Sour Puss

Mozart's Piano Concerto in C major (KV 246), dated April 1776 and written for Coutess Lützow, was composed immediately after the concertos in B-flat major (KV 238) and F-major (KV 242) of that same spring. Mozart wrote the this piece for Countess Lodron and her two daughters, KV 246 falls under the heading of dilettante concerto. Composer is known to have performed the work himself in Munich on October 1777.The present edition has been revised on the basis of the autograph score formely located in the holdings of the Prussian State Library in Berlin but now in Bibloteka Jagiellońska in Crocow. Original cadenzas for this concerto exist in three versions.The solo piano part is identical in all respects to the text of the original sources. Orchetral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

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Piano Concerto in C KV 246 nr 8 (Mozart Wolfgang Amadeus)

Mozart's Piano concerto in F major, K. 413, was written in winter of 1782-3. Together with the concertos in A major (K. 414) and C major (K. 415) it forms a self-contained group. Mozart first offered this set o the public in 1783 in manuscript copies for subscription; later, in 1785, he had them issued in print. The present edition has been revised on the basis of the autograph score formely located in the holdings of Prussian State Library in Berlin but now in the Bibilioteka Jagiellońska in Crocow. The solo piano part is identical in all respects to the text of the original sources. Orchestral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

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Concerto in F major for Piano and Orchestra KV 413 nr 11 (Mozart W. A.)

Mozart's Concerto in C major, K. 415, was written in spring of 1783. Together with the concertos in A major (K. 414) and F major (K. 413) it forms a self-contained group. Mozart first offered this set o the public in 1783 in manuscript copies for subscription; later, in 1785, he had them issued in print. The present edition has been revised on the basis of the autograph score formely located in the holdings of Prussian State Library in Berlin but now in the Bibilioteka Jagiellońska in Crocow. The solo piano part is identical in all respects to the text of the original sources. Orchestral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

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Concerto in C major for Piano and Orchestra KV 415 nr 13 (Mozart Wolfgang Amadeus)

Mozart's Piano Concerto in E-flat major, KV 449, was completed on 9 February 1784 and was the first item entered in his recently begun autograph catalogue of works. Like the erliest piano concertos from his Vienna years, it was written without obligato wind instruments. The present edition has been revised on the basis of the autograph score formely located in the holdings of the Prussian State Library in Berlin but now in Bibloteka Jagiellońska in Crocow. An original cadenza has survived in autograph. The solo piano part is identical in all respects to the text of the original sources. Orchetral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

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Piano Concerto in E flat KV 449 nr 14 (Mozart Wolfgang Amadeus)

17 koncertów fortepianowych Wolfganga Amadeusza Mozarta zalicza się do utworów szczytowych w jego twórczości fortepianowej. Mozart nadał koncertom swobodną budowę, pomagając solowemu instrumentowi (fortepian) w pełni wykorzystać możliwości techniczne. Niniejsza publikacja zawiera Koncert D-dur na fortepian i orkiestrę, w opracowaniu na dwa fortepiany (jeden fortepian wykonuje solową partię, drugi gra partię orkiestry). Utwór ten zaliczany jest do najokazalszych, "symfonicznych" koncertów fortepianowych Mozarta. Koncert posiada klasyczną budowę trzyczęściową: I - Allegro, II - Andante, III - Rondo z tanecznym tematem.

The Piano Concerto in Bb major (KV 456) was composed in 1784 and was entered into Mozart's personal catalog of works on September 30th. Although there is no concrete proof, it appears that Mozart wrote the concerto on commission from the blind pianist Marie Theresia of Paradise. The present edition was edited in accordance with the autogrph score in State Library of the Prussian Cultural Estate, Berlin, and in comparison with a copy made in Mozart's intermediate circle as well as with the first printing. The solo piano part corresponds in every detail to the text in the original sources. The piano reduction of the orchestral accompaniament (Piano II) was adopted to the dynamics and articulation of the original score as far as possible.

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Piano Concerto in B flat KV 456 nr 18 (Mozart Wolfgang Amadeus)

The F major Piano concerto (KV 459) was entered into Mozart's personal catalog of works on the 11th of December, 1784. There is a small discrepancy with the original score where Mozart also listed 2 clarini and timpani in the instrumentation. It is possible, however, if an oversight wasn't involved, that he listed these instrumetns on another sheet of paper which was later lost. The present edition was edited in accordance with the autograph scoer in the State Library of the Prussian Cultural Estate, Berlin and in comparison withe the first prining. The solo piano part is identical in all respects to the text of the original sources. Orchetral accompaniament (Piano II) has been made as consisted as possibile with the original score as regards dynamics and articulation.

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Concerto in F major for Piano and Orchestra KV 459 nr 19 (Mozart W. A.)

Mozart wrote the Piano Cocerto in E-flat major for his subscription concerts in the 1786 Lenten season. This work was performed before that time, probably at a concert in Vienna in the 1785. Its the first piano concerto whitch Mozart scored for clarinets. The present edition was compiled on the basis of the autograph score located in the Staatsbibliothek Preussischer Kultubesitz in Berlin. No original cadenzas have survived. The solo piano part is identical in every respect with the text given in the sources. The piano reduction of the orchestral accompaniament (Piano II) has been adapted as far as possible to conform to the dynamics and articulation of the original score.

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Piano Concerto in E flat KV 482 nr 22 (Mozart Wolfgang Amadeus)