Der Brief

•Centrum Dystrybucji Nut•				System sklepów muzycznych

O kompozytorze
Od kompozytora
Rozmowy
Wspomnienia i refleksje
Młodzieńcze plany
Krajobrza po bitwie
Muzyka w okupowanej Warszawie
Bliscy
Urodzinowe refleksje
Początki "Warszawskiej Jesieni"
Problemy nauczania kompozycji
O sytuacji młodych polskich kompozytorów
O ochronę muzycznych zabytków
O Kompozytorach
Listy Goethego ( Goethe - Briefe )
Concerto lugubre
Szkice z podróży
Zakończenie
Kalendarium życia i twórczości
Posłowie
Ważniejsze wydarzenia po śmierci kompozytora związane z jego osobą
Spis ilustracji

La musica ecclesiastica dove si contiene la vera diffinitione della musica scienza
Ecclesiatical Music Containing the True Definition of Music as Sciene
Note
Marco Scacchi. Breve discorso sopra la musica moderna
Brief Discourse on the Modern Music
Note

Editors' note
Agostino Agazzari
La musica ecclesiastica dove contiene la vera diffinitione della musica come scienza
Ecclesiasticas Music Containing the True Definition of Music as Science
Note
Marco Scacchi
Breve discorso sopra la musica moderna
Brief Discourse on the Modern Music
Note
Index of names

The players
Introduction
Mother maybelle carter
Doc Watson
Clarence White
Norman Blake
Tony Rice
Bryan Sutton
Why bluegrass is growing
The music
My bluegrass journey
Equipment and techniques
Playing rhythm
Picking out bass-string melodies
Single-note flatpicking
Crosspicking patterns
Flatpicking fiddle tunes
Picking breaks to songs
CD track listing
Index
Acknowledgements

Preface
How to Rad Chord Diagrams
An Introduction To The Capo
How I learned to stop worrying and love the capo
A Brief history of the capo
A survey of capo models
The elastic capo (Bill Russell model)
The Jim Dunlop 'Lever Action' Capo
The Jim Dunlop C-Clamp Capo
The Shubb 'Original' Capo
The Shubb 'Deluxe' Capo
The Jim Dunlop Picker's Pal Capo
The Kyser Quick-Change Capo
The Glider Capo
The Shubb Partial Capo
The Third Hand Capo
How to use your Capo
Fitting your capo - dos and don'ts
Potential drawbacks of the capo
Capo basics
Transposing Songs for singers
The Capo as A 'Barre - Reducer'
Guitar - Friendly Keys
Tone and feel
Know where the notes are
Working with two guitars
Capo tricks for arrangers
Capos and doubleneck guitars
Capos and altered tunings
Capo detection - use your ears!
Advanced capo - spotting
Special cases
Advanced techniques
The partial capo
Further exploration
The third hand capo
Combining capos - the final frontier
Appendix
Famous songs that use capos

Acknowledgements
About the autor
Introduction
Overview
What is four-to-the-bar rhythm guitar?
Time and groove
Rhythm chords and the extraction concept
23 basic and essential rhythm chords
Reading charts and chord reduction
Reading charts and chord expansion
More about chord reduction and expansion
Fundamentals of rhythm guitar
The role of the rhythm guitar in a big band
Types of guitars nad their setup
The use of amplification
Rhythm and guitar technique
Practice: food for thought
Chord reference library
Drop and raise chord voicings
The chord reference library
Major group
Minor group
Dominant group
Altered dominant group
Diminished group
Which voicings should i use?
Chord inversion exercises
How the exercises work
Major group
Minor group
Dominant group
Altered dominant group
Diminished group
Patterns and progressions
Introduction to the chord pattern exercises
Harmonized major scale
Two - five - one
One - six - two - five
Minor two - five -one
Minor one - six - two - five
Diminished connectiong chords
Tritone substitution
Practice tunes
Reduction and expansion
Chord reduction
Chord expansion
Reduction and expansion - summary
Reading vs. playing - reduction
"Mr. Bones lives alone"
Reading vs. playing - expansion
"Full of it"
:It's a 9 flat 5 thang"
Appendix I: intervals and chords
Appendix II: A brief history of four-to-the-bar-rhythm-guitar

Fundamentals
How the fingers are numbered
How the white keys are named
How the music is written
Application
Right hand (C, D, E) - "At sea level"
Left Hand (A, B, C) - "Seize the C's"
Alternating hands - "Say si si"
Four notes up and four notes down - "Alma mater"
Starting on fourth count in 4/4 time - "Upidee"
Introducing 3/4 time - "The lass tih the delicate air"
The phrase mark - "Two bits from symphonies"
Presenting rests - "It ain't gonna rain no more"
Omitting finger numbers - "Li'l Liza Jane"
The tie - "Red river valley"
Natural accents - "The rose of Tralee"
A brief history of piano
Sight reading hints - "When love is kind"
The sharp sign - "Sweet Marie"
F-sharp in the signature - "Nut brown maiden"
The flag sign - "Martha"
B-flat in the signature - "Country gardens"
Accidentals (sharp, flat and natural) - "My sweetheart's the man in the moon"
How to play in rhythm - "Those endearing your charms"
How to use the damper pedal
Pedal your own canoe
Music terms - "In the gloaming"
A unique musical coincidence - "Fifth symphony" - Beethoven
The dotted quarter note in 4/4 time - "None but the lonely heart"
Bringing out the melody - "Drink to me only with thine eyes"
Minor mood - "The cruel landlord"
The Metronome - "My heart is in the highlands"
Crescendo and diminuendo - "You tell me your dream"
The dictionary habit - "The lost chord"
The octave higher sign - "Drigo's serenade"
Intervals - "Too-ra-lay"
The pianoforte - "I'll take you home again Kathleen"
Schaum piano quiz
Musical dictionary

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Introduction
Preface
Contents
Instruments of percussion
The snare drum
Parts of the drum
Drumsticks, drumheads
Care of the drum
Rudiments of music
Lesson One: Holding the drum
Lesson Two: Holding the left stick
Lesson Three: Holding the right stick
Incorrect ways of holding the sticks
Lesson Four: Making the stroke right stick, left stick
Lesson Five: Alternating the sticks
Lesson Six: Exercises in quarter notes
Lesson Seven: Introducing eighth rest
Lesson Eight: Exercises in 4/4 time using eighth and quarter notes
Lesson Nine: Introducing the eighth notes
Lesson Ten: Exercises using eighth notes and eighth rests
Lesson Eleven: Expression marks, application of time figures
Lesson Twelve: Application of time figures. New music signs
Lesson Thirteen: Time figures application, Repeat signs and endings
Lesson Fourteen: 2/4 Time
Lesson Fifteen: Application of time figure in 2/4 tempo
Lesson Sixteen: Introducing sixteenth notes
Lesson Seventeen: Time figures in 2/4 time
Lesson Eighteen: The sixteenth rest
Lesson Nineteen: Sixteenth notes and rests
Lesson Twenty: Sixteenth notes and rests
Lesson Twenty One: 2/4 Time figures
Lesson Twenty Two: 2/4 Time
Lesson Twenty Three: Accents
The study of rolls
Lesson Twenty Four: The controlled rebound and five stroke roll
Lesson Twenty Five: Application of the five stroke roll
Lesson Twenty Six: Seven stroke roll and nine stroke roll
Lesson Twenty Seven: Thirteen and seventeen stroke roll
Lesson Twenty Eight: Application of rolls
Lesson Twenty Nine: Application of rolls
Lesson Thirty: Alla Breve or cut time
Lesson Thirty one: Time figures in cut time
Lesson Thirty Two: Application of rolls in cut time
Lesson Thirty Three: Application of rolls in cut time
Lesson Thirty Four: Triplets
Lesson Thirty Five: Dotted notes
Lesson Thirty Six: Study of flams
Lesson Thirty Seven: Study o flams
Lesson Thirty Eighth: Alternate flams, Flam accents 1&2
Lesson Thirty Nine: 6/8 time: Rolls in 6/8 time
Lesson Forty One: 6/8 time rolls
Lesson Forty Two: Additional time figures in 6/8 time
Lesson Forty Three: Studies and rolls in 6/8 time
Lesson Forty Four: Studies and rolls in 6/8 time
Lesson Forty Five: Application of flam accents
Lesson Forty Six: Ruffs
Lesson Forty Seven: 3/4 time
Lesson Forty Eighth: 3/4 time
Lesson Forty Nine: Syncopation
Lesson Fifty: Syncopation
Lesson Fifty One: Bass drum
Lesson Fifty Two: Cymbals
Lesso Fifty Three: Use of traps

Preface
Contents
Rudiments
Carrying the drum
Holding the drumsticks
Making the stroke
Rolls
Five stroke roll
Seven stroke roll
The flam
Flam accent
Flam paradiddle
Flamacue
Exercises
The ruff
The single drag
Double drag
Double paradiddle
Single ratamacue
Triple ratamacue
Single stroke roll
Nine stroke roll
Exercises
Ten stroke roll
Eleven stroke roll
Thirteen stroke roll
Thirteen stroke roll
The Three Camps
Fifteen stroke roll
Seventeen stroke roll
Flam tap
Single paradiddle
Studies
Drag paradiddle No. 1
Drag paradiddle No. 2
Flam paradiddle - diddle
Lesson 25
Double ratamacue
Studies
Compound strokes
Applying rudiments
Studies in 3/4 measure
Studies in 6/8 measures
Studies in cut - time
Drum solos
Newport
The Downfall of Paris
Colonel Irons, quintette
Closing

Introduction
A Brief History of the Blues
Equipment You'll Need
Chapter 1 Basics
Part of the Guitar
Holding Your Guitar
How to tune Your guitar
Basic Music Notation
Major scales
Chords
Chapter 2 Basic Open Chords
Chord Diagram
Slash Notation
Holding a Pick
Major Triads
Major 6
Dominant 7
Minor Triads / Minor 7
Augmented Triads
Diminished 7
Chapter 2 Review
Chapter 3 12-Bar Blues
The Basic 12-Bar Blues
Blues in E
Blues in A
Blues in C
Blues in G
Chapter 3 Review
Chapter 4 Barre and Movable Chords
What is a barre chord?
Names of the barre chords
E-form Barre chords
A-form Barre chords
D-form Barre chords
Shifting Techniques
Putting it together
Chapter 4 Review
Chapter 5 Power chords and Boogie-Woogie Style
Tab
Power Chords
Power Major 6 Chords
Boogie-Woogie No. 1
Power Dominant 7 Chords
Boogie-Woogie No. 2
Movable Power chords
Boogie-Woogie Variations
Chapter 5 Review
Chapter 6 Fingerstyle Blues
Right - Hand Letters
Basic Right - Hand Position
Thumbpicks and Fingerpicks
Basic Fingerstyles
Finger - Painting Blues
Alternating Bass
Back and Forth Blues
Fingerpicking
Toothpick Blues
Left - Hand Techniques
Hammer-on
Pull-off
Slide
Bend
Vibrato
Hammer-on Blues
Chapter 6 Review
Chapter 7 Various Blues Accompaniment Styles
Alternative & New Chord Forms
Shufflin with Newbies
Slidin' Nine
Single - Note Riffs
Lonesome Boogie
Double - Stop Riffs
Double-Pleasure Blues
Small - Chord Riffs
Small But Good
Other Blues Forms
8-Bar, 16-Bar, and 24-Bar Blues
12 Bar Blues Variations
More Turnarounds
Other Considerations
Open Tunings
Using a Capo
Closing

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