Andante Nr. 16 op. 39

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Przedmowa do I wydania
Uwagi wtępne
Historia rozwoju fletu. Budowa fletu. Postawa grającego, trzymanie instrumentu, układ palców przy grze. Technika oddechu. Technika zadęcia. Gimnastyka palców.
Pismo nutowe
Część praktyczna
Ćwiczenie bez używania klap (1)
Ćwiczenia lewej ręki (2-9)
Wytrzymywanie dźwięków (6)
Ćwiczenia obu rąk (10-11)
Gamy durowe
Gama C-dur (12-23)
Interwały
Gama G-dur (24-34)
Tempo. Rytm. Wiosna (32). Znaki dynamiczne. Melodia kurpiowska (33). Piosenka o komarze (34)
Gama D-dur (35-44)
Przejście z d2 na cis2. Znaki artykulacyjne.
Gama A-dur (45-52)
Gama E-dur (53-59)
Gama F-dur (60-70) A. Corelli - Menuet (68). B. Flies - Kołysanka (70)
Gama B-dur (71-76) Przedtakt. J. Mroczek - Rondo (76) W. A. Mozart - Duet (77) R. Schumann - Wesoły wieśniak (78)
Gama Es-dur (79-84) T. Sygietyński - Ej, przeleciał ptaszek (84). Fermata.
Gama As-dur (85-89) F. Schubert - Walc (89)
Gamy molowe
Gama a-moll (90-94) Som, som w stawie rybecki (94)
Gama e-moll (95-98) T. B. Berbiguier - Duet (98)
Gama h-moll (99-104)
Gama fis-moll (105-109) Zakukała kukułeczka (108)
Gama cis-moll (110-113) Staccato pojedyńcze
Gama d-moll (114-117) Chmiel (117)
Gama g-moll (118-121) Hej, ty Wisło (121)
Gama c-moll (122-126) Dumka ukraińska (125). H. Kling - Ćwiczenie (126).
Gama f-moll (127-130) Gdzież to jedziesz, Jasiu (130)
Ćwiczenia do 4 znaków przykluczowych
Triola (131). Kujawiak (132). Melodia ludowa z Kieleckiego (134). Ćwiczenia w szesnastkach (136). Hejze ino, fijołecku leśny (138). Lajkonik (141). Synkopa. Krakowiak (145). Hej, bystra woda (146). M. Karłowicz - Zawód (147). Ozdobniki. Irlandzka pio
Zestawienie gam durowych i molowych
Ćwiczenia we wszystkich tonacjach durowych i molowych
C-dur (159-160)
a-moll (161-163) J. S. Bach - Sarabanda (162). J. S. Borrée anglaise (163).
G-dur (164-166) F. Schubert - Kołysanka (166)
E-moll (167-168) Taniec nadwiślański (168) E. Grieg - Walc (169)
Ćwiczenia dla wyrobienia tonu (170-175)
D-dur (176-180) J. J. Quantz - Arioso i Presto (178). F. Mendelssohn Bartholdy - Pieśń bez słów (179). W. A. Mozart - Menuet (180)
h-moll (181-183) J. S. Bach - Polonez (183)
A-dur (184-186)
Ćwiczenie w interwałach (184) J. Haydn - Menuet rokoko (186)
fis-moll (187-189) Tańce powiślańskie (188). N. Regel - Etiuda (189). M. Moszkowski - Taniec hiszpański (190)
Podwójne uderzenie językiem (podwójne staccato)
Ćwiczenia (191-199) G. F. Händel - Aria z wariacjami (200)
E-dur (201-204)
cis-moll (205-206) N. Regel - Etiuda (206)
H-dur (207-209) M. Musorgski - Tuileries (209)
gis-moll (210-212) T. Bohm - Etiuda (211). I. J. Paderewski - Polały się łzy me (212).
F-dur (213-214) G. Kątski - Osiem wariacji na flet (214)
d-moll (215-218) R. Schumann - Marzenie (217). J.-Ph. Rameau - Le Tambourin (218).
B-dur (219-220)
g-moll (221-223) S. Moniuszko - Solo fletowe z arii Stefana (223)
Es-dur (224-225)
c-moll (226-229) H. Wieniawski - Le sautillé (227). J. Brahms - Taniec węgierski nr 19 (228) L. Beethoven - Menuet z Tria op. 3 (229)
As-dur (230-231) L. Beethoven - Andante (231)
f-moll (232-233) M. K. Ogiński - Polonez nr 7 (233)
Des-dur (234-236) C. Debussy Clair de Lune (236)
b-moll (237-238) M. Karłowicz - Na śniegu (238)
Ges-dur (239-243) T. Dobrzański - Gliniany kogucik (241) T. Dobrzański - z "Rapsodii rosyjskiej (243)
es-moll (244-246) L. Drouet - Etiuda (245). T. Dobrzański - Kołysanka-serenada (246)
Ćwiczenia oktaw (247)
Ćwiczenia pasażowe (248-251)
Ćwiczenia chromatyczne (252-253) K. Kurpiński - Polonez Des-dur (254)
Duety
G. Ph. Telemann - Z Sonaty nr 5 (255)
Legoux-Bordet - Duet (256)
F. Devienne - Duet (257)
Hugo-Wunderlich - Duet (258)
J. Ch. Naudot - Duet (259)
L. Beethoven - Duet (260)
R. Désormiere - I Duet (261)
R. Désormiere - II Duet (262)

Note to the reader
Note to the teacher
About the guitar
How guitar music is written
Notes and rests
Tuning
Special tuning tips
Beginning to play
The sitting position
The right hand
The rest stroke
Tone quality
The shape of the nails
Finger identification
First practice of the rest stroke alternation
The left hand
The left-hand exercise
Putting both hands together
Further development
The free stroke
Notes on the first string
Counting
Exercise 1
Exercise 2
Exercise 3
Notes on the second string
Rest and damping
Exercise 5
Exercise 6
Exercise 7
Pick-up notes
Bank of the Ohio
Notes on the third string
Counting eighth notes
Exercise 8
Exercise 9
Exercise 10
Aura Lee
Thumb technique
Notes on the fourth string
Exercise 11
Exercise 12
Exercise 13
Notes on the fifth and sixth strings
Exercise 14
Fandango
Exercise 15
Ties
Exercise 16
Sharps and flats
Exercise 17
Exercise 18
Minuet
Chord technique
Exercise 19
Exercise 20
Cherry Song
Exercise 21
Arpeggios and Triplets
Technique of arpeggio
The Upward arpeggio
The downward arpeggio
Exercise 22
Exercise 23
Exercise 24
Combining chords and melody
Exercise 25
Exercise 26
La Volta
Practice suggestions
The Moorish dance
Evening Breeze
Etude
Minuet Theme
Flamenco Study
Song at nightfall
To the reader
A note to the teacher
Keys and scales
Scale of C Major
Other Major Keys
Scale of G Major
Minor Keys
Exercise 1
Study in G Major
Counting sixteenth notes
Exercise 2
Mixed Eighths and Sixteenths
Exercise 3
Etude in A Minor
Right hand fingering
General Principles
A Warning
Two Note Chords
Exercise 4
Crossing From String to String
Use of the Ring Finger
Exercise 5
Exercise 6 to 10
The Dotted Quarter Note
Exercise 11
Exercise 12
Packington's Pound
Right-Hand Technique
Choice of the Rest Stroke or Free Stroke
Single-Note Passages
Chords
Two-Note Chords with Rest Stroke
Exercise 13
Exercise 14
Chords of Three or More Notes
Arpeggios
To the reader
To the teacher
A practical warm-up routine
More advanced counting
The dotted eighth note
Grace notes
Andante
Syncopation
Exercise 1
The half bar
Andantino
More about chords
Exercise 2
Arpeggiated chords
When to arpeggiate
Amusement
Shorthand systems for chords
Components of a Major Chord
The Right Hand
Breaking up the Chords
Formation of More Complex Chords
On top of old smokey
Exploring new keys
Flat keys
Exercise 3
Study in F
Keys with more Sharps
Scale of A Major
Exercise 4
Andante
Alman
Scale of E Major
Exercise 5
Little Rondo

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

DZIAŁ I - ZAGADNIENIA MUZYCZNE
I.PODZIAŁ MUZYKI
1.Beethoven L.v - Dla Elizy
2.Chopin F. - Życzenie
3.Schumann R. - Marzenie
4.Vivaldi A. - Cztery pory roku: Wiosna (cz. I)
5.Bach J.S.-Gounod Ch. - Ave Maria
6.Chopin F. - Preludium A-dur op. 28 nr 7
7.Debussy K. - Światło księżyca
8.Mendelssohn-Bartholdy F. - Marsz weselny (z suity Sen nocy letniej)
9.Joplin S. - The Entertainer (Ragtime z filmu Żądło).
II.APARAT WYKONAWCZY UTWORÓW MUZYCZNYCH
MUZYKA INSTRUMENTALNA
10.Albinoni T. - Adagio
11.Wieniawski H. - Kujawiak
12.Paganini N. - II Koncert skrzypcowy h-moll: La Campanella (cz. III)
13.Wieniawski H. - Réverie
14.Bach J.S. - I Suita na wiolonczelę solo: Preludium (cz. I)
15.Saint-Saëns K. - Łabędź (z suity Karnawał zwierząt)
16.Saint-Saëns K. - Słoń (z suity Karnawał zwierząt)
17.Haendel J.F. - Koncert harfowy B-dur op. 4 nr 6 (cz. I)
18.Tarrega F. - Wspomnienie z Alhambry
19.Giuliani M. - Sonatina C-dur na gitarę (cz. III)
20.Vivaldi A. - Koncert a-moll na mandolinę (cz. II)
21.Daquin K. - Kukułka
22.Bach J.S. - Koncert włoski (cz. I)
23.Bach J.S. - Inwencja dwugłosowa a-moll
24.Mozart W.A. - Marsz turecki (z Sonaty fortepianowej A-dur)
25.Beethoven L.v. - Sonata cis-moll Księżycowa (cz. I)
26.Ogiński M.K. - Polonez a-moll Pożegnanie Ojczyzny
27.Chopin F. - Etiuda c-moll Rewolucyjna op. 10 nr 12
28.Brahms J. - Taniec węgierski nr 5
29.Mendelssohn-Bartholdy F. - Pieśń wiosenna
30.Debussy K. - Taniec pajaca
31.Bach J.S. - Badinerie (z Suity fletowej h-moll)
32.Mozart W.A. - Andante C-dur
33.Bizet G. - Symfonia C-dur (cz. II)
34.Vivaldi A. - Koncert obojowy a-moll (cz. II)
35.Franck C. - Symfonia d-moll (cz. II)
36.Saint-Saëns K. - Kukułka w głębi lasu (z suity Karnawał zwierząt)
37.Mozart W. A. - Koncert A-dur na klarnet KV 622 (cz. I)
38.Mozart W.A.- Koncert B-dur na fagot KV 191 (cz. I)
39.Wagner R. - Galop Walkirii (z dramatu muzycznego Walkiria)
40.Mozart W.A. - Koncert Es-dur na waltornię KV 495 (cz. III)
41.Czajkowski P. - Walc kwiatów (z baletu Dziadek do orzechów)
42.Kurpiński K. - Cavatina
43.Bach J.S. - Toccata d-moll
44.Haendel J.F. - IV Koncert organowy F-dur (cz. I)
45.Telemann J.F. - IX Fantazja na skrzypce solo (cz. III)
46.Bach J.S. - I Suita na wiolonczelę solo (cz. III)
47.Boccherini L. - Menuet z Kwintetu smyczkowego op. 13 nr 5
48.Mozart W.A. - Kwartet smyczkowy KV 465 (cz. III)
49.Mozart W.A. - Eine kleine Nachtmusik (cz. I)
50.Czajkowski P. - Serenada na orkiestrę smyczkową (cz. II)
51.Mozart W.A. - Symfonia g-moll KV 550 (cz. I)
52.Glinka M. - Uwertura do opery Rusłan i Ludmiła
53.Czajkowski P. - Taniec rosyjski - Trepak (z baletu Dziadek do orzechów)
54.Czajkowski P. - VI Symfonia h-moll Patetyczna (cz. II)
55.Brahms J. - Taniec węgierski nr 6
56.Musorgski M. - Promenada (z suity Obrazki z wystawy)
57.Musorgski M. - Gnom (z suity Obrazki z wystawy)
58.Saint-Säens K. - Taniec szkieletów
59.Wagner R. - Uwertura do opery Tannhäuser
60.Strauss J. - Nad pięknym, modrym Dunajem.
MUZYKA WOKALNA
61.Schubert F.- Polna różyczka
62.Mozart W.A. - Alleluja (z motetu Exultate jubilate)
63.Moniuszko St. - Aria Halki (z II aktu opery Halka)
64.Strauss J. - Odgłosy wiosny
65.Moniuszko St. - Prząśniczka
66.Bizet G. - Seguidilla (z I aktu opery Carmen)
67.Bizet G. - Habanera (z I aktu opery Carmen)
68.Moniuszko St. - Scena zbiorowa (z II aktu opery Straszny dwór)
69.Rossini J. - Aria Kopciuszka (z opery Kopciuszek)
70.Verdi G. - Aria Księcia (z IV aktu opery Rigoletto)
71.Moniuszko St. - Aria Jontka (z IV aktu opery Halka)
72.Chopin F. - Hulanka
73.Bizet G. - Kuplety torreadora (z II aktu opery Carmen)
74.Moniuszko St. - Kozak
75.Moniuszko St. - Aria Skołuby (z III aktu opery Straszny dwór)
76.Verdi G. - Duet Traviaty i Alfreda (z I aktu opery Traviata)
77.Wacław z Szamotuł - Już się zmierzcha
78.Gomółka Mikołaj - Kleszczmy rękoma (psalm 47).
MUZYKA WOKALNO - INSTRUMENTALNA
79.Beethoven L.v. - Oda do radości (z IX Symfonii d-moll - cz. IV)
80.Haendel J.F. - Alleluja z oratorium Mesjasz.
III.ELEMENTY DZIEŁA MUZYCZNEGO
81.Grieg E. - Pieśń Solvejgi (z II Suity Peer Gynt - cz. IV)
82.Czajkowski P. - Temat łabędzi (z baletu Jezioro łabędzie)
83.Borodin A. - Tańce połowieckie (z II aktu opery Kniaź Igor)
84.Chopin F. - Polonez A-dur op. 40 nr 1
85.Paganini N. - Moto perpetuo
86.Wagner R. - Marsz weselny (z III aktu opery Lohengrin)
87.Beethoven L.v. - VII Symfonia (cz. II)
88.Musorgski M. - Wielka Brama Kijowska (z suity Obrazki z wystawy)
89.Chopin F. - Preludium c-moll op. 28 nr 20
90.Mendelssohn-Bartholdy F. - Uwertura z suity Sen nocy letniej
91.Rimski-Korsakow M. - Lot trzmiela (z opery Bajka o carze Sałtanie)
92.Musorgski Modest - Plac targowy w Limoges (z suity Obrazki z wystawy)
93.Debussy K. - Popołudnie fauna (fragment)
94.Rimski-Korsakow M. - Szecherezada - cz. II (fragment)
95.Musorgski M. - Taniec kurcząt w skorupkach (z suity Obrazki z wystawy)
96.Czajkowski P. - Taniec czterech łabędzi (z baletu Jezioro łabędzie)
97.Dvorák A. - Humoreska
98.Grieg E. - Taniec arabski (z II Suity Peer Gynt - cz. III)
99.Mozart W.A. - Sonata C-dur KV 545 (cz. I)
100.Chopin F. - Walc h-moll op. 69 nr 2.
IV.BUDOWA UTWORU MUZYCZNEGO
101.Bach J.S. - Menuet G-dur
102.Schumann R. - Śmiały jeździec
103.Chopin F. - Mazurek F-dur op. 68 nr 3
104.Bach J.S. - III Partita E-dur (cz. I)
105.Novaček O. - Perpetuum mobile.
V.ZASADY KSZTAŁTOWANIA UTWORU MUZYCZNEGO
106.Chopin F. - Śliczny chłopiec
107.Moniuszko St. - Pieśń wieczorna
108.Grieg E. - Śmierć Azy (z I Suity Peer Gynt - cz. II)
109.Grieg E. - W grocie Króla Gór (z I Suity Peer Gynt - cz. IV)
110.Chopin F. - Walc Des-dur Minutowy op. 64 nr 1
111.Schubert F. - Pstrąg
112.Monti V. - Czardasz
113.Dvorák A. - Taniec słowiański e-moll nr 2
114.Liszt F. - II Rapsodia węgierska.
DZIAŁ II - FORMY MUZYCZNE
I.PIEŚŃ ZWROTKOWA
115.piosenka popularna - Uciekła mi przepióreczka w proso
116.piosenka popularna - Furman
117.Moniuszko St. - Kum i kuma
118.Brahms J. - Kołysanka
119.Schubert F. - Ave Maria
120.Schumann R. - Cudowny miesiąc maj (z cyklu Miłość poety).
II.TRZYCZĘŚCIOWA FORMA ABA
121.Chopin F. - Polonez B-dur (młodzieńczy)
122.Mozart W.A. - Uwertura do opery Uprowadzenie z seraju
123.Czajkowski P. - Marsz (z baletu Dziadek do orzechów).
III.RONDO
124.Mozart W.A. - Sonata fortepianowa C-dur KV 545 (cz. III)
125.Chopin F. - Koncert fortepianowy f-moll op. 21 (cz. III)
126.Chopin F. - Koncert fortepianowy e-moll op. 11 (cz. III)
127.Haydn J. - Koncert D-dur (cz. III)
128.Beethoven L.v. - V Koncert fortepianowy Es-dur op. 73 (cz. III).

Pink Cards - Symbols, Terms and Intervals
1. Double Bar Line
2. Repeat Sign
3. Piano
4. Forte
5. Bass Clef
6. Treble Clef
7. Mezzo Forte
8. Mezzo Piano
9. Adagio
10. Andante
11. Allegro 11
12. D. C. al Fine
13. Tied Notes
14. Slur
15. Staccato
16. Crescendo
17. Descrescendo
18. 8va
19. Fortissimo
20. Sharp
21. Flat
22. Accent
23. Ritard
24. Natural
25. Fermata
26. Pianissimo
27. 2nd
28. 2rd
29. 3rd
30. 3rd
31. 4th
32. 4th
33. 5th
34. 5th
35. 6th
36. 6th
37. 7th
38. 7th
39. 8th (octave)
40. 8th (octave)
White - Notes & Reading Patterns
1. Low Leger C
2. Low Leger D
3. Low Leger E
4. F
5. G
6. A
7.B
8. C
9. D
10. E
11. F
12. G
13. A
14. B
15. Middle C
16. D
17. E
18. F
19. G
20. A
21. B
22. C
23. D
24. E
25. F
26. G
27. High Leger A
28. High Leger B
29. High Leger C
30. Middle Leger B
31. Middle Leger A
32. Middle Leger E
33. Middle Leger D
34.-40. Three-Note Reading Patterns
Yellow - Values & Rhythm Patterns
1. Description
2. Quarter Note
3. Quarter Rest
4. Whole Note
5. Whole Rest
6. Half Note
7. Half Rest
8. Dotted Half Note
9. 4/4 Time
10. 3/4 Time
11-27. Two-Measure Rhythm Patterns
28-40. Four-Measure Rhythm Patterns

Andante Nr. 16 op. 39

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