On the Right Lines

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Introduction
Goal Statement
Acknowledgments
Using the CD
About the Notation
Part 1
Some Basic Tips on Playing
The Right Hand Position
The Left Hand Position
The Chromatic Warm - Up Exercise
Let's Add the Metronome
The Root - Five - Octave Exercise
First Things First: Here's the Neck
The Major Scale and Numerical System
The Open String Position
The Basic Rhythms
Take A Little Rest
Part 2
Play the Root
Using the Octave
Adding the Fifth
Approach Notes
Chromatic Approach
Scale Approach
Dominant Approach
Part 3
Box Shapes, Pentatpnic Scales, and Blues
The Walking Blues Line
New Rhythms
Anticipating the Downbeat
Upbeats
Sixteenths
Wrapping It Up
Full - Length Tunes
About the Author

The Electric Bass
The Bass Amp
Tuning
Playing Positions
Musical Symbols
Right - Hand Technique
Fingerstyle
Pick Style
Left - Hand Technique
The 1 - 2 - 4 Fingering system
Open - String Exercises
The Rake
Notes On The E String
Little Rock
Kindla Folky
More Notes on the E String
Lookin' Sharp
The Shift
Notes on the A string
You Go, Slav
Repeat Sign
One More Time
Cattle Crossing
More Notes on the A string
The Finger Roll
Roll It
Rolly
12 - Bar Blues
A little Heavy
Notes on the D String
Private Eye
Minor League
D - Lite
More Notes on the D string
Three - String Review
Crossin' Three
The Octave
Octa Gone
Notes on the G String
Gee Whiz
All Right
More Notes on the G String
All Four One
F / X
More Octaves
Octave Blues
Ties
Taiwan On
3 / 4 Time & the Dotted Half Note
Three's a Crowd
Tell It
Changin' Times
Rests
Rock 'n' Rest
D. C. al Fine
Three Play
Eighth Notes
Movin' 8's
Eight Ball
Eight Rests
Rok Gruv
Bop Bop
D. C. al Coda
Coda Pendant
Dee Dee
Using a Metronome
The Classic Rhythm
Down Home
Raitt On
Minor's Tale
A Classic Variation
Classic Blues
Petty Thief
Third Position
3rd Watch
Flying Leap
0 and 3
Shifty
Shift - Crazy Blues
Stones - y
Etude Brute
The Box Shape
E, A & B Box
Box Lunch
Box - E Blues
Movable Boxes
Your Move
Move It
Movie Star
5th Position
On the G String
Shift Practice
Shifty Henry
On the D String
Dee Gee
5 - 3 - 1
Dig It
On The A String
Introducing Tablature
Tab Hunter
Pay the Tab
On The E String
Open / Closed
Da Blues
All Together Now
Swing Time
One Finger Per Fret
The Major Scale
Scale Sequence # 1
Scale Sequence # 2
Key Signatures
Universal Fingerings
Scale Sequence # 3
Scale Sequence # 4
Pasta Mon
D - Lish
A - Flat Tire
Open E.
G3
B - Flat Jump
The Ckassic Blues Line
Gee Blues
Aay, Blues!
Low Down
Understanding Bass Lines
Syncopated Eighth Notes
Off Beat
Funky Soul Groove
That '70s Thing
The Major Triad
Tri Again
Funky Li'l Blues
The Minor Scale
Minor Scale Sequence
Relative Minor and Major
House O' Horror
Noir
Jazz Minor
Modulation
Minor Modulation
Mod Crazy
Minor Triads
Bogey Man
Roots
Gypsy Swing
Room - ba with a View
Eighth - Note Triplets
The '50s
12 / 8 Time
Bumpin'
The Shuffle Rhythm
Old Days
One - and Two - Measure Repeats
Bad Bone
Uptown Down
Classic Flat 7
Rollin'
Go On
The Chromatic Walkup
Open Up
Staccato
Double Up
Rez - Q
Curtis
Kickin' It
Sixteenth Notes
One Drop
Dada Dadat
Jog Wheel
Sixteenth Rests
Layin' Back
Nazz - T
Plutonic
Funky 16th - Note Syncopation
Ookachu Wha?
Groove
Combo
Minor Glitch
Do It Now
Soul Groove
D - Troit
Seventh Chords
Floaty
Vanilla
L'il Thing
Funk Time
Little M
Shufflin'
Middle Man
On The Verge
Slides
Slippin' & Slidin'
Minor Pentatonic
Venture Forth
Deja View
Hammer - Ons & Pull - Offs
Hammer Head
X - Tender
Major Pentatonic
Just Like My Girl
N'awlins Beat
Playing Off Chord Symbols
Just Roots
Roots & 8ths
Jumping Octaves
Your Turn
Adding the 5th
Use the 5
5 by 8
Root - 5 - 8
You Go It
Chromatic Approach
Chromatic R - 5 - 8
It's Up to You
Scale Approach
Scale R - 5 - 8
All Yours
Dominant Approach
Dominant to the 5th
You Go, Hugo
Using Triads to Create Bass Lines
Walking Triads
Walk This Way
Simple Triads
On Your Own
Triads & Dotted Quarters
Uh Huh
Locking In to the Groove
Groove Jam
Time 2 Groove
Slap Funk
Slap This
Pent Up
The Pop
Combinning Slap And Pop
Octave Slap
Chroamtic Octaves
Gritty
The Pressure Roll
Dead Notes
Dead End
Keep In Together
It's an Eyeful!

Preface
Introduction: The real you
1: Bands
Auditioning Members
Leading a Band
One Chief, Many Indians
Two Cases in Point: The Knack and Mozart
Naming Your Band
Photo Sessions
The Press Package
Demo Tapes
Rehearsing
2: Personal managers
Management Traits
Who needs management?
Self - Evaluation
Management Options
Finding a Manager
Creating a "Buzz"
How Managers fing new talent
Attracting clients
The management contract
3: Music attorneys
Start Shopping Now
Attorney Checklist
Considerations and Complications
Who reps who?
4: Business managers & booking agents
Business managers
Compensation
Booking agents
How agents work
5: Record companies
Inside a record company
Recording contracts
Don't do this!
Names and Numbers
6: A & R
Makin' Records
Knowledge is good
Don' call us...
Decisions, decisions
Kerner's klass
Kenny's kids
Cartoon Boyfriend
Why your tapes get trashed
The three A&R deals
Signing Ingredients
The three A&R games
How to get it done, really
7: Publishing
Copyrights
Mechanical vs. Performance Royalties
How It works
Start Your own publishing company
Hang on to Your songs
"Music Publishers" by John Braheny
8: Songwriting
The Golden Rule
Hit songs vs. Hit Records
Observations
Structural Pointers
Dummy Lyrics
9: Demos & press kits
The Demo
Choosing Your best songs
Pre - production and recording
Reproducing your tapes
The press kit
Artist photos
Cover Letters
Following up
10: Self - promotion
Promote Your Shows
Press releases
More homework
Deadlines and publication dates
Paid advertisements
Merchandising
"Self - Awareness" by Dennis Anderson
11: Meeting & greeting
The "In Crowd"
What to Say
Telephone talk
Looks can kill
Getting ahead
"People Power" by Dan Kimpel
Rewind: Looking back
Review: Q&A
Recommended Sources
About the Author

Modes & modal frameworks
Modes bright to dark
Major, minor or modal?
Modal melodic examples
When is it modal & when is it functional harmony?
Modal tunes in jazz practice
Chord symbols & modes
Tunes with modal & functionalharmony combinations
Tunes with modal mixture
Modal planing
Modal progressions
Motivic development
Compensitional devices for motivic development
Motivic development in modal improvisation
Quartal harmony
Other scales & colors
Scales for jazz improvisation
Chord / scale equivalency
Modes of the melodic minor scale
Relationship between 7th & 4th modes of melodic minor
Modes of the major scale with b6
Applications of major scale with b6 in a composition
Scales of limited transposition
Chord / scale relationship review
Hexatonic options
Determining the appropriate sound
Chord symbol & context
Melodic implications & chord symbol
Impositions over traditional frameworks
Extended tertian structures & triadic superimposition
Notation Shorthand
Triadic superimpositions formulas & examples
Pentatonic applications
Pentatonic applications
Pentatonic superimposition formulas
Pentatonic superimposition formulas
Coloring "outside" the lines & beyond
Approaches to coloring outside the lines
Beyond
Analysis: the big picture
Expanding harmonic vocabulary
Introduction
Voice leading
Harmonic rhythm
Mixture of harmonic colors
Types of motion
Creating with new vocabulary
Possible harmonizations of the Pitch "C"
CODA
Summary
App. 1: Reference for chord / scale relationships
App. 2: Elaborations of static harmony
App. 3: Endings
App. 4: Composing tips
App. 5: Theory applications

Contents
Introduction
You/Your right hand
The Concept
Let's walk the bass
It's your turn
Convenient chord tones
Mixing chromatic and chord tones
It's your turn #3
Scale shapes and the minor 7 chord
It's your turn #4
2 for 1 major triad inversion
More II, V, I examples
It's your turn #5
How about some substitutions
It's your turn #6
Some chord placement options
It's your turn #7
3 full lenght examples
"Bb blues" original progression
"Bb blues"
"Just buds" original progression
"Just buds"
"All the stuff you wanna be" original progression
"All the stuff you wanna be"
Chord reference chapter
Major triad
Minor triad
Major 7
Minor 7
Dominant 7
Dominant 7 altered
Minor 7(b5) (or half diminished)
Diminished 7
Substitution list
Afterthought
About the author
Chromatic approach over chord changes
It's your turn #2

How to ude this book
General information
Open strings notes
Open Through Fourth Position
Keft and Right Hand technique
Method of string tuning
Finding notes by octave
Music symbols
The Staff
The Clef Sign
Notes On the Staff
Notes on the ledger lines
The Bar Lines / Measures
The Repeat sign
1st and 2nd Endings
Time Signature
Notes and their Values
Rest Symbols and their Values
1st string studies
2nd string studies
Combo studies (1&2 strings)
3 rd string studies
4th String studies
Combo studies (3 & 4 strings)
Combo studies (All 4 strings)
The Rhythm Gallery
Sharps, Flats, & Naturals
Enharmonic Studies
Key Signatures
The Major Scale
Chords and Arpeggios
Chord Types
Chord Construction
Chord Studies in the Key of C
Chord Studies in the Key of G
Chord Studies in the Key of D
Chord Studies in the Key of A
Chord Studies in the Key of E
Chord Studies in the Key of B
Chord Studies in the Key of Gb
Chord Studies in the Key of Db
Chord Studies in the Key of Ab
Chord Studies in the Key of Eb
Chord Studies in the Key of Bb
Chord Studies in the Key of F
Blues Progressions
Key of C
Key of G
Key of Am
Key of Em
F BLues
The Sign and the Coda
Chord Charts

On the Right Lines

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