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WE HAVE COME INTO HIS HOUSE

Dostępne opracowania:

altówka i fortepian (1)
gitara basowa (zawiera zapis tradycyjny oraz tabulaturę) (1)
książka (1)

WE HAVE COME INTO HIS HOUSE znajdziesz w 3 publikacjach wymienionych poniżej:


Okładka: , Bass Tab White Pages

cena 191,95 zł.


nuty.pl

Bass Tab White Pages

Ilość stron:1024
Format: 203.2 x 279.4
Opracowanie na:gitara basowa (zawiera zapis tradycyjny oraz tabulaturę)
Rodzaj produktu:nuty drukowane
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL056076


A must-have for any bass player! This outstanding 200-song collection features note-for-note bass transcriptions with tab, straight from the original recordings. All styles of music are represented in this massive, 1024-page compilation. Includes: All Apologies • All Shook Up • Another One Bites the Dust • Are You Gonna Go My Way • Baby Love • Bad Medicine • Badge • Barracuda • Beast of Burden • Blue on Black • Blue Suede Shoes • Blueberry Hill • Brass in Pocket • Bulls on Parade • Carry on Wayward Son • Cherry Pie • Come Out and Play • Come to My Window • Come Together • Couldn't Stand the Weather • Detroit Rock City • Eight Days a Week • Fly Away • Free Ride • Get Ready • Great Balls of Fire • Hard to Handle • Hey Joe • Hey Man Nice Shot • Higher Ground • I Can See for Miles • I Fought the Law • The Impression That I Get • Into the Great Wide Open • Iris • Iron Man • Jessica • Learn to Fly • Maggie May • Maria Maria • Money • My Girl • Oye Como Va • Paperback Writer • Paranoid • Pride and Joy • Riding with the King • Semi-Charmed Life • Sultans of Swing • Under Pressure • Walk of Life • Would? • Wonderwall • and many more!


Lista utworów:
Sweet Emotion
Sultans Of Swing
That'll Be The Day
Suffragette City
Sweet Little Angel
Surfin' U.S.A.
Sweet Child O' Mine
Stop! In The Name Of Love
Turn! Turn! Turn! (To Everything There Is A Season)
The Things That I Used To Do
Stone Cold Crazy
Start Me Up
Two Princes
Takin' Care Of Business
Synchronicity II
Under Pressure
Sunshine Of Your Love
Strutter
Would?
What's Going On
Walk Of Life
Hard To Handle
Walk This Way
War Pigs (Interpolating Luke's Wall)
Riding With The King
Addicted To That Rush
White Room
Welcome To The Jungle
Are You Gonna Go My Way
Mississippi Queen
Hangar 18
Tragic Comic
You've Got Another Thing Comin'
You Really Got Me
Eat The Rich
You Shook Me
Brass In Pocket
Statesboro Blues
I Don't Believe In Love
You Give Love A Bad Name
Mama Kin
Matchbox
Maggie May
The Man Who Sold The World
My Generation
Money
Message In A Bottle
Miss You
My Girl
Mystery Train
Love Struck Baby
No More Tears
Reach Out, I'll Be There
Over The Mountain
Peggy Sue
Paranoid
One Way Rider
Paperback Writer
Ramblin' Man
Owner Of A Lonely Heart
Oye Como Va
Shake, Rattle And Roll
Shake Me
Route 66
Sir Duke
Shy Boy
Rock Me Baby
Smells Like Teen Spirit
Roxanne
She's So Fine
Space Oddity
Sixteen Candles
Say It Isn't So
Rock And Roll All Nite
Rock Around The Clock
School's Out
Love Rollercoaster
Lonesome Whistle Blues
Pride And Joy
Got To Hurry
Sugar
The Story In Your Eyes
Smoke On The Water
Wonderwall
All Shook Up
Led Boots
Pure Massacre
Bulls On Parade
Crossfire
I Just Want To Celebrate
All I Wanna Do
Counting Blue Cars
Can't You See
Monkey Wrench
If You Could Only See
The Impression That I Get
Sitting On Top Of The World
Blue On Black
I Want You Back
That's All Right
Semi-Charmed Life
Down
Iris
When Worlds Collide
Come Original
What's My Age Again?
Learn To Fly
Jerry Was A Race Car Driver
Wait And Bleed
Take A Look Around (Theme From 'M:I-2')
Crush 'Em
Meet Virginia
Come As You Are
Maria Maria
In 2 Deep
Smooth
My Own Worst Enemy
Never Let You Go
All Apologies
Breadfan
No Excuses
Mr. Jones
Into The Great Wide Open
Fly Away
Killing In The Name
Woke Up This Morning
She
Come Out And Play
Get Ready
Hey Man Nice Shot
Walk On The Wild Side
One Thing Leads To Another
Hide Away
Ain't Nothing Like The Real Thing
Seventeen
Time
Astronomy
Lay Down Sally
Little Miss Strange
Iron Man
Jessica
Living After Midnight
The Loco-Motion
Look At Little Sister
Killing Floor
Lady Madonna
Crosscut Saw
Dancing In The Street
Day Tripper
Eight Days A Week
Crazy Train
Don't Be Cruel (To A Heart That's True)
Come Together
Crazy Little Thing Called Love
Detroit Rock City
Down Boys
Emotional Rescue
Drive My Car
Couldn't Stand The Weather
Far Beyond The Sun
Hello Mary Lou
Gypsy Road
Free Ride
Hey Joe
Heart Shaped Box
Hair Of The Dog
Higher Ground
Great Balls Of Fire
Hound Dog
I Second That Emotion
I Can't Help Myself (Sugar Pie, Honey Bunch)
I Can See For Miles
I Fought The Law
I Love Rock 'N Roll
I Can't Quit You Baby
I'm Your Hoochie Coochie Man
I Heard It Through The Grapevine
The House Is Rockin'
I Want You To Want Me
(Bang Your Head) Metal Health
Everything To Everyone
Dream On
Another One Bites The Dust
I Wish It Would Rain
Somebody To Love
Thunderbird
California Girls
Carry On Wayward Son
(They Call It) Stormy Monday (Stormy Monday Blues)
Cherry Pie
Badge
Change It
Bad Medicine
Boom Boom (Out Go The Lights)
Barracuda
Baby Love
Blue Suede Shoes
Bombtrack
Blueberry Hill
Beast Of Burden

Okładka: , First Solos For The Viola Player

cena 79,95 zł.


nuty.pl

First Solos For The Viola Player

angielski First Solos For The Viola Player


Ilość stron:36 + 28
Format:230 x 305
Opracowanie na:altówka i fortepian
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Altówka (1)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
Stopień trudności:2-3 w skali od 0 do 10
Stopień trudności akompanamentu:3 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor aranżacji/opracowania: Doktor Paul
Zawartość:

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Kod produktu:NPL060289

Zbiór suit w łatwym opracowaniu na altówkę z fortepianem. Anna Magdalena Jana Sebastiana Bacha oraz Haydn Suite są opracowane na dwie altówki w duecie bez fortepianu. Opracowania są dość proste z myslą o początkujacych muzykach. W ogólnym obrazie zapisu graficznego wszystkich opracowań głównie występują wartości ćwierćnutowe i ósemkowe, rytmy są proste, kompozycje dość krótkie.


To students and teachers of the viola, it been apparent that there is a need for a collection of pieces geared to the requirements of the beginning player. Most available pieces for such players are either too difficult technically or too superficial musically. In this collection, therefore, I have sought to put the player who is still limited to the first position, into direct contact with music a wide range of content and styles, going from the treasures of our national folk songs and household melodies to the great classic tradition, to a nineteenth century master like Tchaikowsky, up tp s contemporary composition written especially for this class performer.


Lista utworów:
Allegro (Haydn)
Allegro Giusto (Gluck)
Andantino (Haydn)
Aria (Willst Du Dein Herz Mir Schenken) (Johann Sebastian Bach)
Beautiful Dreamer (Stephen C. Foster)
Camptown Races (Stephen C. Foster)
Camptown Races (Stephen C. Foster)
Camptown Races (Stephen C. Foster, Vince Guaraldi (arr.))
Camptown Races (Stephen C. Foster)
Can't You Dance The Polka?
Can't You Dance The Polka?
Choros (Gordon)
Come Where My Love Lies Dreaming
Dusky Night, The
Finale (Haydn)
Gavotte (Francois-Joseph Gossec, J.S. Bach, Johann Sebastian Bach, Jules Massenet, Lodovico Roncalli, Mike Garson)
Gavotte From 'Don Juan' (Gluck)
Italian Song
March
March ((Arthur Tomlinson), Charles T. Griffes, Dmitri Shostakovich, Fernando Sor, George Frideric Handel, Pyotr Il'yich Tchaikovsky)
March (Mozart)
March In D Major (Johann Sebastian Bach)
March In D Major (Johann Sebastian Bach)
Minuet (Haydn)
Minuet I (Anna Mag) Bach
Minuet Ii (Anna Mag) Bach
Morning Prayer
Morning Prayer
Rosin The Beau
Samba (Gordon)
Sicilienne (Gluck)
Streets Of Laredo (The Cowboy's Lament) (Alan Lomax, John A. Lomax)
Tambourin
Tambourin (Jean Philippe Rameau, Louis Claude Daquin)
The Ash Grove (Old Welsh Air)
The Red River Valley (Traditional American Cowboy So)
The Red River Valley (Traditional American Cowboy So)
The Red River Valley (Traditional American Cowboy So)
The Red River Valley (Traditional American Cowboy So)
Waltz
Waltz ((Arthur Tomlinson), Charles E. Ives, Charles T. Griffes, Christos Tsitsaros, Frederic Chopin, Johannes Brahms, Pyotr Il'yich Tchaikovsky)
Ye Belles And Ye Flirts

Spis treści:

Folksong Suite
The Dusky Night
The Ashgrove
Ye Belles and Ye Flirts
Stephen Foster Medley
Beauttiful Dreamer
Come Where My Love Lies Dreaming
De Camptown Races
Western Suite (of American folk song)
Red River Valley
Old Rosin the Beau
Streets of Laredo
Can't You Dance the Polka?
Brazilian Set Louis Gordon
Choros
Samba
Suite From The Don Juan Ballet Christoph Willibald Gluck
Allegro qiusto
Sicilienne
Gavotte
Anna Magdalena Suite Johann Sebastian Bach (from the Notenbuchlein)
March
Aria
Two Minutes
March
Haydn Suite Josef Haydn (from the Baryton Trios)
Andantino
allegro
Menuet
Finale
Suite From Les Petits Reins Ballet Wolfgang Amadeusz Mozart
Marche
Gavotte
Tambourin
Tchaikovsky Suite Peter Ilich Tchaikovsky
Italian Song
Morning Peter
Waltz

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

cena 293,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski Kurs nagrywania AudioPro, cz. 3
angielski The AudioPro Home Recording Course, Volume 3


Ilość stron:272
Format:215 x 275
Opracowanie na:książka
Rodzaj produktu:nuty drukowane + 2 płyty CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078018
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully





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