Alte, nuty na gitarę solo

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Quelques points utiles
Conseils de travail et d' application
La gamme majeure
La gamme mineure harmonique
La gamme mineure melodique
La gamme pentatonique naturelle
La gamme pentatonique alteree un
La gamme pentatonique alteree deux
La gamme pentatonique trois
La gamme pqntatonique quatre
La gamme blues
La gamme augmentee
La gamme unitonique
La gamme diminuee
La gamme chromatique

Preface
How to Rad Chord Diagrams
An Introduction To The Capo
How I learned to stop worrying and love the capo
A Brief history of the capo
A survey of capo models
The elastic capo (Bill Russell model)
The Jim Dunlop 'Lever Action' Capo
The Jim Dunlop C-Clamp Capo
The Shubb 'Original' Capo
The Shubb 'Deluxe' Capo
The Jim Dunlop Picker's Pal Capo
The Kyser Quick-Change Capo
The Glider Capo
The Shubb Partial Capo
The Third Hand Capo
How to use your Capo
Fitting your capo - dos and don'ts
Potential drawbacks of the capo
Capo basics
Transposing Songs for singers
The Capo as A 'Barre - Reducer'
Guitar - Friendly Keys
Tone and feel
Know where the notes are
Working with two guitars
Capo tricks for arrangers
Capos and doubleneck guitars
Capos and altered tunings
Capo detection - use your ears!
Advanced capo - spotting
Special cases
Advanced techniques
The partial capo
Further exploration
The third hand capo
Combining capos - the final frontier
Appendix
Famous songs that use capos

Welcome to Instant Guitar
Basics
Lesson 1: Playing a Note
Lesson 2: Power Chords
Lesson 3: Keeping Time
Lesson 4: Movable Chords
Lesson 5: Connecting the Dots
Lesson 6: Riffs
Lesson 7: Funk
Lesson 8: Open Chords
Lesson 9: Minor Chords
Lesson 10: Alternate Picking
Lesson 11: Barre Chords
Author'a Note

Información Preliminar
Primera Posición Escala Mayor en C - Una Octava (y Dúo)
Primera Posición Escala Mayor en C - Octava Superior (yRepaso)
Uno, Dos, Tres, Cuarto (Dúo)
Introducción al Acompanamiento Rítmico
Primera Posición Escala Mayor en C-Registro Grave (y Repaso Completo)
Imitation Dúo
Sostenidos y Bemoles
Aquí Vamos un Otra Vez (Dúo)
Acompanamiento Rítmico - Notas de Bajo y Acordes
Corcheas (con Ataque Alternado)
Etude No 1 (Dúo)
Silencios, Ligados, Puntillos
Etude No 2 (Dúo) y Primer Solo
Acompanamiento Rítmico - Explicación de los Disenos de Acorde
Segundo Solo y Etude No 3 (Dúo)
Etude para Púa No 1 (Desarrollo de la Mano Derecha)
Dos, Dos (Dúo)
Escala Mayor en G - Primera Posición
Acompanamiento Rítmico - Disenos de Acordes
Semicorcheas
Dúo en G y Etude para Púa No 2
Otro Dúo en G
Escala Mayor en F - Primera Posición
Acompanamiento Rítmico - Disenos de acordes (Incluyendo Cejilla completa)
Dúo en F
El Tresillo
Vals en F (Solo)
Escalas de A Menor - Primera Posición (3 tipos)
Acompanamiento Rítmico - Disenos de Acordes
Púa Bonita (Dúo)
Corcheas y Semicorcheas con Puntillo
Escalas de E menor - Primera Posición (3 tipos)
Acompanamiento Rítmico - Disenos de Acordes
Toma su Escoge (Dúo)
Acompanamiento Rítmico - Principio de los Disenos de Acordes Móviles
Escala Cromática y Estudios de Velocidad
Escala de D manor - Primera Posición (3 tips)
Acompanamiento Rítmico - Disenos de Acordes (Móviles)
Etude de Resistencia (Solo)
Escala de Bb Mayor - Primera Posición
Acompanamiento Rítmico - Disenos de Acordes
Dúo en Bb (Incluve Nuevos Disenos de Acordes)
Estudio de Ataque Alternado en Contrapúa
Escala de D Mayor - Primera Posición y Dúo en D
Etude para la Acentuación (Dúo)
Escala de A Mayor - Primera Posición y Dúo en A
Acompanamiento Rítmico - Disenos de Acordes
Escala de Eb Mayor - Primera Posición y Dúo en Eb
Disenos de Acordes Móviles (Resumen de 11 Djsenos)
Tabla de Simplificación y Sustitución de Acordes
Púa- Una Técnica Diferente
Posición en el Diapasón (Explicación)
Escala de C Mayor - Digitación 1- Posición II
Solo y Etudes a Dúo
Estudios de lectura (C Mayor - posición II)
Balada (Dúo)
Disenos de Acordes Móviles (3 Disenos Básicos y Explicación)
Disenos de Acordes (Explicación de las Digitaciones Derivadas)
Acompanamiento Rítmico - Técnica de Mano Derecha-
Etude para Púa No 4
Escala de F Mayor - Digitación 1 A- Posición II
Disenos de Acordes
Solo y Dúo
Estudios de Lectura (F Mayor - Posición II)
Toca la Bonita (Dúo)
Disenos de Acordes
Estudios de Velocidad (Digitaciones 1 - 1 A)
Escala de G Mayor - Digitación 2- Posición II
Vals para Dos (Dúo) Presentación de los Armónicos Naturales
Disenos de Acords
Estudios de lectura (G Mayor - Posicion II)
(Blues En G) (Dúo) Presenta el Efecto de Apagado
(Etude de Acordes) (Solo)
Acompanamiento Rítmico - Técnica de Mano Derecha (Ritmo Latino Básico)
Etude para Púa No 5 y Corto y Dulce (Dúo)
Escala de D Mayor - Digitación 3- Posición II
Disenos de Acordes
Estudio Melódico Rítmico no 1 (Síncopa)
(Etude de Acordes) (Solo)
Estudios de Lectura (D Mayor - Posición II)
Dee Oo Ett (Dúo)
Disenos de Acordes
Estudio de Velocidad (Digitaciones 2 - 3)
Escala de A Mayor - Digitación 4- Posición II
Etude de Acordes (Solo)
Estudios de Lectura (A Mayor - Posición II)
Tres Agudo (Dúo)
Disenos de Acordes
Estudio de Velocidad (Digitaciones 4)
Disenos de Acordes
Rapaso de la Sequnda Posición
Disenos de Acordes
Tresillos de negra
Tercera Posición Escales Mayores - Bb, Eb, Ab, Db
Rapaso de la Tercera Posición
Disenos de Acordes
Primera Posición Escales Mayores - Ab, Db (Sin Cuerdas Abiertas)
Rapaso de la Primera Posición
Cuarta Posición Escales Mayores G, D, A, E
Disenos de Acordes
Repaso de la Cuarta Posición
Disenos de Acordes y Notas del Autor
Indice

Acknowledgements
About the autor
Introduction
Overview
What is four-to-the-bar rhythm guitar?
Time and groove
Rhythm chords and the extraction concept
23 basic and essential rhythm chords
Reading charts and chord reduction
Reading charts and chord expansion
More about chord reduction and expansion
Fundamentals of rhythm guitar
The role of the rhythm guitar in a big band
Types of guitars nad their setup
The use of amplification
Rhythm and guitar technique
Practice: food for thought
Chord reference library
Drop and raise chord voicings
The chord reference library
Major group
Minor group
Dominant group
Altered dominant group
Diminished group
Which voicings should i use?
Chord inversion exercises
How the exercises work
Major group
Minor group
Dominant group
Altered dominant group
Diminished group
Patterns and progressions
Introduction to the chord pattern exercises
Harmonized major scale
Two - five - one
One - six - two - five
Minor two - five -one
Minor one - six - two - five
Diminished connectiong chords
Tritone substitution
Practice tunes
Reduction and expansion
Chord reduction
Chord expansion
Reduction and expansion - summary
Reading vs. playing - reduction
"Mr. Bones lives alone"
Reading vs. playing - expansion
"Full of it"
:It's a 9 flat 5 thang"
Appendix I: intervals and chords
Appendix II: A brief history of four-to-the-bar-rhythm-guitar

How to Use This Book
Chord Construction
Open D (D-A-D-F#-A-D)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)
Open G (D-G-D-G-B-D)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)
Open Gm (D-G-D-G-Bb-D)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)
Open A (E-A-E-A-C#-E)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)
Open E (E-B-E-G#-B-E)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)
Open Em (E-B-E-G-B-E)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)
Open C (C-G-C-G-C-E)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)
Drop D (D-A-D-G-B-E)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)
Double Drop D (D-A-D-G-B-D)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)
Dsus4 (D-A-D-G-A-D)
A
Bb (A#)
B
C
Db (C#)
D
Eb (D#)
E
F
F# (Gb)
G
Ab (G#)

Introduction
The Five Root Shapes
Whole Steps and Haft Steps
Note Names
Finding Notes
The Major Scale
The Five Major Scale
The Natural Minor Scale
Pentatonic Scale
Major and Perfect Intervals
Minor, Diminished, and Augmented Intervals
Compound Intervals
Triad Arpeggios
Triads
Seventh Arpeggios
Seventh Chords
Extensions
Alternations
Modes
Other Common Scale
Other Common Chords
Conclusion
Solutions to Exercises
About the Author

Note to the reader
Note to the teacher
About the guitar
How guitar music is written
Notes and rests
Tuning
Special tuning tips
Beginning to play
The sitting position
The right hand
The rest stroke
Tone quality
The shape of the nails
Finger identification
First practice of the rest stroke alternation
The left hand
The left-hand exercise
Putting both hands together
Further development
The free stroke
Notes on the first string
Counting
Exercise 1
Exercise 2
Exercise 3
Notes on the second string
Rest and damping
Exercise 5
Exercise 6
Exercise 7
Pick-up notes
Bank of the Ohio
Notes on the third string
Counting eighth notes
Exercise 8
Exercise 9
Exercise 10
Aura Lee
Thumb technique
Notes on the fourth string
Exercise 11
Exercise 12
Exercise 13
Notes on the fifth and sixth strings
Exercise 14
Fandango
Exercise 15
Ties
Exercise 16
Sharps and flats
Exercise 17
Exercise 18
Minuet
Chord technique
Exercise 19
Exercise 20
Cherry Song
Exercise 21
Arpeggios and Triplets
Technique of arpeggio
The Upward arpeggio
The downward arpeggio
Exercise 22
Exercise 23
Exercise 24
Combining chords and melody
Exercise 25
Exercise 26
La Volta
Practice suggestions
The Moorish dance
Evening Breeze
Etude
Minuet Theme
Flamenco Study
Song at nightfall
To the reader
A note to the teacher
Keys and scales
Scale of C Major
Other Major Keys
Scale of G Major
Minor Keys
Exercise 1
Study in G Major
Counting sixteenth notes
Exercise 2
Mixed Eighths and Sixteenths
Exercise 3
Etude in A Minor
Right hand fingering
General Principles
A Warning
Two Note Chords
Exercise 4
Crossing From String to String
Use of the Ring Finger
Exercise 5
Exercise 6 to 10
The Dotted Quarter Note
Exercise 11
Exercise 12
Packington's Pound
Right-Hand Technique
Choice of the Rest Stroke or Free Stroke
Single-Note Passages
Chords
Two-Note Chords with Rest Stroke
Exercise 13
Exercise 14
Chords of Three or More Notes
Arpeggios
To the reader
To the teacher
A practical warm-up routine
More advanced counting
The dotted eighth note
Grace notes
Andante
Syncopation
Exercise 1
The half bar
Andantino
More about chords
Exercise 2
Arpeggiated chords
When to arpeggiate
Amusement
Shorthand systems for chords
Components of a Major Chord
The Right Hand
Breaking up the Chords
Formation of More Complex Chords
On top of old smokey
Exploring new keys
Flat keys
Exercise 3
Study in F
Keys with more Sharps
Scale of A Major
Exercise 4
Andante
Alman
Scale of E Major
Exercise 5
Little Rondo

Información Preliminar
Primera Posición Escala Mayor en C - Una Octava (y Duo)
Primera Posición Escala Mayor en C - Octava Superior (y Repaso)
Uno, Dos, Tres, Cuatro (Duo)
Introducción Acompanamiento Ritmico
Primera Posición Escala Mayor en C-Registro Grave (y Repaso Completo)
Imitation Duo
Sostenidos y Bemoles
Aqui Vamos un Otra Vez (Duo)
Acompanamiento Ritmico - Notas de Bajo y Acordes
Corcheas (con Ataque Alternado)
Etude No. 1 (Duo)
Silencios, Ligados, Puntillos
Etude No. 2 (Duo) y Primer Solo
Acompanamiento Ritmico - Explicación de los Disenos de Acorde
Segundo Solo y Etude No. 3 (Duo)
Etude para Púa No. 1 (Desarrollo de la Mano Derecha)
Dos Dos (Duo)
Escala Mayor en G - Primera Posicion
Acompanamiento Ritmico - Disenos de Acordes
Semicorcheas
Duo en G y Etude para Pua No. 2
Otro Duo en G
Escala Mayor en F - Primera Posición
Acompanamiento Ritmico - Disenos de acordes
Duo en F
El Tresillo 37
Vals en F (Solo)
Escalas de A Menor - Primera Posicion (3 Tipos)
Acompanamiento Ritmico - Disenos de Acordes
Pua Bonica (Duo)
Corcheas y Semicorcheas con Puntillo
Escalas de E menor
Acompanamiento Ritmico - Disenos de Acordes
Toma su Escoge (Duo)
Acompanamiento Ritmico - Principio de los Disenos de Acordes Moviles
Escalas de D menor - Primera Posición (3 tipos)
Acompanamiento Ritmico - Disenos de Acordes (Moviles)
Etude de Resistencia (Solo)
Escala de B Mayor - Primera Posicion
Acompanamiento Ritmico - Disenos de Acordes
Duo en B (Incluye Nuevos Discenos de Acordes)
Estudio de Ataque Alternado en Contrapua
Escala de D Mayor - Primera Posición y Duo en D
Etude para la Acentuación (Duo)
Escala de A Mayor - Primera Posición y Duo en A
Acompanamiento Ritmico - Disenos de Acordes
Escala de Es Mayor - Primera Posición y Duo en Es
Disenos de Acordes Móviles (Resumen de 11 Disenos)
Tabla de Simplificatión y Sustitución de Acordes
Pua - Una Tecnica Diferente
Posición en el Diapasón (Explicación)
Escala de C Mayor - Digitación 1 - Posición II
Solo y Etudes a Duo
Estudios de lectura (C Mayor - Posición II)
Balada (Duo)
Disenos de Acordes Móviles (3 Disenos Basicos y Explicación)
Disenos de Acordes (Explicación de las Digitaciones Derivadas)
Acompanamiento Ritmico - Tecnica de Mano Derecha
Etude para Pua No. 4
Escala de F Mayor - Digitación 1 A - Posición II
Disenos de Acordes
Estudios de lectura (F Mayor - Position II)
Toca la Bonita (Duo)
Disenos de Acordes
Estudios de Velocidad (Digitaciones 1 - 1A)
Escala de G Mayor - Digitacion 2 - Posición II
Vals para Dos (Duo) Presentación de los Armónicos Naturales
Disenos de Acordes
Estudios de lectura (G Mayor - Position II)
"Blues en G"
"Etude de Acordes" (Solo)
Acompanamiento Ritmico - Tecnica de Mano Derecha (Ritmo Latino Basico)
Etude para Pua No. 5 y Corto y Dulce (Duo)
Escala de D Mayor
Disenos de Acordes
Estudio Melódico Ritmico No. 1 (Sincopa)
"Etude de Acordes" (Solo)
Estudios de Lectura (D Mayor - Posicion II)
Dee Oo Ett (Duo)
Disenos de Acordes
Estudio de Velocidad (Digitaciones 2 - 3)
Escala de A Mayor
Etude de Acordes (Solo)
Estudios de Lectura
Tres Agudo (Duo)
Disenos de Acordes
Estudio de Velocidad (Digitacion 4)
Disenos de Acordes
Rapaso de la Segunda Posición
Disenos de Acordes
Tresillos de negra
Tercera Posición Escalas Mayores - Bb, Eb, Ab, Db
Repaso de la Tercera Posición
Disenos de Acordes
Primera Posición Escalas Mayores - Ab, Db (Sin Cuerdas Abiertas)
Repaso de la Primera Posición
Cuarta Posición Escalas Mayores G, D, A, E
Disenos de Acordes
Repaso de la Cuarta Posición
Disenos de Acordes y Notas del Autor
Indice

Der A-moll Akkord
Punktierte Viertelnoten
Der D-moll Akkord
Synkopierung
Der A-dur Akkord
Die Tonart D-Dur
Schlusse
Die zweite Lage
Das hohe A
Der E-dur Akkord
Die Tonart A-dur
Power Chords
Tabulatur
Der Schuffle
Der Blues
Die Tonart A-moll
Fingerstyle - gitarre
Der F-dur Akkord
Carter Style - Solos
Basslaufe
Der H7 Akkord
Die Tonart E-dur
Triolen
Die pentatoniche Tonleiter
Das Improvisieren
Bewegliche Power-Chords
Handballen-Dampfung

Nuttige informatie
Muziektheorie
Notenschrift
Barre akkorden: F en Bm
Variatie in ritme
Spelen met plectrum
Slagtechnieken
De Swing
Nieuwe vingerzetting vor de G
Stops
Spelen met syncopen
Accent halverwege de maat
Spelen tem 16te noten
Het Dm akkord
Spelen met basnoten
Basloopjes
Hammer-on
Spelen met een duimplectrum
Csus4, G7, A7 en Dm7
"Slow" basloopjes
Arpeggiotechniek
Basloopjes
De 6/8 maat
Notenschrift
D7 akkord
Spelen met wisselende duim
Hoe werkt het
De "Pinch"
Wisselende Basnoten
Klassieke speeltechniek
Hoe werkt het
Waat vind je de noten op de gitaar
Vingerzeting
De majeur toonladder
Teksten
De teksten van alle sons in dit boek

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

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