Dur comme un rock

Since the 1960s, Johnny Winter has been making his own distinctive blend of blues and rock music. This folio features note-for-note transcriptions with tab for 13 Winter favorites: Be Careful with a Fool • Dallas • Good Morning Little Schoolgirl • Highway 61 Revisited • Hustled Down in Texas • I Guess I'll Go Away • I'm Yours and I'm Hers • Illustrated Man • Johnny B. Goode • Mean Town Blues • Rock and Roll Hoochie Koo • Rock Me Baby • Still Alive and Well. Also features photos, Winter's commentary about each of the songs, and an extensive interview with Andy Aledort reprinted from Guitar magazine.

Szkoła gry coverów bluesa i rocka autorstwa Roberta Calva - popularnego gitarzysty amerykańskiego. Znajdziesz tu różnorodne zagadnienia techniczne i krok po kroku nauczysz się grać popularne partie solowe. Dodatkowo do książki dołączona jest płyta CD, na której nagrane są od 1 do 2 wersji ścieżek dźwiękowych dla poszczególnych utworów.

Publikacja zawiera 31 tematów z najbardziej znanych filmów wytwórni Walta Disneya w typowym zapisie PVG (Piano / Vocal / Guitar) i we francuskiej wersji językowej. W publikacji znalazły się piosenki z takich filmów jak "Toy Story", "Król Lew" czy "Alladyn".

Publikacja wydana z okazji dwudziestolecia powstania filmu na podstawie słynnego musicalu "Grease", z Johnem Travoltą i Olivią Newton-John. Musical opowiada historię amerykańskiej młodzieży, jej pierwszych miłości, ale także walki w młodzieżowych gangach. W publikacji zawarto 23 piosenki z musicalu w tradycyjnym zapisie PVG (Piano / Vocal / Guitar). Książka zawiera także kolorowe fotografie z filmu.

This commemorative songbook features 20 of David Bowie 's greatest hits, spanning his entire career from 1969 to 2016. Each song is arranged for Piano, Vocal and Guitar, with full lyrics and Guitar chord boxes and symbols. Learn to play David Bowie 's timeless and beloved songs with this sheet music collection. David Bowie  was an actor, a fashion icon, an artist, a mime and a writer, but above all, his creative output as a musician brought him the respect, admiration and adoration enjoyed by few other pop stars before or since. His consistent re-invention of his aesthetic, style and sound, as well as his mysterious alter egos enabled him to mould his music to a number of genres, eluding easy classification and producing a string of widely acclaimed albums and singles. This collection of David Bowie sheet music features 20 songs that represent a musical icon from his first single Space Oddity , to Lazarus , from his acclaimed final album 'Blackstar'. Other songs in the collection are consistent hits, every single one of them sure to be instantly-recognisable. From Heroes to Changes  and Jean Genie  and from Life On Mars?  to Let's Dance,  these are just a few of the brilliant David Bowie songs you'll be able to play. This songbook also features a lengthy introductory tribute from renowned music journalist Chris Charlesworth, making this a fitting collection for the casual player, as well as the huge  Bowie fan looking to learn a selection of his greatest hits. 

Lista utworów:
Absolute Beginners (Darowski Andrzej)
Ashes To Ashes
Changes
Golden Years
Heroes
Lazarus
Let’s Dance
Life On Mars?
Modern Love
Oh! You Pretty Things
Rock ’n’ Roll Suicide
Sound And Vision
Space Oddity
Starman
Suffragette City
The Jean Genie
The Man Who Sold The World
Where Are We Now?
Wild Is The Wind
Ziggy Stardust

Rockschool is about singing the songs you love. Your Vocals Grade 6 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 6 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 6 exam. This book for female vocalists contains the songs: Halo - Beyonce Black Coffee - Sarah Vaughan Since U Been Gone - Kelly Clarkson Angel - Sarah McLachlan On My Own - Les Miserables Wherever You Will Go - Charlene Soraia Other features include: Fact Files: band and artists background information with recommended listening. Backing tracks: high quality recordings to sing along to in Rockschool exams. Downloadable audio: use your download card for easy access to your audio. Vocal scores: easy-to-follow separate Vocals scores. Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. Find out more about the Rockschool 2014-2017 Vocals Syllabus at www.rockschool.co.uk/2014vocals

Lista utworów:
Angel [McLachlan, Sarah]
Black Coffee [Vaughan, Sarah]
Halo [Beyonce]
On My Own (Les Miserables)
Since U Been Gone [Clarkson, Kelly]
Wherever You Will Go [Soraia, Charlene]

Spis treści:

Lista utworów:
Sumer is icumen in (Anonim angielski ok. 1250r)
Die minne füeget niemand (Oswald von Wolkenstein)
Her wirst, uns dürstet also sere (ok 1377-1445) (Oswald von Wolkenstein)
Mit günstlichem herzen (ok 1377-1445) (Oswald von Wolkenstein)
Sanz cuer m'en vois (ok 1300-1377) (Guillaume de Machaut)
Hé, Dieu qu'elle m'a trahi (Anonim francuski XIII w.)
Prenez sur moi vostre exemple (ok 1410 - 1497) (Johannes Ockeghem)
Pleni sunt coeli (ok 1410 - 1497) (Johannes Ockeghem)
Benedictus (ok. 1440 - 1521) (Josquin Desprez)
Agnus Dei (ok. 1440 - 1521) (Josquin Desprez)
Deperture is my chief pain (Henry VIII)
It is to me a right great joy (Henry VIII)
Alone I live alone (ok. 1474 - ok. 1535) (Robert Cowper)
I cannot eat (Anonim angielski XVI w.)
Sing with thy mouth - (Anonim angielski XVI/ XVII w.)
Glory to thee (ok. 1505 - 1585) (Thomas Tallis)
Dona nobis pacem (ok. 1510 - 1555/56) (Clemens (non Papa))
Célébrons sans cesse (1532 - 1594) (Orlande de Lassus)
Illumina oculos meos (ok. 1525 - 1594) Psalm 13, 4 (Giovanni Pierluigi da Palestrina)
Pleni sunt coeli (ok. 1525 - 1594) (Giovanni Pierluigi da Palestrina)
Hark, how woods do ring (ok.1538 - 1574) (Robert White)
As I me walked (Anonim angielski XVI/XVII)
Sing you now after me (Anonim angielski XVI/XVII)
The lark, linnet and nightingale (Anonim angielski XVI/XVII w.)
The nightingale (Anonim angielski XVI/XVII w.)
Lady, come down and see (Anonim angielski XVI/XVII w.)
The old dog (Anonim angielski XVI/XVII)
Hey ho, nobody at home (Anonim angielski XVI/XVII w.)
Donnez a boire (Anonim angielski XVI/XVII w.)
O my love (Anonim angielski XVI/XVII w.)
Oh my love (Anonim angielski XVII w.)
Joy in the gates of Jerusalem (Anonim angielski XVI/XVII w.)
Hey ho, to the greenwood now (1543 - 1623) (Wiliam Byrd)
Non nobis, Domine (1543 - 1623) (William Byrd)
Great Tom is cast (XVI/XVII) (Matthew White)
Audi, Domine (1559 - 1625) Psalm 30, 11 (Adam Gumpelzhaimer)
Ave Maria (1559 - 1625) (Adam Gumpelzhaimer)
Benedictus (1559 - 1625) (Adam Gumpelzhaimer)
Syrrexit Christus hodie (1559 - 1625) (Adam Gumpelzhaimer)
Cantate Domino (1559 - 1625) (Adam Gumpelzhaimer)
Beatus , qui soli Deo confidit (1562 - 1621) (Jan Pieterszoon Sweelinck)
Clamavi ad te, Domine (1559 - 1625) Psalm 120, 1 (Adam Gumpelzhaimer)
Sine Cerere et Baccho (1562 - 1621) (Jan Pieterszoon Sweelinck)
Laetatus sum (1559 - 1625) Psalm 122, 1 (Adam Gumpelzhaimer)
Vanitas vanitatum 1562 - 1621) Księga Koheleta 1, 2 (Jan Pieterszoon Sweelinck)
Christ ist erstanden (1563 - 1629) (Johann Friderich)
Da pacem, Domine (ok. 1579 - 1639) (Melchior Franck)
Vom Himmel hoch (1563 - 1629) (Johann Friderich)
Mein Vertrauen steh in Christum allein (1564 - 1612) (Hans Leo Haßler)
Adrianus Bancherius (1568 - 1634) (Adriano Banchieri)
Sub tuum praesidium (1568 - 1634) (Adriano Banchieri)
Jubilate Deo (1571 - 1621) Psalm 66, 4 (Michael Praetorius)
Es ist ein Ros Entsprungen (ok. 1570 - 1625) (Melchior Vulpius)
Viva la Musica (1571 - 1621) (Michael Praetorius)
Nu, nu, nu, nu (1571 - 1621) (Michael Praetorius)
Mit Instrument und Saitenspensiel (1577 - 1637) (Erasmus Sartorius)
Money (ok. 1580 - 1638) (Thomas Holmes)
This gear goes hard (ok. 1580 - 1638) (Thomas Holmes)
Wer Musicam verachten tut (1581 - 1634) (Johann Staden)
Dic nobis Maria (1587 - 1654) (Samuel Scheidt)
Ach mein herzliebes Jesulein (1587 - 1654) (Samuel Scheidt)
Gott der Vater wohn uns bei (1587 - 1654) (Samuel Scheidt)
Gott, mein Herz ist bereit (1584 - 1638) - Psalm 57 (56) , 8 (Daniel Friderici)
Laudate Dominum (1587 - 1654) - psalm 150, 1, 4 (Samuel Scheidt)
Lieblich und schöne sein ist nichts (1578 - 1654) - Ksiega Przysłów 31, 30 (Samuel Scheidt)
A boat (1592 - 1678) (John Jenkins)
Bless them that curse you (1599 - 1657) - Ewangelia wg. św. Łukasza 6, 28, 27 (John Hilton)
O Absalom (1596 - 1662) - II Księga Samuela 19, 1 (Henry Lawes)
I wept and chast'ned myself - Psalm 69 (68), 11 (Henry Lawes)
Now my lads (1596 - 1662) (Henry Lawes)
Well rung, Tom - Anonim angielski (XVII w.)
A maying catch (1599 - 1657) (John Hilton)
Call George again, boy (1599 - 1657) (John Hilton)
Here lies a woman (1599 - 1657) (John Hilton)
Now that the spring (1599 - 1657) (John Hilton)
A northern catch (1599 - 1657) (John Hilton)
I poor and well (1599 - 1657) (John Hilton)
Welcome patients (1599 - 1657) (John Hilton)
Come hither, Tom (kon. XVI w. - ok. 1650/75) (Wiliam Cranford)
Nose, nose ( Anonim angielski XVII w.)
Music the med'cine is for discontent (Anonim angielski XVII w.)
Ask me why I do not sing (ok. 1600 - po 1956) (William Webb)
Halleluja (XVII w.) (John Cobb)
The blind mice ( Anonim angielski XVII w.)
The silver swan (XVII w.) (John Smith)
Dona nobis pacem (Anonim XVII/XVIII w.)
Wars are our delight (1602 - 1645) (William Lawes)
Call for the ale (1602 - 1645) (William Lawes)
Drink tonight of the moonshine bright (1602 - 1645) (William Lawes)
The wise Men were but seven (1602 - 1645) (William Lawes)
Never let a man take heavily (1602 - 1645) (William Lawes)
It is folly to be jolly (1602 - 1645) (William Lawes)
She weepeth sore (1602 - 1645) (William Lawes)
Listen near to the ground (1602 - 1645) (William Lawes)
Come follow me, brave hearts (1602 - 1645) (William Lawes)
A round saraband (1600 - 1662) (Simon Ives)
I saw fair Cloris (ok.1605 1669) (Christopher Simpson)
Cockoo (? - 1646) (Edmund Nelham)
When women a gossiping (? - 1646) (Edmund Nelham)
How merrily looks the man (? - 1646) (Edmund Nelham)
Up and down this world goes round (1621/22 - 1677) (Matthew Locke)
Divertissons-nous aujourd'hui (1637 1707) (Dietrih Buxtehude)
Kind Jenny (1649 - 1708) (John Blow)
The King/s health (1649 - 1708) (John Blow)
A catch for three voices in commendation (1659 - 1695) (Henry Purcell)
Upon woman's love (1659 - 1695) (Henry Purcell)
A farewell to wives (1659 - 1695) (Henry Purcell)
He that drinks is immortal (1659 - 1695) (Henry Purcell)
An old epitaph (1659 - 1695) (Henry Purcell)
Great Apollo and Bacchus (1659 - 1695) (Henry Purcell)
If all be true that I do think (1659 - 1695) (Henry Purcell)
A catch by way of epstile (1659 - 1695) (Henry Purcell)
Laudate Deum (?) (1659 - 1695) - Psalm 117, 1 (Henry Purcell)
Benedictus (1660 - 1741) (Johann Joseph Fux)
A moy! Tout est perdu! (1668 - 1733) (François Couperin)
La femme entre deux draps (1668 - 1733) (François Couperin)
The almanack catch (? - 1710) (Richard Brown)
Alla caccia (ok. 1670 - 1736) (Antonio Caldara)
Questi son canoni (ok. 1670 - 1736) (Antonio Caldara)
Comincio solo (ok. 1670 - 1736) (Antonio Caldara)
Cante, sone, belle (ok. 1670 - 1736) (Antonio Caldara)
Che bel contento (ok. 1670 - 1736) (Antonio Caldara)
Su cantemo (ok. 1670 - 1736) (Antonio Caldara)
Caro bel idol mio (ok. 1670 - 1736) (Antonio Caldara)
Mia Clori (ok. 1670 - 1736) (Antonio Caldara)
Desto licor (ok. 1670 - 1736) (Antonio Caldara)
In drinking full bumper (ok. 1674 - 1707) (Jeremiah Clarke)
Ach, Herr, strafe mich nicht (1681 - 1767) (Georg Philipp Telemann)
Gott ist unsre Zuversicht (1681 - 1767) Psalm 46, 2 (Georg Philipp Telemann)
Herr, wie lange willst du mein so gar vergessen (1681 - 1767) (Georg Philipp Telemann)
Hilf mir, Gott, durch deinen Namen (1681 - 1767) Psalm 54, 3 (Georg Philipp Telemann)
Ich will den Herrn loben( 1681 - 1767) Psalm 146, 2 (Georg Philipp Telemann)
Wie der Hirsch schreinet nach frischem Wasser (1681 - 1767) Psalm 42, 2 (Georg Philipp Telemann)
Ceciderunt in profundum (Anonim niemiecki XVIIIw.)
Canon a 2 (1685 - 1750) (Johann Sebastian Bach)
Thy voice, o Harmony (1732 - 1809) (Joseph Haydn)
Alles schweiget (Anonim austriacki XVIII w.)
Long live our King (Anonim angielski XVIII w.)
Am Abend (Anonim niemiecki XVIII)
By The waters of Babylon (1696 - 1755) (Maurice Greene)
Il mio cimbalo (1706 - 1784) (Giovanni Battista Martini)
Bibitores (1706 - 1784) (Giovanni Battista Martini)
Ola, ola, ola, Mastri di Capella (1706 - 1784) (Giovanni Battista Martini)
Per te cantar vorrei (1706 - 1784) (Giovanni Battista Martini)
Psallite Deo nostro (1706 - 1784) (Giovanni Battista Martini)
Cantai, ballai, sonai (1706 - 1784) (Giovanni Battista Martini)
Se voi siete buono (1706 - 1784) (Giovanni Battista Martini)
Vien con mi caro ti (1706 - 1784) (Giovanni Battista Martini)
O canone (1706 - 1784) (Giovanni Battista Martini)
The thristy vampires (1708 - 1777) (William Hayes)
Three Oxford cries (1708 - 1777) (William Hayes)
Un bel morire (1708 - 1777) (William Hayes)
Miserere nobis (1708 - 1777) (William Hayes)
The Singing Club (1710 - 1778) (Thomas Arne)
Epitaph (1711 - 1779) (William Boyce)
Allelujah (1711 - 1779) (William Boyce)
Long live King George (1711 - 1779) (William Boyce)
How great is the pleasure (1727 - 1816) (Henry Harington)
I cannot sing this catch (1727 - 1816) (Henry Harington)
Niechaj żyje (Anonim polski ok.1730)
An Dorilis (1732 - 1809) (Joseph Haydn)
Der Fusch und der Marder (1732 - 1809) (Joseph Haydn)
Liebe zur Kunst (1732 - 1809) (Joseph Haydn)
Der Bäcker und die Maus (1732 - 1809) (Joseph Haydn)
Vergebliches Glück (1732 - 1809) (Joseph Haydn)
Die Tulipane (1732 - 1809) (Joseph Haydn)
Die Liebe der Feindle (1732 - 1809) (Joseph Haydn)
Die Gewißheit (1732 - 1809) (Joseph Haydn)
Tre cose (1732 - 1809) (Joseph Haydn)
Der Manschenfreund (1732 - 1809) (Joseph Haydn)
Der Verlust (1732 - 1809) (Joseph Haydn)
Phoebus und sein Sohn (1732 - 1809) (Joseph Haydn)
Herr Gänsewitz zu seinem Cammerdiner (1732 - 1809) (Joseph Haydn)
Abschied (1732 - 1809) (Joseph Haydn)
Tod und Schlaf (1732 - 1809) (Joseph Haydn)
Das Reitpferd (1732 - 1809) (Joseph Haydn)
Epitaph on an infant (1738 - 1797) (Philip Hayes)
By the waters of Babylon (1738 - 1797) (Philip Hayes)
The wakeful nightingale (1738 - 1797) (Philip Hayes)
The lovers invocation to Cupid (1738 - 1797) (Philip Hayes)
Epitaph intandend for Sir Isaac Newton (1738 - 1797) (Philip Hayes)
Ubi sunt gaudia (1738 - 1797) (Philip Hayes)
Epigram on a poor musican (1738 - 1797) (Philip Hayes)
On Mr. Pope alluding to his Ode for music on St. Cecilia's Day (1738 - 1797) (Philip Hayes)
When trumpets sound (1738 - 1797) (Philip Hayes)
Hallelujah (1738 - 1797) (Philip Hayes)
Now we are met (1740 - 1816) (Samuel Webbe)
Ars longa (1750 - 1825) (Antonio Salleri)
Ubi malus cantus (1750 - 1825) (Antonio Salleri)
Viva, viva la bottiglia (1750 - 1825) (Antonio Salleri)
Aspettare e non venire (1750 - 1825) (Antonio Salleri)
Wo der perlende Wein im Glase blinkt (1756 - 1791) KV 347 (Wolfgang Amadeus Mozart)
Cannoini (1750 - 1825) (Antonio Salleri)
Venga nel nostro coro (1750 - 1825) (Antonio Salleri)
Es regnet (1758 - 1832) (Carl Friedrich Zelter)
La campana (1750 - 1825) (Antonio Salleri)
Alleliua (1756 - 1791) KV 553 (Wolfgang Amadeus Mozart)
Ave Maria (1756 - 1791) KV 554 (Wolfgang Amadeus Mozart)
Lacrimoso son' io (1756 - 1791) KV 555 (Wolfgang Amadeus Mozart)
Nascoso e il mio sol (1756 - 1791) KV 557 (Wolfgang Amadeus Mozart)
Ahi! crudo ciel (1760 - 1842) (Luigi Cherubini)
Che seccatura (1760 - 1842) (Luigi Cherubini)
Vuoi tu venir (1760 - 1842) (Luigi Cherubini)
Con egual passo (1760 - 1842) (Luigi Cherubini)
La lezzione di canto (1760 - 1842) (Luigi Cherubini)
Mon nom (1760 - 1842) (Luigi Cherubini)
Auf, ihr Brüder (1766 - 1853) (Carl Gottlieb Hering)
C-a-f-f-e-e (1766 - 1853) (Carl Gottlieb Hering)
L'agnellina e la cornacchia (1763 - 1842) (Giacomo Gotifredo Ferrari)
Il cuco (1763 - 1842) (Giacomo Gotifredo Ferrari)
Goldner Schein (1768 - 1827) (Franz Schubert)
Willkommen, lieber schöner Mai (1768 - 1827) (Franz Schubert)
Der Schnee zerrinnt (1768 - 1827) (Franz Schubert)
Lacrimoso son io (1768 - 1827) (Franz Schubert)
Mozarl leb wohl (1769 - 1854) (Józef Elsner)
S'io t'amo (1769 - 1854) (Józef Elsner)
Zegar (1769 - 1854) (Józef Elsner)
Ars longa (1770 - 1827) WoO 192 (Ludwig van Beethoven)
Glück, Glück zum neuen Jahr (1770 - 1827) WoO 176 (Ludwig van Beethoven)
Alles Gute! Alles Schöne! (1770 - 1827) WoO 179 (Ludwig van Beethoven)
Abbe Stadler (1770 - 1827) WoO 178 (Ludwig van Beethoven)
An Mälzel (1770 - 1827) WoO 162 (Ludwig van Beethoven)
Das Schweigen (1770 - 1827) WoO 168 (Ludwig van Beethoven)
Freu' dich des Lebens (1770 - 1827) WoO 195 (Ludwig van Beethoven)
Freundschaft (1770 - 1827) WoO 164 (Ludwig van Beethoven)
Ich bitt' dich (1770 - 1827) WoO 172 (Ludwig van Beethoven)
Im Arm der Liebe (1770 - 1827) WoO 159 (Ludwig van Beethoven)
Kurz ist der Schmerz (1770 - 1827) WoO 163 (Ludwig van Beethoven)
Warnung (1786 - 1826) (Carl Maria von Weber)
Die Sonate soll ich spielen (1786 - 1826) (Carl Maria von Weber)
Zu dem Reich der Töne schweben (1786 - 1826) (Carl Maria von Weber)
Scheiden und leiden ist einerlei (1786 - 1826) (Carl Maria von Weber)
The little bell (Anonim angielski)
Lachkanon (1786 - 1832) (Friedrich Kuhlau)
Er ist da! (1786 - 1832) (Friedrich Kuhlau)
O du Nase aller Nasen! (1786 - 1832) (Friedrich Kuhlau)
Tictack (1790 - 1863) (Karl Karow)
Wachet auf (1791 - 1853) (Johann Jakob Wachsmann)
Die Musici (1892 - 1972) (Hans Ludwig Berger)
Wir kommen all und gratulieren (1792 - 1868) (Moritz Hauptmann)
Morning is come (Anonim angielski)
Merrily, merrily greet the morn (Anonim angielski)
Row, row, row your boat (Anonim angielski)
Carillon (Anonim francuski)
Heut' ist ein Fest (Anonim niemiecki)
Schlaf, mein kleines Mäuschen! (1872 - 1946)
Hätt i di (Anonim austriacki - Styria)
Frere jacques (Anonim francuski)
Le coq (Anonim francuski)
Pociez chłopcy, pociez zbiajać - Pieśń ludowa z Podhala
Shalom (Anonim izraelski)
London's Burning (Anonim angielski)
Adieu, sweet Amaryllis (Ani\onim angielski 1. poł XIX w.)
Der weise Diogenes (1809 - 1847) (Felix Mendelssohn - Bartholdy)
Laßt lautenspiel Becherklang (1810 - 1856) op. 65 nr 2 (Robert Schumann)
Jagdgesang (1820 - 1886) (Louis Heinrich Köhler)
Gebt mir zu Trinken! (1810 - 1856) op. 65 nr 4 (Robert Schumann)
Schlaf, Kindlein, schlaf! (1833 - 1897) op. 113 nr 4 (Johannes Brahms)
Ein' Gems auf dem Stein (1833 - 1897) op. 113 nr 8 (Johannes Brahms)
Leise Töne der Brust (1833 - 1897) op. 113 nr 10 (Johannes Brahms)
Grausam erweiset sich Amor (1833 - 1897) Wo0 24 (Johannes Brahms)
Sitzt a schöns Vöger (1833 - 1897) op. 113 nr 3 (Johannes Brahms)
Ich weiß nicht (1833 - 1897) op. 113 nr 11 (Johannes Brahms)
Spruch (1833 - 1897) Wo0 27 (Johannes Brahms)
Wann? (1833 - 1897) Wo0 29 (Johannes Brahms)
Wlazł kotek na płotek (1819 - 1872) (Stanisław Moniuszko)
Dyl, dyl (1855 - 1934) (Piotr Maszyński)
Weselcie się dzieci (1854 - 1932) (Władysław Rzepko)
Wstań, pieśni, wstań (1855 - 1934) (Piotr Maszyński)
Był Duda (1855 - 1934) (Piotr Maszyński)
Die Intervalle (1857 - 1929) (Eusebius Mandyczewski)
Kellner! Zahlen! (1857 - 1929) (Eusebius Mandyczewski)
Koło (1859 - 1936) (Stanisław Niewiadomski)
Szumi wicher (1859 - 1936) (Stanisław Niewiadomski)
Strasznie uparta kózka (1859 - 1936) (Stanisław Niewiadomski)
Wenn der schwer Gedrückte klagt (1874 - 1951) (Arnold Schönberg)
Panieneczka (1877 - 1955) (Faustyn Piasek)
Złapana myszka (1877 - 1946) op. 1 nr 2a (Feliks Nowowiejski)
Krakowskie wesele (1877 - 1946) op. 23 nr 1 (Feliks Nowowiejski)
Mazur (1881 - 1978) (Ryta Gnus)
Piękna gama (1884 - 1963) (Antoni Chlondowski)
Bitwa (1884 - 1963) (Antoni Chlondowski)
Sześć kucharek (1884 - 1963) (Antoni Chlondowski)
Woda nie szkodzi (1884 - 1963) (Antoni Chlondowski)
Sza... (1893 - 1971) (Stanisław Ignacy Rączka)
Czy w szczęściu będziesz (1893 - 1971) (Stanisław Ignacy Rączka)
Zaszumiał mroźny wiatr (1894 - 1976) (Karol Hławiczka)
Hej tam, z drogi (1894 - 1976) (Karol Hławiczka)
Uciekła mi przepióreczka (? - 1920) (Leon Przyżycki)
Jabłka (Anonim - popularna melodia dziecięca)
Juz zaszedł nad doliny (1898 - 1941) (Józef Rafalski)
Lob der Music (1895 - 1963) (Paul Hindemith)
Musica divinas laudes (1895 - 1963) (Paul Hindemith)
Ruhet von des Tages Müh (1912 - 2003) (Martin Hesekiel)
Już noc (1913 - 1984) (Jerzy Wasowski)
Wędrowanie - to jest to (*1954) (Stanisław Szczyciński)
Babie lato (*1962) (Włodzimierz Sołtysik)
Gama gastronomiczna na cześć pomidorów (*1962) (Włodzimierz Sołtysik)
Ad musicam (1922 - 2015) (Andrzej Koszewski)
Pstra kokoszka, pstra (1894 - 1976) (Karol Hławiczka)

Spis treści: