Melodic, nuty na gitarę solo

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Foreward
The rest stroke
Analysis of the movements of the fingers
Legato sound between notes repeated
Exercises for the right hand only
Preliminary exercises with both hands
Position of the guitar - right hand - left hand
The legato sound - explanation of symbols
Exercise N. 1
Exercise N. 2, N. 3, N. 4
Exercise N. 5
Three easy studies
Preparatory exercises to the scales
Beginning scales
All the diatonic scales in first position
All the two octave scales, including those with the change of position
The technique for the change if position in the scale
The barre
Barre on three strings - ex. 1 and 2
One octave scales using teh barre
Barre on 4 strings
Barre on 5 strings
Barre on 6 strings
Two octave scales using the barre
The diatonic scales in their maximum extension
Major - melodic and harmonic minor
Example of the way in which to study the scales

Información Preliminar
Primera Posición Escala Mayor en C - Una Octava (y Dúo)
Primera Posición Escala Mayor en C - Octava Superior (yRepaso)
Uno, Dos, Tres, Cuarto (Dúo)
Introducción al Acompanamiento Rítmico
Primera Posición Escala Mayor en C-Registro Grave (y Repaso Completo)
Imitation Dúo
Sostenidos y Bemoles
Aquí Vamos un Otra Vez (Dúo)
Acompanamiento Rítmico - Notas de Bajo y Acordes
Corcheas (con Ataque Alternado)
Etude No 1 (Dúo)
Silencios, Ligados, Puntillos
Etude No 2 (Dúo) y Primer Solo
Acompanamiento Rítmico - Explicación de los Disenos de Acorde
Segundo Solo y Etude No 3 (Dúo)
Etude para Púa No 1 (Desarrollo de la Mano Derecha)
Dos, Dos (Dúo)
Escala Mayor en G - Primera Posición
Acompanamiento Rítmico - Disenos de Acordes
Semicorcheas
Dúo en G y Etude para Púa No 2
Otro Dúo en G
Escala Mayor en F - Primera Posición
Acompanamiento Rítmico - Disenos de acordes (Incluyendo Cejilla completa)
Dúo en F
El Tresillo
Vals en F (Solo)
Escalas de A Menor - Primera Posición (3 tipos)
Acompanamiento Rítmico - Disenos de Acordes
Púa Bonita (Dúo)
Corcheas y Semicorcheas con Puntillo
Escalas de E menor - Primera Posición (3 tipos)
Acompanamiento Rítmico - Disenos de Acordes
Toma su Escoge (Dúo)
Acompanamiento Rítmico - Principio de los Disenos de Acordes Móviles
Escala Cromática y Estudios de Velocidad
Escala de D manor - Primera Posición (3 tips)
Acompanamiento Rítmico - Disenos de Acordes (Móviles)
Etude de Resistencia (Solo)
Escala de Bb Mayor - Primera Posición
Acompanamiento Rítmico - Disenos de Acordes
Dúo en Bb (Incluve Nuevos Disenos de Acordes)
Estudio de Ataque Alternado en Contrapúa
Escala de D Mayor - Primera Posición y Dúo en D
Etude para la Acentuación (Dúo)
Escala de A Mayor - Primera Posición y Dúo en A
Acompanamiento Rítmico - Disenos de Acordes
Escala de Eb Mayor - Primera Posición y Dúo en Eb
Disenos de Acordes Móviles (Resumen de 11 Djsenos)
Tabla de Simplificación y Sustitución de Acordes
Púa- Una Técnica Diferente
Posición en el Diapasón (Explicación)
Escala de C Mayor - Digitación 1- Posición II
Solo y Etudes a Dúo
Estudios de lectura (C Mayor - posición II)
Balada (Dúo)
Disenos de Acordes Móviles (3 Disenos Básicos y Explicación)
Disenos de Acordes (Explicación de las Digitaciones Derivadas)
Acompanamiento Rítmico - Técnica de Mano Derecha-
Etude para Púa No 4
Escala de F Mayor - Digitación 1 A- Posición II
Disenos de Acordes
Solo y Dúo
Estudios de Lectura (F Mayor - Posición II)
Toca la Bonita (Dúo)
Disenos de Acordes
Estudios de Velocidad (Digitaciones 1 - 1 A)
Escala de G Mayor - Digitación 2- Posición II
Vals para Dos (Dúo) Presentación de los Armónicos Naturales
Disenos de Acords
Estudios de lectura (G Mayor - Posicion II)
(Blues En G) (Dúo) Presenta el Efecto de Apagado
(Etude de Acordes) (Solo)
Acompanamiento Rítmico - Técnica de Mano Derecha (Ritmo Latino Básico)
Etude para Púa No 5 y Corto y Dulce (Dúo)
Escala de D Mayor - Digitación 3- Posición II
Disenos de Acordes
Estudio Melódico Rítmico no 1 (Síncopa)
(Etude de Acordes) (Solo)
Estudios de Lectura (D Mayor - Posición II)
Dee Oo Ett (Dúo)
Disenos de Acordes
Estudio de Velocidad (Digitaciones 2 - 3)
Escala de A Mayor - Digitación 4- Posición II
Etude de Acordes (Solo)
Estudios de Lectura (A Mayor - Posición II)
Tres Agudo (Dúo)
Disenos de Acordes
Estudio de Velocidad (Digitaciones 4)
Disenos de Acordes
Rapaso de la Sequnda Posición
Disenos de Acordes
Tresillos de negra
Tercera Posición Escales Mayores - Bb, Eb, Ab, Db
Rapaso de la Tercera Posición
Disenos de Acordes
Primera Posición Escales Mayores - Ab, Db (Sin Cuerdas Abiertas)
Rapaso de la Primera Posición
Cuarta Posición Escales Mayores G, D, A, E
Disenos de Acordes
Repaso de la Cuarta Posición
Disenos de Acordes y Notas del Autor
Indice

To the player
PLaying music with bar chords
Bar studies Nos. 1-5
The full six-string bar
Full bar studies Nos. 1-3
3/8 time and thirty - second notes
Natural harmonics
Tuning with harmonics
Chordal voice-leading
Right hand preparation
Arpeggio practise
Eight - note triplets
The key of F
The fifth position
Fifth position pattern studies
Position shifting
The key of D Minor
Theory review
Practicing slur patterns
Common ornaments
The modent
The inverted modent
The trill
The key of D Major
The Key of B Minor
Low D tuning
The Key of A Major
F# melodic Minor
The seventh position
The Key of E Major
Double sharps and flats
Quarter - note triplets
Ninth position and beyond
Theory review
Artificial harmonics
Flamenco rasgueado
Tremolo playing

Basic Harmony
The Puzzle System
Seventh Chord Harmony
Modal Harmony
Minor Scale Harmony
Power Chords
Blues Progressions
Riff and Arpeggios
Nondiatonic Harmony
Harmonic Minor
Melodic Minor
Symmetical Scales
Exotic Scales
Closing
Appendix

Authors page
Introduction
Music Terms and Fundamentals
The Major Scale
Chart of all Major Scales
Natural Minor Scale
Major Pentatonic
Minor Pentatonic
Blues Scales
Modes:
Ionian Mode
Dorian Mode
Phygrian Mode
Lydian Mode
Mixolydian Mode
Aeolian Mode
Locrian Mode
Harmonic Minor Scale
Melodic Minor
Diminished Scales
Whole Tone Scales
Exotic Scales:
Ehglimatic, Hirajoshi (Japan)
Kumor (Japan), Oriental, Pelog
Kokin Joshi (Japan), P'yongio, Iwato (Japan)
Chinese, Japanese, Egyptian
Scrabin, Hungarion Gypsy, Hungarian Major
Romanian, Persian, Hindustan
Neopolitan Minor, Neopolitan Major, Overtone
Prometheus, Ritusen, Arabian

Información Preliminar
Primera Posición Escala Mayor en C - Una Octava (y Duo)
Primera Posición Escala Mayor en C - Octava Superior (y Repaso)
Uno, Dos, Tres, Cuatro (Duo)
Introducción Acompanamiento Ritmico
Primera Posición Escala Mayor en C-Registro Grave (y Repaso Completo)
Imitation Duo
Sostenidos y Bemoles
Aqui Vamos un Otra Vez (Duo)
Acompanamiento Ritmico - Notas de Bajo y Acordes
Corcheas (con Ataque Alternado)
Etude No. 1 (Duo)
Silencios, Ligados, Puntillos
Etude No. 2 (Duo) y Primer Solo
Acompanamiento Ritmico - Explicación de los Disenos de Acorde
Segundo Solo y Etude No. 3 (Duo)
Etude para Púa No. 1 (Desarrollo de la Mano Derecha)
Dos Dos (Duo)
Escala Mayor en G - Primera Posicion
Acompanamiento Ritmico - Disenos de Acordes
Semicorcheas
Duo en G y Etude para Pua No. 2
Otro Duo en G
Escala Mayor en F - Primera Posición
Acompanamiento Ritmico - Disenos de acordes
Duo en F
El Tresillo 37
Vals en F (Solo)
Escalas de A Menor - Primera Posicion (3 Tipos)
Acompanamiento Ritmico - Disenos de Acordes
Pua Bonica (Duo)
Corcheas y Semicorcheas con Puntillo
Escalas de E menor
Acompanamiento Ritmico - Disenos de Acordes
Toma su Escoge (Duo)
Acompanamiento Ritmico - Principio de los Disenos de Acordes Moviles
Escalas de D menor - Primera Posición (3 tipos)
Acompanamiento Ritmico - Disenos de Acordes (Moviles)
Etude de Resistencia (Solo)
Escala de B Mayor - Primera Posicion
Acompanamiento Ritmico - Disenos de Acordes
Duo en B (Incluye Nuevos Discenos de Acordes)
Estudio de Ataque Alternado en Contrapua
Escala de D Mayor - Primera Posición y Duo en D
Etude para la Acentuación (Duo)
Escala de A Mayor - Primera Posición y Duo en A
Acompanamiento Ritmico - Disenos de Acordes
Escala de Es Mayor - Primera Posición y Duo en Es
Disenos de Acordes Móviles (Resumen de 11 Disenos)
Tabla de Simplificatión y Sustitución de Acordes
Pua - Una Tecnica Diferente
Posición en el Diapasón (Explicación)
Escala de C Mayor - Digitación 1 - Posición II
Solo y Etudes a Duo
Estudios de lectura (C Mayor - Posición II)
Balada (Duo)
Disenos de Acordes Móviles (3 Disenos Basicos y Explicación)
Disenos de Acordes (Explicación de las Digitaciones Derivadas)
Acompanamiento Ritmico - Tecnica de Mano Derecha
Etude para Pua No. 4
Escala de F Mayor - Digitación 1 A - Posición II
Disenos de Acordes
Estudios de lectura (F Mayor - Position II)
Toca la Bonita (Duo)
Disenos de Acordes
Estudios de Velocidad (Digitaciones 1 - 1A)
Escala de G Mayor - Digitacion 2 - Posición II
Vals para Dos (Duo) Presentación de los Armónicos Naturales
Disenos de Acordes
Estudios de lectura (G Mayor - Position II)
"Blues en G"
"Etude de Acordes" (Solo)
Acompanamiento Ritmico - Tecnica de Mano Derecha (Ritmo Latino Basico)
Etude para Pua No. 5 y Corto y Dulce (Duo)
Escala de D Mayor
Disenos de Acordes
Estudio Melódico Ritmico No. 1 (Sincopa)
"Etude de Acordes" (Solo)
Estudios de Lectura (D Mayor - Posicion II)
Dee Oo Ett (Duo)
Disenos de Acordes
Estudio de Velocidad (Digitaciones 2 - 3)
Escala de A Mayor
Etude de Acordes (Solo)
Estudios de Lectura
Tres Agudo (Duo)
Disenos de Acordes
Estudio de Velocidad (Digitacion 4)
Disenos de Acordes
Rapaso de la Segunda Posición
Disenos de Acordes
Tresillos de negra
Tercera Posición Escalas Mayores - Bb, Eb, Ab, Db
Repaso de la Tercera Posición
Disenos de Acordes
Primera Posición Escalas Mayores - Ab, Db (Sin Cuerdas Abiertas)
Repaso de la Primera Posición
Cuarta Posición Escalas Mayores G, D, A, E
Disenos de Acordes
Repaso de la Cuarta Posición
Disenos de Acordes y Notas del Autor
Indice

Five fingerings for diatonic 7th chords in a major key
Nine common major key progressions
Tritone substitutions
Turnarounds
Progressions exercise
Blues Progressions
Five fingerings for diatonic 7th chords in harmonic minor
Two common harmonic minor progressions
Five fingerings for diatonic 7th chords in melodic minor
Two common melodic minor progressions
Diminished principles
Notes from the Author

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Melodic

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