Minor Triads

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Approaching Jazz Improvisation Through Triads And Melodic Extensions
Harmony Reviev
Scale Construction
Key Signatures and the Cycle of Fifths
Triad Construction
Diatonic Triads
Diatonic Seven th Chords
Chord Function
Diatonic Chord Progressions
Tensions
Major and Minor Triads and Melodic Extensions
Dividing the Fretboard into Four Areas Using Alternating Minor and Major Triads Melodic Extensions and Relatend Fingerings through Four Areas of the Fretboars
Melodic Extensions and Relatend Fingerings Through Four Areas of the Fretboard
Phrasing and Articulation
Articulation: The Rest Stroke
Melodic Extensions of G Minor: Eighth-Note Triplets and Rest Strokes
Melodic Extensions of Dominant Chords
Building Your Solos Using Triads And Melodic Extensions
Stylistic Interpretation
Minor Lines over Dominant 7 Chords
Building a Solo with Traids And Melodic Line Extensions
Fretboard Harmony: Guide Tonews And 2-and 3-Note Voicings
Voice Leading
How to Play Guide Tones on the Guitar
3-Note Voicings: Adding a Chord Tone or Tension
Minor Key Guide-Tone Voice Leading for II/V7?1 Progressions: 2-and 3-Note Voicings
Chord Substitutions
Using Guide-Tone Lines in Soloing
Direct Approach
Indirect Approach
Chromatic Approach
Double-Indirec Approach
Solo Structure: The Shape of Things to Come
Guide-Tone Lines for II-7(b5)/V7(b9)/I in Minor
More Guide-Tone Lines: b9 to 5
Soloing Over Standard Tunes: II/V/I in Major and Minor Keys
Harmonic Concepts For Improvisation
Altered Tensions
V7 Tensions b9 and#9
V7 Tensions b9 and b13
Tensions b9, #9, and b13
V7 (+5)
The Augmented Trad
Wrap-Up
"Hearing Things" (Garrison Fewell, Steve LaSpina, and John Riley)
About the Author
Discograp-hy as Leader
Revies

The Box Shape
E,A & B Box
Box Lunch
Box-E Blues
Movable Boxes
Your Move
Move It
Movie Star
5th Position
On the G String
Shift Practice
Shifty Henry
On the D String
Dee Gee
5-3-1
Dig It
On the A String
Introducing Tablature
Tab Hunter
Pay the Tab
On the E String
Open/Closed
Da Blues
All Together Now
Swing Time
One Finger Per Fret
The Major Scale
Scale Sequence #1
Scale Sequence #2
Key Signatures
Universal Fingerings
Scale Sequence #3
Scale Sequence #4
Pasta Mon
D-Lish
A-Flat Tire
Open E
G3
B-Flat Jump
The Classic Blues Line
Gee Blues
Aay, Blues!
Low Down
Understanding Bass Lines
Syncopated Eighth Notes
Off Beat
Funky Soul Groove
That '70s Thing
The Major Triad
Tri Again
Funky Li'I Blues
The Minor Scale
Minor Scale Sequence
Relative Major and Minor
House O' Horror
Noir
Jazz Minor
Modulation
Minor Modulation
Mod Crazy
Minor Triads
Bogey Man
Roots
Gypsy Swing
Room-ba with a View
Eighth-Note Triplets
The '50s
12/8 Time
Bumpin'
The Schuffle Rhythm
Old Days
One-and Two-Measure Repeats
Bad Bone
Uptown
Classic Flat 7
Rollin'
Go On

The Electric Bass
The Bass Amp
Tuning
Playing Positions
Musical Symbols
Right - Hand Technique
Fingerstyle
Pick Style
Left - Hand Technique
The 1 - 2 - 4 Fingering system
Open - String Exercises
The Rake
Notes On The E String
Little Rock
Kindla Folky
More Notes on the E String
Lookin' Sharp
The Shift
Notes on the A string
You Go, Slav
Repeat Sign
One More Time
Cattle Crossing
More Notes on the A string
The Finger Roll
Roll It
Rolly
12 - Bar Blues
A little Heavy
Notes on the D String
Private Eye
Minor League
D - Lite
More Notes on the D string
Three - String Review
Crossin' Three
The Octave
Octa Gone
Notes on the G String
Gee Whiz
All Right
More Notes on the G String
All Four One
F / X
More Octaves
Octave Blues
Ties
Taiwan On
3 / 4 Time & the Dotted Half Note
Three's a Crowd
Tell It
Changin' Times
Rests
Rock 'n' Rest
D. C. al Fine
Three Play
Eighth Notes
Movin' 8's
Eight Ball
Eight Rests
Rok Gruv
Bop Bop
D. C. al Coda
Coda Pendant
Dee Dee
Using a Metronome
The Classic Rhythm
Down Home
Raitt On
Minor's Tale
A Classic Variation
Classic Blues
Petty Thief
Third Position
3rd Watch
Flying Leap
0 and 3
Shifty
Shift - Crazy Blues
Stones - y
Etude Brute
The Box Shape
E, A & B Box
Box Lunch
Box - E Blues
Movable Boxes
Your Move
Move It
Movie Star
5th Position
On the G String
Shift Practice
Shifty Henry
On the D String
Dee Gee
5 - 3 - 1
Dig It
On The A String
Introducing Tablature
Tab Hunter
Pay the Tab
On The E String
Open / Closed
Da Blues
All Together Now
Swing Time
One Finger Per Fret
The Major Scale
Scale Sequence # 1
Scale Sequence # 2
Key Signatures
Universal Fingerings
Scale Sequence # 3
Scale Sequence # 4
Pasta Mon
D - Lish
A - Flat Tire
Open E.
G3
B - Flat Jump
The Ckassic Blues Line
Gee Blues
Aay, Blues!
Low Down
Understanding Bass Lines
Syncopated Eighth Notes
Off Beat
Funky Soul Groove
That '70s Thing
The Major Triad
Tri Again
Funky Li'l Blues
The Minor Scale
Minor Scale Sequence
Relative Minor and Major
House O' Horror
Noir
Jazz Minor
Modulation
Minor Modulation
Mod Crazy
Minor Triads
Bogey Man
Roots
Gypsy Swing
Room - ba with a View
Eighth - Note Triplets
The '50s
12 / 8 Time
Bumpin'
The Shuffle Rhythm
Old Days
One - and Two - Measure Repeats
Bad Bone
Uptown Down
Classic Flat 7
Rollin'
Go On
The Chromatic Walkup
Open Up
Staccato
Double Up
Rez - Q
Curtis
Kickin' It
Sixteenth Notes
One Drop
Dada Dadat
Jog Wheel
Sixteenth Rests
Layin' Back
Nazz - T
Plutonic
Funky 16th - Note Syncopation
Ookachu Wha?
Groove
Combo
Minor Glitch
Do It Now
Soul Groove
D - Troit
Seventh Chords
Floaty
Vanilla
L'il Thing
Funk Time
Little M
Shufflin'
Middle Man
On The Verge
Slides
Slippin' & Slidin'
Minor Pentatonic
Venture Forth
Deja View
Hammer - Ons & Pull - Offs
Hammer Head
X - Tender
Major Pentatonic
Just Like My Girl
N'awlins Beat
Playing Off Chord Symbols
Just Roots
Roots & 8ths
Jumping Octaves
Your Turn
Adding the 5th
Use the 5
5 by 8
Root - 5 - 8
You Go It
Chromatic Approach
Chromatic R - 5 - 8
It's Up to You
Scale Approach
Scale R - 5 - 8
All Yours
Dominant Approach
Dominant to the 5th
You Go, Hugo
Using Triads to Create Bass Lines
Walking Triads
Walk This Way
Simple Triads
On Your Own
Triads & Dotted Quarters
Uh Huh
Locking In to the Groove
Groove Jam
Time 2 Groove
Slap Funk
Slap This
Pent Up
The Pop
Combinning Slap And Pop
Octave Slap
Chroamtic Octaves
Gritty
The Pressure Roll
Dead Notes
Dead End
Keep In Together
It's an Eyeful!

Before You Begin
1: Control Yourself
Sixteenth Notes and Power Chords
Power Chord Inversions
2: The Ups and Downs
Accenting Eight Notes with Open - String Power Chords
Syncopation
3: Mute - in - E
Muting
Downstrokes
Sixteenth - Note Accents
4: The big Three
Major and Minor Triads
Inversions
Chord "Bits"
5: Maiden Voyage (In the Beginning)
The Fox Trot
Combinning Eights and Sixteenths
6: Pick up the Pace
Sextuplets
Thirty-Second Notes
7: D - Tuned
The Tuning
Not - So - Common Chords
8: Odds and Ends
Odd Meters
Shufflin' On
3+3+2 Rhythm
Swing Feel
9: Off the Beaten Path
The Add#11 Chord
The 7#9 Chord
The Minor Add9 Chord
The Sus4 Chord
The Sus2 Chord
More Open - String Chords
The Single - Note Riff
Harmonics
10: Jam Track
Chord Theory: By the Numbers
Final Thoughts
About the Author

How to use this book
Tools for success
Triads
Major triads
more views of Major triads
build the circle of fifths with Major triads
Major key signatures on the circle of fifths
Major 8-note scales around the circle of fifths
minor triads
Major and minor triads on a ladder and on the circle of fifths
parallel and relative relationship
augmented and diminished triads
four qualities of triads
Harmonizing with root position chords
7 diatonic triads, 3 primary triads
dominant seventh chord
how to add chords to melodies
lead sheet notation
accompaniment patterns
review diatonic triads
intervals of the Major and harmonic minor scales
Inversions
Chord Progressions
Seventh Chords
lead sheet notation
Find it Fast (index)
Movable Keyboard Maps
accompaniment styles

Introduction
Scope
Practice tips
Part one : major tiads
Major triads
Guidelines for major triads
Minor triads
Guidelines for minor triads
Part two: seventh chords
Major seventh
Guidelines for major seventh
Dominant seventh
Guidelines for dominant seventh
Minor seventh chords
Guidelines for minor seventh chords
Minor seventh - flat five
Guidelines for minor seventh - flat five
About the author

Introduction
About the CD
Equipment
How to play Chords on Bass
Double Stops
Single Interval Exercises
Combined Interval Exercises
Major Triads
Triad Studies in C - Closed Voicings
Triad Studies in Bb - Open Voicings
Minor Triads
Triad Studies in C - Closed Voicings
Triad Studies in Bb - Open Voicings
Diminished and Augmented Triads
Mixed Triad Exercises
Montuno Pattern
Seventh Chords
Seventh Chord Exercises
Chord Progression in C
Chord Progression in Bb
Arpeggiated Chord Progression in G
Broken Chord Progression in G
Jazz blues in F
Playing Chords with a bass Line
I-IV-I-IV-V in C
I-IV-I-II-V in D
II-V-I in C
II-V-I-IV in Bb
Rock Groove in Fmi
Gospel Groove in G
Walking Bass line with 3rd and 7th Chord Fragments
Fun Rock Pattern with passing Chords
Fun Rock Patterns over bb Blues Progression
Using Chords in Different Styles
Heavy Metal
Grunge
Funk
Funk Rock
Jazz
Bossa Nova
Rock 'n' Roll
Chord Glossary
Triads
Sixth Chords
Seventh Chords
Extended Chords
Altered Chords

College song
Major and minor triads
Etiude in C - Aaron
Beautiful dreamer - Foster
High tide - Aaron
Mexican hat dance
Extension study no. 1
Extension study no. 2
Jeanie with the light brown hair - Foster
Interwals
Trill study
Day-dreams - Aaron
Old english folk dance
Thum crossing, chromatic scale
Etude in B flat - Aaron
Swiss yodler
Cadence chords
Land of the midnight sun - Aaron
Rest tones and active tones
Rigoletto - Verdi
Rivulet - Aaron
Minor scale
Swanee river - Foster
Dolores - Waldteufel
Major and minor sixths
Study insixths (wrist staccato)
Oh! Susanna - Foster
Study in broken chords
The maiden's wish - Chopin
The star-spangled banner
Mazurka - Aaron
Arpeggio study
Skip to my Lou
Prayer - Aaron
Gold and silver - Lehar
Prelude in A Major - Chopin
Augmented and diminished triads
Songs my mother taught me - Dvorak
Major scales and major triads
Minor scales and minor triads
Major tonich chord arpeggios
Minor tonic chord apreggios
Dictionary of musical terns

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Introduction
A Brief History of the Blues
Equipment You'll Need
Chapter 1 Basics
Part of the Guitar
Holding Your Guitar
How to tune Your guitar
Basic Music Notation
Major scales
Chords
Chapter 2 Basic Open Chords
Chord Diagram
Slash Notation
Holding a Pick
Major Triads
Major 6
Dominant 7
Minor Triads / Minor 7
Augmented Triads
Diminished 7
Chapter 2 Review
Chapter 3 12-Bar Blues
The Basic 12-Bar Blues
Blues in E
Blues in A
Blues in C
Blues in G
Chapter 3 Review
Chapter 4 Barre and Movable Chords
What is a barre chord?
Names of the barre chords
E-form Barre chords
A-form Barre chords
D-form Barre chords
Shifting Techniques
Putting it together
Chapter 4 Review
Chapter 5 Power chords and Boogie-Woogie Style
Tab
Power Chords
Power Major 6 Chords
Boogie-Woogie No. 1
Power Dominant 7 Chords
Boogie-Woogie No. 2
Movable Power chords
Boogie-Woogie Variations
Chapter 5 Review
Chapter 6 Fingerstyle Blues
Right - Hand Letters
Basic Right - Hand Position
Thumbpicks and Fingerpicks
Basic Fingerstyles
Finger - Painting Blues
Alternating Bass
Back and Forth Blues
Fingerpicking
Toothpick Blues
Left - Hand Techniques
Hammer-on
Pull-off
Slide
Bend
Vibrato
Hammer-on Blues
Chapter 6 Review
Chapter 7 Various Blues Accompaniment Styles
Alternative & New Chord Forms
Shufflin with Newbies
Slidin' Nine
Single - Note Riffs
Lonesome Boogie
Double - Stop Riffs
Double-Pleasure Blues
Small - Chord Riffs
Small But Good
Other Blues Forms
8-Bar, 16-Bar, and 24-Bar Blues
12 Bar Blues Variations
More Turnarounds
Other Considerations
Open Tunings
Using a Capo
Closing

Contributor Contents
Abot Rose
Let Us See Those O O O O's
Allison Irl
Chord Inversions
Bradshaw David
Three Muscle Exercises
Chenée Ann
Trill Exercises for the Fourth and Fifth Fingers
Chiurco Erna
Scale Variation for the Beginning Student
De Vito Albert
Finger Control Leads to good tone quality
Playing "fp" on a Sustained Chord
Using the Damper pedal
Brush Stroke
Tone Quality
Shading of Chords
Third Study
Sixth Study
Scales and Arpeggios, Rhythms and Phrasing
Practice Suggestions
Complex Rhythms
Two against Three or Four against Six
Three against Two or Six against Eighth
Four against three or eighth against Six
Five against three or ten against six
Three against five or six against ten
Four against five or eight against ten
Five against four or ten against eight
Major Scales
Minor Scales
Whole tone scales
Chromatic scales
Diminished scales
Arpeggios on the Major Triads, root position
First and second inversions
Arpeggios on the minor triads, root position
First and Second inversions
Arpeggios on the Dominant seventh, root position
First, Second and Third Inversions
Diminished seventh chords in arpeggio form
Augmented chords in arpeggio form
Augmented seventh chords in arpeggio form
Augmented seventh chord with a minor third (example)
Seventh Chords with a diminished fifth (example)
Major sixth chords in arpeggio form
Minor sixth chords in arpeggio form
Minor seventh chords in arpeggio form
Minor seventh chords with a diminished
Minor seventh chords in arpeggio form
Minor seventh chords with a diminished
Major seventh chords in arpeggio form
Major seventh chord with an Augmented fifth
Major seventh chord with a diminished fifth
Major seventh chords with a minor
Major seventh chord with a Minor third and an Augmented fifth
Major seventh chord with a Minor third and a Diminished fifth
Edwards Carole
Flying in a Plane and coming down
Etts May
Thumb Under Exercise
Thumb under exercise based on scale fingering
Thumb under exercise based on arpeggio
Skipping exercise
Garte Esther
The fish exercises and stories
Fish exercise and story no. 1
Fish exercise, a Musical fish, no. 2
Fish exercise, the Fish goes visiting, no. 3
Kirshbaum Bernard
Suggestions - good practice habits, good study habits and musical interpretation
Diatonic scale study for the development of control and speed
Arpeggio study for the development of control and speed
Further diatonic study for speed
Movement of thumb over Held notes and fingers over thumb
Study points on the paraphrased two part inventions by J.S. Bach
Two part invention
Lang Bertha
Legato third development
Development of light touch
McClanahan Richard
Double third exercise based on the dominante seventh chord
Nehman Sara
Chord Studies
Rosenfeld Saul
Hand Stretching and flexibility
Chromatic exercise using five fingers
Sirooni Alice
Finger independence exercises
Repeated Notes
Skaggs Hazel Ghazarian
New scale formation for technical preparation in performing contemporary music
Stenzler Sylvia L.
Diminished Seventh Chords used in Chromatic progression and variations
Broken chords in chromatic movement
Stojowski Luisa
Pedaling suggestions
Tecklin Libbie
Chromatic scale for the development of strength in using the third, fourth and fifth fingers, both hands
Chord study, major keys
Minor keys
Zabrack Harold
Hand Musculature exercise
Development Exercise for Bridge of Hand
Tonic Seventh Broken Chord exercise in chromatic modulation
Piano technique, a psycho-physical investigation

Up and Down
Skips
Skips and Steps
Swinging
Old Woman (Variation)
Old Man (Variation)
The Grand Staff
The Grand Staff
Time Signatures
Key Signatures
Reading Familiar Melodies
Lines and Spaces
Pattern Reading
Key Signatures
Melodic Mivement From Treble to Bass
Key Signatures
Playing together (Variation)
Theme and Variation
Sequence
Theme and Variation
Melodic variation
Expression in Sightreading
Quastion and Ansewer
Imitation
Melodic Lines
Queastion and Answer
Reading Staccato Notes
Major Triad Sets
The I Chord
Major Triad Sets
Chord Songs
Chord Tones
Passing Tones
I V7 I
Parallel & Contrary Motion
Staccato Melody
Questions and Answers
Looby Lou (Variation)
Note Patterns
Questions and Answers
Waltz Bass
Melodic Patterns
Melodic Study
Extended Patterns
Questions and Answers
Minor Melodies
Minor Triads
Minor Melody
Dorian Song
Minor Melody
Question and Answer
Pattern Reading
Question and Answer
Review
Triad Study
Question and Answer
Key Signature Review
Chord Review

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