaret, Klose Carol, Linn Jennifer
Autor wstępu: Schmid Elaine
Zawartość:

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Kod produktu:NPL060182

Charles - Louis Hanon urodził sie 2 lipca 1819 roku we Francji w małym miasteczku Renescure obok Dunkerque. Jego ojciec był nauczycielem muzyki w tamtejszej szkole. W 1846 roku Hanon został organistą i kierownikiem chóru w kościele pod wezwaniem św. Józefa w Boulogne, w mieście leżącym niedaleko od Renescuare. W
1853 roku wyjechał ze swoim bratem i przyjacielem Louisem Legierem do Bolonii. Tam komponował, wydawał swoja muzykę. Skomponował 12 etiud, 6 fantazji. Pisał również hymny, popularne pieśni i książki metodyczne.
W ręce państwa oddajemy publikację, która jest swego rodzaju szkołą gry na fortepianie. Szczególny nacisk w poszczególnych ćwiczeniach kładziony jest na postawę rąk i ćwiczenia poszczególnych palców. Utwory te mają charakter etiud. Dodatkowo do publikacji dołączona jest płyta CD, na której nagrane są 3 wersje temp w poszczególnych ćwiczeniach.: tempo wolne, średnie i tempo zagrane zgodnie z orginałem.


Drawing on the original G. Schirmer edition, this new G. Schirmer edition in the Hal Leonard Student Piano Library was created with today's developing pianist in mind. This fresh look at Hanon's popular studies includes innovative student worksheets; 'virtuoso' variation suggestions; informative historical and biographical facts; chromatic-scale exercises, and fully orchestrated accompaniments for each exercise in a variety of styles on CD. This package includes both a book and a CD. The CD includes both a practice and a performance tempo for each exercise. Download a complimentary Virtuoso Variations chart for these Hanon exercises today!


Lista utworów:
Exercise one (Mastering the ability to play the interval of a third easily, using finger 4 and 5)
Exercise two (Building strenght and control of fingers 3 and 4)
Exercise three (Strengthening the outer fingers 2-3-4 of each hand)
Exercise four (Strengthening the outer fingers 4-5 of each hand)
Exercise five (Transferring the weight of of the arm evenly over all the fingers of the hand)
Exercise six (Streingthening 5 as it alternaters with all the other fingers of the hand)
Exercise seven (Strengthening the outer fingers 3-4-5 of each hand)
Exercise eight (Stretching easly betwee finger 2 and fingers 4-5)
Exercise nine (Balancing the weight of the arm over each finger of the hand)
Exercise ten (Strengthening the finger pairs 2-3 and especially 3-4)
Exercise eleven (Strengthening the finger pairs 4-5. Trill preparation)
Exercise twelve (Extending fingers 1 and 5. Strengthening fingers 3, 4 and 5)
Exercise thirteen (Strengthening the outer fingers 3-4-5 of each hand. Contracting the hand by placing fingers 1 and 3, or 3 and 5, or adjacent keys)
Exercise fourteen (Strengthening the outer fingers 3-4. Contracting the hand by placing fingers 1 and 3, or 1 and 4, on adjacent keys)
Exercise fifteen (Strengthening the finger 1-2-3-4-5)
Exercise sixteen (Strengthening between R.H. 3 and 5. Strengthening the fingers 3-4-5)
Exercise seventeen (Extending the hand position by strething between several fingers)
Exercise eighteen (Conctraction of the hand by placing 1 and 3, or 3 and 5, on adjacent keys)
Exercise nineteen (Strengtheing all the fingers of the hand)
Exercise twenty (Extending to an octave. Strengthening fingers 2, 3 and 4)

Okładka: McGrain Mark, Music Notation

cena 159,95 zł.


nuty.pl

McGrain Mark
Music Notation

polski Teoria i technika notacji muzycznej
angielski Music Notation - Theory and Technique for Music Notation


Ilość stron:216
Format:230 x 305
Opracowanie na:teoria muzyki
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL065030

Przewodnik po teorii muzyki - zawiera wszelkie niezbędne zagadnienia dotyczące notacji muzycznej, m. in. rytmu, artykulacji, dynamiki, metrum, itp. Książka zawiera 13 rozdziałów tematycznych - każdy z nich posiada oddzielne terminologie i ćwiczenia.


Learn the essentials of music notation, from fundamental pitch and rhythm placement to intricate meter and voicing alignments. This book also covers the correct way to subdivide rhythms and notate complex articulations and dynamics. An excellent resource for both written and computer notation software!


Spis treści:

Introduction
Equipment
Chapter One: Sound Envelopes and the Notation Grid
Sound Description
The Staff
Leger Lines
Clefs
The Treble Clef
The Bass Clef
The Percussion Clef
The Alto and Tenor Clef
Placement of Clefs
The Great Staff
Homework
Additional Practises:
New Notation for New Sounds
Specific Percussion Clefs
Other Moveable C Clefs
Hybrid Clefs
Chapter Two: Fundamental Rhtyhmic Description
Note - heads
Stems
Stem Length
Stem Direction
Stem Length in Leger Lines
The Quarter Rest
The Half Rest
The Whole Rest
Percussion and Rhtyhm Note - heads
Homework
Additional Practices
Other Percussive Note - heads
Chapter Three: Fundamental Pitch Description
Placement of Notes on the Staff
Accidentals
Flats
Sharps
Naturals
Double Flats
Double Sharps
Spacing of Note - heads in Regard to Accidentals
Key Signatures
Application of Accidentals
The Logic of Accidentals
Courtesy Accidentals
Key Changes
Homework
Additional Practises
Logic of Accidentals
Null Key Signatures
Chapter Four: The Notational Grid: Conclusion
The Three Regions of the Staff
Measures
Barlines
Single Barlines
Double Barlines
The "fine" Barline
Braces and Brackets
Homework
Additional Practices
Changes of Clef
Chapter Five: Time Signatures, Meter, and Tempo
Time Signatures
Placement of Time Signatures
"Common Time" and "Cut time"
Changes Meter
Metric Placement of Note - heads and Rests
Alignment
Tempo Markings
Changes of Tempo
Homework
Additional Practices
Types of Rhythm
Metrical Rhythm
Changing Between Simple Time and Compound Time
Change of Pulse Note - value
Chapter Six: Rhythmic Subdivision of the Pulse
Flags
Beams
Application of Beams
Stem Direction of Beamed Note Groups
Beam Slant
Homework
Chapter Seven: Rhythmic Subdivision of the Pulse: Continued
Horizontal Beams
Primary Beams
Secondary Beams
Broken Secondary Beams
Syncopation
Borrowed Metric Groupings
Homework
Additional Practices
"Midway" Beaming of Note Groups
Beams as Indicators of Phrasing
Chapter Eight: Rhythmic Subdivision of the Pulse: Concluded
The Eighth Rest
The Sixteenth Rest
The Whole Measure Rest
Ties
Augmentation Dots
Dotted Rests
Rests in Compound Meters
Homework
Aditional Practices
Smaller Value Rests
Ties Attending Voicings
Triple Augmentation Dots
Chapter Nine: Holds, Pauses, and Repeats
Fermatas
Pauses
Caesuras
Fermatas Attending Caesuras
Multiple Measure Rests
Repeat Brackets
Repeat Endings
Single Measure Repeats
Double Measure Repeats
Da Capo and Dal Segno
al fine and al Coda
Homework
Additional Practices
Fermatas Attending Barlines
The "Grand Pause"
Tacet
Third Repeat Endings
Single Pulse Repeats
Col
Chapter Ten: Chords, Voicings, and Divisi Parts
Chord Symbols
Parenthetical Tensions
Inversions and Pedals
Voicings
Alignement of Accidentals
Divisi Parts
Octave Signs
Homework
Additional Practices
Hybrid Chords and Polychords
Divisi Parts: Continued
Coll' 8va and Coll' 8vb.
Chapter Eleven: Dynamics
Location of Dynamic Information
Dynamic Level Markings
Dynamic Terminology
Wedges
Homework
Additional Practices
Location of Dynamics
Combined Dynamic Level markings
Change of Dynamic :evel on Repeated Sections
Chapter twleve: Articulation
The "Unarticulated Note"
Accent Marks
Staccato Marks
Legato / Tenuto Marks
Plavement of Accent, Staccato, and Legato Markings
Slurs
Breath Marks
Accent Terminology
Idiomatic Considerations
Homework
Additional Practices
Combining Accents with Staccato and Legato Markings
Combining Accent, Staccato and Legato Markings with Slurs
Combining Accent Terms with Dynamics
Chapter Thirteen: Ornaments
The Portamento
The Glissando
Trills
Tremolos
The Unmeasured Tremolo
The Measured Tremolo
Grace Notes
Arpeggios
Turns
Bends
Homework
Additional Practices
Cues
I: Names of Instruments with Abbreviations
II: Score Layout
III: Instrumental Transpositions
IV: Glossary of European Musical Terms

Okładka: Borgo Elliot del, Contemporary Rhythm and Meter Duets for Treble Clef Instruments

cena 54,95 zł.


nuty.pl

Borgo Elliot del
Contemporary Rhythm and Meter Duets for Treble Clef Instruments

polski Duety we współczesnych rytmach i metrum na instrumenty o jednolitym stroju w zapisie w kluczu wiolinowym
angielski Contemporary Rhythm and Meter Duets for Treble Clef Instruments


Ilość stron:32
Format:230 x 305
Opracowanie na:2 linie melodyczne (klucz wiolinowy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Partytura (1)
Instrument melodyczny (klucz wiolinowy) (0)
Instrument melodyczny (klucz wiolinowy) (0)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor okładki: Heinly John
Zawartość:

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Kod produktu:NPL065429

Uniwersalne opracowanie dla dwóch instrumentów w zapisie w kluczu wiolinowym. Duety oparte są na rytmice i harmonii XX wieku - każdy z duetów oparty jest na określonym materiale harmonicznym i schemacie rytmicznym - np.: duet trzeci zbudowany jest w oparciu o materiał harmoniczny skali całotonowej; duet ósmy zbudowany jest politonalnie, gdzie tonacje głosów są w stosunku trytonu; duet dwunasty oparty jest na skali chromatycznej (12 dźwiękowej).


Based on the concept of Contemporary Rhythm and Meter Studies, these 14, 2 page duets make extensive use of metric and rhythmic devices, and harmonic and tonal devices commonly found in 20th century works. They are ideal for any instrument. This series of fourteen duets makes use of contemporary rhythmic, harmonic and tonal devices. Each duet is identified by the tonal or scalic material featured in the work. It is haped that the performers will familiarize themselves with the raw material of each duet (i.e. scale type, interyals and chords) in order to facilitate performance. Pay very close attention bo both the liner and vertical aspects of intonation as the harmonies can be quite dissonant at times. Performes should learn both parts of each duet since they were somposed as being equally important. Note the formal aspects of each duet in order to fully understand the contrast and return elements of each. The duets may be grouped together to be porformed during recitals, solo and ensemble festivals and so forth.


Lista utworów:
One (D Dorian) (Elliot del Borgo)
Two (F Minor) (Elliot del Borgo)
Three (G Whole Tone) (Elliot del Borgo)
Four (F Synthetic Scale) (Elliot del Borgo)
Five (Twevle Tone Row) (Elliot del Borgo)
Six (A Phrygian) (Elliot del Borgo)
Seven (F Cell Construction) (Elliot del Borgo)
Eight (Eb/A Polytonal) (Elliot del Borgo)
Nine (E Minor) (Elliot del Borgo)
Ten (G Mixolydian) (Elliot del Borgo)
Eleven (F Synthetic Scale) (Elliot del Borgo)
Twelve (12 Tone) (Elliot del Borgo)
Thirteen (E Aeolian) (Elliot del Borgo)
Fourteen (Atonal-Cell Construction) (Elliot del Borgo)

Okładka: , The Real Book - Mini Edition, vol. 1

cena 154,95 zł.


nuty.pl

The Real Book - Mini Edition, vol. 1

angielski The Real Book - Mini Edition, vol. 1


Ilość stron:464
Format:127 x 203
Opracowanie na:linia melodyczna (klucz wiolinowy) + akordy
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Instrument melodyczny (klucz wiolinowy) (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
słów utworów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL065663

Zbiór The Real Book to największe standardy jazzowe w zapisie: linia melodyczna w kluczu wiolinowym + akordy. Przeznaczony jest na dowolny instrument melodyczny grający w kluczu wiolinowym. Koncepcja The Real Book wywodzi się z lat 70'tych kiedy to książki podobne do tej, lecz publikowane nielegalnie, towarzyszyły niemal każdemu muzykowi jazzowemu w jego koncertach. Ta edycja wprowadza mniejszy format książki.


Hal Leonard proudly presents new mini editions of its bestselling Real Books. These 5.5 x 8.5 little books pack a big jazz punch; they include all 400 fantastic songs found in the 9 x 12 versions: All Blues • Au Privave • Autumn Leaves • Black Orpheus • Bluesette • Body and Soul • Bright Size Life • Con Alma • Dolphin Dance • Don't Get Around Much Anymore • Easy Living • Epistrophy • Falling in Love with Love • Footprints • Four on Six • Giant Steps • Have You Met Miss Jones? • How High the Moon • I'll Remember April • Impressions • Lullaby of Birdland • Misty • My Funny Valentine • Oleo • Red Clay • Satin Doll • Sidewinder • Stella by Starlight • Take Five • There Is No Greater Love • Wave • and hundreds more!


Lista utworów:
(I Love You) For Sentimental Reasons (King Cole Trio)
(Old Man From) The Old Country (Curtis R. Lewis, Nat Adderley)
500 Miles High (Chick Corea Elektric Band)
502 Blues (James Rowles)
A Child Is Born (Thad Jones)
A Fine Romance (Jerome Kern)
A Man And A Woman (Un Homme Et Une Femme) (Herbie Mann and Tamiko Jones)
A Night In Tunisia (Dizzy Gillespie)
A String Of Pearls (Jerry Gray)
A Sunday Kind Of Love (Reba McEntire)
African Flower (Petite Fleur Africaine) (Duke Ellington)
Afro Blue (John Coltrane)
Afternoon In Paris (John Lewis)
Água De Beber (Water To Drink) (Antonio Carlos Jobim)
Airegin (John Coltrane)
Alfie (Cher, Dionne Warwick, Sonny Rollins, Stevie Wonder)
Alice In Wonderland (Bill Evans)
All Blues (John Coltrane, Miles Davis)
All By Myself (Bing Crosby, Celine Dion, Eric Carmen, Frank Crumit, Ted Lewis)
All Of Me (18+) (countless artists)
All Of You (Don Ameche, Fred Astaire & Carol Richards, Fred Astaire & Cyd Charisse, Julio Iglesias)
All The Things You Are (Jack Leonard with Tommy Dorsey Orchestra)
Alright, Okay, You Win (Peggy Lee)
Always (Atlantic Starr, Billie Holiday, Blink 182, Bon Jovi, Frank Sinatra, Kenny G, Patsy Cline, Saliva)
Ana Maria (Wayne Shorter)
Angel Eyes (John Hiatt)
Anthropology (Charlie Parker)
Apple Honey (Woody Herman)
April In Paris (Coleman Hawkins, Count Basie, Modernaires)
April Joy (Pat Metheny)
Arise, Her Eyes (Steve Swallow)
Armageddon (Wayne Shorter)
Au Privave (Charlie Parker)
Autumn In New York (Bud Powell, Jo Stafford)
Autumn Leaves (Mitch Miller, Roger Williams, Steve Allen & George Cates)
Beautiful Love (Bill Evans, The Afters)
Beauty And The Beast (Celine Dion & Peabo Bryson, David Bowie, Wayne Shorter)
Bessie's Blues (John Coltrane)
Bewitched (Betty Smith Group)
Big Nick (John Coltrane)
Black Coffee (Paul Francis Webster, Sonny Burke)
Black Diamond (Kiss)
Black Narcissus (Joe Henderson)
Black Nile (Wayne Shorter)
Black Orpheus (Stan Getz)
Blue Bossa (Kenny Dorham)
Blue In Green (Miles Davis)
Blue Monk (Thelonious Monk)
Blue Train (Blue Trane) (John Coltrane)
Blues For Alice (Charlie Parker, John Coltrane)
Bluesette (Sarah Vaughn, Toots Thielmans)
Body And Soul (John Green)
Boplicity (Be Bop Lives) (Miles Davis)
Bright Size Life (Pat Metheny)
Broad Way Blues (Ornette Coleman)
Broadway (Alison Krauss & Union Station, Count Basie, Goo Goo Dolls)
But Beautiful (Jimmy Van Heusen)
Butterfly (Andy Williams, Charlie Gracie, Herbie Hancock, Lenny Kravitz, Mariah Carey, Weezer)
Byrd Like (Freddie Hubbard)
Call Me (Blondie, California Chris Montez)
Call Me Irresponsible (Dinah Washington, Frank Sinatra, Jack Jones)
Can't Help Lovin' Dat Man (Annette Warren, Helen Morgan)
Captain Marvel (Chick Corea)
Central Park West (John Coltrane)
Ceora (Billy Taylor, Lee Morgan)
C'est Si Bon (It's So Good) (Conway Twitty, Danny Kaye, Eartha Kitt)
Chega De Saudade (No More Blues) (Antonio Carlos Jobim)
Chelsea Bells (Steve Swallow)
Chelsea Bridge (Billy Strayhorn)
Cherokee (Indian Love Song) (Benny Goodman Sextet, Charlie Barnet & his Orchestra, Ray Noble And His Orchestra)
Cherry Pink And Apple Blossom White (Alan Dale, Jarry Murad's Harmonicats, Perez 'Prez' Prado)
Chippie (Ornette Coleman)
Chitlins Con Carne (Kenny Burrell)
Come Sunday (Duke Ellington)
Como En Vietnam (Steve Swallow)
Con Alma (Dizzy Gillespie)
Conception (George Shearing)
Confirmation (Charlie Parker)
Contemplation (Lanz/Stroutsos)
Coral (Keith Jarrett, Traditional Round)
Cotton Tail (Duke Ellington)
Could It Be You (Marcus Miller)
Countdown (John Coltrane)
Crescent (John Coltrane)
Crystal Silence (Chick Corea)
D Natural Blues (John L. (Wes) Montgomery)
Daahoud (Clifford Brown)
Dancing On The Ceiling (Lionel Richie)
Darn That Dream (Benny Goodman, Miles Davis, Tommy Dorsey)
Day Waves (Chick Corea)
Days And Nights Waiting (Keith Jarrett)
Dear Old Stockholm (Varmeland)
Dearly Beloved (Jerome Kern)
Dedicated To You (Hy Zaret, Sammy Cahn, Saul Chaplin)
Deluge (Wayne Shorter)
Desafinado (Antonio Carlos Jobim)
Desert Air (Chick Corea)
Detour Ahead (Herb Ellis, John Frigo, Lou Carter)
Dexterity (Charlie Parker)
Dizzy Atmosphere (Charlie Parker)
Django (Rancid)
Doin' The Pig (Steve Swallow)
Dolores (Wayne Shorter)
Dolphin Dance (Herbie Hancock)
Domino Biscuit (Steve Swallow)
Donna Lee (Charlie Parker)
Don't Blame Me (Jimmy McHugh)
Don't Get Around Much Anymore (Bob Russell, Duke Ellington)
Dream A Little Dream Of Me (The Mamas & The Papas)
Dreamsville (Henry Mancini)
E.S.P. (Wayne Shorter)
Easter Parade (Irving Berlin)
Easy Living (Billie Holiday)
Easy To Love (You'd Be So Easy To Love) (Cole Porter)
Ecclusiastics (Charles Mingus)
Eighty One (Miles Davis)
El Gaucho (Wayne Shorter)
Epistrophy (Thelonious Monk)
Equinox (John Coltrane)
Equipoise (Stanley Cowell)
Fall (Dick Kniss, John Denver, Mike Taylor, Wayne Shorter)
Falling Grace (Steve Swallow)
Falling In Love With Love (Richard Rodgers)
Fee-Fi-Fo-Fum (Wayne Shorter)
Follow Your Heart (Albert Hague, John McLaughlin, Mark Hollmann)
Footprints (Wayne Shorter)
For All We Know (The Carpenters)
For Heaven's Sake (Claude Thornhill)
Forest Flower (Charles Lloyd)
Four (John Coltrane)
Four On Six (Wes Montgomery)
Freddie Freeloader (Miles Davis)
Freedom Jazz Dance (Miles Davis)
Full House (David Sanborn, Wes Montgomery)
Gee Baby, Ain't I Good To You (Don Redman)
Gemini (Slayer)
Giant Steps (John Coltrane)
Gloria's Step (Scott LeFaro)
God Bless' The Child (Arthur Herzog Jr., Billie Holiday)
Golden Lady (Stevie Wonder)
Good Evening Mr. And Mrs. America (John Guerin)
Grand Central (John Coltrane)
Groovin' High (Charlie Parker)
Grow Your Own (Keith Jarrett)
Guilty (Barbra Streisand, Jim Reeves)
Gypsy In My Soul (Clay Boland)
Half Nelson (Miles Davis)
Have You Met Miss Jones? (Richard Rodgers)
Heaven (Bebe & Cece Winans, Bryan Adams, DJ Sammy & Yanou Featuring Do, John Legend, Los Lonely Boys, Mary Mary, Talking Heads, Warrant)
Heebie Jeebies (Louis Armstrong)
Hello, Young Lovers (Stevie Wonder)
Here's That Rainy Day (Jimmy Van Heusen)
Hot Toddy (Ralph Flanagan)
House Of Jade (Wayne Shorter)
How High The Moon (Les Paul & Mary Ford)
How Insensitive (Insensatez) (Astrud Gilberto)
How My Heart Sings (Bill Evans)
Hullo Bolinas (Steve Swallow)
I Can't Get Started With You (Vernon Duke)
I Can't Give You Anything But Love (Dorothy Fields, Jimmy McHugh)
I Could Write A Book (Jerry Butler)
I Got It Bad And That Ain't Good (Duke Ellington)
I Let A Song Go Out Of My Heart (Duke Ellington, Henry Nemo, Irving Mills, John Redmond)
I Love Paris (Cole Porter)
I Love You (Faith Evans, Faith Hill, Jeff Deyo, Martina McBride, Sarah McLachlan)
I Mean You (Thelonious Monk)
I Remember Clifford (Benny Golson)
I Should Care (Axel Stordahl, Paul Weston, Sammy Cahn)
I Wish I Knew How It Would Feel To Be Free (Billy Taylor)
Icarus (Adam Guettel, Ralph N. Towner)
If You Never Come To Me (Inutil paisagem) (Antonio Carlos Jobim)
I'll Never Smile Again (Tommy Dorsey & His Orchestra)
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I'm All Smiles (Michael Leonard)
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Interplay (Bill Evans)
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Is You Is, Or Is You Ain't (Ma' Baby) (Louis Jordan and his Tympany Five)
Isn't It Romantic? (Shirley Horn)
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Israel (Miles Davis)
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Once I Loved (Amor Em Paz) (Love In Peace) (Antonio Carlos Jobim, Vinicius de Moraes)
Once In Love With Amy (Frank Loesser)
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One Note Samba (Samba De Uma Nota So) (Pat Thomas)
Only Trust Your Heart (Benny Carter)
Orbits (Wayne Shorter)
Ornithology (Charlie Parker)
Out Of Nowhere (Buddy De Franco)
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Recorda-Me (Joe Henderson)
Red Clay (Freddie Hubbard)
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Road Song (Wes Montgomery)
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Young At Heart (Joss Stone)
You're Nobody 'til Somebody Loves You (Dean Martin, Frank Sinatra)

Okładka: Stamitz Carl, Concerto in B flat for 2 Clarinets and Orchestra

cena 129,95 zł.


nuty.pl

Stamitz Carl
Concerto in B flat for 2 Clarinets and Orchestra

polski Koncert B-dur na 2 klarnety i orkiestrę
angielski Concerto in B flat for 2 Clarinets and Orchestra
niemiecki Konzert B-Dur für 2 Klarinetten und Orchester


Ilość stron:32 + 12 + 12
Format:230 x 305
Opracowanie na:2 klarnety i fortepian
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Klarnet B I (1)
Klarnet B II (1)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska, niemiecka
tytułów utworów: niemiecka
Stopień trudności:4 w skali od 0 do 10
Stopień trudności akompanamentu:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lebermann Walter
Autor wyciągu fortepianowego: Mölich Theo
Autor wstępu: Lebermann Walter
Zawartość:

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Kod produktu:NPL076508

Carl Stamitz (1745 - 1801) to niemiecki kompozytor i wirtuoz skrzypiec, altówki i violi d'amore. Należał on do drugiej generacji przedklasycznej szkoły mannheimskiej. Stamitz skomponował jedenaście koncertów na klarnet i orkiestrę. Niniejsza publikacja zawiera jego "Koncert B-dur" na dwa klarnety w stroju B i orkiestrę. Jest to opracowanie tej kompozycji na dwa klarnety i fortepian (wyciąg fortepianowy partii orkiestry). Koncert posiada klasyczną trzyczęściową budowę: cz. I - Allegro, cz. II - Andante moderato, cz. III - Tempo di Minuetto.

Altogether eleven clarnet clarinet concertos by Carl Stamitz are mentioned by Helmut Boese and Fritz Kaiser in their dissertations "Die Klarinette als Soloinstrument in der Musik der Mannheimer Schule" and "Carl Stamitz. Biographische Beiträge. Das symphonische Werk". Four of these were first published between 1953 abd 1958. Six clarinet concertos by C. Stamitz were, however, published in 1780 by Sieber in Paris. The present edition consists of No. 4 of this group. In the engraving for the first edition the 2nd solo part was noted for a B flat instrument and transposed by the engraver for a C instrument without an intermediate publishers; or composer's proof.

Lista utworów:
Concerto in B flat for 2 Clarinets and Orchestra (Stamitz Carl)

Okładka: Harr Haskell, Drum Method For Band And Orchestra, Book One

cena 79,95 zł.


nuty.pl

Harr Haskell
Drum Method For Band And Orchestra, Book One

polski Szkoła gry na perkusji. Perkusista w zespołe i orkiestrze, z. 1
angielski Drum Method For Band And Orchestra, Book One


Ilość stron:64
Format:230 x 305
Opracowanie na:perkusja
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Perkusja (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:1 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL078174
Produkty podobne:Harr Haskell - Drum Method For Band And Orchestra, Book 1
Harr Haskell - Drum Method For Band And Orchestra, Book 2

Publikacja jest pierwszą częścią szkoły gry na perkusji autorstwa Haskella W. Harrego. Głównym jej celem jest zaspokojenie potrzeb studenta mającego aspiracje stać się perkusistą w szkolnym zespole albo orkiestrze. Zawarto tu liczne ćwiczenia, ilustracje, schematy pozwalające na dokładniejsze zrozumienie danego zagadnienia muzyczno - technicznego. Szkoła obejmuje naukę gry na m. in. werblu i bębnie wielkim, dotyczy sposobów uderzeń, budowy instrumentów, gry rytmicznej w różnych metrum i innych.

A complete and comprehensive Drum tutor designed to meet the needs of the young student aspiring to play in a school band or orchestra.

From how to stand correctly and hold the sticks/beaters, to rudiments such as rolls and flams, as well as syncopations. Book One concentrates largely upon the snare drum, with an emphasis on accuracy, counting and controlling time. Later lessons also introduce the bass drum and hand-held cymbals.

With no stone left unturned, this detailed and rigorous method provides everything you need to master the drums as a band/orchestral percussionist.

Lista utworów:
Haskell W. Harr Drum Method, Book One (Haskell W. Harr)

Spis treści:

Introduction
Preface
Contents
Instruments of percussion
The snare drum
Parts of the drum
Drumsticks, drumheads
Care of the drum
Rudiments of music
Lesson One: Holding the drum
Lesson Two: Holding the left stick
Lesson Three: Holding the right stick
Incorrect ways of holding the sticks
Lesson Four: Making the stroke right stick, left stick
Lesson Five: Alternating the sticks
Lesson Six: Exercises in quarter notes
Lesson Seven: Introducing eighth rest
Lesson Eight: Exercises in 4/4 time using eighth and quarter notes
Lesson Nine: Introducing the eighth notes
Lesson Ten: Exercises using eighth notes and eighth rests
Lesson Eleven: Expression marks, application of time figures
Lesson Twelve: Application of time figures. New music signs
Lesson Thirteen: Time figures application, Repeat signs and endings
Lesson Fourteen: 2/4 Time
Lesson Fifteen: Application of time figure in 2/4 tempo
Lesson Sixteen: Introducing sixteenth notes
Lesson Seventeen: Time figures in 2/4 time
Lesson Eighteen: The sixteenth rest
Lesson Nineteen: Sixteenth notes and rests
Lesson Twenty: Sixteenth notes and rests
Lesson Twenty One: 2/4 Time figures
Lesson Twenty Two: 2/4 Time
Lesson Twenty Three: Accents
The study of rolls
Lesson Twenty Four: The controlled rebound and five stroke roll
Lesson Twenty Five: Application of the five stroke roll
Lesson Twenty Six: Seven stroke roll and nine stroke roll
Lesson Twenty Seven: Thirteen and seventeen stroke roll
Lesson Twenty Eight: Application of rolls
Lesson Twenty Nine: Application of rolls
Lesson Thirty: Alla Breve or cut time
Lesson Thirty one: Time figures in cut time
Lesson Thirty Two: Application of rolls in cut time
Lesson Thirty Three: Application of rolls in cut time
Lesson Thirty Four: Triplets
Lesson Thirty Five: Dotted notes
Lesson Thirty Six: Study of flams
Lesson Thirty Seven: Study o flams
Lesson Thirty Eighth: Alternate flams, Flam accents 1&2
Lesson Thirty Nine: 6/8 time: Rolls in 6/8 time
Lesson Forty One: 6/8 time rolls
Lesson Forty Two: Additional time figures in 6/8 time
Lesson Forty Three: Studies and rolls in 6/8 time
Lesson Forty Four: Studies and rolls in 6/8 time
Lesson Forty Five: Application of flam accents
Lesson Forty Six: Ruffs
Lesson Forty Seven: 3/4 time
Lesson Forty Eighth: 3/4 time
Lesson Forty Nine: Syncopation
Lesson Fifty: Syncopation
Lesson Fifty One: Bass drum
Lesson Fifty Two: Cymbals
Lesso Fifty Three: Use of traps

Okładka: Harr Haskell, Drum Method For Band And Orchestra, Book 1

cena 87,95 zł.


nuty.pl

Harr Haskell
Drum Method For Band And Orchestra, Book 1

polski Szkoła gry na perkusji dla perkusisty grającego w zespole lub orkiestrze, z. 1
angielski Drum Method For Band And Orchestra, Book 1


Ilość stron:64
Format:230 x 305
Opracowanie na:perkusja i CD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Perkusja (1)
akompaniament na płycie CD (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:1 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078175
Produkty podobne:Harr Haskell - Drum Method For Band And Orchestra, Book 2
Harr Haskell - Drum Method For Band And Orchestra, Book One

Publikacja jest pierwszą częścią szkoły gry na perkusji autorstwa Haskella W. Harrego. Głównym jej celem jest zaspokojenie potrzeb studenta mającego aspiracje stać się perkusistą w szkolnym zespole albo orkiestrze. Zawarto tu liczne ćwiczenia, ilustracje, schematy pozwalające na dokładniejsze zrozumienie danego zagadnienia muzyczno - technicznego. Do książki została dołączona płyta CD z nagranymi wersjami demonstracyjnymi ćwiczeń, oraz z akompaniamentami orkiestry, dzięki czemu możesz ćwiczyć razem z płytą.

Now available with CD! This best-selling instruction book was developed to meet the needs of the young student aspiring to become a drummer in the school band or orchestra. Book 1 spans 52 lessons and includes rudiments, study of various time figures found in every day playing, care and maintenance of drums, and more. The detailed early lessons feature diagrams, explanations, photographs and illustrations, while the exercises in later lessons are presented with brief but helpful introductions.

Lista utworów:
Haskell W. Harr Drum Method, Book One (Haskell W. Harr, Haskell W. Harr)

Spis treści:

Introduction
Preface
Contents
Instruments of percussion
The snare drum
Parts of the drum
Drumsticks, drumheads
Care of the drum
Rudiments of music
Lesson One: Holding the drum
Lesson Two: Holding the left stick
Lesson Three: Holding the right stick
Incorrect ways of holding the sticks
Lesson Four: Making the stroke right stick, left stick
Lesson Five: Alternating the sticks
Lesson Six: Exercises in quarter notes
Lesson Seven: Introducing eighth rest
Lesson Eight: Exercises in 4/4 time using eighth and quarter notes
Lesson Nine: Introducing the eighth notes
Lesson Ten: Exercises using eighth notes and eighth rests
Lesson Eleven: Expression marks, application of time figures
Lesson Twelve: Application of time figures. New music signs
Lesson Thirteen: Time figures application, Repeat signs and endings
Lesson Fourteen: 2/4 Time
Lesson Fifteen: Application of time figure in 2/4 tempo
Lesson Sixteen: Introducing sixteenth notes
Lesson Seventeen: Time figures in 2/4 time
Lesson Eighteen: The sixteenth rest
Lesson Nineteen: Sixteenth notes and rests
Lesson Twenty: Sixteenth notes and rests
Lesson Twenty One: 2/4 Time figures
Lesson Twenty Two: 2/4 Time
Lesson Twenty Three: Accents
The study of rolls
Lesson Twenty Four: The controlled rebound and five stroke roll
Lesson Twenty Five: Application of the five stroke roll
Lesson Twenty Six: Seven stroke roll and nine stroke roll
Lesson Twenty Seven: Thirteen and seventeen stroke roll
Lesson Twenty Eight: Application of rolls
Lesson Twenty Nine: Application of rolls
Lesson Thirty: Alla Breve or cut time
Lesson Thirty one: Time figures in cut time
Lesson Thirty Two: Application of rolls in cut time
Lesson Thirty Three: Application of rolls in cut time
Lesson Thirty Four: Triplets
Lesson Thirty Five: Dotted notes
Lesson Thirty Six: Study of flams
Lesson Thirty Seven: Study o flams
Lesson Thirty Eighth: Alternate flams, Flam accents 1&2
Lesson Thirty Nine: 6/8 time: Rolls in 6/8 time
Lesson Forty One: 6/8 time rolls
Lesson Forty Two: Additional time figures in 6/8 time
Lesson Forty Three: Studies and rolls in 6/8 time
Lesson Forty Four: Studies and rolls in 6/8 time
Lesson Forty Five: Application of flam accents
Lesson Forty Six: Ruffs
Lesson Forty Seven: 3/4 time
Lesson Forty Eighth: 3/4 time
Lesson Forty Nine: Syncopation
Lesson Fifty: Syncopation
Lesson Fifty One: Bass drum
Lesson Fifty Two: Cymbals
Lesso Fifty Three: Use of traps





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