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Sing Dance And Play

Dostępne opracowania:

fortepian solo (2)
gitara solo (1)
książka (3)
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Sing Dance And Play znajdziesz w 6 publikacjach wymienionych poniżej:


Okładka: Verderosa Tony, The Drummer's Guide To Loop-based Music

cena 128,95 zł.


nuty.pl

Verderosa Tony
The Drummer's Guide To Loop-based Music

angielski The Drummer's Guide To Loop-based Music


Ilość stron:96
Format:230 x 305
Opracowanie na:książka
Rodzaj produktu:książka + płyta CD
Wersja językowa:opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Mattingly Rick
Autor aranżacji/opracowania: Klenetsky Russell Sandon
Zawartość:

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Kod produktu:NPL059798

Prezentowana książka jest szkołą gry na perkusji. Znajdujdziesz tu zarówno informacje historyczne, jak również autor wprowadzi Cię w różnorodne style muzyczne - jazz, electronic, trip - hop, techno, acid jazz. Do publikacji zostały dołączone dwie płyty CD. Pierwsza zawiera 79 ścieżek dźwiękowych wzorcowych wykonań. Druga płyta zawiera 10 nagranych wersji demo przeznaczonych do odczytu komputerowego.


This cutting-edge book/CD set introduces acoustic and electronic drummers to the art of performing and creating loop-based music styles. It covers the history and basics of a variety of techno styles including Jungle/Drum'n'Bass, Hip-Hop, Electronica, Trip-Hop, 2-Step, Acid Jazz and Ambient, and is illustrated with sound files as well as notated examples of beats and grooves. The book also includes interviews with prominent techno drummers and provides information about creating breakbeats, using music software to transcribe drum grooves, acoustic drum triggering, using MIDI, and the author's DJ Drummer concept. In addition, the enhanced CD includes a demo version of Sonic Foundry's ACID.


Spis treści:

About the Author
Introduction
Notation Legend
Part 1: Techno Styles
The Role of Breakbeats
Breakbeats
Defining and Identifying Techno Styles
Hip - Hop
Electronica
Jungle / Drum'n Bass
Jungle / Drum'n Bass Subgenres
Ambient Jungle
Dark - Core / Darkside
Ragga and Jump Up
Tech - Step / Hard Step / Digital Hardcore
The Bristol Drum 'n' Bass Sound
Trip - Hop
2 - Step
Bigbeat / Leftfield / Funky Breaks
Acid Jazz
Ambient
Illbient
Electro - Breakbeat
House / Progressive Techno
Ambient Dub
Detroit Techno
Lo - Fi Breakbeat
Trance
IDM (Intelligient Dance Music)
Groove Fundamentals
Classic Breakbeats
Jungle / Drum 'n' Bass
DJ Drummer Grooves
2 - Step Beats
Electro Breakbeats
Big Beat
Hip - Hop
Playing Along With Loops
Soloing Over Techno Loops
Part 2: Interviews
Zach Danziger
Yuvall Gabay
Roy "Futureman" Wooten
JoJo Mayer
Part 3: Gear
Reverse Engineering
The V - Wave and VFX Series
VFX Drum 'n' Bass Grooves
Distortion Hi - Hats
VFX Crashes
VFX Mini Hats
VFX Mini Ride
Alternate Tunings and Tricks
Using Music Software for Transcribing Drum Grooves
Practicing with Groove Boxes
The DJ Drummer Concept
Acoustic Drum Triggering
Setting up the Triggers and Drum Module
Programming the Brain
Using MIDI Modules
Basic MIDI Communication
Digital Samplers
The Role of Personal Computers
ACID Pro
Wave Lab
Cubase SX and Nuendo
Digital Storage Media
Using Sample CD Libraries
Interactive Music on the Web
Appendix
Glossary
Internet Links
Resources
Special Thanks

Okładka: Noad Frederick, First Book For The Guitar

cena 151,95 zł.


nuty.pl

Noad Frederick
First Book For The Guitar

polski Pierwsza książka na gitarę solo
angielski First Book For The Guitar


Ilość stron:200
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:1 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL065251
Produkty podobne:Noad Frederick - First Book For The Guitar - Part 1
Noad Frederick - First Book For The Guitar - Part 2
Noad Frederick - First Book for the Guitar - Part 3

Obszerna szkoła gry na gitarze klasycznej - zawiera w sobie zarówno 1-szą, 2-gą, jak i 3-cią część podręcznika. Autor podręcznika - Frederick Noad - krok po kroku wprowadzi Cię w niezbędne zagadnienia dotyczące zarówno techniki gitarowej, jak i przedstawi rozmaite ćwiczenia melodyczno - rytmiczne dopasowane do danego zagadnienia. Wśród przykładowych utworów znajdziesz m. in.: "Andante" (Sor), "Andante", Op. 6 (Molino), "Andantino" (Sor), "Andantino" (Carulli), "Andantino", Op. 139, No. 1 (Giuliani), "Aura Lee" (L. Mozart) i wiele innych.


Contents: All Through the Night • Allegretto (Giuliani) • Allegretto, Op. 44, No. 8 (Sor) • Alman (16th C.) • Amusement, Op. 18, No. 3 (Horetzky) • Andante (Sor) • Andante, Op. 6 (Molino) • Andantino (Sor) • Andantino (Carulli) • Andantino, Op. 139, No. 1 (Giuliani) • Aura Lee • Banks of the Ohio • Bourrée in A Minor (L. Mozart) • El Vito • The Entertainer • Etude (Carulli) • Etude in A Minor • Evening Breeze (Noad) • Fandango • Greensleeves • I Gave My Love a Cherry (The Riddle Song) • Theme from Jocelyn (Godard) • La Volta • Little Rondo (Meissonier) • Minuet • Minuet (Carcassi) • Minuet I • Moorish Dance • On Top of Old Smoky • Packington's Pound (16th C.) • Pastoral (Noad) • Pavane (16th C.) • Petenera (Traditional) • The Piper's Tune • Rondo from Sonatina, Op. 71 (Giuliani) • Sicilienne (Meissonier) • Solitude • Sonatina (Attwood) • Song at Nightfall • The St. Catherine (Barrett) • Study in C (Giuliani) • Study in D (Sor) • Study in D Minor (Coste) • Study in F (Sor) • Study in 3rds (Sor) • Study in 6ths (Sor) • Theme by De Visee • Theme by Hook • Theme by Purcell • Victorian Song (Noad) • Waltz (Carcassi) • The Willow • Zapateado.


Lista utworów:
All Through The Night (Welsh Folksong)
Allegretto (Mauro Guiliani)
Allegretto,Op.44,No.8 (Sor)
Alman (16th C.)
Amusement,Op.18,No.3 (Horetzky)
Andante (Sor)
Andante(Op.6) Molino
Andantino (Sor)
Andantino (Carulli)
Andantino,Op.139,No.1 (Giuliani)
Aura Lee (George R. Poulton)
Banks Of The Ohio (19th Century Western American)
Bourree In A Minor (Mozart L)
El Vito
Etude (Carulli)
Etude In A Minor (Ferdinand Carulli)
Evening Breeze (Noad)
Fandango (Frank Perkins)
Greensleeves (Traditional English)
I Gave My Love A Cherry (The Riddle Song) (Traditional)
Jocelyn, Theme From(Godard)
La Volta
Little Rondo (Meissonier)
Minuet (Bach)
Minuet (Carcassi)
Minuet I (Henry Purcell)
Moorish Dance
On Top Of Old Smoky (Kentucky Mountain Folksong)
Packington's Pound (Anonymous 16th Century English)
Pastoral (Noad)
Pavane (16th C.)
Petenera (Traditional)
Piper's Tune, The
Rondo(Sonatina,Op.71) Giuliani
Sicilienne (Meissonier)
Solitude (Duke Ellington, Eddie De Lange, Irving Mills)
Sonatina (Attwood)
Song At Nightfall
St. Catherine, The (Barrett)
Study In 3rds (Sor)
Study In 6ths (Sor)
Study In C (Giuliani)
Study In D (Fernando Sor)
Study In D Min. (Coste)
Study In F (Sor)
The Entertainer (Scott Joplin)
Theme By De Visee
Theme By Hook
Theme By Purcell
Victorian Song (Noad)
Waltz (Carcassi)
Willow, The
Zapateado

Spis treści:

Note to the reader
Note to the teacher
About the guitar
How guitar music is written
Notes and rests
Tuning
Special tuning tips
Beginning to play
The sitting position
The right hand
The rest stroke
Tone quality
The shape of the nails
Finger identification
First practice of the rest stroke alternation
The left hand
The left-hand exercise
Putting both hands together
Further development
The free stroke
Notes on the first string
Counting
Exercise 1
Exercise 2
Exercise 3
Notes on the second string
Rest and damping
Exercise 5
Exercise 6
Exercise 7
Pick-up notes
Bank of the Ohio
Notes on the third string
Counting eighth notes
Exercise 8
Exercise 9
Exercise 10
Aura Lee
Thumb technique
Notes on the fourth string
Exercise 11
Exercise 12
Exercise 13
Notes on the fifth and sixth strings
Exercise 14
Fandango
Exercise 15
Ties
Exercise 16
Sharps and flats
Exercise 17
Exercise 18
Minuet
Chord technique
Exercise 19
Exercise 20
Cherry Song
Exercise 21
Arpeggios and Triplets
Technique of arpeggio
The Upward arpeggio
The downward arpeggio
Exercise 22
Exercise 23
Exercise 24
Combining chords and melody
Exercise 25
Exercise 26
La Volta
Practice suggestions
The Moorish dance
Evening Breeze
Etude
Minuet Theme
Flamenco Study
Song at nightfall
To the reader
A note to the teacher
Keys and scales
Scale of C Major
Other Major Keys
Scale of G Major
Minor Keys
Exercise 1
Study in G Major
Counting sixteenth notes
Exercise 2
Mixed Eighths and Sixteenths
Exercise 3
Etude in A Minor
Right hand fingering
General Principles
A Warning
Two Note Chords
Exercise 4
Crossing From String to String
Use of the Ring Finger
Exercise 5
Exercise 6 to 10
The Dotted Quarter Note
Exercise 11
Exercise 12
Packington's Pound
Right-Hand Technique
Choice of the Rest Stroke or Free Stroke
Single-Note Passages
Chords
Two-Note Chords with Rest Stroke
Exercise 13
Exercise 14
Chords of Three or More Notes
Arpeggios
To the reader
To the teacher
A practical warm-up routine
More advanced counting
The dotted eighth note
Grace notes
Andante
Syncopation
Exercise 1
The half bar
Andantino
More about chords
Exercise 2
Arpeggiated chords
When to arpeggiate
Amusement
Shorthand systems for chords
Components of a Major Chord
The Right Hand
Breaking up the Chords
Formation of More Complex Chords
On top of old smokey
Exploring new keys
Flat keys
Exercise 3
Study in F
Keys with more Sharps
Scale of A Major
Exercise 4
Andante
Alman
Scale of E Major
Exercise 5
Little Rondo

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 2

cena 263,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 2

polski Domowy kurs rejestracji dźwięku, nagrywania, cz. 2
angielski The AudioPro Home Recording Course, Volume 2


Ilość stron:252
Format:230 x 305
Opracowanie na:książka
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078017
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 3

Publikacja jest drugą częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Obecna część jest przeznaczona dla osób z podstawową znajomością pojęć technicznych. Poszczególne lekcje zawierają liczne ilustracje, a także przykłady muzyczne na dołączonych do książki płytach CD. Autor - Let Bill Gibson - przekazuje informacje, których potrzebujesz, aby udoskonalić rejestracje dźwięków za pomocą domowego sprzętu nagrywającego. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume two covers: impedance and wiring (high impedance vs. low impedance, terminology, balanced vs. unbalanced); bass guitar (electric/synth, recording, mic techniques, EQ); harmonics/overtones/partials; vocals (recording, mic techniques, effects, EQ); acoustic piano and rhodes (recording, mic techniques, signal processing, sampled sounds, EQ); recording synthesisers (recording, combining textures, EQ, brass); the total recording session (instruments, preparing the recorder, media selection, time code); panning and stereo imaging; mixdown to master product (mixdown machine, tape choice, theories and concepts, setup procedure; building the mix; preparing master for duplication).

Spis treści:

Introduction
Chapter 1 - Impedance and Wiring
Basic Terminology
Compatibility Between Hi Z and Lo Z
Balanced vs. Unbalanced
Basic Terminology
Unbalanced Guitar Cables
Balanced Cables
Conclusion
Chapter 2 - Bass Guitar
Electric Bass
Condition of the Bass
Direct Box / Direct In (DI)
The Bass Level
Instrument Differences
Musical Style
Recording Levels for Bass
Mic Techniques
Compressing the Bass
Equalization
Panning
Reverb
Synth Bass
Plugging the Synth Bass In
Miking the Synth Bass
Performance of the Synth Bass Part
Bass Range and EQ
Compressing the Synth Bass
Recording Level for the Synth Bass
Panning Synth Bass
Effect and the Synth Bass
Acoustic Bass
Close - Miking the String Bass
Conclusion
Chapter 3 - Harmonics / Overtones / Partials
The Difference Between Harmonics, Overtones and Partials
Conclusion
Chapter 4 - Vocals
Mic Techniques
Placement
Distance
Small Room vs. Large Room
Moving - Coil / Ribbon
Condenser
Effects
Stylistic Considerations
Wind Screen
Repairing a Problem Plosive
Electronic Plovive Repair
The Proximity Effect
Bass Roll-off
The Pad
Different Sounds of Different Pickup Patterns
Positioning the Microphone
Compressor / Limiter / Gate / Expander
Dynamic Range
Compression
Sibilance
The De-esser
Equalization
Recording Environment
Physical Aids
Intonation
Headphones
Punch In / Punch Out
Perseverance
Panning
Common Vocal Effects
Delay
Slapback
The Electronic Double
The Electronic Triple
Regeneration
Reverb
Predelay
Exciter
Chorus / Flanger / Phase Shifter
Backing Vocals
Conclusion
Chapter 5 - Acoustic Piano and Rhodes
Grand Piano
The Basics
Mic Choice and Technique
Stereo or Mono
Instrument Maintenance
Setting the Mood
Processing Pano Sounds
No Two Pianos Sound Identical
Recording Levels
Equalizer the Piano
Compressing the Piano
Exciting the Piano
Reverberation
Miking the Vertical Piano
Sampled Piano Sounds
Rhodes - type Sounds
Rhodes Effects
Equalizing the Rhodes
Conclusion
Chapter 6 - Recording Synthesizers
Recording Synths: Strings, Pads, Bell-like Sounds, Brass and Effects
Live in vs. Mic in Through DI
Line In
DI Can Color the Sound Adversely
String and Pads
Layering
Equalizing Pads
Dynamic Processing the Synth
Reverb
Combining Textures
Exciter
Chorus, Flanger, Phase Shifter
Panning
Delay
Bell - like Sounds
Equalizing the Bell - like Sounds
Panning Bell - like Sounds
Compression
Reverb
Chorus / Flanger / Phase Shifter
Brass
Mic Technique
Levels
Brass Samples
Brass Equalization
Panning
Reverb
Exciter
Chorus / Flanger / Phase Shifter
Delay
Special Effects
Conclusion
Chapter 7 - Panning and Stereo Imaging
Speaker Position and Choice
Mic Techniques
The Head
Assignment
3:1 Principle
Panning
Reverberation
Space in a Space
Combining Wet and Dry
Delay
Panning
Chorus/ Flanger / Phase Shifter
Monitors and Your Stereo Image
Conclusion
Chapter 8 - The Total Recording Session
Planning
Tracks
Envision the Final Products
Instrument
Tuning
Strings
Getting the Recorder Ready
Cleaning and Demagnetizing
Demagnetizing the Analog Tape Machine
Cleaning the Analog Recorder
Tones on the Analog Recorder
Tones on the Digital Recorder
Media Selection
Magnetic Tape / Video Tape
Recordable CDs / Hard Drives
Tape Storage Is a Critical Condiseration
Time Code
Striping SMPTE
Getting the Sequencer to Follow SMPTE
Tightening the Arrangement
Contents of Arrangement
Reference Lead Vocal
Backing Vocals
Bounce to Track One
Electric Guitar to Track Four
Punch-Ins
Acoustic Guitar to Track Five
Final Vocal to Track Three
Lead Guitar to Track Six
Conclusion
Chapter 9 - Mixdown to Master to Product
Mixdown Machine
Basic Proceudre for Alignment (Mixdown and Multitrack)
Playback Alignment
Record EQ
Reference Tones
Reference Tone
Starting the Mix / Zeroing the Board
Tape Choice
Outboard Gear to Have on Hand
Tape Speed
Automation
Multiple Sets of Monitors
Comparison to Other Projects
The Spherical Approach to Panning and Positioning in the Mix
EQ: The Cumulative Effect
Mixing Theories and Building Concepts
Mix Approach
The Arrangement
Characteristics of a Good Mix
Strong and Solid, But Controlled, Lows
Mids Distributed Evenly Among Various Instruments
Strong, Smooth Highs That Are Easy to Listen To
Balance
Depth
Width
Momentum
Consistency
Sounds Good in Stereo and Mono
Approaches to Mixing That I've Found Ineffective
Signs of an Amateur Musical Recording
Basic Setup Procedure
Once You Select and Prepare the Multitrack and Mixdown Machines
Arranging During Mixdown
Multiple Mixes
Mix Versions
Building the Mix
Kick Drum / Bass Guitar
Pan the Cymbals for a Natural Sound
Live Toms
Drum Machine Toms
Drum Set Overhands (Live)
Bass
Lead Vocal
Compression
Expander
Vocal EQ
Exciter
Simple Delay
Add Backing Vocals
Comping Keyboards and Rhythm Guitars
Filling in the Holes With the Guitar or Keys
Lead Parts
Solos
Mix Levels
Fades
Preparing the Mixed Master for Duplication
Editing
Mastering
Different Mixes
Conclusion
GLossary
Index

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

cena 293,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski Kurs nagrywania AudioPro, cz. 3
angielski The AudioPro Home Recording Course, Volume 3


Ilość stron:272
Format:215 x 275
Opracowanie na:książka
Rodzaj produktu:nuty drukowane + 2 płyty CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078018
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully

Okładka: Schaum John W., Piano Course B The Blue Book

cena 45,95 zł.


nuty.pl

Schaum John W.
Piano Course B The Blue Book

polski Szkoła gry na fortepianie B - niebieska książka
angielski Piano Course B The Blue Book


Ilość stron:48
Format:230 x 305
Opracowanie na:fortepian solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:opisów: angielska
tytułów utworów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL066935
Produkty podobne:Schaum John W. - Adult Piano Course, vol. 1
Schaum John W. - Piano Course A The Red Book
Schaum John W. - Piano Course C The Purple Book
Schaum John W. - Piano Course D The Orange Book
Schaum John W. - Piano Course E The Violet Book
Schaum John W. - Piano Course Pre A - The Green Book

Szkoła gry na fortepianie dla dzieci Johna Schauma składa się z dziewięciu części. Część B, z okładką o kolorze niebieskim jest trzecią częścią z kolei. Kurs obejmuje szeroki wachlarz zagadnień techniczncych wprowadzając je progresywnie i popierając wieloma poszerzającymi repertuar utworami, zarówno skomponowanymi przez autora specjalnie dla dzieci, jak i prostymi utworami muzyki poważnej (Mozart, Bach, Schumann).

A comprehensive tutor series for beginners of all ages. Well presented with color pictures, useful information and guidance material. The aim of the book is to teach in the most natural and enjoyable way, through popular melodies. The method enables the student to progress in a logical fashion through Pre A to F. A recommended and thorough series.

Spis treści:

Sight reading drills
Left hand echoes - Play ball
Syncopation in 3/4 time - Music Boc (Liadow)
Shifting melody from R.H. to L.H. - Stalactites and stalagmites
Different kinds of accents - The country fiddler (folk dance)
Arpeggio recital piece - The elevator
Music appreciation - The harpsichord player (J.S. Bach)
The folk song - The year 1620
Syncopation in 4/4 time - Short'nin' bread
Crossing hands (L.H. over) - Magic flute (Mozart)
6/8 time - The wishbone
Changing keys (Major to minor) - The campbells are coming
A classical recital piece - The dress parade (Schubert's "marche militaire")
Key of E-flat major - Little brown bug
Fermata - Sailing
How to practice - (Descriptive music) The clothes line waltz
Piano quiz no. 1
The repeat sign - legato thirds - Monkey sees! Monkey does!
The right hand positions - The ventriloquist and his dummy
Da capo al fine - Here we go for a touch down
Tarantella story - The spider dance
Sixteenth notes - Wun Long Pan
Two note slurs - The hair stylist
Chord inversions - The dentist
How to use the damper pedal
Aplying the pedal to broken chords - Shadow pictures
Pedal study - Strange Lands (Robert Schumann)
Chord recital piece - Hear those lovely bells
Contrary motion - Fire engine
Wrist staccato - A fine state of affairs
Key of E major - The telegraph operator
Interweaving hand legato - Over the hurdles
6/8 time in the key o B flat - The daily comics
Chromatic passages - Putting salt on a bird's tail or how not to catch a bird
American folk song - On the levee
Piano quiz no. 2
Certificate of promotion
Music dictionary

Okładka: Schaum John W., Piano Course E The Violet Book

cena 45,95 zł.


nuty.pl

Schaum John W.
Piano Course E The Violet Book

polski Dzkoła gry na fortepianie; E fioletowa książka
angielski Piano Course E The Violet Book


Ilość stron:48
Format:230 x 305
Opracowanie na:fortepian solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:opisów: angielska
tytułów utworów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL066938
Produkty podobne:Schaum John W. - Adult Piano Course, vol. 1
Schaum John W. - Piano Course A The Red Book
Schaum John W. - Piano Course B The Blue Book
Schaum John W. - Piano Course C The Purple Book
Schaum John W. - Piano Course D The Orange Book
Schaum John W. - Piano Course Pre A - The Green Book

Szósta część kursy gry na fortepianie Johna W. Schauma. W publikacji omówiony został szeroki wachlarz zagadnień technicznych, które zostały poparte utworami największych kompozytorów, od Beethovena czy Wagnera, aż po Claudea Debussy.

Learn Piano is the most enjoyable way with this progressive Piano Course.

Spis treści:

Rhythm drills
Finger Staccatostudy - The globe trotter (Gautier)
Chime effects - The Angelus bell (Sibelius)
Scale passages - Deer at winter feeding place
Rural dance form - Barnyard jamboree
Melody playing - Summer moon (Fibrich)
Finger dexterity - The chase (Lichner)
Tremolo - "1812" Overture (Excerpt) (Tchaikovsky)
Left hand rotation - Log-rolling contest (Koelling)
Whole tone harmony - Stratosphere man
A norwegian composer - Starlight over Norway (Grieg)
Sentiment in music - I love thee (Grieg)
Gypsy rhyhm - Camp of the Gypsies (Behr)
Glissando - Sliding on a Rainbow
Legato melody with staccato accompaniment - Wild horse canyon (Concone)
The mordent (plain and inverted) - Gavotte (Gluck)
Pep rally march - The track meet (J.F. Wagner)
Opera theme - The bullfighters' march (Bizet)
Oratorio theme - The shepherd and his sheep (from Messiah) (Handel)
Arpeggio study (thumb under) - Up the airy mountain (Streabbog)
Staccatissimo touch - Pappy's polka (Strauss)
Musical emotion - Purple sunset (Liszt)
The waltz as an art form - Crystal ballroom (Chopin)
Tenuto - The postage stamp (Czerny)
The soft pedal - Magic carpet of dreams (Debussy)
The Barcarolle form - Theme from Oberon (Weber)
Velocity study - Thirty seconds to go (Koelling)
Reading a vocal accompaniment - Merry widow waltz (Lehar)
Passing left hand over right - Pass the sugar please
How to turn a page of music - New flashes (Behr)
Alternating finger study - Crazy quilt
Depicting nature in music - Fingal's Cave (Mendelssohn)
Schaum piano quiz
Schaum music dictionary
Certificate of promotion





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