Piece 10 E, nuty na pianino (fortepian) solo

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Humoresques, Op. 101 (S. 123, 1894)
No. 1 in E-flat Minor
No. 2 in B Major
No. 3 in A-flat Major
No. 4 in F Major
No. 5 in A Minor
No. 6 in B Major
No. 7 in G-flat Major
No. 8 in B-flat Minor
Silhouettes, Op. 8 (S. 70,1879)
No. 1 in C-sharp Minor
No. 2 in D-flat Major
No. 3 in D-flat Major
No. 4 in F-sharp Minor
No. 5 in F-sharp Minor
No. 6 in B-flat Major
No. 7 in B Minor
No. 8 in B Minor
No. 9 in B Major
No. 10 in E Minor
No. 11 in A Major
No. 12 in C-sharp Minor
Slavonic Dances and Other Pieces
No. 1 in C Major - from Slavonic Dances, Op. 46 (S. 55, 1878)
No. 2 in E Minor - from Slavonic Dances, Op. 46 (S. 55, 1878)
No. 4 in F Major - from Slavonic Dances, Op. 46 (S. 55, 1878)
No. 6 in D Major - from Slavonic Dances, Op. 46 (S. 55, 1878)
Serenade - from Poetic Tone Pictures [Poetické náklady], Op. 85 (S. 107, 1889)
Peasant Ballad [Selská balada]- from Poetic Tone Pictures[Poetické náklady], Op. 85 (S. 107, 1889)
At The Old Castle [Na starém hradě] - from Poetic Tone Pictures[Poetické náklady], Op. 85 (S. 107, 1889)
Goblin's Dance [Rej Střitků] - from Poetic Tone Pictures[Poetické náklady], Op. 85 (S. 107, 1889)
Furiant In D Major - from Furianty, Op. 42 (S. 50, 1878)
Theme with Variations In A-flat Major, Op. 36 (S. 44, 1876)

The Music Text
I. Orginal Sources
A. Manuscripts, First and Second Printings, Bach's copy
II. Embellishment Symbols
III.The Edition
IV. Format of Edytion
A.Performace Idications
B. Embellisments
C. Articulation Idications
D. Clefs
E. Stem Directions
V. Notation Style and Part-Writing
VI. Editions-Departures from Orginal Sources
A. First Movement - mm. 13-14; mm. 175-176
B. Second Movement
1. Notation Style
2. Measure 17
Performance
I. Embellisment
A. First Movement - Embellishment Symbols
B. Second Movement
1. Notation Style and Part-Writing
2. Motyvic Structure
3. M.17 - Embellisment in Alto part
4. Stemming - Its influence on Performace
C. Third Movement
D. Embellishment Style
II. Arpeggio
A. General
B. Rhytmic Applications on Harpsichord and Piano
III. Articulation
A. Orginal Indications
B.Harpsichord and Piano
C. General
D. Second Movement-Piano Touch, Fingering in Part-Plaing
Pedal Applications
A. Piano
B. First and Third Movement
C. Second Movement
V. Dynamics
A. Harpsichord Registration
B. Piano
1. First and Third Movements
2. Second Movement
VI. Tempo
VII. Fingering
Bach on the Piano

Piece 10 E

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