nuty.pl - Pytanie: %22Staccato%22, 101

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Vorwort
Zur Entwicklungsgeschichte der Oboe
Körperhaltung
Ansatz
Atmung
Erste Übungen
Die Halblochklappe (Oktavklappe)
Die Oktavklappe
Portato
Die linke F-Klappe
Legato
Staccato
Zwerchfellübungen
Etüden für Ansatz, Legato, Staccato, Intonation, Rhythmus, Chromatik und in frerei Tonalität
Die Doppelzunge
Das Stoßen von Triolen mit der Doppelzunge
Das Vibrato
Tonleiterübungen, Trillerübungen, Etüden durch sämtliche Tonarten und in frerei Tonalität
Übungen zur Benetzung
der linken Es-Klappe
des Gabel-F
der rechten Gis-Klappe

Vorwort des Heraugebers
Abbildungen
Einleitung
Von den verschiedenen Schlusseln
Haltung des Instruments
Rechte Hand. Fuhrung des Bogens
Linke Hand
Stimmung des Violoncellos
Anfangs - Ubungen
Skalen (Tonleitern)
Fingersatz. Positionen
Der Saitenubergang (Saitenwechsel)
Die verschieden Stricharten
Das Arpeggio
Das Staccato
Der Spring-Bognestrich und dessen Abarten
Verzierungen. Vorschlag, Doppelschlag, Praltriller, Triller
Von den Doppelgriffen
Perfekte Intonation
Das Spielen von Akkorden
Der Einsatz des Daumens
Das Flageolett
Das Pizzicato
Uber Ton und Vortag
101 Ubungststucke

Preface
The history of the oboe
Posture
Embouchre
Breathing
First Exercises
The half-hole (octave) key
The octave key (s)
Portato
The left F key
Legato
Staccato
Diaphragm exercises
Studies for embouchre, legato, staccato, intonation, rhythm, chromatic sequence and atonality
double-tonguing
Attacking triplets with double-tongue
Vibrato
Scale and trill exercises, studies in every key and in atonality
Exercises using
The left E flat key
The fork F
The right G sharp key

Lista de temas musicales del CD
Introducción
Postura
Posición de las manos
Las Notas
Notación musical
Las notas de la mano derecha
Las notas mano izquierda
Tocando con la mano derecha
Tocando con la mano izquierda
Tocando con ambas manos
Legato y staccato
Figuras ritmicas
Cambiando de posición
Preparación para tocar "Bambú"
Bambú (Brasil)
Preparación para tocar "Arroz con leche"
Las alteraciones
Arroz con leche
Preparación para tocar "La cucaracha"
El acompanamiento de "La cucaracha"
La cucaracha
Silencios
Los signos de expresión
Crescendo y Diminuendo
Ejercicios técnicos
Adiós Muchachos
Cajeuiro Pequenino
Chacarera
Cielito Lindo
De Colores
Jarabe Tapatio
El Barreno
Llegó Dicimbre
Ma Teodora
El Rabel
Viva mit Patria
Recomendaciones de estudio
Palabras finales

Préface
La position de la main. La phrase.
Dessins musicaux. "Au travail"
Le rythme et les accents. "Porquoi?"
Le tempo. "Monsieur l'Agent"
Les nuances. "Les cygnes de l'étang"
Les demi-tons, dieses, bémols et bécarres
Les tons. Leçon écrite
Les accidents. "Le vieux rémouleur"
Nouvelle position de la main ("Sol" majeur). "Deux sous de bonbon"
Deux dessins mélodiques. "Dame lune"
Airs de folklore "Fete d'enfants"
L'attaque d'une phrase. Main droite et main gauche
Combinons les positions des mains. "Le rouge-gorge"
Le doigté uniforme dans un dessin harmonique. "Le joyeux bouffon"
Dessins harmoniques (main gauche). "Le coucou"
Examen numéro 1
Les gammes. Voies et moyens
Formation des gammes de "Do" et de "Sol" majeurs
La gamme ascendante de "Do" majeur. "Ascension"
Gamme descendante de "Do" majeur. "Les carillons"
Nouvelle position de la main pour la main gauche. "Aventure"
La construction de l'accord. Les intervalles et les accords de trois sons.
Les accords renversés. Accords de trois sonsen "Do" majeur et en "Fa" majeur
La mélodie formée de l'accord brisé "Les alpinistes"
Nouvelle position de la main ("Fa" majeur). "La danse de l'accord"
Premier morceau de récital. "La harpe des fées"
L'introduction de la croche. "Etoile d'argent"
Nouvelle position de la main ("Ré" majeur). "Mon bateau"
Nouvelle position de la main ("La" majeur). "Le chant du printemps"
Les groupes de staccato et de legato. "Automne"
La musique de danse. "Mes sabots de bois"
Una piece descriptive pour un récital. "A la cour des fées"
Examen numero 2
Un exemple de staccato. "Le pivert"
Position de la main plus une note additionnelle. ("La" majeur). "Le chevalier et la dame"
La noire pointée. "Air" de Mozart
Un dessin rythmique employé par Brahms. "Petite Valse"
Nouvelle position de la main ("Si" bémol majeur). "Le hibou"
La mesure 6/8. "Hourra poun nous"
Une phrase musicale de deux notes dans une mesure 6/8 "Le coucou"
La mesure 6/8 ("Sol" majeur). "Trottinette"
Position de la main plus une note additionnelle á la main gauche ("Fa" majeur). "Le gâteau de fete"
Deux positions de la main "L'homme aux frites"
Deux positions de la main (mesure 6/8) "Le joyeux carrousel"
La syncope. "La fiesta espagnole"
Un chant de chasse. "La chasse aux renards"
Deux positions de la main "A Celia"
Examen numéro 3
Le croisement des mains "Le chant des grenoulles"
Le staccato du poignet. "En traineau"
Nouvelle position de la main ("Mi" bémol majeur) "Bergerette"
L'attaque de l'avant-bras. "Les cloches du soir"
Nouvelle position de la main ("Mi" majeur) "Danse paysanne"
Accompagnement en accords brisés "Long long ago"
Trois positions de la main. "Sainte nuit"
Exemples de gammes et d'accords. "Un jeu"
Interprétation d'une musique descriptive. "Le train aérodynamique"
Nouvelle position de la main ("La" bémol majeur) "A un gratte-ciel"
Deux positions de la main (les deux mains). "Consolation"
Les doubles-croches. "John Peel"
Examén numero 4
Exercices de technique
Quarte certificats de mérite

Préface
Pouce sous le 2e doigt (venant d'une touche noire) "Dans Les Alpes"
Qu'est-ce que l'Opéra-Bouffe? "La-bas sur le rocher couché
2e doigt croisant avec le pouce "Hop O'mon pouce"
Jean Sébastian Bach - "Menuet"
Lignes et interlignes supplémentaires
Progressions chromatiques - "Autour du village"
Mesures courantes - "Jardins de campagne"
Qu'est-ce que le ballet? "La dance des heures"
Le staccato du poignet - "Carol de Noel"
Les pedales du piano
Pedales longues et tenues - "Clotches lointaines"
Pedales en groupes arpeges - "Etude" Duvernoy
Pedales sur jeu d'accords "La chevre de Bill Grogan"
La pedale synchronisee - "A l'eglise"
Pedale synchronisee et tenue "Ramene moi en Virginie"
Pouce sous le 3e doigt "Reverie"
3e doigt croisant avec le pouce - "Le lutin"
Frederic Francois Chopin - "Prelude en la majeur"
Gamme de do majeur en mouvement parallele et contraire
Variations sur un theme - "Valse de l'etoile"
Etude des gammes mineures
Approche du relatif mineur
Approche de l'homonyme mineur
Les modes majeur et mineur "Voyage en Arctique"
4e doigt croisant avec le pouce "Le pilote de ligne"
La gamme mineure melodique "Cache-cache"
Etude du legato soupl des doigts "Le camp Tzigane"
Les pedales synchronisee
Qu'est-ce que l'Opera? - "Menuet" de Don Juan
La Mazurka "Petite danse Polonaise"
Le jeu soutenu "lLe lievre et les chiens"
Extension de la main "Allons-nous en!"
Frappe et impulsion du bras "Les yeux noirs"
Accords de cadence
Analyse d'accords "Etude"
L'accord e 7e dominante Ludwig van Beethoven "Romance"
Ludwig van Beethoven "Romance"
Tempo alla breve "Scherzino"
Franz Liszt - Theme de "Reve d'amour"
Contraste de caractere - "Petite rhapsodie Slave"
Qu'est-ce que l'Oratorio? - "Hallelujah" de Haendel
La tarentelle "Danser dans la foret"
Arpeges - L'attaque roulee
Arpeges - "Etude" De C. Czerny
Variations d'arpeges "Hinkey Dinkey Parley Voo"
Le jeu melodique "Deep river"
Croisement des mains "Papillons"
Le triolet "Grand papa Jonathan"
Georges Bizet "Habanera" de Carmen
Le Staccato "L'abeille et le trefle"
Acords en arpeges "Un vol d'essai"
Le trille
Etude du trille "Le rossignol et le coucou"
Le staccato et le trille - "Deux guitares"
Le signe de trille "Chant d'oiseaux"
Jacques Offenbach "Barcarolle"
Frans Joseph Haydn "Rondo Tzigane" theme
L'attaque roulle "Plaisenterie"
Doigtes des gammes - Majeur et mineur
Les 3 formes de la gamme mineure
Glossaire des termes musicaux utilises dans ce livre
Trilles techniques - Exercices complementaires

Ali Along the Sidewalk
It Used to Be Mine
S.O.S.
Another Hue
Bridge
Muted Groove
Blues-Rock
Anthem Rock
Hey, Jim
Ali That Jazz
Progressively Faster
Nice Pants
Machine-like
Ridin' the Bus
Slow Tune
Improvisación en Sol
Jamaican Groove
Pop-Rock
Blues en Sol
Riff Blues
Quick Change Artist
Tri-pl-et
Minor Bird Blues
Tripiet Rests
Shuffle Groove
Texas Blues
12/8 Meter
Delta Blues
Shuffling in Chicago
Cromatismo en la quinta posición
Escala de Do mayor
Escala de La menor
Water Chestnut
Zodiak
King of Spades
Easy Octave
Standard '50s
Medium Rock
Sad Song
Latin Groove
Easy Groovin'
Wrap It Up
Rock 'n' Roll
Move Over
Follow the Bass Drum
Kick Iti
Yer Basic Ballad
Catch the Kicks
Still Can't Wait
Slidin' and Glidin'
My Groove
Wild Slide
jDesliza esto!
Pick You Up
Improvisación para percutir
Frightful
Push and Pull
Steady-Pullin' Groove
Ali Thumbs
jGolpea esto!
Funky
Thumbs Down
Snap, Crackle, Pop
Poppin' Octaves
Slap Bass
Slap-Pop Groove
Golden Oldies
Rock Solid
Dark Metal
Glam Rock
Top 40 Ballad
Pop-Rock Bass
Chain-link
Just a Slice
Motown Groove
R&B Bass
Caliente en el sol
Jamaican Me Crazy
Get Funky
Staccato Funk
Slap Happy
Walk on Over
Who's the Bossa Nova?
Country Boy
Tennessee Rock
Disco Daze
Don't Stop Hip-Hop
Lay Off!
Nervioso (banda compieta)
Nervioso (bajo menor)
Improvisación en el sótano (banda completa)
Improvisación en el sótano (bajo menor)
Baja las luces (banda compieta)
Baja las luces (bajo menor)

Preliminar
Posicón de la mano
Forma musical
Ritmo y acentos
Tempo
Matices
Semitonos
Tonos
Alteraciones
Nueva "Posición de la mano"
Dos Patrones Melodicós
Tonadas Folklóricas
Ataque de la Frase
Combinando posiciones de la mano
Patrones digitales y armónicos
Examen no. 1
Escalas
Construyendo las escalas de do mayor y sol mayor
Escala ascendente de do mayor
Escala descendente de do mayor
Nueva posicón para la mano izquierda
Estructura de acordes
Inversión de acordes
Acorde disjunto usado como melodia
Nueva "Posición de Mano"
Primera Pieza de Audición
Primera presentación de corcheas
Nueva "Posición de Mano"
Nueva "Posición de Mano"
Staccato y legato en grupos
Formas bailables
Pieza descriptiva de programa
Examen no. 2

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Wstęp
Powitanie
Kanon
Gama G-dur
Tetrachordy w gamie G-dur
Półtony w gamie G-dur
Dźwięk prowadzący w gamie G-dur
Utrwalanie w tonacji G-dur
Triada harmoniczna
Triada harmoniczna w gamie C-dur
Triada harmoniczna w gamie G-dur
Solfeż - ćwiczenia melodyczne
Ćwiczenia sprawdzające nr 1
Ćwierćnuta z kropką
Ćwiczenia rytmiczne
Uzupełnienie ósemkowe
Oznaczenia dynamiki
Ćwiczenia melodyczno - rytmiczne
Ćwiczenia sprawdzające nr 2
Gama F-dur
Tetrachordy w gamie F-dur
Półtony w gamie F-dur
Dźwięk prowadzący w gamie F-dur
Utrwalanie w tonacji F-dur
Triada harmoniczna w gamie F-dur
Solfeż - ćwiczenia melodyczne
Ćwiczenia sprawdzające nr 3
Takty ćwierćnutowe
Takt 5/4 - metrum 5/4
Taktowanie w metrum 5/4
Takt 6/6 - metrum 6/4
Taktowanie w metrum 6/4
Ćwiczenia rytmiczne
Solfeż - ćwiczenia melodyczne
Ćwiczenia melodyczno - rytmiczne
Grupy szesnastkowe powstałe z połączenia dwóch szesnastek
Ćwiczenia rytmiczne
Da capo al Fine
Ćwiczenia melodyczno - rytmiczne
Ćwiczenia sprawdzające nr 4
Gama D-dur
Tetrachordy w gamie D-dur
Półtony w gamie D-dur
Dźwięk prowadzący w gamie D-dur
Triada harmoniczna w gamie D-dur
Utrwalanie w tonacji D-dur
Solfeż - ćwiczenia melodyczne
Ćwiczenia sprawdzające nr 5
Grupy szesnastkowe powstałe z połączenia trzech szesnastek
Ćwiczenia rytmiczne
Solfeż - ćwiczenia melodyczne
Oznaczenia artykulacji. Legato, staccato
Ćwiczenia melodyczno - rytmiczne
Triola ósemkowa
Ćwiczenia rytmiczne
Solfeż - ćwiczenia melodyczne
Ćwiczenia melodyczno - rytmiczne
Przedtakt
Ćwiczenia rytmiczne
Solfeż - ćwiczenia melodyczne
Ćwiczenia sprawdzające nr 6
Gama C-dur - Gama c-moll harmoniczna
Solfeż - ćwiczenia melodyczne
Tempo
Podwójna prędkość, podwójne zwolnienie
Ćwiczenia sprawdzające nr 7
Interwały
Pryma
Solfeż - ćwiczenia melodyczne
Sekunda
Solfeż - ćwiczenia melodyczne
Tercja
Solfeż - ćwiczenia melodyczne
Kwarta
Solfeż - ćwiczenia melodyczne
Kwinta
Solfeż - ćwiczenia melodyczne
Oktawa
Solfeż - ćwiczenia melodyczne
Ćwiczenia sprawdzające nr 8
Pożegnanie i Piosenka wakacyjna
Krzyżówka

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