Stretch

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Introduction
Left-hand concerns
How much pressure is enough ?
Fret-hand finger movement
Forearm rotation
Practice
Fret-hand muting
Stretching
Minimizing movement
The spider
Lead guitar
Alternate picking
String skipping
Economy picking
Sweep picking
Sweep-tap
Hybrid picking
Gypsy picking
Tremolo picking
Fret-hand picking
Legato
Bends
Slides
Attacked slides
Combining techniques
Shifting positions
Fingerings
Finger rolls
Tapping
Tremolo bar
Harmonics
Embellishments
Vibrato
Rake
Glissando
Double stops
Octaves
Slide-guitar basics
Tunings
Tricks and sound effects
Rhythm guitar
Strumming
Arpeggiating
Classical basics
Latin basics
folk and country basics
Chord basics
Triad exercises
power-chord workout
Appendix
Holding the guitar
Holding the pick
Tuning the guitar
Range
Notes on the guitar
Finger permutations
Fingering permutation table

Listening with the musician's Ear
Your mind
The Power of the Mind
Physiological Changes through conceptualization
My name is Effort
The Conditional Practice Session
The Brain
The Left and Right Hemispheres
Six - Fold Memory
Muscle Memory
Visualization and the Imagistic Mind
Auditory Memory
Analytical Memory
New Approaches
Sensory Awareness
Natural Biofeedback
Weight and Weightlessness
Your body
Muscle signals
Muscle communication
Signs of Injury
Causes of Injury
Monitoring Muscle Tension
Breathing
The mechanics of breathing
The diaphragm
Methods of breathing
Breath and music - making
Early conditioning
Breath as metaphor
Awareness and muscle balance
Introduction to units on the body
Hands and arms
The neck
The shoulders
The upper torso
The lower torso
The legs and feet
The jaw and lips
The standing musician
The seated musician
Music medeicine
The healting process
Constructive rest
Re - education
Choosing a doctor
Medical diagnosis
Medical problems
Other musical matters
Nervousness
Warming up
The music lesson
Tempo
The ensemble
Sight - reading music
In the recording studio
Environmental hazards
The function of exercise, water and nutrition
Carrying instruments and equipment
On the road
The performance space
The audience resonance
The musician as dancer
Muscle balance glossary
Introduction
Arm lifts
Arm shakes
Constructive rest
Constructive rest position
Freedom axis
Hang over
Head lifts
Hot and cold
Hula hoops
Imaging
Leg lifts
Mobility tests
Pelvic tilts
Pendulum swings
Pressure points
Psoas balancing technique
Rib cage strengthener
Shoulder rolls
Snaking
Stomach strengthener
Stretches
Tennis balls
Trills: lip and tongue
Directory
Introduction
Physical Therapies
Acupressure
Acupuncture
Alexander Technique
Biofeedback
Chiropractic
Feldenkrais
Kinesiology
Massage
Myotherapy
Occupational therapy
Osteopathy
Physical therapy
Reflexology
Rolfing
Shiatsu
Touch for health
Trager
Self exercise systems
Acuyoga
Aerobics
Dance
Muscle balance
Tai chi chuan
Yoga
Weight training
Mind and spirit therapy systems
Meditation
Structural consulting
Technologies for creating
Therapy
Healing remedies
Ayurveda
Ball work
Constructive rest
Herbology
Homeopathy
Hot and cold
Nutrition
Appendix
Suggested references
Resource organizations
Index
Video order form

Introduction
Your voice (and how it works)
A Scenario: Is This You?
How the Body Produces Sound
The High and Low Voices
Breaks
All About Breathing
Why Squeez, Hold, or Push?
Pitch
Controlling the Flow of Air
Right Breathing, Everyday Breathing
The Four Breathing Rules
Mental vs. Physical Effort
Right Placement
Speaking and singing are similar actions
Resonance
Working with vowels
Scales
Scale I: Working the Registers
Bad Habits
Going through the Break
Placing the Voice
Keeping the Throat Open
Scale II: Stretching the Cords
Too Breathy
Too Sharp/Shrill
A "Trashed" Voice
Scale III: Working the break
Scale IV: Bridging the Middle
A Weak Chest Voice
For advanced singers: The Pharyngeal voice
Singing songs
Open Up Your Voice
Phonetics: How words sound
Rewriting Your lyrics: A sample
Emotion & Songs
Closing
Appendix
A: Nodes & Your Health
B: The Scales (In All Twelve Keys)
CD Index
About the author
Acknowledgements

Basic and variation chord voicings
Chord voicings
Additional I chord voicings
The minor eleventh chord
Reverse voicing
Mini voicing
Chord superimposition
Diminished seventh chords
II V I in Minor
Stretch voicings
Practical applications
Comping
Melody playing with the rhythm section
APPENDIX A
Variation Voicing II V I (Major)
Alternate V7 Voicing b5 b9 13
APPENDIX B Basic and Variation Voicing
Major 6/9
Minor #7 and 9th
APPENDIX C Reverse voicing II V I (Major)
APPENDIX D Mini voicing II V I (Major)
APPENDIX E Stretch Voicing II bII7 I
APPENDIX F Left Hand Accompaniament Voicing (for Jazz lines or melody)
APPENDIX G Left hand accompaniament voicing (for jazz lines in minor)

Introduction
How to use this book
Workbook One - Part One; Exercises on adjacent strings
Starting with finger 1 (combinations 1 - 72)
Starting with finger 2 (combinations 1 - 72)
Starting with finger 3 (combinations 1 - 72)
Starting with finger 4 (combinations 1 - 72)
Workbook One - Part Two; Additional exercises along the neck
Starting with finger 1 (combinations 1 - 24)
Starting with finger 2 (combinations 25 - 48)
Starting with finger 3 (combinations 49 - 72)
Starting with finger 4 (combinations 73 - 96)
Workbook Two - Part One; Exercises for moving across strings
Starting with finger 1 (combinations 1 - 72)
Starting with finger 2 (combinations 1 - 72)
Starting with finger 3 (combinations 1 - 72)
Starting with finger 4 (combinations 1 - 72)
Workbook Two - Part Two; Stretching exercises
Two fingers (combinations 1 - 6)
Three fingers (combinations 7 - 14)
Starting with finger 1 (combinations 15 - 50)
Starting with finger 2 (combinations 51 - 86)
Starting with finger 3 (combinations 87 - 122)
Starting with finger 4 (combinations 123 - 158)

Introduction
Tuning
Section one: styles
Common '90s chord forms
Power chords with half stp stretch
Upbeat accents with descending chromatic dyads
Open chord hop
'90s hoedown
Section two: solos and scales
D minor pentatonic
D minor pentatonic solo
E minor pentatonic
E mixolydian
E mixolydian solo
A natural minor
A natural minor solo
Double octaves
Octaves with E bass
Slamming bass notes
Section three: altered tunnings
Dropped D tuning
Dropped D tuning chord forms
Arpeggios and power chunking
Open D tuning
Dropped D tuning chord forms
D minor pentatonic scale in open D tuning
Open D tuning power chords
D boogie woogie
Octaves with D bass
Box rock
Eb Minor/major 7th tuning
Eb minor/major 7th chord forms
Altered alternatice
Bb mixolydian
Bb dorian
Eb Melodic minor
Altered tuning chart
Section four: complete pieces
Power groove
Ascending heavy alternative power chords
Melodic grunge
Alternative strumming
Glossary of terms
About the author
Notation legend

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Contributor Contents
Abot Rose
Let Us See Those O O O O's
Allison Irl
Chord Inversions
Bradshaw David
Three Muscle Exercises
Chenée Ann
Trill Exercises for the Fourth and Fifth Fingers
Chiurco Erna
Scale Variation for the Beginning Student
De Vito Albert
Finger Control Leads to good tone quality
Playing "fp" on a Sustained Chord
Using the Damper pedal
Brush Stroke
Tone Quality
Shading of Chords
Third Study
Sixth Study
Scales and Arpeggios, Rhythms and Phrasing
Practice Suggestions
Complex Rhythms
Two against Three or Four against Six
Three against Two or Six against Eighth
Four against three or eighth against Six
Five against three or ten against six
Three against five or six against ten
Four against five or eight against ten
Five against four or ten against eight
Major Scales
Minor Scales
Whole tone scales
Chromatic scales
Diminished scales
Arpeggios on the Major Triads, root position
First and second inversions
Arpeggios on the minor triads, root position
First and Second inversions
Arpeggios on the Dominant seventh, root position
First, Second and Third Inversions
Diminished seventh chords in arpeggio form
Augmented chords in arpeggio form
Augmented seventh chords in arpeggio form
Augmented seventh chord with a minor third (example)
Seventh Chords with a diminished fifth (example)
Major sixth chords in arpeggio form
Minor sixth chords in arpeggio form
Minor seventh chords in arpeggio form
Minor seventh chords with a diminished
Minor seventh chords in arpeggio form
Minor seventh chords with a diminished
Major seventh chords in arpeggio form
Major seventh chord with an Augmented fifth
Major seventh chord with a diminished fifth
Major seventh chords with a minor
Major seventh chord with a Minor third and an Augmented fifth
Major seventh chord with a Minor third and a Diminished fifth
Edwards Carole
Flying in a Plane and coming down
Etts May
Thumb Under Exercise
Thumb under exercise based on scale fingering
Thumb under exercise based on arpeggio
Skipping exercise
Garte Esther
The fish exercises and stories
Fish exercise and story no. 1
Fish exercise, a Musical fish, no. 2
Fish exercise, the Fish goes visiting, no. 3
Kirshbaum Bernard
Suggestions - good practice habits, good study habits and musical interpretation
Diatonic scale study for the development of control and speed
Arpeggio study for the development of control and speed
Further diatonic study for speed
Movement of thumb over Held notes and fingers over thumb
Study points on the paraphrased two part inventions by J.S. Bach
Two part invention
Lang Bertha
Legato third development
Development of light touch
McClanahan Richard
Double third exercise based on the dominante seventh chord
Nehman Sara
Chord Studies
Rosenfeld Saul
Hand Stretching and flexibility
Chromatic exercise using five fingers
Sirooni Alice
Finger independence exercises
Repeated Notes
Skaggs Hazel Ghazarian
New scale formation for technical preparation in performing contemporary music
Stenzler Sylvia L.
Diminished Seventh Chords used in Chromatic progression and variations
Broken chords in chromatic movement
Stojowski Luisa
Pedaling suggestions
Tecklin Libbie
Chromatic scale for the development of strength in using the third, fourth and fifth fingers, both hands
Chord study, major keys
Minor keys
Zabrack Harold
Hand Musculature exercise
Development Exercise for Bridge of Hand
Tonic Seventh Broken Chord exercise in chromatic modulation
Piano technique, a psycho-physical investigation

Introduction
Getting Your Body Ready to Play
Getting Your Mind Ready to Play
And Now, the Piano!
Afterword
Abour The Author
Author's Note
Anatomy for the Pianist
Stretching
Relaxation and Tension Release
Attitudes Toward Music
Attitudes Toward Practicing
Attitudes
Starting Slowly
Using Basic Materials in a "Musical" Warm-Up
Using Repertoire
Being Mindful of Your Physical and Mental States

Two for Six
Pedaling Has Its Ups and Downs
The Score Is Four to One - Sixteenth Notes
Relay Hand-Off
Moving on Up in F Major
Moving on up in D Minor
Making a Repeat Appearance!
Sixteenth Rests
When is the rest of it?
The Incredible Stretching and Shrinking Chords
Chords of the Key
Juggling Triads
Triads Encore
Season Opener - Major League Triads
Trble Clef Steals Third - Building Open Position Triads
Moving on Up
Match Game
Questions and Answers
Name that Tune!
The Dotted-Rhythm Website
Breaking Up is Not Hard to Do
Triad Turnovers - Root Position and First Inversion Triads
Triad Turnovers - Second Please!
Inversion Diversion
Moving on Up in Bb Major and G Minor
Now Try This!
Improvising in ABA Form
Chromatic Construction
Chromatic Inspection
Mysterious Patterns
Haven't We Met Before?
Thinking it over
Canon in D for Me
Spike is puzzled
Teacher's Examples

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