Folksong

Available in SATTBB a cappella.

This gospel-flavored original is easily learned by young choirs and offers a great pairing with the old favorite 'Michael Row the Boat Ashore'. Infectious piano harmonies and foot-tappin' fun will ensure success for your singers and a good time for your listeners! Available: 2-Part, 3-Part Mixed. Performance Time: Approx. 2:20.

This original choral work for unaccompanied men's voices is hauntingly beautiful. Possessing a simple folksong quality, it is an ideal secular number for a winter concert or festival feature.

Featuring the text of As Lately We Watched and a familiar Scottish melody, this Christmas original is stunning in its beauty and simplicity. Features an optional instrumental obbligato.

Featuring the text of As Lately We Watched and a familiar Scottish melody, this Christmas original is stunning in its beauty and simplicity. Features an optional instrumental obbligato.

Here is the beautiful Slovakian folksong in a well-crafted arrangement by Ruth Boshkoff in the Henry Leck Creating Artistry series. Echoing melodic lines, a flowing accompaniment and soaring descant combine to create a wonderful showcase for young voices. Available for 2-Part. Performance Time: Approx. 2:40.

The adventurous spirit of the Scottish highlands is colorfully portrayed in this set of pieces by Ken Berg which can all be performed separately or as a group. This first piece for mixed voices, guitar (or piano) and treble recorder speaks of the traveler's return to his homeland. Performance Time: Approx. 4:35.

The adventurous spirit of the Scottish highlands is colorfully portrayed in this set of pieces by Ken Berg which can all be performed separately or as a group. This tender ballad for a cappella mixed voices is profoundly moving in its simplicity. Performance Time: Approx. 3:10.

The Henry Leck Creating Artistry series is pleased to release an outstanding selection of music from countries in the Pacific Rim. This work, a Maori folksong, is arranged for 2-part voices with guitar (or piano) and an obbligato for two flutes. The simple beauty of the melody is enhanced with simple answering echoes make this an excellent feature for young voices. Performance Time: Approx. 3:00.

The meandering path of a river as it winds to the sea and the long journey to see one's love are intertwined in this bright Chilean folksong setting by Audrey Snyder. Well-crafted vocal parts are a joy to sing and the Latin-flavored piano accompaniment adds charm. Spanish and English lyrics included. Available for 3-Part Mixed and 2-Part. Performance Time: Approx. 2:20.

The meandering path of a river as it winds to the sea and the long journey to see one's love are intertwined in this bright Chilean folksong setting by Audrey Snyder. Well-crafted vocal parts are a joy to sing and the Latin-flavored piano accompaniment adds charm. Spanish and English lyrics included. Available for 3-Part Mixed and 2-Part. Performance Time: Approx. 2:20.

Here is the popular Mexican folksong arranged as only John Leavitt could do it. With English and Spanish texts, sparkling vocal parts and a Mariachi-flavored accompaniment with a few rhythmic surprises, you won't be disappointed! Available for 3-Part Mixed and 2-Part. Performance Time: Approx. 2:30.

Here is the popular Mexican folksong arranged as only John Leavitt could do it. With English and Spanish texts, sparkling vocal parts and a Mariachi-flavored accompaniment with a few rhythmic surprises, you won't be disappointed! Available for 3-Part Mixed and 2-Part. Performance Time: Approx. 2:30.

This simple Sephardic folksong offers a tender message over a gentle and flowing accompaniment. A wonderful concert/festival selection.

What a delight! This simple Sephardic folksong offers a tender message over a gentle and flowing accompaniment. A wonderful concert/festival selection for younger ensembles.

This traditional Mexican folksong is often sung at birthdays and this setting by Audrey Snyder retains the traditional flavor and adds some additional touches to make it even more special. Ideal for younger ensembles in a variety of performance options. Available for 2-Part. Performance Time: Approx. 2:20.

A sustained choral opening bursts into a spirited dance treatment of this popular Jewish folksong. Featuring a unique klezmer accompaniment, this setting is ideal for many choral programs. Available for SATB, SAB, 2-Part, Instrumental Pak (violin, clarinet, accordion, bass, drums, mandolin/guitar), and ShowTrax CD. Performance Time: Approx. 3:00.

A sustained choral opening bursts into a spirited dance treatment of this popular Jewish folksong. Featuring a unique klezmer accompaniment, this setting is ideal for many choral programs. Available for SATB, SAB, 2-Part, Instrumental Pak (violin, clarinet, accordion, bass, drums, mandolin/guitar), and ShowTrax CD. Performance Time: Approx. 3:00.

A sustained choral opening bursts into a spirited dance treatment of this popular Jewish folksong. Featuring a unique klezmer accompaniment, this setting is ideal for many choral programs. Available for SATB, SAB, 2-Part, Instrumental Pak (violin, clarinet, accordion, bass, drums, mandolin/guitar), and ShowTrax CD. Performance Time: Approx. 3:00.

Perfect your Spanish pronunciation with this multicultural treat! Roger Emerson's arrangement of the popular Cuban folksong is lots of fun to sing and builds choral skills as well. Includes optional English lyrics. Available for 3-Part Mixed, 2-Part and ShowTrax CD. Performance Time: Approx. 3:00.

18 traditional Irish tunes made lush, yet easy to play: Bendemeer's Stream • The Croppy Boy • Danny Boy • Down by the Salley Gardens • The Galway Piper • Garryowen • The Irish Washerwoman • Kitty of Coleraine • The Lark in the Clear Air • Let Erin Remember the Days of Old • Molly Brannigan • Molly Malone (Cockles & Mussels) • The Parting Glass • The Rising of the Moon • Rory O'Moore • 'Tis the Last Rose of Summer • The Wearing of the Green • The Wild Rover. Includes a special section with complete lyrics for each song.

Lista utworów:
Ach, Wende Diesen Blick
Alte Liebe
Am Sonntag Morgen
An Die Nachtigall Op.46 No.4
An Eine Aeolsharfe Op.19 No.5
Auf Dem Kirchhofe
Blinde Kuh
Botschaft
Brauner Bursche Fuhrt Zum Tanze
Dammrung Senlte Sich Von Oben
Das Madchen Spicht
Dein Blaues Auge
Der Fruhling
Der Gang Zum Liebchen Op.48 No.1
Der Jager
Der Schmeid
Der Tod, Das Ist Die Kuhle Nacht Op.96 No.1
Des Liebsten Schwur
Die Liebende Schreibt
Die Mainacht Op.43 No.2
Erinnerung Op.63 No.2
Es Hing Der Reif Op.106 No.3
Es Liebt Sich So Lieblich Im Lenze
Es Schauen Die Blumen
Es Traumte Mir
Feldeinsamkeit Op.86 No.2
Geheimnis
He, Zigeuner, Greife In Die Saiten Ein
Hochgeturmte Rimaflut, Wie Bist Du So Trub
Im Garten Am Seegestade
Immer Leiser Wird Mein Schlummer Op.105 No.2
In Der Fremde
Juchhe!
Lerchengesang Op.70 No.2
Lieber Gott, Du Weisst, Wie Oft Bereut Ich Hab
Liebestreu Op.3 No.1
Madchenlied (Am Jungsten Tag)
Madchenlied (Auf Die Nacht In Der Spinnstubn)
Madchenlied (Kapper)
Meine Liebe Ist Grun Op.63 No.5
Meine Lieber
Minnelied
Mondnacht
Nachtigall Op.97 No.1
Nachtigallen Schwingen
Nicht Mehr Zu Dir Zu Gehen
O Komme, Holde Sommernacht
O Kuhler Wald Op.72 No.3
O Liebliche Wangen
O Wusst' Ich Doch Den Weg Zuruck Op.63 No.8
Regenlied
Roslein Dreie Mancmal In Den Sinn
Rote Abendwolken Ziehn Am Firmament
Salamander
Sapphische Ode Op.94 No.4
Sehnsucht
Serenade
Sommerabend
Sonntag
Spanisches Lied
Standchen (Folksong)
Standchen (Kugler)
Therese
Treue Liebe Op.7 No.1
Unbewegte Laue Luft
Vergebliches Standchen Op.84 No.4
Verzagen Op.72 No.4
Von Ewiger Liebe Op.43 No.1
Vorschneller Schwur
Wie Bist Du Meine Konigin Op.32 No.9
Wie Melodien Zieht Es Mir Op.105 No.1
Wiegenlied (Cradle Song)
Wir Wandelten (Zigeunerlieder)
Wisst Ihr, Wann Mein Kindchen Am Allerschonsten Ist?

Contents: Greensleeves • High Barbary • Londonderry Air • Shenandoah • Simple Gifts • The Drunken Sailor.

Nine characteristic pieces for 3 - 6 pianos, for use in any piano class. Pieces work well in 'monster recitals' - also try them for sight-reading!

Zbiór ośmiu utworów w łatwych opracowaniach na fortepian na cztery ręce, na dwa fortepiany, trzy fortepiany, pięć fortepianów, sześć fortepianów. Oczywiście wykonanie utworów na pięć czy też sześć fortepianów w pełnej obsadzie byłoby dość trudnym do zrealizowania przedsięwzięciem, to zagranie ich na pięć bądź sześć keyboard'ów nie powinno stanowić problemu.

The beginning and elementary series by the best-selling authors of Keyboard Strategies. Economically organized, one page contains one new concept and an exciting song that employs the new idea. Each book contains 1 - 3 duets for teacher and student to sample with ensemble; the first page always reviews the concepts already learned.

Contents: American Patrol • Arkansas Traveler • Billy Boy • Blue Danube Waltz • Camptown Races • Clementine • Home Sweet Home • I've Been Workin' on the Railroad • Joy to the World • Melody in F • Merry Widow Waltz • My Bonnie • Oh How Lovely Is the Evening • The Old Gray Mare • On Top of Old Smoky • Pop Goes the Weasel • Prayer of Thanksgiving • Reveille • Sailing, Sailing • Sailor's Hornpipe • Skip to My Lou • Taps.

Contents: Betty and Dupree • Careless Love • (Oh, My Darling) Clementine • Come & Go with Me to That Land • Danville Gal • Easy Rider • Frankie and Johnny • Goin' down the Road • Haul Away, Joe • Joshua (Fit the Battle of Jericho) • Oh Mary Don't You Weep • Oh! Susanna • Shady Grove • Shenandoah • Sometimes I Feel like a Motherless Child • Wabash Cannonball • Worried Man Blues.

Publikacja ,,Chords, Strums And Songs" jest praktycznym przewodnikiem nauki gry na gitarze. W książce omówione są: gryf gitary, podstawowa teoria muzyki, skale muzyczne, interwały, triady, harmonizacja, konstrukcje akordów (książka jest napisana w języku angielskim). W publikacji znajduje się 26 utworów o podstawowym stopniu trudności, m.in.: Amazing Grace, Black-Eyed Suzie, Camptown Races, Careless Love, Down In The Valley, Drill Ye Tarriers.

Contents: Mozart: Aria from The Magic Flute • Ahle: Chorale (Liebster Jesu) • Herman: Chorale (Lobt Gott, ihr Christen) • Isaac: Chorale (Nun Ruhen alle Walder) • Arnold: Haste Thee, Nymph • Schubert: Waltz, Valses Nobles • Amaryllis • Boatman's Song of the Volga • Charlie is my Darlin' • The Chimes of Dunkirk • The Fiddler • Flora's Song • The Foggy Dew • Greensleeves • Hark! The Summons • Hark, The Tiny Cowslip Bell • The Hawk Swoops on High • Here We're Skipping up the Scale • Loch Lomond • Lota is Dead • The Meeting of the Waters • Newcastle • The Oak and the Ash • Pastorale • Polish Song • Polly Oliver • The Poppies • Rowing in the Boat • Row Well, Ye Mariners • Singing Game • Tambourin • Van Diemen's Land.

Contents: Ah, Mon Beau Chateau • Ainsi, Font, Font, Font! • Album Leaf (Grieg) • Allegretto (Haydn) • Allegro (Haydn) • La Bagatelle • Bergerette • Corrente (Handel) • Cradle Song • Dans le Jardin D'mon Pere • Il Court, Il Court, Le Furet • Jig • La Marechale • Menuet (Handel) • La Mere Michel • Minuet (Mozart) • Minuet (Handel) • My Lady's Garland (English) • O No, John! • Quand Biron Voulut Danser • Sarabande (Handel) • Scherzo • Solfeggietto • Study in C (Heller) • Swedish Folk-Song • Wait Thou Still! (Franck) • The Wild Horseman, Op. 68, No. 8.

Publikacja zawiera 41 popularnych utworów na saksofon altowy, m.in.: Amazing, Arkansas Traveler, The Ash Grove, Blow the Wind Southerly, Camptown Races, Candyman, Childgrove, The Chrysanthemum, The Crawdad Song, Cripple Creek.

Wybór utworów oraz transkrypcje wykonał Theodore Norman - kompozytor muzyki folkowej, flamenco oraz muzyki tanecznej.

Zbiór suit w łatwym opracowaniu na altówkę z fortepianem. Anna Magdalena Jana Sebastiana Bacha oraz Haydn Suite są opracowane na dwie altówki w duecie bez fortepianu. Opracowania są dość proste z myslą o początkujacych muzykach. W ogólnym obrazie zapisu graficznego wszystkich opracowań głównie występują wartości ćwierćnutowe i ósemkowe, rytmy są proste, kompozycje dość krótkie.

Contents: Brahms: Cardle Song, Waltz in Ab, Op. 39, No. 15 • J.S. Bach: Minuet, Prelude in C • Beethoven: FŘr Elise, Minuet in G, Sonatina No. 1 in G, Sonatina No. 2 in F • Schumann: The Merry Farmer, Soldiers' March, The Wild Horseman • Schubert: Serenade • Mendelssohn: Venetian Boat-Song No. 2 • Tchaikovsky: Christmas (December from The Seasons, Op. 37a, No. 12), None But the Lonely Heart • Haydn: Gypsy Rondo, Minuetto Giocoso • Case: Around the Hills • Godard: Au Matin, Op. 83; Second Mazurka in Bb, Op. 54 • Heller: L'Avalanche (Etude) • Offenbach: Barcarolle • Ijinsky: Berceuse (Lullaby) • Strauss: Blue Danube Waltz • Wagner: Bridal Chorus (Lohengrin) • Bilbro: The Busy Sawmill • Merkel: Butterfly, Op. 81, No. 4 • Richter: The Clock • Thompson: Copy Cat • Benda: Dark Eyes (Russian Folk Song) • Lively: Dreamland • Grieg: Elfin Dance • Bender: From a Birch Canoe • Davis: Indian Drum • Behr: In May, In the Gypsy Camp • Wright: Melody, Waltz, Veil Dance • Mozart: Minuet No. 1 • Hopson: Parade of the Midgets • Fisher: Pipes of Pan • Delibes: Pizzicati (Sylvia) • Chopin: Preludes, Op. 28, Nos. 6 and 7 • Kolling: Prestissimo (from Flying Leaves, Op. 147) • Howell: Rustic Dance • Thome: Simple Aveu • Munn: The Snake Charmer • Clementi: Sonatina, Op. 26, No. 1 • Ellmenreich: Spinning Song • Eckstein: Spooks • Adler: The Swimming Pool, Two Butterflies • Harker: Swinging in Fairyland • Rameau: Le Tambourin • Beaumont: Tarantella • Paradies: Toccata in A • Dutton: Under the Rose Arbor • Hobson: The Waterfall • Gwynn: Woodland Waltz.

More great teaching material at the same level as the first volume. Over 30 songs in each volume with no song duplicated between voice types. A student could easily begin either in The First Book or The First Book Part II, or the books may be used concurrently.

This is among the most widely used teaching repertoire for singers in the U.S. Over 30 songs in each book, including American and British art songs, folk song arrangements, sacred songs and a sampling of beginning songs in German, Italian, Spanish and French. There is a completely different song selection for each voice type.

More great teaching material at the same level as the first volume. Over 30 songs in each volume with no song duplicated between voice types. A student could easily begin either in The First Book or The First Book Part II, or the books may be used concurrently.

Contents: Adagio (Schubert) • Allegretto (C.P.E. Bach) • Andante (Mozart) • Boston Fancy (Hornpipe) • German Dance (Dittersdorf) • I'm Just A-Goin' over Jordan • March (Beethoven) • Menuetto (Handel) • O Mensch Bewein Dein Sunde Gross • Romance • Shenandoah • Tambourin • Theme and Variations (Marais) • Verborgenheit (Wolf) • Von Ewiger Liebe (Brahms) • Were You There?

W tomie II zaprezentowane są orginalne pieśni na baryton lub bas z towarzyszeniem fortepianu. Trzydzieści pięć pieśni stanowią syntezę od utworów barokowych po współczesne pieśni XX wieku. Selekcja 35 wybranych utworów przeznaczona jest dla śpiewaków średnio zaawansowanych.

This is among the most widely used teaching repertoire for singers in the U.S. Over 30 songs in each book, including American and British art songs, folk song arrangements, sacred songs and a sampling of beginning songs in German, Italian, Spanish and French. There is a completely different song selection for each voice type.

Pieśni opracowane na głos wokalny sopran z akompaniamentem fortepianu. Zeszyt zawiera bardzo szeroki wybór od pieśni barokowych, poprzez klasyczne pieśni Bethovena czy Handla, po współczesne pieśni XX w.