Lista utworów:
Koncert D-dur KV 537 nr 26 (Mozart Wolfgang Amadeus)

Mozart's Piano Concerto in D-major, K. 537, is dated 24 February 1788 in Mozart's own autograph catalogue of works. As Mozart performed the piece on 15 October 1790 during the coronation ceremonies in Frankfurt it has been given the nickname "Coronation Concerto" even though he also played F-major Concerto K. 459 on the same occasion. Mozart had already taken K. 537 on his tour of Dresden, Leipzig and Berlin, playing it on 14 April 1798 at the Dresden court. The present edition has been revidsed on the basis of autograph score located in the Pierpont Morgan Library in New York.

Lista utworów:
Concerto "Coronation" in D major for Piano and Orchestra KV 573 nr 26 (Mozart Wolfgang Amadeus)

Mozart's Concerto in C major, K. 415, was written in spring of 1783. Together with the concertos in A major (K. 414) and F major (K. 413) it forms a self-contained group. Mozart first offered this set o the public in 1783 in manuscript copies for subscription; later, in 1785, he had them issued in print. The present edition has been revised on the basis of the autograph score formely located in the holdings of Prussian State Library in Berlin but now in the Bibilioteka Jagiellońska in Crocow. The solo piano part is identical in all respects to the text of the original sources. Orchestral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

Lista utworów:
Concerto in C major for Piano and Orchestra KV 415 nr 13 (Mozart Wolfgang Amadeus)

Mozart's Piano Concerto in C minor (K 491), dated 24 March 1786 in his autograph catalogue of works, ends the series of subscription concerts for the Lenten season of 1785-6. Mozart played the piece twice in short succession: first on 3 April 1786, and again at his academy of 9 April i the Burg Theatre. K 491 combines the timbral features of its two predecessors K 482 and 488 by emphasizing minor keys in its opening and closing movements and by expanding the wind band. The present edition has been revised on the basis of the autograph score located in the British Library in London and published i facsimile.

Lista utworów:
Concerto in C minor for Piano and Orchestra KV 491 nr 24 (Mozart Wolfgang Amadeus)

Mozart's Piano concerto in F major, K. 413, was written in winter of 1782-3. Together with the concertos in A major (K. 414) and C major (K. 415) it forms a self-contained group. Mozart first offered this set o the public in 1783 in manuscript copies for subscription; later, in 1785, he had them issued in print. The present edition has been revised on the basis of the autograph score formely located in the holdings of Prussian State Library in Berlin but now in the Bibilioteka Jagiellońska in Crocow. The solo piano part is identical in all respects to the text of the original sources. Orchestral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

Lista utworów:
Concerto in F major for Piano and Orchestra KV 413 nr 11 (Mozart W. A.)

The F major Piano concerto (KV 459) was entered into Mozart's personal catalog of works on the 11th of December, 1784. There is a small discrepancy with the original score where Mozart also listed 2 clarini and timpani in the instrumentation. It is possible, however, if an oversight wasn't involved, that he listed these instrumetns on another sheet of paper which was later lost. The present edition was edited in accordance with the autograph scoer in the State Library of the Prussian Cultural Estate, Berlin and in comparison withe the first prining. The solo piano part is identical in all respects to the text of the original sources. Orchetral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

Lista utworów:
Concerto in F major for Piano and Orchestra KV 459 nr 19 (Mozart W. A.)

The D-major Piano Concerto, K. 175, was written in Salzburg in Decemcer 1773. It is thus Mozart's very first instrumental concerto, whether for piano or any other instrument (his first violin concerto, K. 207, was not composed until 1775). Up to that time Mozart, then not yet eighteen years of age, had only made concerto arrangements of works by other composers, including three concertos based on sonatas by Johann Christian Bach. In many respects K. 175 reveals the composer's valuating ambitions, particulary in the virtuoso writing for the piano, its large-scale design, and the splendid colours obtained by adding horns and trumpets. The autograph score of K. 175, extant as late as 1860, has long been lost. For this edition a reliable substitute source has been consulted.

Lista utworów:
Concerto No. 5 in D major KV 175 (Mozart Wolfgang Amadeus) Rondo in D major KV 382 (Mozart Wolfgang Amadeus)

Mozart's Piano Concerto in E-flat major (K 271), dated January 1777, is his last and most mature work in this genre written during his years in Salzburg. Composed considerably later than its three precessors K 175, 238 and 246, it forms a pinnacle in the output of the twenty-one-year-old composer. With this work Mozart attained an individual style of writing which had repercussions on his instrumental music as a whole. Its unusual formal design is no less extraordinary than the demands it places on the soloist. The present edition has been revised on the basis of the autograph score formely located in the holdings of the Prussian State Library in Berlin but now in Bilioteka Jagiellońska in Crocow.

Lista utworów:
Concerto No. 9 in E flat major for Piano and Orchestra KV 271 (Mozart Wolfgang Amadeus)

The Concerto for Two Pianos in E-flet major, K. 365 (316a), though undated, must have been written in the period immediately following the great Mannheim - Paris journey, i. e. early in 1779. It is thus closely associated with two other double concertos: the fragmentary Concerto for Violin and Piano in D major, K. Anh. 56 (November 1778), and the Sinfonia Concertante for Violin and Viola, K. 364 (summer of 1779). As Mozart's only concerto originally conceived for two pianos, it forms a mature counterpart to the Concerto in F major for Three Pianos, K. 242, the arrangement of which for two pianos was probably directly connected with K. 365 and likewise intended primarily for Mozart and his sister. In its treatment of the orchestra, K. 365 goes beyond all previous concertos both in its initial emplyment of an independent bassoon part and the largely obligato hadling of the oboes and French horns.

Lista utworów:
Konzert Es-Dur KV 365 (Mozart W. A.)

Koncert C-dur został napisany przez Mozarta dla żony jednego z salzburskich magnatów, hr. Lützowa. Rękopis partytury zaginął podczas ostatniej wojny światowej, zachowała się jedynie ręcznie przepisana kopia partii solowej fortepianu, którą Mozart poprawiał i gdzie zanotował krótkie kadencje do cz. I i II. Odczytując tę kopię, E. Mandyczewski zwrócił uwagę na wypisaną w niektórych miejscach realizację basu cyfrowanego. W wieku XVIII w ówczesnych koncertach klawesynowych, a także i późniejszych fortepianowych, w miejscach tutti instrument solowy brał czynny udział, potęgując tym samym brzmienie całości. W partyturach z tego okresu partia fortepianu była notowana jako bas cyfrowany. Zachowana autentyczna realizacja basu cyfrowanego pokazuje nam, jak ją sobie Mozart wyobrażał, dlatego w niniejszym wydaniu umieszczamy fotokopię zachowanych fragmentów z części I i II Koncertu.

17 koncertów fortepianowych Wolfganga Amadeusza Mozarta zalicza się do utworów szczytowych w jego twórczości fortepianowej. Mozart nadał koncertom swobodną budowę, pomagając solowemu instrumentowi (fortepian) w pełni wykorzystać możliwości techniczne. Niniejsza publikacja zawiera Koncert D-dur na fortepian i orkiestrę, w opracowaniu na dwa fortepiany (jeden fortepian wykonuje solową partię, drugi gra partię orkiestry). Utwór ten zaliczany jest do najokazalszych, "symfonicznych" koncertów fortepianowych Mozarta. Koncert posiada klasyczną budowę trzyczęściową: I - Allegro, II - Andante, III - Rondo z tanecznym tematem.

The Concerto for Three Pianos in f major, K. 242, was composed in February of 1776. Mozart wrote the work for Countess Antonia Maria Lodron and her two daughters, Maria Aloisia and Maria Josepha. Mozart later reworked the piece for performance with two pianos. Our edition presents both versions of the concerto, "a tre" and "a due".

Lista utworów:
Konzert F-Dur KV 242 (Mozart W. A.)

The autograph manuscript of Mozart's Larghetto and Allegro in E-flat major for two pianos (K6 deest) was discovered by Gerhard Croll in 1964, in Kromeříž Castle, Moravia (Czechoslovakia). because of its recent discovery, the work does not appear in any edition of the Köchel catalogue). Kromeříž, then known as Kremsier, was the seat of Archduke Rudolf of Austria, the dedicatee of several major works by Beethoven including Opp. 58, 81a, 97, 106, 111 and 123. Mozart's manusript was discovered in Rudolf's archive, where Rudolf himself had falsely attributed it to Gluck. (A note pencilled at the end of the manuscript reads: "This MS is said to be bt Chevalier Gluck").

Lista utworów:
Larghetto und Allegro KV 6 dee (Mozart W. A.)

Spis treści:
Mozart Symphonies 25, 26, 27, 28, 30, 31, 32, 33, 34, 35, 36, 36, 38, 39, 40, 41 Piano Concertos 10, 13, 14,17 ,18, 19, 20, 21, 22, 23, 24, 25, 26, 27 Requiem in D Minor Mass in C Major Mass in C Minor 8 Opera Overtures Violin Concertos 3-5 12 Serenades/Divertimentos Haydn Symphonies 22, 44, 45, 82, 83, 84, 85, 86, 87, 88, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104 The Creation The Seasons

Mozart's Piano Concerto in E-flat major, KV 449, was completed on 9 February 1784 and was the first item entered in his recently begun autograph catalogue of works. Like the erliest piano concertos from his Vienna years, it was written without obligato wind instruments. The present edition has been revised on the basis of the autograph score formely located in the holdings of the Prussian State Library in Berlin but now in Bibloteka Jagiellońska in Crocow. An original cadenza has survived in autograph. The solo piano part is identical in all respects to the text of the original sources. Orchetral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

Lista utworów:
Piano Concerto in E flat KV 449 nr 14 (Mozart Wolfgang Amadeus)

The Piano Concerto in Bb major (KV 456) was composed in 1784 and was entered into Mozart's personal catalog of works on September 30th. Although there is no concrete proof, it appears that Mozart wrote the concerto on commission from the blind pianist Marie Theresia of Paradise. The present edition was edited in accordance with the autogrph score in State Library of the Prussian Cultural Estate, Berlin, and in comparison with a copy made in Mozart's intermediate circle as well as with the first printing. The solo piano part corresponds in every detail to the text in the original sources. The piano reduction of the orchestral accompaniament (Piano II) was adopted to the dynamics and articulation of the original score as far as possible.

Lista utworów:
Piano Concerto in B flat KV 456 nr 18 (Mozart Wolfgang Amadeus)

Mozart wrote the Piano Cocerto in E-flat major for his subscription concerts in the 1786 Lenten season. This work was performed before that time, probably at a concert in Vienna in the 1785. Its the first piano concerto whitch Mozart scored for clarinets. The present edition was compiled on the basis of the autograph score located in the Staatsbibliothek Preussischer Kultubesitz in Berlin. No original cadenzas have survived. The solo piano part is identical in every respect with the text given in the sources. The piano reduction of the orchestral accompaniament (Piano II) has been adapted as far as possible to conform to the dynamics and articulation of the original score.

Lista utworów:
Piano Concerto in E flat KV 482 nr 22 (Mozart Wolfgang Amadeus)

Mozart's Piano Concerto in C major (KV 246), dated April 1776 and written for Coutess Lützow, was composed immediately after the concertos in B-flat major (KV 238) and F-major (KV 242) of that same spring. Mozart wrote the this piece for Countess Lodron and her two daughters, KV 246 falls under the heading of dilettante concerto. Composer is known to have performed the work himself in Munich on October 1777.The present edition has been revised on the basis of the autograph score formely located in the holdings of the Prussian State Library in Berlin but now in Bibloteka Jagiellońska in Crocow. Original cadenzas for this concerto exist in three versions.The solo piano part is identical in all respects to the text of the original sources. Orchetral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

Lista utworów:
Piano Concerto in C KV 246 nr 8 (Mozart Wolfgang Amadeus)

Lista utworów:
Serenade G-Dur, Eine kleine Nachtmusik KV 525 (Mozart Wolfgang Amadeus)

Niemieckie wydanie z 1928 roku, zawierające Sonatę nr 14 D-dur Wolfganga Amadeusza Mozarta (1756 - 1791). Dzieło posiada budowę trzyczęściową: I - Allegro (ćwierćnuta = 84), II - Adagio (ósemka = 96), III - Allegretto (ćwierćnuta = 88). Zapis zawiera oznaczenia palcowania, dynamiki i artykulacji.
Stan publikacji:bardzo dobry, nuty czyste, okładka lekko zabrudzona.

Niniejsza publikacja zawiera dwie Sonatiny, będące opracowaniami na fortepian (cztery ręce) kompozycji Wolfganga Amadeusza Mozarta. "Sonatina I" jest opracowaniem "Divertimento F-Dur" KV 213 Mozarta z 1775 roku. Składa się ona z trzech części: cz. I - Allegro spiritoso, cz. II - Menuetto, cz. III - Allegro molto (Contredanse en Rondo). "Sonatina II" to aranżacja "Divertimenta B-Dur" KV 240 Mozarta, z 1776 roku. Złożona jest z czterech części: cz. I - Allegro, cz. II - Andante grazioso, cz. III - Menuetto z Triem, cz. IV - Allegro.

Lista utworów:
Sinfonie C-Dur "Linzer Sinfonie" (Linz, Oktober / November 1783) KV 425 (Mozart Wolfgang Amadeus) Sinfonie C-Dur "Jupiter-Sinfonie" (Wien, August 1788) KV 551 (Mozart Wolfgang Amadeus) Sinfonie D-Dur "Haffner-Sinfonie" (Wien, Juli 1782) KV 385 (Mozart Wolfgang Amadeus) Sinfonie D-Dur "Prager Sinfonie" (Wien, Dezember 1786) KV 504 (Mozart Wolfgang Amadeus) Sinfonie Es-Dur (Wien, Juni 1788) KV 543 (Mozart Wolfgang Amadeus) Sinfonie g-Moll (Wien, Juli 1788) KV 550 (Mozart Wolfgang Amadeus)

Lista utworów:
Sinfonia KV 492 (Mozart Wolfgang Amadeus) Erster Akt KV 492 (Mozart Wolfgang Amadeus) Nr 1 Duettino: Fünfe, zehne, zwanzig KV 492 (Mozart Wolfgang Amadeus) Nr 2 Duettino: Sollt einstens die Gräfin zur Nchtzeit KV 492 (Mozart Wolfgang Amadeus) Nr 3 Kavatine: Will der Herr Graf ein Tänzchen nun wagen KV 492 (Mozart Wolfgang Amadeus) Nr 4 Arie: Süße Rache, ja, süße Rache KV 492 (Mozart Wolfgang Amadeus) Nr 5 Duettino: Nur vorwärts, ich bitte KV 492 (Mozart Wolfgang Amadeus) Nr 6 Arie: Ich weiß nicht, wi ich bin, was ich tue KV 492 (Mozart Wolfgang Amadeus) Nr 7 Terzett: Wie, was hör ich KV 492 (Mozart Wolfgang Amadeus) Nr 8 Chor: Fröhliche Jugend, streue ihm Blumen KV 492 (Mozart Wolfgang Amadeus) Nr 9 Arie: Nun vergiß leises Flehn, süßes Kosen KV 492 (Mozart Wolfgang Amadeus) Zweiter Akt KV 492 (Mozart Wolfgang Amadeus) Nr 10 Kavatine: Hör mein Flehn, o Gott der Liebe KV 492 (Mozart Wolfgang Amadeus) Nr 11 Ariette: Sagt, holde Frauen, die ihr sie kennt KV 492 (Mozart Wolfgang Amadeus) Nr 12 Arie: Nur näher, knien Sie hin vor mir KV 492 (Mozart Wolfgang Amadeus) Nr 13 terzett: Wohlan, wird's bald geschehen KV 492 (Mozart Wolfgang Amadeus) Nr 14 Duettino: geschwind die Tür geöffnet KV 492 (Mozart Wolfgang Amadeus) Nr 15 Finale: Komm heraus, verworfner Knabe KV 492 (Mozart Wolfgang Amadeus) Dritter Akt KV 492 (Mozart Wolfgang Amadeus) Nr 16 Duettino: So lang hab ich geschmachtet KV 492 (Mozart Wolfgang Amadeus) Nr 17 rezitativ und Arie: Der Prozeß schon gewonnen KV 492 (Mozart Wolfgang Amadeus) Nr 18 Sextett: Laß mein liebes Kond dich nennen KV 492 (Mozart Wolfgang Amadeus) Nr 19 Rezitativ und Arie: Und Susanna kommt nicht KV 492 (Mozart Wolfgang Amadeus) Nr 20 Duettino: Wenn die sanften Abendwinde KV 492 (Mozart Wolfgang Amadeus) Nr 21 Chor: Gnäd'ge Gräfin, diese Rosen KV 492 (Mozart Wolfgang Amadeus) Nr 22 Finale: Schon naht festzug, so gehn wir KV 492 (Mozart Wolfgang Amadeus) Vierter Akt KV 492 (Mozart Wolfgang Amadeus) Nr 23 Kavatone: Unglücksel'ge keine Nadel KV 492 (Mozart Wolfgang Amadeus) Nr 24 Arie: Die Ziege und der Ziegenblock KV 492 (Mozart Wolfgang Amadeus) Verwandlung KV 492 (Mozart Wolfgang Amadeus) Nr 25 Arie: In den Jahren, wo vergebens doe Vernunft KV 492 (Mozart Wolfgang Amadeus) Nr 26 Rezitativ und Arie: Alles ist richtig, auch kann die Stunde KV 492 (Mozart Wolfgang Amadeus) Nr 27 Rezitativ und Arie: Endlich naht sich die Stunde KV 492 (Mozart Wolfgang Amadeus) Nr 28 Finale: Still, nur still, ich will mich nähern KV 492 (Mozart Wolfgang Amadeus)

Lista utworów:
Ouvertura KV 588 (Mozart Wolfgang Amadeus) Erster Akt KV 588 (Mozart Wolfgang Amadeus) Nr 1 Terzett - Nein, nein, Dorabella, sie wagte es nie KV 588 (Mozart Wolfgang Amadeus) Nr 2 Terzett - Die gespriesne Weibertreue KV 588 (Mozart Wolfgang Amadeus) Nr 3 Terzett - Eine schöne Serenade KV 588 (Mozart Wolfgang Amadeus) Nr 4 Duett - O sieh doch nur, Schwester KV 588 (Mozart Wolfgang Amadeus) Nr 5 Arie - Sag ich's gleich KV 588 (Mozart Wolfgang Amadeus) Nr 6 Quintett - Schwankend nah ich, die Schritte zagen KV 588 (Mozart Wolfgang Amadeus) Nr 7 Duettino - Das Schicksal, es beugt sich KV 588 (Mozart Wolfgang Amadeus) Nr 8 Chor - O wie schön, Soldat zu sein KV 588 (Mozart Wolfgang Amadeus) Nr 9 Quintett - Du schreibst mir alle Tage KV 588 (Mozart Wolfgang Amadeus) Nr 10 Terzettino - Weht leiser, ihr Winde KV 588 (Mozart Wolfgang Amadeus) Verwandlung KV 588 (Mozart Wolfgang Amadeus) Nr 11 Arie - Qualen und herber Schmerz KV 588 (Mozart Wolfgang Amadeus) Nr 12 Arie - Beim Männervolk, bei Soldaten KV 588 (Mozart Wolfgang Amadeus) Nr 13 Sextett - Hier der schönen Despinetta KV 588 (Mozart Wolfgang Amadeus) Nr 14 Arie - Wie der Felsen, der ohne Schwanken KV 588 (Mozart Wolfgang Amadeus) Nr 15 Arie - O seid nicht so spröde KV 588 (Mozart Wolfgang Amadeus) Nr 15a Arie - Werfen Sie auf ihn die Blicke KV 588 (Mozart Wolfgang Amadeus) Nr 16 Terzett - Wie, ihr könnt lachen KV 588 (Mozart Wolfgang Amadeus) Nr 17 Arie - Der Odem der Liebe KV 588 (Mozart Wolfgang Amadeus) Verwandlung KV 588 (Mozart Wolfgang Amadeus) Nr 18 Finale - Ach, wie bald ist mir entschwunden KV 588 (Mozart Wolfgang Amadeus) Zweiter Akt KV 588 (Mozart Wolfgang Amadeus) Nr 19 Arie - Schon ein Mädchen von fünfzehn Jahren KV 588 (Mozart Wolfgang Amadeus) Nr 20 Duett - Ich erwähle mir den Braunen KV 588 (Mozart Wolfgang Amadeus) Verwandlung KV 588 (Mozart Wolfgang Amadeus) Nr 21 Duett mit Chor - Trage sanft mit leisem Wehen KV 588 (Mozart Wolfgang Amadeus) Nr 22 Quartett - Ich bitt um Ihr Händchen KV 588 (Mozart Wolfgang Amadeus) Nr 23 Duett - empfange, Geliebte, dies Herz hier KV 588 (Mozart Wolfgang Amadeus) Nr 24 Arie - Ja, ich sehe, die Schönste der Frauen KV 588 (Mozart Wolfgang Amadeus) Nr 25 Rondo - O verzeih, Geliebter KV 588 (Mozart Wolfgang Amadeus) Nr 26 Arie - Mädchen, so tribt ihr's mit allen KV 588 (Mozart Wolfgang Amadeus) Nr 27 Kavatine - Verraten, verspotten KV 588 (Mozart Wolfgang Amadeus) Verwandlung KV 588 (Mozart Wolfgang Amadeus) Nr 28 Arie - Ein loser Dieb ist Amor KV 588 (Mozart Wolfgang Amadeus) Nr 29 Duett - Seinen Armen eil ich entgegen KV 588 (Mozart Wolfgang Amadeus) Nr 30 Andante - Alles schilt auf die Frauen KV 588 (Mozart Wolfgang Amadeus) Verwandlung KV 588 (Mozart Wolfgang Amadeus) Nr 31 Finle - Hurtig, hurtig, laßt uns eilen KV 588 (Mozart Wolfgang Amadeus)

Wolfgang Amadeusz Mozart jest jednym z najwybitniejszych kompozytorów w historii muzyki. Jego dorobek artystyczny jest bardzo obszerny: ponad 600 kompozycji, w tym 20 oper, 68 symfonii, 27 koncertów i 19 mszy. Prezentowany zbiór zawiera 6 utworów na skrzypce z towarzyszeniem fortepianu: 4 sonaty skrzypcowe i wariacje KV 359 i KV 360. Przejrzystość i łatwość w interpretowaniu właściwej artykulacji jest głównym atrybutem Mozarta w tych utworach.