Black and White Blues

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Preface
Part I: What is the blues?
Blues Styles
Three Common Blues Characteristics
The 12-Bar Blues Progression
The Repetitive Bass Pattern, or "Walking Blues"
The Forms of Blues Lyrics and Blues Melodies
Straight Eights, Swing Eights
Part II: Classic Blues Tunes and Worksheets
Bumblebee Blues
Shake, Rattle And Roll
Hound Dog
Blues Suede Shoes
Jailhouse Rock
Tutti Frutti
In The Mood
Jump, Jive An' Wail
I Got You (I Feel Good)
Night Train
Part III: An Introduction to Improvising the Blues
Exercise 1: Black-Key Improvisation
Exercise 2: White-Key Improvisation, the D Dorian Scale
Exercise 3: Improvising a Right-Hand Melody in D Dorian
Exercise 4: The D Minor Pentatonic Scale
Exercise 5: Improvising a D Blues on the Minor Pentatonic Scale
Exercise 6: The D Blues Scale
Exercise 7: D Blues for the Right Hand Alone
Exercise 8: D Blues for the Left Hand Alone
Exercise 9: Hands Together
D Blues Improvisation
D Blues Improvisation Model
Exercise 10: Keep The Beat
Exercise 11: Improvisation
Exercise 12: Let's Improvise More Melodies
Exercise 13: Improvisation
Sample Improvisation, Analyzed
Exercise 14: Practice Those Riffs
Exercise 15: You're Ready For The Blues
Exercise 16: Expanding Your Improvisations
Some Final Words About Blues Improvisation
Glossary of Terms
Answers

Introduction
Selecting an Instrument
Mandolin Anatomy
Playing Positions
Tuning
The Right Hand
The Left Hand
Music Symbols
Open Strings
Eighth Notes
Down-Up Picking
Half Notes / Whole Notes
Notes on the First String
Notes on the Second String
Duet
Notes on the Third String
Rests
Pick-up Notes
Chords and Chord Voicings
Notes on the Fourth String
Mixolydian Mode
C Major Scale
Solo
Double Stops
Half and Whole Steps
F-Sharp (F#)
G Major Scale
Key Signatures
Sixteenth Notes
Endings
3/4 Time
More Chord voicings
Dotted Notes
Bluegrass Chops
High B
Even More Chord Voicings
Tremolo
D Major Scale
6/8 Time
Triplets
A Major Scale
Ties
Dotted Eighth Notes
Slides and Slurs
Doublestops Drones

Biography
Talk About the Funk
Opening Groove
Note from the Author
Legend
The Backbeat
One - Measure Grooves
Two Measure Grooves
Linear Grooves
Reserve Hands
Styles and Variations
Swingin' Funk
Jabo Starks "Love Lights"
The Breakdown
Elvin Jones Triplet Style
Lenny White "Red Clay"
Ride Cymbal Funk
Latin Funk
The Shuffle
Slow Blues
Song Excerpts
From the Herbie Hancock album Thrust
From the Mike Clark album Actual Proof
From Return of the Headhunters
From the Headhunters album Evolution / Revolution
From the Mike Clark album The Funk Stops Here
Respect and Gratitude
Discography
Epilogue
Closing Groove
Special Thanks

Información Preliminar
Primera Posición Escala Mayor en C - Una Octava (y Dúo)
Primera Posición Escala Mayor en C - Octava Superior (yRepaso)
Uno, Dos, Tres, Cuarto (Dúo)
Introducción al Acompanamiento Rítmico
Primera Posición Escala Mayor en C-Registro Grave (y Repaso Completo)
Imitation Dúo
Sostenidos y Bemoles
Aquí Vamos un Otra Vez (Dúo)
Acompanamiento Rítmico - Notas de Bajo y Acordes
Corcheas (con Ataque Alternado)
Etude No 1 (Dúo)
Silencios, Ligados, Puntillos
Etude No 2 (Dúo) y Primer Solo
Acompanamiento Rítmico - Explicación de los Disenos de Acorde
Segundo Solo y Etude No 3 (Dúo)
Etude para Púa No 1 (Desarrollo de la Mano Derecha)
Dos, Dos (Dúo)
Escala Mayor en G - Primera Posición
Acompanamiento Rítmico - Disenos de Acordes
Semicorcheas
Dúo en G y Etude para Púa No 2
Otro Dúo en G
Escala Mayor en F - Primera Posición
Acompanamiento Rítmico - Disenos de acordes (Incluyendo Cejilla completa)
Dúo en F
El Tresillo
Vals en F (Solo)
Escalas de A Menor - Primera Posición (3 tipos)
Acompanamiento Rítmico - Disenos de Acordes
Púa Bonita (Dúo)
Corcheas y Semicorcheas con Puntillo
Escalas de E menor - Primera Posición (3 tipos)
Acompanamiento Rítmico - Disenos de Acordes
Toma su Escoge (Dúo)
Acompanamiento Rítmico - Principio de los Disenos de Acordes Móviles
Escala Cromática y Estudios de Velocidad
Escala de D manor - Primera Posición (3 tips)
Acompanamiento Rítmico - Disenos de Acordes (Móviles)
Etude de Resistencia (Solo)
Escala de Bb Mayor - Primera Posición
Acompanamiento Rítmico - Disenos de Acordes
Dúo en Bb (Incluve Nuevos Disenos de Acordes)
Estudio de Ataque Alternado en Contrapúa
Escala de D Mayor - Primera Posición y Dúo en D
Etude para la Acentuación (Dúo)
Escala de A Mayor - Primera Posición y Dúo en A
Acompanamiento Rítmico - Disenos de Acordes
Escala de Eb Mayor - Primera Posición y Dúo en Eb
Disenos de Acordes Móviles (Resumen de 11 Djsenos)
Tabla de Simplificación y Sustitución de Acordes
Púa- Una Técnica Diferente
Posición en el Diapasón (Explicación)
Escala de C Mayor - Digitación 1- Posición II
Solo y Etudes a Dúo
Estudios de lectura (C Mayor - posición II)
Balada (Dúo)
Disenos de Acordes Móviles (3 Disenos Básicos y Explicación)
Disenos de Acordes (Explicación de las Digitaciones Derivadas)
Acompanamiento Rítmico - Técnica de Mano Derecha-
Etude para Púa No 4
Escala de F Mayor - Digitación 1 A- Posición II
Disenos de Acordes
Solo y Dúo
Estudios de Lectura (F Mayor - Posición II)
Toca la Bonita (Dúo)
Disenos de Acordes
Estudios de Velocidad (Digitaciones 1 - 1 A)
Escala de G Mayor - Digitación 2- Posición II
Vals para Dos (Dúo) Presentación de los Armónicos Naturales
Disenos de Acords
Estudios de lectura (G Mayor - Posicion II)
(Blues En G) (Dúo) Presenta el Efecto de Apagado
(Etude de Acordes) (Solo)
Acompanamiento Rítmico - Técnica de Mano Derecha (Ritmo Latino Básico)
Etude para Púa No 5 y Corto y Dulce (Dúo)
Escala de D Mayor - Digitación 3- Posición II
Disenos de Acordes
Estudio Melódico Rítmico no 1 (Síncopa)
(Etude de Acordes) (Solo)
Estudios de Lectura (D Mayor - Posición II)
Dee Oo Ett (Dúo)
Disenos de Acordes
Estudio de Velocidad (Digitaciones 2 - 3)
Escala de A Mayor - Digitación 4- Posición II
Etude de Acordes (Solo)
Estudios de Lectura (A Mayor - Posición II)
Tres Agudo (Dúo)
Disenos de Acordes
Estudio de Velocidad (Digitaciones 4)
Disenos de Acordes
Rapaso de la Sequnda Posición
Disenos de Acordes
Tresillos de negra
Tercera Posición Escales Mayores - Bb, Eb, Ab, Db
Rapaso de la Tercera Posición
Disenos de Acordes
Primera Posición Escales Mayores - Ab, Db (Sin Cuerdas Abiertas)
Rapaso de la Primera Posición
Cuarta Posición Escales Mayores G, D, A, E
Disenos de Acordes
Repaso de la Cuarta Posición
Disenos de Acordes y Notas del Autor
Indice

Información Preliminar
Primera Posición Escala Mayor en C - Una Octava (y Duo)
Primera Posición Escala Mayor en C - Octava Superior (y Repaso)
Uno, Dos, Tres, Cuatro (Duo)
Introducción Acompanamiento Ritmico
Primera Posición Escala Mayor en C-Registro Grave (y Repaso Completo)
Imitation Duo
Sostenidos y Bemoles
Aqui Vamos un Otra Vez (Duo)
Acompanamiento Ritmico - Notas de Bajo y Acordes
Corcheas (con Ataque Alternado)
Etude No. 1 (Duo)
Silencios, Ligados, Puntillos
Etude No. 2 (Duo) y Primer Solo
Acompanamiento Ritmico - Explicación de los Disenos de Acorde
Segundo Solo y Etude No. 3 (Duo)
Etude para Púa No. 1 (Desarrollo de la Mano Derecha)
Dos Dos (Duo)
Escala Mayor en G - Primera Posicion
Acompanamiento Ritmico - Disenos de Acordes
Semicorcheas
Duo en G y Etude para Pua No. 2
Otro Duo en G
Escala Mayor en F - Primera Posición
Acompanamiento Ritmico - Disenos de acordes
Duo en F
El Tresillo 37
Vals en F (Solo)
Escalas de A Menor - Primera Posicion (3 Tipos)
Acompanamiento Ritmico - Disenos de Acordes
Pua Bonica (Duo)
Corcheas y Semicorcheas con Puntillo
Escalas de E menor
Acompanamiento Ritmico - Disenos de Acordes
Toma su Escoge (Duo)
Acompanamiento Ritmico - Principio de los Disenos de Acordes Moviles
Escalas de D menor - Primera Posición (3 tipos)
Acompanamiento Ritmico - Disenos de Acordes (Moviles)
Etude de Resistencia (Solo)
Escala de B Mayor - Primera Posicion
Acompanamiento Ritmico - Disenos de Acordes
Duo en B (Incluye Nuevos Discenos de Acordes)
Estudio de Ataque Alternado en Contrapua
Escala de D Mayor - Primera Posición y Duo en D
Etude para la Acentuación (Duo)
Escala de A Mayor - Primera Posición y Duo en A
Acompanamiento Ritmico - Disenos de Acordes
Escala de Es Mayor - Primera Posición y Duo en Es
Disenos de Acordes Móviles (Resumen de 11 Disenos)
Tabla de Simplificatión y Sustitución de Acordes
Pua - Una Tecnica Diferente
Posición en el Diapasón (Explicación)
Escala de C Mayor - Digitación 1 - Posición II
Solo y Etudes a Duo
Estudios de lectura (C Mayor - Posición II)
Balada (Duo)
Disenos de Acordes Móviles (3 Disenos Basicos y Explicación)
Disenos de Acordes (Explicación de las Digitaciones Derivadas)
Acompanamiento Ritmico - Tecnica de Mano Derecha
Etude para Pua No. 4
Escala de F Mayor - Digitación 1 A - Posición II
Disenos de Acordes
Estudios de lectura (F Mayor - Position II)
Toca la Bonita (Duo)
Disenos de Acordes
Estudios de Velocidad (Digitaciones 1 - 1A)
Escala de G Mayor - Digitacion 2 - Posición II
Vals para Dos (Duo) Presentación de los Armónicos Naturales
Disenos de Acordes
Estudios de lectura (G Mayor - Position II)
"Blues en G"
"Etude de Acordes" (Solo)
Acompanamiento Ritmico - Tecnica de Mano Derecha (Ritmo Latino Basico)
Etude para Pua No. 5 y Corto y Dulce (Duo)
Escala de D Mayor
Disenos de Acordes
Estudio Melódico Ritmico No. 1 (Sincopa)
"Etude de Acordes" (Solo)
Estudios de Lectura (D Mayor - Posicion II)
Dee Oo Ett (Duo)
Disenos de Acordes
Estudio de Velocidad (Digitaciones 2 - 3)
Escala de A Mayor
Etude de Acordes (Solo)
Estudios de Lectura
Tres Agudo (Duo)
Disenos de Acordes
Estudio de Velocidad (Digitacion 4)
Disenos de Acordes
Rapaso de la Segunda Posición
Disenos de Acordes
Tresillos de negra
Tercera Posición Escalas Mayores - Bb, Eb, Ab, Db
Repaso de la Tercera Posición
Disenos de Acordes
Primera Posición Escalas Mayores - Ab, Db (Sin Cuerdas Abiertas)
Repaso de la Primera Posición
Cuarta Posición Escalas Mayores G, D, A, E
Disenos de Acordes
Repaso de la Cuarta Posición
Disenos de Acordes y Notas del Autor
Indice

El acorde de Am
Sinner Man
Negras con Puntillo
El acorde de Dm
Sincopas
Joshua Fought the Battle of Jericho
Rock-a-My-Soul
Jamaica Farewell
El acorde de A
Tonalidad de D
Oh, Mary Don't You Weep
De Colores
Marcas Finales
Angels We Have Heard on High
Riff Pegadizo
Segunda Posición
Marianne
Riff Blues/Rock
La Nota A mas Aguda
The Wabash Cannonball
El acorde de E
La Bamba
Tonalidad de A
Joy to the World
Power Chords
Tablatura
Groove Patente
El Shuffle
Shuffle con Power Chords
Midnight Special
El Blues
Blues en A
C C Rider
Riff con Shuffle
Tonalidad de Am
Wayfaring Stranger
Hava Nagila
Guitarra Fingerstyle
Swing Low, Sweet Chariot
Scarborough Fair
The Water Is Wide
El acorde de F
Acordes con Pua
La casa dei Sol Naciente
Solos a la Carter
Row Row, Row Your Boat
Man of Constant Sorrow
Wildwood Flower
L1neas de Bajo
Goin' Down the Road
El acorde de B7
We Three Kings
Tonalidad de E
By the Waters of Babylon
Himno de Batalia de la Republica
Tres iII os
Jesu, Joy of Man's Desiring
Blues Hondo
Perdido en el Shuffle
La escala Pentatónica
Frase de Rock
Frase de Country/Rock
Frase de Rock Duro
Frase de Bluegrass
Frase de Country
Frase de Blues
Frase de Rock and Roll
Frase de Blues/Rock
Guitarra Solista con Pentatónicas
Improvisación
Jam Abierta
Power Chords Móviles
Riff Pop
Riff de Rock Aiiejo
Riff de Rock Duro
Riff Pop/Rock
Riff Rockabilly
Riff de Rock Clasico
Riff de Rock Duro
Palm Muting
Groove Enmudecido
Ritmo Acentuado
Gran Final

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Black and White Blues

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