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Listen To The Music Play znajdziesz w 7 publikacjach wymienionych poniżej:

Okładka: Sparke Philip, Look, Listen & Learn - Method Book Part 1

cena 72,95 zł.

nuty.pl

Sparke Philip
Look, Listen & Learn - Method Book Part 1

polski

Patrz, słuchaj i pisz - zeszyt zadań, cz. 1
angielski

Look, Listen & Learn - Method Book Part 1

Ilość stron:	56
Format:	230 x 305
Opracowanie na:	puzon tenorowy suwakowy i CD
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Puzon (1)
Rodzaj produktu:	nuty drukowane + płyta CD
Wersja językowa:	wstępu: angielska opisów: angielska tytułów utworów: angielska
Stopień trudności:	1 w skali od 0 do 10
Dostępność	w magazynie, wysyłka natychmiastowa
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL056047
Produkty podobne:	Sparke Philip - Look, Listen & Learn - Method Book Part 1 (klucz wiolinowy)

Książka pod redakcją słynnego pedagoga - Philipa Sparke - jest doskonałym zeszytem metodycznym dla początkujących puzonistów. Autor zawarł tu wiele piosenek, gier tematycznych pozwalających na lepsze i dokładniejsze zrozumienie zagadnień muzycznych, a także informacje o instrumencie. Do publikacji dołączona jest płyta CD z wersjami demonstracyjnymi utworów. Ponadto książka posiada wiele ilustracji stworzonych z myślą o najmłodszych w celu urozmaicenia nauki.

Edited by acclaimed educator Philip Sparke, these exciting method book/CD packs for beginners contain songs, music puzzles, games to increase your understanding of music, information about your instrument, and lots of fun pieces to play - either with the CD provided or with other students. Books include helpful diagrams and fun illustrations throughout.

Okładka: Morones Eric J., 101 Saxophone Tips

cena 109,95 zł.

nuty.pl

Morones Eric J.
101 Saxophone Tips

angielski

101 Saxophone Tips

Ilość stron:	56
Format:	230 x 305
Opracowanie na:	książka
Rodzaj produktu:	książka + płyta CD
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL059762

W publikacji tej omówionych jest 101 ciekawostek o saksofonie, m. in.: budowa instrumentu począwszy od ustnika (Mouthpiece Anatomy, Stop Sticky Pads), notacja palcowa (High - Note Fingerings), statywy do instrumentu (Get a Good Sax Stand) i wiele, wiele innych. Do publikacji dodatkowo dołączona jest płyta CD, na której nagrane są przykładowe utwory, w których zawarte są następujące zagadnienia muzyczne: odmiany skal muzycznych (chromayczna, melodyczna, diatoniczna, eolska), budowa akordów z przewrotami, progresje i wiele innych...

This book presents valuable how-to insight that saxophone players of all styles and levels can benefit from. The text, photos, music, diagrams, and accompanying CD provide a terrific, easy-to-use resource for a variety of topics, including: techniques; maintenance; equipment; practicing; recording; performance; and much more!

Spis treści:

Find the Right Reed
Stop Sticky Pads
Teeth Patches
Good Finger Technique
Ligatures
Stuff It
Key - Spring Tension
Jaw - Dropping
Metal vs. Rubber
Building Vibrato
Organize Your Practice
Sound Bad = Good Practice
Multiphonics
Harmonic Minor
Harmonic Minor Lick
Interval Training
Play With a Tuner
Taking the Lead
Plaing Second Alto
Record Yourself
Build Your Music Library
Buy Solo Transtriptions
Get a Leak Light
Find a Good Repairpersons
Is Your Reed Sealing?
Fix Warped Reeds
Avoid Squeaks
Listen to All Styles
Set up a Home Studio
Know Your Major Scales
Blues Scales
Many Blues Scales Forms
Bird Blues
Growling
Horn Hygiene
Get Horn Insurance
Sax in the Back Seat
Reed Guards
ii-V-I Progression
ii-V-I Pattern
Join a Band
Play, Play, Play
Mile High Horn
Give Your Neck a Break
Get a Good Sax Stand
Do your Homework
Doubles Your Pleasure
Own Several Music Stands
Read the Changes
Swing It!
Get a Stage Microphone
Doodle Tonguing
Subscribe to Music Magazines
Study with Several Teachers
Practice Overtones
Plaing Low Notes
Hitting the Hight Notes
High-Note Fingerings
High-Note Exercise
The Collector's Piece!
Always Use Metronome
Choose the Right Mouthpiece
Mouthpiece Anatomy
Don't Be a Copycat
Train Your Ears
Practice Hard Scales First
How to Practicde Tunes
Practice Changes with a Piano
The Mouthpiece Cap
The Scoop
Buy Music Play - Alongs
Duck Calls?
Get Some Earplugs
Keep a Pencil in Your Case
Shed the Sweet Tooth
The Enternal Triangle
Tonguing It All
Hello, My Name Is...
Reed Adjustment
Breathe Correctly
Take Gigant Steps
Choose the Right Case
Palm Keys
Try Stronger
Reeds
Plaing Fast
Protect the Neck
Try a New Neck
Transcribe Solos
Quit Your Jawing
Studio Sessions
Mind Your Minors
Neck Straps
Learn How to Transpone
Practice Softly
Practice Long Tones
Buing a Professional Horn
ID, Please
Build Your Repertoire
Don't Blow These Off
Safe Sax

cena 159,95 zł.

nuty.pl

Madsen Pete
Slide Guitar

Slide Guitar

Ilość stron:	168
Format:	230 x 280
Opracowanie na:	książka z przykładami nutowymi (tabulaturą) i płytą CD
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Gitara (1)
Rodzaj produktu:	książka + płyta CD
Wersja językowa:	angielska
Stopień trudności:	6 w skali od 0 do 10
Dostępność	w magazynie, wysyłka natychmiastowa
Autorzy	Edytor: Morrish John
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL061408

W publikacji zawarta jest cała historia gitary elektrycznej. Opisane są w szczegółach style muzyczne np. blues, muzyka folkowa, rock'n'roll, country, swing z przykładowymi technikami gitarowymi do każdego stylu muzycznego. W książce znajdują się także biografie muzyków, którzy wnieśli swój szczególny wkład w kształtowanie poszczególnych stylów muzycznych np. Charlie Patton, John Lee Hooker, B. B. King, Brian Jones, Lowell George, Bonnie Raitt, Robert Johnson i wiele innych. Do książki dodatkowo dołączona jest płyta CD, w której znajdują się ścieżki dźwiękowe utworów zamieszczonych w rozdziale ,,The music". Zapis nutowy stanowi około połowy objętości publikacji. Książka napisana jest w języku angielskim.

Another entry in the Fretmaster series, this book teaches you both the history and technique of slide guitar's masters, such as Brian Jones, Lowell George, Bonnie Raitt, and Robert Johnson. While exploring their musical lives and legacy, Slide Guitar provides lessons that give you the skills and encouragement you need to emulate these musical heroes. The accompanying CD offers specially recorded backing tracks in blues, folk, country, and rock, allowing you to play along in your favorite style and explore new sounds. Hardcover, spiral-bound.

Spis treści:

Styles & Players
Early Hawaiian slide and resonator guitar
The blues slide tradition
The rise of the guitar
The blues moves north
The folk revivel
Rock'n'roll
British blues
Meanwhile back in the USA...
Sacred steel
Steel guitar, country music and guit-steel
Slide guitar today
Slides and technique
The music
Introductory exercises
Adding the bass
D tuning: basics
Adding the bass in D tuning
Early blues
Electric blues and rock
Swing
Alternate tunings and adwencesd fingerstyle compositions
Cd Track listing
Recommended listening
Index
Acknowledgements

Okładka: Mueller Michael, Jazz For The Rock Guitarist

cena 109,95 zł.

nuty.pl

Mueller Michael
Jazz For The Rock Guitarist

angielski

Jazz For The Rock Guitarist

Ilość stron:	48
Format:	230 x 305
Opracowanie na:	gitara (zawiera zapis tradycyjny oraz tabulaturę)
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Gitara elektryczna (1)
Rodzaj produktu:	książka + płyta CD
Wersja językowa:	wstępu: angielska opisów: angielska
Stopień trudności:	1 w skali od 0 do 10
Dostępność	w magazynie, wysyłka natychmiastowa
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL061795

Publikacja dla gitarzystów rockowych chcących opanować podstawy muzyki jazzowej. Składa się z 10 rozdziałów, które kolejno wprowadzają nowe akordy i techniki gry. Każdy z fragmentów zapisany jest w notacji tradycyjnej i tabulaturowej i opatrzony objaśnieniami teoretycznymi, a ponadto nagrany we wzorcowym wykonaniu na dołączonej do wydania płycie CD.

Take your playing beyond barre chords and the blues box! This book/CD pack is ideal for the rock guitarist who is interested in expanding boundaries and exploring new musical paths. Ten chapters will take you through the essentials of the jazz idiom with plenty of exercises and examples - all of which are demonstrated on the accompanying CD.

Spis treści:

Acknowledgements
About the Author
Introduction
Rock Guitar, Jazz Guitar... What's the Difference
The Jazz Sound
Essential Listening
How to Use This Book and CD
1. Barre Chords For Jazz
2. Blues and Pentatonic Scales
3. Jazz Chord Voicings
4. The Major Scale
5. Jazz Chord Voicings II
6. Key Center Soloing
7. Inverted, Extended and Altered Chords
8. Minor Scales
9. Comping Scales
10. Advanced Jazz Models

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.

nuty.pl

Beall Eric
Making Music Make Money

polski

Rób muzykę rób pieniądze
angielski

Making Music Make Money

Ilość stron:	272
Format:	152 x 229
Opracowanie na:	książka
Rodzaj produktu:	książka
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Autorzy	Edytor: Lindsay Susan Gedutis
Kod produktu:	NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.

Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.

Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

cena 171,95 zł.

nuty.pl

Howard George
Getting Signed!

polski

Otrzymywanie kontraktów!
angielski

Getting Signed!

Ilość stron:	233
Format:	152 x 229
Opracowanie na:	książka
Rodzaj produktu:	książka
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Kod produktu:	NPL065657

Przewodnik dla wszystkich muzyków dążących do uzyskania kontraktów z wytwórniami muzycznymi, a nieznających prawa i zasad niezbędnych do ubiegania się o tego typu dokumenty. Autor książki - George Howard doskonale pokieruje Cię przez współczesny labirynt przemysłu muzycznego i pomoże doprowadzić Twoje nagrania do szczytu sukcesu.

For unsigned musicians, it is vital to long-term success to sign a contract with a record label. However, preparing your music, targeting a label, and getting your demo into the hands of someone who will listen is challenging, if you don't know where to start. Getting Signed!, by record industry veteran George Howard, guides you through the maze of today's music industry, and will help you move your demo to the top of the stack. Even if you are not yet ready for a record deal, it will help you assemble a team that will make sure your music gets heard by as many people as possible. The next time an aspiring recording artist comes to us for advice, we'll advise them to read this book first. George Howard really knows what he's talking about. - Chris Franz and Tina Weymouth, members of Talking Heads and Tom Tom Club

Spis treści:

1 - The demo - breaking through: history, attitude and your demo
What is demo?
The demo: A multi - purpose tool
1. What is Label? ... and what the hell does A&R stand for anyway?
What is A&R?
What is a Record Label? Major vs. Indies
Record Label Architecture
Independent Promotion: More Indies
Summary
Workshop
2. Three case studies in breaking through: Nirvana, Def Jam, and Bob Dylan
The Essential Quality in an Artist
The problem
How Artists really get signed: A signing drama
The solution
Case 1: Nirvana - How Nirvana got their record deal
Case 2: Def Jam Recordings - The importance of the visionary at the label
Case 3: Bob Dylan - How Dylan got his record deal
Summary
Workshop
3. Demo track selection and sequencing: Start with the songs
How A&R people listen to demos
The Importance of Song Sequence: put your best song forward
How many songs, and why
Workshop
4. Recording Your Demo: getting it down
The recording studio
A schedule for making the most of your studio experience
Costs associated with studios
Home recording
Pro Tools
Home recording tips
Copryhights and demos
Workshop
5. Packaging and presenting your demo: All dressed up and everywhere to go
Elements of a Successful demo package
What's Inside the envelope
Summary
Workshop
2. The Team: Agents, Managers, and Lawyers
6. Performances and booking agents: The live life
How performing impacts all facets of your career
Maximizing the gig
Gigs outside your home town
Booking agents: how they work and when you need them
Building a following
Summary
Workshop
7. Management: Finding it and making it work for you
The three "Must - Have's" of Management
The Importance of Money: How management gets paid
Managers and publishing
Finding the right manager
Labels and Artist managers
Summary
Workshop
8. Lawyers: Protecting and Serving
The role of lawyers
When to get a lawyer
Finding the right lawyer
How lawyers differ from managers
Summary
Workshop
3. Additional Players - Giant steps: independent publicity and promotion, publishing, distribution, and labels
9. Publicity and Promotion: getting the word out
How publicists work
Maximizing your publicity experience
Publicity costs
Radio Promotion
When usigned artist should consider Indie promo
How promotion can help you get a deal
The cost of Indie promo
How to get and keep radio play
When to Hire an Indie Promoter
Summary
Workshop
10. Publishing: Rights and wrongs
Mechanicals
Why Publishers want you to get a record deal
The "Controlled Composition" clause
The importance of the Mechanical
Administration Deals
Co - Publishing Deals
Syncs and Placements: your Music in Movies and TV
When to get a Publishing deal
Publishing Pitfalls
Performance rights organizations (ASCAP, BMI, SESAC)
Summary
Workshop
Distribution: Moving Product
How Distribution Works
Co - op
Distribution follows marketing
Starting Your Own Label
P&D Deals: Distributors as Marketers and Manufacturers
Why Distributors Avoid Unsigned Artists
When to Consider Distirbution
One - Stops and Rackjobbers
Summary
Workshop
12. Contracts: getting the best deal
The Royalty deal
How Royalties are calculated
Profit Sharing / Joint - Venture Deals
Term ("Licensing") Deals
Demo Deals
Important Contract Points
Summary
Workshop
13. You've got a deal! or did you know that "Utopia" Means "No Place?"
What happens when you get signed
Issues surrounding scheduling your release
Atwork
Working with Your A&R Person
Key People at the Labels
Keeping the Label Focused on You
Summary
Workshop
Appendix A: Sample contract
Appendix B: Suggested reading
Appendix C: "From the Field" Bios
Index

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 2

cena 263,95 zł.

nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 2

polski

Domowy kurs rejestracji dźwięku, nagrywania, cz. 2

The AudioPro Home Recording Course, Volume 2

Ilość stron:	252
Format:	230 x 305
Opracowanie na:	książka
Rodzaj produktu:	książka + płyta CD
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL078017
Produkty podobne:	Gibson Bill - The AudioPro Home Recording Course, Volume 3

Publikacja jest drugą częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Obecna część jest przeznaczona dla osób z podstawową znajomością pojęć technicznych. Poszczególne lekcje zawierają liczne ilustracje, a także przykłady muzyczne na dołączonych do książki płytach CD. Autor - Let Bill Gibson - przekazuje informacje, których potrzebujesz, aby udoskonalić rejestracje dźwięków za pomocą domowego sprzętu nagrywającego. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume two covers: impedance and wiring (high impedance vs. low impedance, terminology, balanced vs. unbalanced); bass guitar (electric/synth, recording, mic techniques, EQ); harmonics/overtones/partials; vocals (recording, mic techniques, effects, EQ); acoustic piano and rhodes (recording, mic techniques, signal processing, sampled sounds, EQ); recording synthesisers (recording, combining textures, EQ, brass); the total recording session (instruments, preparing the recorder, media selection, time code); panning and stereo imaging; mixdown to master product (mixdown machine, tape choice, theories and concepts, setup procedure; building the mix; preparing master for duplication).

Spis treści:

Introduction
Chapter 1 - Impedance and Wiring
Basic Terminology
Compatibility Between Hi Z and Lo Z
Balanced vs. Unbalanced
Basic Terminology
Unbalanced Guitar Cables
Balanced Cables
Conclusion
Chapter 2 - Bass Guitar
Electric Bass
Condition of the Bass
Direct Box / Direct In (DI)
The Bass Level
Instrument Differences
Musical Style
Recording Levels for Bass
Mic Techniques
Compressing the Bass
Equalization
Panning
Reverb
Synth Bass
Plugging the Synth Bass In
Miking the Synth Bass
Performance of the Synth Bass Part
Bass Range and EQ
Compressing the Synth Bass
Recording Level for the Synth Bass
Panning Synth Bass
Effect and the Synth Bass
Acoustic Bass
Close - Miking the String Bass
Conclusion
Chapter 3 - Harmonics / Overtones / Partials
The Difference Between Harmonics, Overtones and Partials
Conclusion
Chapter 4 - Vocals
Mic Techniques
Placement
Distance
Small Room vs. Large Room
Moving - Coil / Ribbon
Condenser
Effects
Stylistic Considerations
Wind Screen
Repairing a Problem Plosive
Electronic Plovive Repair
The Proximity Effect
Bass Roll-off
The Pad
Different Sounds of Different Pickup Patterns
Positioning the Microphone
Compressor / Limiter / Gate / Expander
Dynamic Range
Compression
Sibilance
The De-esser
Equalization
Recording Environment
Physical Aids
Intonation
Headphones
Punch In / Punch Out
Perseverance
Panning
Common Vocal Effects
Delay
Slapback
The Electronic Double
The Electronic Triple
Regeneration
Reverb
Predelay
Exciter
Chorus / Flanger / Phase Shifter
Backing Vocals
Conclusion
Chapter 5 - Acoustic Piano and Rhodes
Grand Piano
The Basics
Mic Choice and Technique
Stereo or Mono
Instrument Maintenance
Setting the Mood
Processing Pano Sounds
No Two Pianos Sound Identical
Recording Levels
Equalizer the Piano
Compressing the Piano
Exciting the Piano
Reverberation
Miking the Vertical Piano
Sampled Piano Sounds
Rhodes - type Sounds
Rhodes Effects
Equalizing the Rhodes
Conclusion
Chapter 6 - Recording Synthesizers
Recording Synths: Strings, Pads, Bell-like Sounds, Brass and Effects
Live in vs. Mic in Through DI
Line In
DI Can Color the Sound Adversely
String and Pads
Layering
Equalizing Pads
Dynamic Processing the Synth
Reverb
Combining Textures
Exciter
Chorus, Flanger, Phase Shifter
Panning
Delay
Bell - like Sounds
Equalizing the Bell - like Sounds
Panning Bell - like Sounds
Compression
Reverb
Chorus / Flanger / Phase Shifter
Brass
Mic Technique
Levels
Brass Samples
Brass Equalization
Panning
Reverb
Exciter
Chorus / Flanger / Phase Shifter
Delay
Special Effects
Conclusion
Chapter 7 - Panning and Stereo Imaging
Speaker Position and Choice
Mic Techniques
The Head
Assignment
3:1 Principle
Panning
Reverberation
Space in a Space
Combining Wet and Dry
Delay
Panning
Chorus/ Flanger / Phase Shifter
Monitors and Your Stereo Image
Conclusion
Chapter 8 - The Total Recording Session
Planning
Tracks
Envision the Final Products
Instrument
Tuning
Strings
Getting the Recorder Ready
Cleaning and Demagnetizing
Demagnetizing the Analog Tape Machine
Cleaning the Analog Recorder
Tones on the Analog Recorder
Tones on the Digital Recorder
Media Selection
Magnetic Tape / Video Tape
Recordable CDs / Hard Drives
Tape Storage Is a Critical Condiseration
Time Code
Striping SMPTE
Getting the Sequencer to Follow SMPTE
Tightening the Arrangement
Contents of Arrangement
Reference Lead Vocal
Backing Vocals
Bounce to Track One
Electric Guitar to Track Four
Punch-Ins
Acoustic Guitar to Track Five
Final Vocal to Track Three
Lead Guitar to Track Six
Conclusion
Chapter 9 - Mixdown to Master to Product
Mixdown Machine
Basic Proceudre for Alignment (Mixdown and Multitrack)
Playback Alignment
Record EQ
Reference Tones
Reference Tone
Starting the Mix / Zeroing the Board
Tape Choice
Outboard Gear to Have on Hand
Tape Speed
Automation
Multiple Sets of Monitors
Comparison to Other Projects
The Spherical Approach to Panning and Positioning in the Mix
EQ: The Cumulative Effect
Mixing Theories and Building Concepts
Mix Approach
The Arrangement
Characteristics of a Good Mix
Strong and Solid, But Controlled, Lows
Mids Distributed Evenly Among Various Instruments
Strong, Smooth Highs That Are Easy to Listen To
Balance
Depth
Width
Momentum
Consistency
Sounds Good in Stereo and Mono
Approaches to Mixing That I've Found Ineffective
Signs of an Amateur Musical Recording
Basic Setup Procedure
Once You Select and Prepare the Multitrack and Mixdown Machines
Arranging During Mixdown
Multiple Mixes
Mix Versions
Building the Mix
Kick Drum / Bass Guitar
Pan the Cymbals for a Natural Sound
Live Toms
Drum Machine Toms
Drum Set Overhands (Live)
Bass
Lead Vocal
Compression
Expander
Vocal EQ
Exciter
Simple Delay
Add Backing Vocals
Comping Keyboards and Rhythm Guitars
Filling in the Holes With the Guitar or Keys
Lead Parts
Solos
Mix Levels
Fades
Preparing the Mixed Master for Duplication
Editing
Mastering
Different Mixes
Conclusion
GLossary
Index

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