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I like Rag

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I like Rag znajdziesz w 7 publikacjach wymienionych poniżej:


Okładka: Newquist H.P., Maloof Rich, The New Metal Masters

cena 143,95 zł.


nuty.pl

Newquist H.P., Maloof Rich
The New Metal Masters

polski Nowi mistrzowie metalu
angielski The New Metal Masters


Ilość stron:96
Format:210 x 275
Opracowanie na:książka + CD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:książka + płyta CD
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL058201

prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3

Publikacja zawiera informacje na temat gitary w metalu nowego pokolenia. Rozkłada ona na części zespoły takie, jak Rage Against The Machine, Limp Bizkit czy Linkin Park, oraz ich gitarzystów, analizując ich inspiracje, technikę, sprzęt oraz dając wskazówki pomagające ująć te, często zupełnie odmienne style, w swojej muzyce. Przykłady znaleźć można przy każdym kolejnym zespole. Na dołączonej płycie CD znalazł się materiał dodatkowy - lekcje i nagrania.

Play and sound like the new metal legends! This book/CD pack lets you explore the work of a dozen guitar czars who span the entire spectrum of new metal. You'll discover their stylistic secrets, learn how they played their most famous riffs, and find out how they created their unique sounds. The accompanying CD walks you note-by-note through licks that characterize the signature sounds of these killer guitarists.

Spis treści:

Introduction
Notation symbols
Chapter 1: Tool, A Perfect Circle
Adam Jones of the Tool
Billy Howerdel of a Perfect Circle
Chapter 2: Rage Against The Machine, Audioslave, P.O.D.
Tom Morello of Rage Against The Machine and Audioslave
Marcos Curiel and Jason Truby of P.O.D.
Chapter 3: Godflesh, Carcass
Justin Broadrick of Godflesh
Bill Steer of Carcass
Chapter 4: Nine Inch Nails/Trent Reznor
Chapter 5: Helmet/Page Hamilton
Chapter 6: Korn, Limp Bizkit
Head and Munky of Korn
Wes Borland of Limp Bizkit
Chapter 7: Linkin Park/Brad Delson and Mike Shinoda
On the CD
Acknowledgements
Photo credits
About the authors

Okładka: , Modern Rock TrackPak

cena 191,95 zł.


nuty.pl

Modern Rock TrackPak

angielski Modern Rock TrackPak


Format:152.4 x 228.6
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę) i DVD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara elektryczna (1)
Rodzaj produktu:książka + płyta DVD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL061177

Publikacja zawiera DVD ROM z 12 utworami będącymi stylem modern rock takich zespołów jak Nirvana, Jet czy The Offspring. Oprogramowanie Mac. Książka zawiera tradycyjny zapis, słowa oraz tabulaturę.


Apple's popular GarageBand software gives you the power and flexibility to make your own music happen - and Hal Leonard TrackPaks(TM) give you the tracks for the songs, no matter which instrument you play! Each TrackPak includes: • DVD-ROM with 12 hit songs, edited, mixed and ready to drop into GarageBand • Book with transcriptions in standard notation and guitar tablature, as well as lyrics for reference • Complete songs plus individual loops, beats, grooves and riffs for all of the instruments • Recordings that sound amazing! Take a drum loop from inch.Smells Like Teen Spirit inch. and loop it for your own project. Like the guitar riffs from Los Lonely Boys' inch.Heaven inch.? They're here, ready to be adapted to your own creative ideas. Other songs include: Aerials (System of a Down) • Alive (P.O.D.) • All the Small Things (Blink-182) • Are You Gonna Be My Girl (Jet) • Come Out and Play (The Offspring) • Here Without You (Three Doors Down) • Just Like You (Three Days Grace) • Man in the Box (Alice in Chains) • This Love (Maroon5) • and Wish You Were Here (Incubus). GarageBand has been named the Product of the Year by Music Trades magazine!


Lista utworów:
Aerials (System Of A Down)
Alive (Jennifer Lopez, Kenny Wayne Shepherd, Oasis, Ozzy Osbourne, P.O.D. (Payable On Death), Pearl Jam, The Bee Gees)
All The Small Things (Blink 182)
Are You Gonna Be My Girl (Jet)
Come Out And Play (The Offspring)
Heaven (Bebe & Cece Winans, Bryan Adams, DJ Sammy & Yanou Featuring Do, Los Lonely Boys, Talking Heads, The Rolling Stones, Warrant)
Here Without You (3 Doors Down)
Just Like You (Three Days Grace)
Man In The Box (Alice In Chains)
Smells Like Teen Spirit (Nirvana)
This Love (Maroon5, Sarah Brightman)
Wish You Were Here (Incubus, Pink Floyd)

Okładka: Sokolow Fred, Fretboard Roadmaps: Rock Guitar

cena 109,95 zł.


nuty.pl

Sokolow Fred
Fretboard Roadmaps: Rock Guitar

angielski Fretboard Roadmaps: Rock Guitar


Ilość stron:40
Format:230 x 305
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL064951

Publikacja jest praktycznym przewodnikiem nauki gry na gitarze w stylu: rock. W książce omówione są: gryf gitary, podstawowa teoria muzyki, skale muzyczne, interwały, triady, harmonizacja, konstrukcje akordów, harmonia jazz'owa, skale pentatoniczne (książka jest napisana w języku angielskim). Dodatkowo do książki dołączona jest płyta CD. Na płycie tej znajdują się ścieżki dźwiękowe, na których nagrane są w wersji demonstracyjnej poszczególne ćwiczenia.


Accomplished rock guitarists can ad lib hot solos and play backup in any key, all over the fretboard. There are moveable patterns that make this easy to do. You need these 'fretboard roadmaps' if: all your soloing sounds the same; some keys are harder to play in than others; your fretboard beyond the 5th fret is mysterious, uncharted territory; you can't automatically play any familiar melody; you know a lot of 'bits and pieces' on the guitar, but you don't have a system that ties it all together. This book/CD pack will help you learn all this and more until you're playing like a pro! The CD includes 39 full-demo tracks.


Lista utworów:
Moveable Major Scales
Variations Of The Two Moveable Major Chords
Using The Practice Tracks
Two Moveable Major Chords
Three Moveable Blues Boxes
The Major Scale
The I-iv-v Chord Family
Notes On The Fretboard
Major 'Sliding' Pentatonic Scales
Introduction
How To Read The Fretboard Diagrams
How To Read Chord Grids
'chuck Berry-style' Double-note Licks
Chord Fragments/Chord Families
A Moveable Double-note Lick
The F-d-a Roadmap

Spis treści:

Introduction
How to read chord grids
How toread the fretboard diagrams
Notes on the fretboard - Tips on how to learn them
The Major Scale - Understanding intervals
Two Moveable Major Chords - Barred E and A chords, root notes, rock progressions
Variations of the two moveable major chords - A shortcut to learning chords
The I-IV-V Chord family - Using moveable chords to play power chords, boogie licks, rock riffs
The F-D-A Roadmap - Using three major chord fragments to follow a chord through its inversions
Chord fragments / chord families - using the three chord fragments to play licks and arpeggios
Three moveable blues boxes - Moveable patterns for rock soloing up the neck, substituting scales
"Chuck Berry - Style" Double - Note Licks - A bluesy variation for Chuck Berry - style soloing
Major "Sliding" Pentatonic Scales - Two sliding scales and how to use them for rock soloing
A moveable double - note lick - Played on the first and third strings: using it in riffs, solos and backup
Movable major scales - One for each chord fragment; playing melodies
Using the practice tracks

Okładka: Gumm Alan, Music Teaching Style

cena 223,95 zł.


nuty.pl

Gumm Alan
Music Teaching Style

polski Muzyczne style nauczania
angielski Music Teaching Style


Ilość stron:192
Format:178 x 254
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065612

Publikacja Alana Gumma jest prezentacją stylów nauczania muzyki. Autor przedstawia nietypowe podejście do sztuki nauczania, a także popiera idee anegdotami i cytatami wielkich artystów i mistrzów. Głównym celem sposobów nauczania Gumma jest zdobycie doskonałego doświadczenia w nauczaniu i osiągnięcie trwałego sukcesu.


Music Teaching Style is an exciting, balanced approach to student performance, music learning and personal change. Written in an informal, engaging style, the text is highlighted by anecdotes, quotations, challenges for self-reflection, and techniques used by the author and top professionals in the field. The result - a fulfilling, productive and successful music teaching experience.


Spis treści:

Part 1. Overview
1. Setting the Context
Need for a Definition
Related Concepts
Personality
Learning Styles
Effective teaching
Conclusion
Discussion questions
2. Establishing a definition
The nature of music teaching style
Principle of tradicity
Several behaviors but one style
Stable and pervasive
Underlying focus
Many ways to be effective
Principle - based teaching
A clear and distinct definition
A new vantage point
A three - level model
Conclusion
Discussion questions
Part 2. Dimensions of music teaching style
3. Assertive teaching
Assertive vs. Aggressive
Cycle of teaching
Clear directions
Monitor student behavior
Specific feedback
Anticipating problems
Recognize cycles of misbehavior
Classroom rules
Consequences
Alerting
Conclusion
Discussion questions
4. Nonverbal motivation
Visual appearance
Proximity
Pacing
Conclusion
Discussion questions
5. Time efficiency
Concepts of time
Quickness
Quantity
Active learning
Conclusion
Discussion questions
6. Positive learning environment
Contingent approval
Transactional teaching
Time to think
Clarification
Encouragement
Elaboration
Awareness of student realities
Interpersonal relations
Conclusions
Discussion questions
7. Group dynamics
Self - responsibility
Student-to-student interactions
Leadership
Social loafing
Individualized listening and reading
Conclusion
Discussion questions
8. Music concept learning
Comprehensive musicianship
Concept of music
Questioning
Accountability
Questions as assessment
Handling incorrect answers
Types of questions
Critical thinking
Conclusion
Discussion questions
9. Artistic music performance
Multimodal learning
Asural Imagery
Psychomotor learning
Sound-to-performance cycle
Metaphor
Modeling and movement
Emotion and enthusiasm
Conclusion
Discussion questions
10. Student independence
Students as innovators
Creativity
Affective learning
Transformational teaching
Deepest levels of questioning
Discussion and dialogue
Student input in decision - making
Acceptance
Conclusion
Discussion questions
Part 3. Revealing your style
11. Types and trends of style
Prototypes
Comprehensive musicianship focus
Performance priorities
Intellectual focus
Group interaction priorities
Behavior management priorities
Styles that lack priority
Developmental teaching
Self - reflective stage
Broadening stage
Interdependent transition
Deepenning stages I and II
Development through insight
Conclusion
Discussion questions
12. Sorting out priorities
Trade offs
The Tyranny of time
Too much or too little control
Broader activity or deeper reflection
Principle of tradicity
Teacher - agenda interactions
Student - focused interactions
Subject matter interactions
You cannot touch learning
Conclusion
Discussion questions
Part 4. Choosing a new direction
13. Know yourself
Psychological controls
Internal - external
Time perceptions
Detail - holistic perspectives
To judge or not to judge
Absolute - relative
Background experience
We teach as we were taught
We teach what we know
Where we teach affects how we teach
Identity shapes our interactions
Conclusion
Discussion questions
14. Know your students
Developmental learning
External to internal
Dependent to independent
Student motivetion
Conclusion
Discussion questions
15. Know your subject matter
Music performance skills
Music knowledge
Creative experiences
Planning for balance in subject matter
Conclusion
Discussion questions
16. Learn what learning looks like
Define learning outcomes
Monitor learning
Conclusion
Discussion questions
17. Choose your focus
You get what you pay for
Focus away from the teacher
Focus on music
Refine your vision
18. Establish a set of principles
Make success the focus
Focus on all students' success
Get out of the way as the focus
Maintain a successful pace
Be independently succesfful
Teach deeply as well as broadly
Teach comprehensively
Final conclusion
About the author
Music teaching style inventory
Learning style glossary
References
General bibliography

Okładka: Wadhams Wayne, Inside The Hits

cena 191,95 zł.


nuty.pl

Wadhams Wayne
Inside The Hits

polski Wnętrza hitów
angielski Inside The Hits


Ilość stron:584
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor aranżacji/opracowania: Gedutis Susan, Nathan David
Kod produktu:NPL065629

Obszerna publikacja będąca zbiorem interpretacji i analiz największych przebojów różnorodnych artystów, m. in.: Tracy Chapman, The Beatles, Michaela Jacksona, The Kinks, The Zombies, Paula Simona i wielu innych. Autor książki - Wayne Wadhams - bada kluczowe składniki, które tworzą piosenkę - melodię, tekst, produkcję, wykonania artystyczne, itp. Znajdziesz tu zaskakujące odpowiedzi na ciekawe i prowokujące pytania.


How does a song become more than words and music to represent or influence the voice of a generation? Inside the Hits dissects more than 60 of the most powerful and memorable hit songs since the birth of rock and roll to reveal the roots of their success. Author Wayne Wadhams examines the key ingredients that made the songs work then and now, including: melody, lyrics, performance, production, artist image, promotion, and market timing. What really stopped Mick Jagger from getting 'Satisfaction'? How did a secretary who was mistaken for a prostitute give Donna Summer her new sound? Find all the answers in Inside the Hits. 'Reading Inside the Hits was like reliving some of the most memorable moments in rock and roll. A captivating read for industry professionals and fans alike.' - Phil Ramone


Spis treści:

Introduction: Goal and Game Plan
Part 0. What the Hits have common
Part 1. Rock's First Decade, and What made it all possible
1. Passion, Personality, and an Unlike Monarch
2. The Pretty Boys: Teen Idols from Philly and Beyond
3. Serious Doo - Wop at Chicago's Best
4. Girl Groups tothe Rescue - Reluctantly
5. Motown: A short of rythm 'n' class
6. The funny men: Novelty Records
7. Life's Beach, and Then it ends
8. Desperation alley: A lost soul in love hell
9. Rock production meets the classics - and triumphs
Part 2. The Beatles
1. Timing, Teamwork, Genius
2. Jewels in the Crown, Nails in the coffin
Part 3. The British Invasion, first wave: Adventures in excess and elegance
1. The Kinks: Crotchbusters extraordinaire
2. The Zombies
3. The Yardbirds: Heavy Breathing the Blues
4. The Searches
5. Herman's Hermits: Manufacturing pop
6. The Troggs: Here today, gone today
7. The Rolling Stones: No holes barred
Part 4. Meanwhile, back at the ranch: an explosion of New America Sounds and Styles, 1965 - 1973
1. The byrds
2. The lovin' spoonful: Just a-Pickin' and a-Grinnin'
3. The Turtles: Pop prefection by the Numbers
4. The doors: Prophets of sex, drugs and more sex
5. Aretha Franklin: The past stops here, amen
6. Buffalo springfield: What's wrong with this picture?
7. Crosby, stills & nash: reluctant heroes
8. Creedence clearwater revival: American, The view from L.A.
9. Stevie Wonder: Artists take what's theirs, finally
10. Paul Simon: The fear behind the fun
Part 5. Movements of brillance, 1974 - 1988
1. Tina Turner
2. Paul Young
3. The Pointer Sisters
4. The Police: Surrepticity Stalking
5. The Eagles
6. Toto: Pop rules! Screw the critics
7. The Doobie brothers
8. Robbie Nevil: Life's Great / Awful
9. Michael Jackson
10. Steely Dan and Donald Fagen: Architects of Perfection
11. Raging Hormones, Rude Emotions: Letting It All Hang Out
12. Tracy Chapman and theFolk Re-Re-Revival
Epilogue
Key HIT Elements Matrix
Glossary
List and Index od Defined terms
Index
Index of credits

Okładka: , '90s Guitar Riffs

cena 145,95 zł.


nuty.pl

'90s Guitar Riffs

polski Riffy gitarowe lat 90.
angielski '90s Guitar Riffs


Ilość stron:24
Format:230 x 305
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:opisów: angielska
tytułów utworów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065941
Produkty podobne: - '80s Guitar Riffs

Nowa seria publikacji zawierających popularne riffy gitarowe. Prezentowana książka skupia się na riffach pochodzących z utworów artystów lat 90 - tych. Wśród tytułów m. in.: "Blue on Black", "Come as You Are", "Come Out and Play", "Fly Away", "Give Me One Reason", "Hold My Hand", "The Impression That I Get", "Iris", "Loser", "More Than Words", "My Own Worst Enemy", "Name", "No More Tears", "Self Esteem", "Silent Lucidity", "Smells like Teen Spirit", "Spoonman", "Sugar", "Tears in Heaven", "Trust " i wiele innych. Pod każdym zapisem nutowym zamieszczona jest tabela z informacją o kompozytorze, wykonawcy, roku powstania przeboju, albumu, itp. Do publikacji dołączona jest także płyta CD z wersjami demonstracyjnymi riffów.


Features 63 instantly-recognizable riffs from top '90s tunes including: Are You Gonna Go My Way • Blue on Black • Come as You Are • Come Out and Play • Fly Away • Give Me One Reason • Hold My Hand • The Impression That I Get • Iris • Loser • More Than Words • My Own Worst Enemy • Name • No More Tears • Self Esteem • Silent Lucidity • Smells like Teen Spirit • Spoonman • Sugar • Tears in Heaven • Trust • Two Princes • Would? • You Were Meant for Me • and more.


Lista utworów:
1979 (Smashing Pumpkins)
Alive (Kenny Wayne Shepherd, Oasis, P.O.D. (Payable On Death), Pearl Jam, Rebecca St. James, The Bee Gees)
All Apologies (Nirvana)
Are You Gonna Go My Way (Lenny Kravitz)
Been Caught Stealing (Jane's Addiction)
Come Out And Play (The Offspring)
Dammit (Blink 182)
December (Collective Soul, David Gray, Weezer)
Don't Treat Me Bad (Firehouse)
Give Me One Reason (Tracy Chapman)
I Alone (Live)
I'll Stick Around (Foo Fighters)
Just A Girl (No Doubt)
Keep Away (Godsmack)
Killing In The Name (Rage Against The Machine)
Lit Up (Buckcherry)
Mama, I'm Coming Home (Ozzy Osbourne)
My Own Worst Enemy (Lit)
No Rain (Blind Melon)
Only Wanna Be With You (Hootie & The Blowfish)
Say It Ain't So (Weezer)
Slide (Goo Goo Dolls)
Song 2 (Blur)
Space Lord (Monster Magnet)
Suzi (Wants Her All Day What?) (Extreme)
The Impression That I Get (The Mighty Mighty Bosstones)
Trust (Megadeth)
Two Princes (Spin Doctors)
Unskinny Bop (Poison)
Water's Edge (Seven Mary Three)

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 2

cena 263,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 2

polski Domowy kurs rejestracji dźwięku, nagrywania, cz. 2
angielski The AudioPro Home Recording Course, Volume 2


Ilość stron:252
Format:230 x 305
Opracowanie na:książka
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078017
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 3

Publikacja jest drugą częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Obecna część jest przeznaczona dla osób z podstawową znajomością pojęć technicznych. Poszczególne lekcje zawierają liczne ilustracje, a także przykłady muzyczne na dołączonych do książki płytach CD. Autor - Let Bill Gibson - przekazuje informacje, których potrzebujesz, aby udoskonalić rejestracje dźwięków za pomocą domowego sprzętu nagrywającego. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume two covers: impedance and wiring (high impedance vs. low impedance, terminology, balanced vs. unbalanced); bass guitar (electric/synth, recording, mic techniques, EQ); harmonics/overtones/partials; vocals (recording, mic techniques, effects, EQ); acoustic piano and rhodes (recording, mic techniques, signal processing, sampled sounds, EQ); recording synthesisers (recording, combining textures, EQ, brass); the total recording session (instruments, preparing the recorder, media selection, time code); panning and stereo imaging; mixdown to master product (mixdown machine, tape choice, theories and concepts, setup procedure; building the mix; preparing master for duplication).

Spis treści:

Introduction
Chapter 1 - Impedance and Wiring
Basic Terminology
Compatibility Between Hi Z and Lo Z
Balanced vs. Unbalanced
Basic Terminology
Unbalanced Guitar Cables
Balanced Cables
Conclusion
Chapter 2 - Bass Guitar
Electric Bass
Condition of the Bass
Direct Box / Direct In (DI)
The Bass Level
Instrument Differences
Musical Style
Recording Levels for Bass
Mic Techniques
Compressing the Bass
Equalization
Panning
Reverb
Synth Bass
Plugging the Synth Bass In
Miking the Synth Bass
Performance of the Synth Bass Part
Bass Range and EQ
Compressing the Synth Bass
Recording Level for the Synth Bass
Panning Synth Bass
Effect and the Synth Bass
Acoustic Bass
Close - Miking the String Bass
Conclusion
Chapter 3 - Harmonics / Overtones / Partials
The Difference Between Harmonics, Overtones and Partials
Conclusion
Chapter 4 - Vocals
Mic Techniques
Placement
Distance
Small Room vs. Large Room
Moving - Coil / Ribbon
Condenser
Effects
Stylistic Considerations
Wind Screen
Repairing a Problem Plosive
Electronic Plovive Repair
The Proximity Effect
Bass Roll-off
The Pad
Different Sounds of Different Pickup Patterns
Positioning the Microphone
Compressor / Limiter / Gate / Expander
Dynamic Range
Compression
Sibilance
The De-esser
Equalization
Recording Environment
Physical Aids
Intonation
Headphones
Punch In / Punch Out
Perseverance
Panning
Common Vocal Effects
Delay
Slapback
The Electronic Double
The Electronic Triple
Regeneration
Reverb
Predelay
Exciter
Chorus / Flanger / Phase Shifter
Backing Vocals
Conclusion
Chapter 5 - Acoustic Piano and Rhodes
Grand Piano
The Basics
Mic Choice and Technique
Stereo or Mono
Instrument Maintenance
Setting the Mood
Processing Pano Sounds
No Two Pianos Sound Identical
Recording Levels
Equalizer the Piano
Compressing the Piano
Exciting the Piano
Reverberation
Miking the Vertical Piano
Sampled Piano Sounds
Rhodes - type Sounds
Rhodes Effects
Equalizing the Rhodes
Conclusion
Chapter 6 - Recording Synthesizers
Recording Synths: Strings, Pads, Bell-like Sounds, Brass and Effects
Live in vs. Mic in Through DI
Line In
DI Can Color the Sound Adversely
String and Pads
Layering
Equalizing Pads
Dynamic Processing the Synth
Reverb
Combining Textures
Exciter
Chorus, Flanger, Phase Shifter
Panning
Delay
Bell - like Sounds
Equalizing the Bell - like Sounds
Panning Bell - like Sounds
Compression
Reverb
Chorus / Flanger / Phase Shifter
Brass
Mic Technique
Levels
Brass Samples
Brass Equalization
Panning
Reverb
Exciter
Chorus / Flanger / Phase Shifter
Delay
Special Effects
Conclusion
Chapter 7 - Panning and Stereo Imaging
Speaker Position and Choice
Mic Techniques
The Head
Assignment
3:1 Principle
Panning
Reverberation
Space in a Space
Combining Wet and Dry
Delay
Panning
Chorus/ Flanger / Phase Shifter
Monitors and Your Stereo Image
Conclusion
Chapter 8 - The Total Recording Session
Planning
Tracks
Envision the Final Products
Instrument
Tuning
Strings
Getting the Recorder Ready
Cleaning and Demagnetizing
Demagnetizing the Analog Tape Machine
Cleaning the Analog Recorder
Tones on the Analog Recorder
Tones on the Digital Recorder
Media Selection
Magnetic Tape / Video Tape
Recordable CDs / Hard Drives
Tape Storage Is a Critical Condiseration
Time Code
Striping SMPTE
Getting the Sequencer to Follow SMPTE
Tightening the Arrangement
Contents of Arrangement
Reference Lead Vocal
Backing Vocals
Bounce to Track One
Electric Guitar to Track Four
Punch-Ins
Acoustic Guitar to Track Five
Final Vocal to Track Three
Lead Guitar to Track Six
Conclusion
Chapter 9 - Mixdown to Master to Product
Mixdown Machine
Basic Proceudre for Alignment (Mixdown and Multitrack)
Playback Alignment
Record EQ
Reference Tones
Reference Tone
Starting the Mix / Zeroing the Board
Tape Choice
Outboard Gear to Have on Hand
Tape Speed
Automation
Multiple Sets of Monitors
Comparison to Other Projects
The Spherical Approach to Panning and Positioning in the Mix
EQ: The Cumulative Effect
Mixing Theories and Building Concepts
Mix Approach
The Arrangement
Characteristics of a Good Mix
Strong and Solid, But Controlled, Lows
Mids Distributed Evenly Among Various Instruments
Strong, Smooth Highs That Are Easy to Listen To
Balance
Depth
Width
Momentum
Consistency
Sounds Good in Stereo and Mono
Approaches to Mixing That I've Found Ineffective
Signs of an Amateur Musical Recording
Basic Setup Procedure
Once You Select and Prepare the Multitrack and Mixdown Machines
Arranging During Mixdown
Multiple Mixes
Mix Versions
Building the Mix
Kick Drum / Bass Guitar
Pan the Cymbals for a Natural Sound
Live Toms
Drum Machine Toms
Drum Set Overhands (Live)
Bass
Lead Vocal
Compression
Expander
Vocal EQ
Exciter
Simple Delay
Add Backing Vocals
Comping Keyboards and Rhythm Guitars
Filling in the Holes With the Guitar or Keys
Lead Parts
Solos
Mix Levels
Fades
Preparing the Mixed Master for Duplication
Editing
Mastering
Different Mixes
Conclusion
GLossary
Index





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