Au Bord D une Source

The present edition is the first one to assemble the works for two harpsichords, which Bach contributed to this special genre of keyboard music. They are offered in a text that has been revised according to the original sources.
The Concerto a due Cembali (BWV 1061a) is generally known as Concerto in C Major for two harpsichords, strings, and basso continuo (BWV 1061). As such it is transmitted in several secondary sources of the 18th and early 19th centuries. Only the manuscript set of parts Mus. ms. Bach St. 139 of the Staatsbibliothek Preußischer Kulturbesitz Berlin (West) preserves with its harpsichord solo parts an original source; the ripieno parts belonging to it are a later supplement and stem from the time after bach's death.

Lista utworów:
Concerto a due Cembali BWV 1061a (Bach J. S.)
Fuga a 2 Clav. BWV 1080 nr 18 (Bach J. S.)

The D-major Piano Concerto, K. 175, was written in Salzburg in Decemcer 1773. It is thus Mozart's very first instrumental concerto, whether for piano or any other instrument (his first violin concerto, K. 207, was not composed until 1775). Up to that time Mozart, then not yet eighteen years of age, had only made concerto arrangements of works by other composers, including three concertos based on sonatas by Johann Christian Bach. In many respects K. 175 reveals the composer's valuating ambitions, particulary in the virtuoso writing for the piano, its large-scale design, and the splendid colours obtained by adding horns and trumpets. The autograph score of K. 175, extant as late as 1860, has long been lost. For this edition a reliable substitute source has been consulted.

Lista utworów:
Concerto No. 5 in D major KV 175 (Mozart Wolfgang Amadeus)
Rondo in D major KV 382 (Mozart Wolfgang Amadeus)