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Dostępne opracowania:

książka (1)
linia melodyczna (klucz wiolinowy) + akordy + teksty (1)
orkiestra dęta mieszana (partytura + głosy koncertowe) (1)

You Choose znajdziesz w 3 publikacjach wymienionych poniżej:


Okładka: Swearingen James, Chorale Prelude (O Worship The King, All Glorious Above!) (Score + Parts)

cena 303,95 zł.


nuty.pl

Swearingen James
Chorale Prelude (O Worship The King, All Glorious Above!) (Score + Parts)

polski Preludium chorałowe (O Worship The King, All Glorious Above!) (partytura + głosy)
angielski Chorale Prelude (O Worship The King, All Glorious Above!) (Score + Parts)


Ilość stron:16 + 80x2
Format:210 x 275
Opracowanie na:orkiestra dęta mieszana (partytura + głosy koncertowe)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Partytura (1)
Flet (8)
Klarnet B I (6)
Klarnet B II (6)
Klarnet B III (4)
Klarnet basowy (2)
Obój (2)
Saksofon altowy I (2)
Saksofon altowy II (2)
Saksofon tenorowy (2)
Saksofon barytonowy (1)
Fagot (2)
Trąbka B I (3)
Trąbka B II (3)
Trąbka B III (3)
Róg F I (2)
Róg F II (2)
Puzon tenorowy suwakowy I (3)
Puzon tenorowy suwakowy II (3)
Puzon tenorowy suwakowy III (3)
Tuba (4)
Baryton (klucz basowy) (2)
Baryton (klucz wiolinowy) (2)
Kotły (1)
Perkusja I (1)
Perkusja II (2)
Instrumenty sztabkowe (2)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
biografii: angielska
tytułów utworów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL050384

prezentacja mp3

Publikacja zawiera preludium chorałowe, które tworzą dwa popularne utwory religijne: "O Worship the King" i "All Glorious Above". Preludium zostało opracowane na orkiestrę dętą mieszaną. Utwór został skomponowany na prośbę Jeannie Zweibel w prezencie dla Lynna Mohlera - założyciela i i dyrektora Szkoły chrześcijańskiej w Lima, Ohio - w 25 rocznicę jego działalności zawodowej.

Noted composer James Swearingen has majestically created a chorale prelude based on this inspirational hymn. Expressive harmonies building to a dramatic and powerfully scored ending will allow your band to sound its very best. Should you choose to add an extra touch of excitement for that special performance, this setting includes optional parts for antiphonal brass. Highly recommended!


Lista utworów:
O Worship the King, All Glorious Above (Swearingen James)

Okładka: , Jazz Standards

cena 49,95 zł.


nuty.pl

Jazz Standards

polski Standardy Jazz'owe
angielski Jazz Standards


Ilość stron:256
Format:105 x 170
Opracowanie na:linia melodyczna (klucz wiolinowy) + akordy + teksty
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Instrument melodyczny (klucz wiolinowy) (1) lub Głos wokalny lub Gitara lub Keyboard
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
słów utworów: angielska
Stopień trudności:3 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL056184

Pozycja zawiera 110 popularnych standardów jazzowych. Publikacja jest wydana w formacie zbliżonym do A6 co staje się atrakcyjne dla osób, które czesto przemieszczaja się z nutami. Gabarytowo są małe i lekkie. Wśród tytulów znależć można Caravan Duke Ellington'a, Georgia on My Mind Hogay'a Carmichael'a a rozslawione przez Reya Charles'a.

Do you play piano, guitar, electronic keyboard, sing or play any instrument for that matter? If so, this handy " pocket tune" book is for you. The concise, one-line music notation consists of: Melody, Lyrics and Chord Symbols. Whether strumming the chords on guitar, "faking" an arrangement on piano/keyboard or singsing the lyrics, these fake book style arrangements can be enjoyed at any experience level - hobbyst to professional. The musical skills necessary to successfully use this book are minimal. Lf you play guitar and need some help with chords, a basic chord chart is included at the back of the book. While playing and singing the first thing that comes to mind when using this book, it can also serve as a compact, comprehensive reference quide. Hewever you choose to use this PAPERBACK SONGS SERIES book, by all means hace fun!

Lista utworów:
A Blossom Fell (Nat King Cole)
A Fine Romance (Jerome Kern)
A Nightingale Sang In Berkeley Square (Manhattan Transfer)
A Sunday Kind Of Love (Jo Stafford, Reba McEntire)
Aguas De Marco (Waters Of March) (Antonio Carlos Jobim)
Alfie (Cher, Dionne Warwick, Sonny Rollins, Stevie Wonder)
All The Things You Are (Jack Leonard with Tommy Dorsey Orchestra)
Alright, Okay, You Win (Peggy Lee)
April In Paris (Coleman Hawkins, Count Basie, Modernaires)
Aquellos Ojos Verdes (Green Eyes) (Jimmy Dorsey)
Autumn In New York (Bud Powell, Jo Stafford)
Bewitched (Betty Smith Group)
Bill (Jerome Kern)
Blame It On My Youth (Oscar Levant)
Bluesette (Sarah Vaughn, Toots Thielmans)
Bye Bye Blackbird (Ray Henderson)
Call Me Irresponsible (Dinah Washington, Frank Sinatra, Jack Jones)
Can't Help Lovin' Dat Man (Anette Warren, Helen Morgan)
Caravan (Billy Eckstine, Duke Ellington and his Orchestra, Melissa Manchester, Ralph Marterie)
C'est Si Bon (It's So Good) (Conway Twitty, Danny Kaye, Eartha Kitt)
Come Rain Or Come Shine (Harold Arlen)
Cry Me A River (Janice Harper, Joe Cocker, Julie London)
Dearly Beloved (Jerome Kern)
Do You Know What It Means To Miss New Orleans (Louis Alter)
Don't Explain (Billie Holiday)
Don't Get Around Much Anymore (Bob Russell, Duke Ellington)
Ev'ry Time We Say Goodbye (Stan Kenton)
Fine And Mellow (Billie Holiday)
Frenesi (Artie Shaw)
Georgia On My Mind (Ray Charles)
Girl Talk (Neal Hefti)
God Bless' The Child (Arthur Herzog Jr., Billie Holiday)
Good Morning Heartache (Billie Holiday, Diana Ross)
Harlem Nocturne (Earle Hagen)
How About Me? (Rosemary Clooney)
How Deep Is The Ocean (How High Is The Sky) (Ben Webster)
How High The Moon (Les Paul & Mary Ford)
How Insensitive (Insensatez) (Astrud Gilberto)
I Can't Get Started With You (Vernon Duke)
I Could Write A Book (Jerry Butler)
I Left My Heart In San Francisco (Tony Bennett)
I Let A Song Go Out Of My Heart (Duke Ellington, Henry Nemo, Irving Mills, John Redmond)
I Wish I Were In Love Again (Richard Rodgers)
I Wish You Love (Gloria Lynne)
I'm Beginning To See The Light (Don George, Duke Ellington, Harry James, Johnny Hodges)
I'm Just A Lucky So And So (Duke Ellington)
I'm Old Fashioned (Jerome Kern)
Isn't It Romantic? (Shirley Horn)
It Could Happen To You (June Christy)
It Don't Mean A Thing (If It Ain't Got That Swing) (Duke Ellington)
It Might As Well Be Spring (Richard Rodgers)
It Never Entered My Mind (Richard Rodgers)
I've Got My Love To Keep Me Warm (Benny Goodman)
I've Got The World On A String (Dick Hyman)
I've Got You Under My Skin (Cole Porter)
June In January (Lucy Ann Polk)
Just One More Chance (Ruby Braff)
Lazy River (Bobby Darin)
Little Girl Blue (Richard Rodgers)
Long Ago (And Far Away) (Jerome Kern)
Love Is Just Around The Corner (Coleman Hawkins)
Lover Man (Oh, Where Can You Be?) (Billie Holiday)
Manhattan (Eric Johnson)
Mas Que Nada (Sergio Mendes)
Meditation (Meditacßo) (Charlie Byrd w/The Walter Raim Strings)
Misty (Johnny Mathis)
Mona Lisa (Nat King Cole)
My Foolish Heart (Demensions)
My Funny Valentine (Richard Rodgers)
Nature Boy (Nat King Cole, Primus)
Never Let Me Go (Dinah Washington)
Old Devil Moon (Burton Lane)
One Note Samba (Samba De Uma Nota So) (Pat Thomas)
Out Of Nowhere (Buddy De Franco)
Perfidia (The Ventures)
Pick Yourself Up (Jerome Kern)
Prelude To A Kiss (Duke Ellington)
Quiet Nights Of Quiet Stars (Corcovado) (Andy Williams)
Route 66 (Manhattan Transfer)
Smoke Gets In Your Eyes (The Platters)
Solitude (Black Sabbath)
Stella By Starlight (Ray Charles)
Steppin' Out With My Baby (Irving Berlin)
Sway (Quien Sera) (Dean Martin)
Tain't Nobody's Biz-ness If I Do (Bessie Smith)
Take The 'A' Train (Billy Strayhorn)
That Old Black Magic (Harold Arlen)
The End Of A Love Affair (Frank Sinatra)
The Folks Who Live On The Hill (Jerome Kern)
The Girl From Ipanema (Garota De Ipanema) (Stan Getz & Astrud Gilberto)
The Glory Of Love (Count Basie, Jimmy Durante, Peggy Lee, The Platters)
The Lady Is A Tramp (Richard Rodgers)
The Lady's In Love With You (Benny Goodman)
The Song Is You (Jerome Kern)
The Very Thought Of You (Kate Smith, Nat King Cole, Ray Conniff, Rick Nelson)
The Way You Look Tonight (Jerome Kern)
There's A Small Hotel (Charlie Byrd, Ruby Braff, Sammy Davis, Jr.)
This Can't Be Love (Richard Rodgers)
Time Was (Miguel Prado)
To Each His Own (Monty Alexander)
Watch What Happens (Michel Legrand)
What A Wonderful World (Louis Armstrong, Louis Armstrong with Kenny G.)
What Is There To Say (E.Y. Harburg, Vernon Duke)
What'll I Do? (Bobby Scott)
When I Fall In Love (Celine Dion and Clive Griffin, The Carpenters, The Lettermen)
When Sunny Gets Blue (Marvin Fisher)
Where Or When (Dion & The Belmonts)
You Took Advantage Of Me (Richard Rodgers)
You'd Be So Nice To Come Home To (Cole Porter)
You've Changed (Connie Russell)

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

cena 254,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski Kurs nagrywania AudioPro, cz. 3
angielski The AudioPro Home Recording Course, Volume 3


Ilość stron:272
Format:215 x 275
Opracowanie na:książka
Rodzaj produktu:nuty drukowane + 2 płyty CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078018
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully





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