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All I touch

Dostępne opracowania:
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All I touch znajdziesz w 8 publikacjach wymienionych poniżej:

Okładka: , Songs Of The '70s for Trumpet

cena 78,95 zł.

nuty.pl

Songs Of The '70s for Trumpet

polski

Przeboje lat 70. na trąbka
angielski

Songs Of The '70s for Trumpet

Ilość stron:	72
Format:	230 x 305
Opracowanie na:	trąbka B solo
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Trąbka B (1)
Rodzaj produktu:	nuty drukowane
Wersja językowa:	tytułów utworów: angielska UWAGA: korzystanie z publikacji nie wymaga znajomości języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudności:	3 w skali od 0 do 10
Dostępność	w magazynie, wysyłka natychmiastowa
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL055881
Produkty podobne:	- Songs of the '50s for Trumpet

Niniejsza książka zawiera aż 70 popularnych piosenek z lat 70-tych w opracowaniu na trąbkę. Wśród tytułów znajdziesz m. in.: "Baby What A Big Surprise", "After The Love Has Gone", "How Deep Is Your Love", "Joy To The World", "She's Always A Woman", "Sometimes When We Touch", "Wonderful Tonight", "You Are So Beautiful" i wiele innych.

Over 65 super '70s hits arranged for solo instruments. Includes: ABC • Copacabana • Dust in the Wind • Fire and Rain • How Deep Is Your Love • I'll Be There • Imagine • Joy to the World • Let It Be • She's Always a Woman • Wonderful Tonight • You Are So Beautiful • and more.

Lista utworów:
(They Long To Be) Close To You (The Carpenters)
ABC (The Jackson 5)
After The Love Has Gone (Earth, Wind & Fire)
Annie's Song (John Denver)
Baby What A Big Surprise (Chicago)
Ben (Michael Jackson)
Copacabana (At The Copa) (Barry Manilow)
Could It Be Magic (Barry Manilow)
Deja Vu (Dionne Warwick, Yngwie Malmsteen)
Do You Know Where You're Going To? (Diana Ross)
Don't Cry Out Loud (Melissa Manchester)
Don't Let The Sun Go Down On Me (Elton John, Elton John & George Michael)
Dust In The Wind (Kansas)
Easy (Amanda McBroom, Melissa Manchester, The Commodores)
Fire And Rain (James Taylor)
Goodbye To Love (The Carpenters)
How Can You Mend A Broken Heart (The Bee Gees)
How Deep Is Your Love (The Bee Gees)
I Am Woman (Helen Reddy)
I Honestly Love You (Olivia Newton-John)
I Won't Last A Day Without You (The Carpenters)
I Write The Songs (Barry Manilow)
If (Bread, Joe Henderson, Pink Floyd)
If You Leave Me Now (Chicago)
I'll Be There (Bobby Darin, Mariah Carey, Megadeth, The Jackson 5)
I'll Never Love This Way Again (Dionne Warwick)
Imagine (John Lennon and the Plastic Ono Band)
It's Impossible (Somos Novios) (Elvis Presley, Perry Como)
Joy To The World (David Lanz, Mannheim Steamroller, Mariah Carey, Nat King Cole, Steve Green, Three Dog Night, Whitney Houston)
Let It Be (The Beatles)
Looks Like We Made It (Barry Manilow)
Love Story (Francis Lai)
Love Will Keep Us Together (The Captain & Tennille)
Mandy (Barry Manilow)
Maybe I'm Amazed (Paul McCartney)
My Love (Lenny Kravitz, Paul McCartney & Wings, Petula Clark)
Nadia's Theme (Barry DeVorzon & Perry Botkin, Jr.)
Nothing From Nothing (Billy Preston)
Oye Como Va (Santana)
Precious And Few (Climax)
Rainy Days And Mondays (The Carpenters)
Reach Out And Touch (Somebody's Hand) (Diana Ross)
Rise (Herb Alpert)
Rocky Mountain High (John Denver)
September (Deborah Cox, Earth, Wind & Fire)
She's Always A Woman (Billy Joel)
Show Me The Way (Peter Frampton, Styx)
Sir Duke (Stevie Wonder)
So Far Away (Carole King, Dire Straits, Rod Stewart)
Sometimes When We Touch (Dan Hill)
Somewhere In The Night (Barry Manilow)
Stayin' Alive (N-Trance, The Bee Gees)
The First Time Ever I Saw Your Face (Roberta Flack)
The Godfather (Love Theme) (Nino Rota)
The Long And Winding Road (The Beatles)
The Rainbow Connection (Kenneth L. Ascher, Paul Williams)
The Way We Were (Barbra Streisand)
Three Times A Lady (The Commodores)
Top Of The World (The Carpenters)
We've Only Just Begun (The Carpenters)
What I Did For Love (Marvin Hamlisch)
Wonderful Tonight (David Kersh, Eric Clapton)
Yesterday Once More (The Carpenters)
You And Me Against The World (Helen Reddy)
You Are So Beautiful (Joe Cocker)
You Are The Sunshine Of My Life (Stevie Wonder)
You've Got A Friend (James Taylor)

Okładka: Lieberman Julie Lyonn, You Are Your Instrument

cena 128,95 zł.

nuty.pl

Lieberman Julie Lyonn
You Are Your Instrument

polski

Jesteś jak Twój instrument
angielski

You Are Your Instrument

Ilość stron:	164
Format:	210 x 297
Opracowanie na:	książka
Rodzaj produktu:	książka
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Kod produktu:	NPL064928

Przewodnik stworzony przez Julie Lyonn Lieberman, pomaga odkryć nowe wrażenia oddziałujące na zdrowie fizyczne i psychiczne. Książka z działu muzykoterapii przedstawia jak pokonać niepokój i stres przed występami, ogólne napięcie mięśni przed graniem i w trakcie grania, a także jak zwiększyć efektywność nauki.

This unique guide helps all musicians: open up new avenues of expression through a pain-free, healthy, fluid approach to music-making; overcome performance anxiety, general tension, and muscular injury; and increase learning skills and facilitate more effective motor coordination.

Spis treści:

Listening with the musician's Ear
Your mind
The Power of the Mind
Physiological Changes through conceptualization
My name is Effort
The Conditional Practice Session
The Brain
The Left and Right Hemispheres
Six - Fold Memory
Muscle Memory
Visualization and the Imagistic Mind
Auditory Memory
Analytical Memory
New Approaches
Sensory Awareness
Natural Biofeedback
Weight and Weightlessness
Your body
Muscle signals
Muscle communication
Signs of Injury
Causes of Injury
Monitoring Muscle Tension
Breathing
The mechanics of breathing
The diaphragm
Methods of breathing
Breath and music - making
Early conditioning
Breath as metaphor
Awareness and muscle balance
Introduction to units on the body
Hands and arms
The neck
The shoulders
The upper torso
The lower torso
The legs and feet
The jaw and lips
The standing musician
The seated musician
Music medeicine
The healting process
Constructive rest
Re - education
Choosing a doctor
Medical diagnosis
Medical problems
Other musical matters
Nervousness
Warming up
The music lesson
Tempo
The ensemble
Sight - reading music
In the recording studio
Environmental hazards
The function of exercise, water and nutrition
Carrying instruments and equipment
On the road
The performance space
The audience resonance
The musician as dancer
Muscle balance glossary
Introduction
Arm lifts
Arm shakes
Constructive rest
Constructive rest position
Freedom axis
Hang over
Head lifts
Hot and cold
Hula hoops
Imaging
Leg lifts
Mobility tests
Pelvic tilts
Pendulum swings
Pressure points
Psoas balancing technique
Rib cage strengthener
Shoulder rolls
Snaking
Stomach strengthener
Stretches
Tennis balls
Trills: lip and tongue
Directory
Introduction
Physical Therapies
Acupressure
Acupuncture
Alexander Technique
Biofeedback
Chiropractic
Feldenkrais
Kinesiology
Massage
Myotherapy
Occupational therapy
Osteopathy
Physical therapy
Reflexology
Rolfing
Shiatsu
Touch for health
Trager
Self exercise systems
Acuyoga
Aerobics
Dance
Muscle balance
Tai chi chuan
Yoga
Weight training
Mind and spirit therapy systems
Meditation
Structural consulting
Technologies for creating
Therapy
Healing remedies
Ayurveda
Ball work
Constructive rest
Herbology
Homeopathy
Hot and cold
Nutrition
Appendix
Suggested references
Resource organizations
Index
Video order form

Okładka: Gumm Alan, Music Teaching Style

cena 223,95 zł.

nuty.pl

Gumm Alan
Music Teaching Style

polski

Muzyczne style nauczania
angielski

Music Teaching Style

Ilość stron:	192
Format:	178 x 254
Opracowanie na:	książka
Rodzaj produktu:	książka
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Kod produktu:	NPL065612

Publikacja Alana Gumma jest prezentacją stylów nauczania muzyki. Autor przedstawia nietypowe podejście do sztuki nauczania, a także popiera idee anegdotami i cytatami wielkich artystów i mistrzów. Głównym celem sposobów nauczania Gumma jest zdobycie doskonałego doświadczenia w nauczaniu i osiągnięcie trwałego sukcesu.

Music Teaching Style is an exciting, balanced approach to student performance, music learning and personal change. Written in an informal, engaging style, the text is highlighted by anecdotes, quotations, challenges for self-reflection, and techniques used by the author and top professionals in the field. The result - a fulfilling, productive and successful music teaching experience.

Spis treści:

Part 1. Overview
1. Setting the Context
Need for a Definition
Related Concepts
Personality
Learning Styles
Effective teaching
Conclusion
Discussion questions
2. Establishing a definition
The nature of music teaching style
Principle of tradicity
Several behaviors but one style
Stable and pervasive
Underlying focus
Many ways to be effective
Principle - based teaching
A clear and distinct definition
A new vantage point
A three - level model
Conclusion
Discussion questions
Part 2. Dimensions of music teaching style
3. Assertive teaching
Assertive vs. Aggressive
Cycle of teaching
Clear directions
Monitor student behavior
Specific feedback
Anticipating problems
Recognize cycles of misbehavior
Classroom rules
Consequences
Alerting
Conclusion
Discussion questions
4. Nonverbal motivation
Visual appearance
Proximity
Pacing
Conclusion
Discussion questions
5. Time efficiency
Concepts of time
Quickness
Quantity
Active learning
Conclusion
Discussion questions
6. Positive learning environment
Contingent approval
Transactional teaching
Time to think
Clarification
Encouragement
Elaboration
Awareness of student realities
Interpersonal relations
Conclusions
Discussion questions
7. Group dynamics
Self - responsibility
Student-to-student interactions
Leadership
Social loafing
Individualized listening and reading
Conclusion
Discussion questions
8. Music concept learning
Comprehensive musicianship
Concept of music
Questioning
Accountability
Questions as assessment
Handling incorrect answers
Types of questions
Critical thinking
Conclusion
Discussion questions
9. Artistic music performance
Multimodal learning
Asural Imagery
Psychomotor learning
Sound-to-performance cycle
Metaphor
Modeling and movement
Emotion and enthusiasm
Conclusion
Discussion questions
10. Student independence
Students as innovators
Creativity
Affective learning
Transformational teaching
Deepest levels of questioning
Discussion and dialogue
Student input in decision - making
Acceptance
Conclusion
Discussion questions
Part 3. Revealing your style
11. Types and trends of style
Prototypes
Comprehensive musicianship focus
Performance priorities
Intellectual focus
Group interaction priorities
Behavior management priorities
Styles that lack priority
Developmental teaching
Self - reflective stage
Broadening stage
Interdependent transition
Deepenning stages I and II
Development through insight
Conclusion
Discussion questions
12. Sorting out priorities
Trade offs
The Tyranny of time
Too much or too little control
Broader activity or deeper reflection
Principle of tradicity
Teacher - agenda interactions
Student - focused interactions
Subject matter interactions
You cannot touch learning
Conclusion
Discussion questions
Part 4. Choosing a new direction
13. Know yourself
Psychological controls
Internal - external
Time perceptions
Detail - holistic perspectives
To judge or not to judge
Absolute - relative
Background experience
We teach as we were taught
We teach what we know
Where we teach affects how we teach
Identity shapes our interactions
Conclusion
Discussion questions
14. Know your students
Developmental learning
External to internal
Dependent to independent
Student motivetion
Conclusion
Discussion questions
15. Know your subject matter
Music performance skills
Music knowledge
Creative experiences
Planning for balance in subject matter
Conclusion
Discussion questions
16. Learn what learning looks like
Define learning outcomes
Monitor learning
Conclusion
Discussion questions
17. Choose your focus
You get what you pay for
Focus away from the teacher
Focus on music
Refine your vision
18. Establish a set of principles
Make success the focus
Focus on all students' success
Get out of the way as the focus
Maintain a successful pace
Be independently succesfful
Teach deeply as well as broadly
Teach comprehensively
Final conclusion
About the author
Music teaching style inventory
Learning style glossary
References
General bibliography

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.

nuty.pl

Beall Eric
Making Music Make Money

polski

Rób muzykę rób pieniądze
angielski

Making Music Make Money

Ilość stron:	272
Format:	152 x 229
Opracowanie na:	książka
Rodzaj produktu:	książka
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Autorzy	Edytor: Lindsay Susan Gedutis
Kod produktu:	NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.

Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.

Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

cena 293,95 zł.

nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski

Kurs nagrywania AudioPro, cz. 3

The AudioPro Home Recording Course, Volume 3

Ilość stron:	272
Format:	215 x 275
Opracowanie na:	książka
Rodzaj produktu:	nuty drukowane + 2 płyty CD
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL078018
Produkty podobne:	Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully

Okładka: Schaum John W., Piano Course A The Red Book

cena 45,95 zł.

nuty.pl

Schaum John W.
Piano Course A The Red Book

polski

Szkoła gry na fortepianie; A - Czerwona książka
angielski

Piano Course A The Red Book

Ilość stron:	48
Format:	230 x 305
Opracowanie na:	fortepian solo
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Fortepian (1)
Rodzaj produktu:	nuty drukowane
Wersja językowa:	wstępu: angielska opisów: angielska tytułów utworów: angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Kod produktu:	NPL066934
Produkty podobne:	Schaum John W. - Adult Piano Course, vol. 1 Schaum John W. - Piano Course B The Blue Book Schaum John W. - Piano Course C The Purple Book Schaum John W. - Piano Course D The Orange Book Schaum John W. - Piano Course E The Violet Book Schaum John W. - Piano Course Pre A - The Green Book

Druga część kursu gry na fortepianie Johna W. Shauma zawiera materiały przeznaczone dla uczniów pierwszej klasy szkoły muzycznej. Publikacja wyjaśnia wiele zagadnień technicznych, większość z nich popierając prostymi utworami, które młody muzyk może włączyć do swojego repertuaru. Całość została wzbogacona kolorowymi rysunkami.

A comprehensive tutor series for beginners of all ages. Well presented with color pictures, useful information and guidance material. The aim of the book is to teach in the most natural and enjoyable way, through popular melodies. The method enables the student to progress in a logical fashion through Pre A to F. A recommended and thorough series.

Spis treści:

Foreword
Outlining hands (correlating fingers with staff names)
Sight reading discovery
Sight reading drills
Five-finger position in C Major - The woodchuck
Phrase development - Snug as a bug in a rug
How to count - Hannah from Montana
Rhytmic development - Crunchy flakes
Musical terms - Swinging along
Half steps and whole steps (Sharps, flats and naturals)
Accidencials - Tick-tack-toe
Five-finger position in G major - A nutty song
Crescendo and diminuendo - How to transpose - Down in a coal mine
AAndante and revew - The Kangarooster
Music appreciation - Beethoven - Bells are ringing
Arm phrasing touch - Steady Eddie
Bringing otu the melody - The Goofy gopher
Extend the right hand position - The dandy lion
Left hand development - Capitain silver
Piano quiz no. 1
Transposing - Jumping Beans
Technique - Warm-ups
Memorization - The snake dance
Major scale pattern
Scale writing
C major scale (Ascending) - The escalator
Broken chords and triad - The Sphinx
Five-finger position in F major - Tune of the tuna fish
Extended R. H. position in F major - Which is witch?
Contrast in music
Reading notes as well as finger numbers - Brahms' Lullaby
Recital piece
Left hand accompaniment patterns - Riding on a mule
Five-finger position in D major - Cycles
Common time
Extended R.H. position in D major - The movies
Intervals: The third - At the ice cream counter
New hand position (B flat major) - The picnic
The pianoforte and fortissimo - The life guard
Staccato study - The steam iron
Hand position: Key of A major - The Pet shop
Repertoire - The rodeo
The dotted quarter note in 4/4 time - Motorcycle police
The dotted quater note in 3/4 time - Schubertz Waltz
Reversible melody - A musical trick - The Cheerleader
Changing keys - Birthday greetings
Piano quiz no. 2
Certificate of promotion

Okładka: Schaum John W., Piano Course B The Blue Book

cena 45,95 zł.

nuty.pl

Schaum John W.
Piano Course B The Blue Book

polski

Szkoła gry na fortepianie B - niebieska książka
angielski

Piano Course B The Blue Book

Ilość stron:	48
Format:	230 x 305
Opracowanie na:	fortepian solo
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Fortepian (1)
Rodzaj produktu:	nuty drukowane
Wersja językowa:	opisów: angielska tytułów utworów: angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Kod produktu:	NPL066935
Produkty podobne:	Schaum John W. - Adult Piano Course, vol. 1 Schaum John W. - Piano Course A The Red Book Schaum John W. - Piano Course C The Purple Book Schaum John W. - Piano Course D The Orange Book Schaum John W. - Piano Course E The Violet Book Schaum John W. - Piano Course Pre A - The Green Book

Szkoła gry na fortepianie dla dzieci Johna Schauma składa się z dziewięciu części. Część B, z okładką o kolorze niebieskim jest trzecią częścią z kolei. Kurs obejmuje szeroki wachlarz zagadnień techniczncych wprowadzając je progresywnie i popierając wieloma poszerzającymi repertuar utworami, zarówno skomponowanymi przez autora specjalnie dla dzieci, jak i prostymi utworami muzyki poważnej (Mozart, Bach, Schumann).

Spis treści:

Sight reading drills
Left hand echoes - Play ball
Syncopation in 3/4 time - Music Boc (Liadow)
Shifting melody from R.H. to L.H. - Stalactites and stalagmites
Different kinds of accents - The country fiddler (folk dance)
Arpeggio recital piece - The elevator
Music appreciation - The harpsichord player (J.S. Bach)
The folk song - The year 1620
Syncopation in 4/4 time - Short'nin' bread
Crossing hands (L.H. over) - Magic flute (Mozart)
6/8 time - The wishbone
Changing keys (Major to minor) - The campbells are coming
A classical recital piece - The dress parade (Schubert's "marche militaire")
Key of E-flat major - Little brown bug
Fermata - Sailing
How to practice - (Descriptive music) The clothes line waltz
Piano quiz no. 1
The repeat sign - legato thirds - Monkey sees! Monkey does!
The right hand positions - The ventriloquist and his dummy
Da capo al fine - Here we go for a touch down
Tarantella story - The spider dance
Sixteenth notes - Wun Long Pan
Two note slurs - The hair stylist
Chord inversions - The dentist
How to use the damper pedal
Aplying the pedal to broken chords - Shadow pictures
Pedal study - Strange Lands (Robert Schumann)
Chord recital piece - Hear those lovely bells
Contrary motion - Fire engine
Wrist staccato - A fine state of affairs
Key of E major - The telegraph operator
Interweaving hand legato - Over the hurdles
6/8 time in the key o B flat - The daily comics
Chromatic passages - Putting salt on a bird's tail or how not to catch a bird
American folk song - On the levee
Piano quiz no. 2
Certificate of promotion
Music dictionary

Okładka: Schaum John W., Piano Course E The Violet Book

cena 45,95 zł.

nuty.pl

Schaum John W.
Piano Course E The Violet Book

polski

Dzkoła gry na fortepianie; E fioletowa książka
angielski

Piano Course E The Violet Book

Ilość stron:	48
Format:	230 x 305
Opracowanie na:	fortepian solo
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Fortepian (1)
Rodzaj produktu:	nuty drukowane
Wersja językowa:	opisów: angielska tytułów utworów: angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Kod produktu:	NPL066938
Produkty podobne:	Schaum John W. - Adult Piano Course, vol. 1 Schaum John W. - Piano Course A The Red Book Schaum John W. - Piano Course B The Blue Book Schaum John W. - Piano Course C The Purple Book Schaum John W. - Piano Course D The Orange Book Schaum John W. - Piano Course Pre A - The Green Book

Szósta część kursy gry na fortepianie Johna W. Schauma. W publikacji omówiony został szeroki wachlarz zagadnień technicznych, które zostały poparte utworami największych kompozytorów, od Beethovena czy Wagnera, aż po Claudea Debussy.

Learn Piano is the most enjoyable way with this progressive Piano Course.

Spis treści:

Rhythm drills
Finger Staccatostudy - The globe trotter (Gautier)
Chime effects - The Angelus bell (Sibelius)
Scale passages - Deer at winter feeding place
Rural dance form - Barnyard jamboree
Melody playing - Summer moon (Fibrich)
Finger dexterity - The chase (Lichner)
Tremolo - "1812" Overture (Excerpt) (Tchaikovsky)
Left hand rotation - Log-rolling contest (Koelling)
Whole tone harmony - Stratosphere man
A norwegian composer - Starlight over Norway (Grieg)
Sentiment in music - I love thee (Grieg)
Gypsy rhyhm - Camp of the Gypsies (Behr)
Glissando - Sliding on a Rainbow
Legato melody with staccato accompaniment - Wild horse canyon (Concone)
The mordent (plain and inverted) - Gavotte (Gluck)
Pep rally march - The track meet (J.F. Wagner)
Opera theme - The bullfighters' march (Bizet)
Oratorio theme - The shepherd and his sheep (from Messiah) (Handel)
Arpeggio study (thumb under) - Up the airy mountain (Streabbog)
Staccatissimo touch - Pappy's polka (Strauss)
Musical emotion - Purple sunset (Liszt)
The waltz as an art form - Crystal ballroom (Chopin)
Tenuto - The postage stamp (Czerny)
The soft pedal - Magic carpet of dreams (Debussy)
The Barcarolle form - Theme from Oberon (Weber)
Velocity study - Thirty seconds to go (Koelling)
Reading a vocal accompaniment - Merry widow waltz (Lehar)
Passing left hand over right - Pass the sugar please
How to turn a page of music - New flashes (Behr)
Alternating finger study - Crazy quilt
Depicting nature in music - Fingal's Cave (Mendelssohn)
Schaum piano quiz
Schaum music dictionary
Certificate of promotion

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