Margaret

30 top songs from such CCM stars as Rebecca St. James, Chris Tomlin, Newsboys, Matt Redman, David Crowder and others. Includes: Above All • Be Glorified • Enough • It Is You • Let My Words Be Few • Majesty • We Fall Down • You Alone • more.

The 29 etudes in this book are taken from Carl Czerny's The Little Pianist, Opus 823. These engaging etudes are comparable to their famous older brothers, the studies found in The Art of Finger Dexterity, but are written for students at an earlier stage of study. They encompass a wealth of technical and music instruction from this master teacher of the Classical period, indeed, the world's first great piano pedagogue. The etudes focus on developing both technical and music skills, providing an excellent stylistic and technical resource for the intermediate pianist. Preceding each etude or group of etudes is a worksheet divided into three sections: Practice Tips, Quick Quiz and Creative Corner. These worksheets help students focus on the important technical features in each etude, apply practical music theory to their study of the music, and vary the etudes in creative ways. Czerny - Selections from The Little Pianist, Opus 823 is available in book/CD format (00296363) or as a book alone (00296364). A separate General MIDI accompaniment disk is also available (00296365). CD and GM accompaniments were created by Phillip Keveren. Also see Hanon for the Developing Pianist in the Hal Leonard Student Piano Library Technique Classics series.

Lista utworów:
Exercise one (Mastering the ability to play the interval of a third easily, using finger 4 and 5)
Exercise two (Building strenght and control of fingers 3 and 4)
Exercise three (Strengthening the outer fingers 2-3-4 of each hand)
Exercise four (Strengthening the outer fingers 4-5 of each hand)
Exercise five (Transferring the weight of of the arm evenly over all the fingers of the hand)
Exercise six (Streingthening 5 as it alternaters with all the other fingers of the hand)
Exercise seven (Strengthening the outer fingers 3-4-5 of each hand)
Exercise eight (Stretching easly betwee finger 2 and fingers 4-5)
Exercise nine (Balancing the weight of the arm over each finger of the hand)
Exercise ten (Strengthening the finger pairs 2-3 and especially 3-4)
Exercise eleven (Strengthening the finger pairs 4-5. Trill preparation)
Exercise twelve (Extending fingers 1 and 5. Strengthening fingers 3, 4 and 5)
Exercise thirteen (Strengthening the outer fingers 3-4-5 of each hand. Contracting the hand by placing fingers 1 and 3, or 3 and 5, or adjacent keys)
Exercise fourteen (Strengthening the outer fingers 3-4. Contracting the hand by placing fingers 1 and 3, or 1 and 4, on adjacent keys)
Exercise fifteen (Strengthening the finger 1-2-3-4-5)
Exercise sixteen (Strengthening between R.H. 3 and 5. Strengthening the fingers 3-4-5)
Exercise seventeen (Extending the hand position by strething between several fingers)
Exercise eighteen (Conctraction of the hand by placing 1 and 3, or 3 and 5, on adjacent keys)
Exercise nineteen (Strengtheing all the fingers of the hand)
Exercise twenty (Extending to an octave. Strengthening fingers 2, 3 and 4)

Contents: J.S. Bach: Minuet in F • Beethoven: Little Rondo in G, Minuet in G • Behr: French Child's Song, Op. 575, No. 1; In May, Op. 575, No. 2 • Bishop: Home, Sweet Home • Brahms: Cradle Song; Hungarian Dance No. 6; Waltz, Op. 39, No. 15 • Carnival of Venice • Chopin: Cantabile from Fantaisie Impromptu; Military Polonaise, Op. 40, No. 1; Nocturne, Op. 9, No. 2; Valse Brillante, Op. 18, No. 1 • Cougill: Wood Magic • Deep River • Eckstein: The Three Trolls • Endres: In a Sailboard, Singing Birds • Fichandler: Talking it Over • Foster: Old Black Joe, Old Folks at Home • Gurlitt: The Fair, Op. 101, No. 8 • Handel: Largo, Sarabande • Haydn: Serenade • Home on the Range • Hopson: Dancing Buttercups • King: Banjo Pranks, Pony Trot, With Flying Colors • Liszt: Liebestraum, No. 3 • Mendelssohn: Song Without Words • Mozart: Minuet from Don Giovanni, Turkish March • Rolseth: Arpeggio Waltz, Op. 35, No. 4; The Ballet-Dancer, Op. 40, No. 6; The Dancing Lesson, Op. 39, No. 1; Norwegian Country Dance, Op. 40, No. 8 • Rubinstein: Melody in F • Saxton: Teddy Bear March • Schubert: Dance from Rosamunde • Schumann: The Merry Farmer, Traumerei • Seuel-Holst: Singing Bells, Op. 21, No. 1; Three-and-Twenty Pirates, Op. 21, No. 5 • Short'nin' Bread • Strauss: Pizzicato Polka, Tales from the Vienna Woods • Streabbog: Little Fairy Waltz, Op. 105, No. 1 • Swing Low, Sweet Chariot • Tchaikovsky: Marche Slave, Op. 31; Nocturne, Op. 19, No. 4; Romance, Op. 5; Waltz of the Flowers • Turkey in the Straw • Wigham: Old Cowboy Trail.

Lista utworów:
Above All (Baloche P. & Le Blanc L.)
Come, Now Is The Time To Worship (Doerksen Brian)
God Of Wonders (Byrd M. & Hindalong S.)
Here I Am To Worship (Hughes Tim)
I can Only Imagine (Millard Bart)
If We Are The Body (Hall Mark)
If You Want Me To (Owens G. & Matthews K.)
Lord Have Mercy (Merkel S.)
Lord Most High (Harris D. & Sadler G.)
Moment Made For Worshipping (Chapman Steve Curtis)
No Greater Love (Eaton Chris & Becker Margaret)
Redeemer (Coleman-Mullen Nicole)
Song Of Love (James Rbecca St. & Bronleewe Matt & Ash Jeremy)
Word Of God, Speak (Kipley P. & Millard B.)
You Raise Me Up (Lovland Rolf)

Schirmer Performance Editions are designed for piano students and their teachers as well as for professional pianists. Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Prepared by renowned artists/teachers, these publications provide an accurate, well-informed score resource for pianists. Gurlitt's collection of accessible, charming works for the intermediate pianist provides an excellent introduction to Romantic repertoire of the mid-19th century, and highlights that period's signature solo piano form, the character piece. Gurlitt's miniatures show the influence of Robert Schumann, yet these solos nonetheless display an individuality and freshness all their own. Editor & recording artist: Margaret Otwell

A massive collection of 100 easy arrangements of such classics as: A-Tisket A-Tasket • Alouette • America, the Beautiful • Baa Baa Black Sheep • Bingo • Eensy Weensy Spider • The Farmer in the Dell • Hickory Dickory Dock • Home on the Range • I've Been Working on the Railroad • If You're Happy and You Know It • John Jacob Jingleheimer Schmidt • London Bridge • The Muffin Man • Oh! Susanna • Old MacDonald • On Top of Old Smoky • Pop Goes the Weasel • Skip to My Lou • Take Me Out to the Ball Game • Twinkle, Twinkle Little Star • and more!

Les Petites Images is a perfect introduction to Jennifer Linn's popular intermediate-level book in French style, Les Petites Impressions. Like that book, the seven solos in this easier collection in impressionist style evoke detailed images of the titles. Although these solos are at a late-elementary level, there are quite a few easy-sounds-hard gems in this book that will make those younger students sound very accomplished. Early-intermediate students may also find these pieces very enjoyable to learn or read through. To familiarize students with notation found in Debussy and Ravel, titles have been written in French with English subtitles: expressive instructions are in French as well, and a glossary is provided in the introductory pages. Level: Late-Elementary piano solos (Hal Leonard Student Piano Library Level 3); Keys: F, C; Meters: 4/4, 2/2, 6/8; Range: full staff and leger lines; Note Values: whole notes to eighth notes; Technical features: remains mainly in 5-finger patterns or slightly extended hand poisions; some double thirds; some interlocked h. pos. (R above L in same register), legato pedal, pedal points. Length: 2-4 pages long. Average performance time: 1 minute, 30 seconds.

Zbiór sześciu solowych impresji na fortepian solo. Kompozytor Jennifer Linn została wybrana na listę festiwalu National Federation of Music Club, nauczała gościnnie w klasie fortepianu na uniwersytecie w Illinois. Jej kompozycje ukazywały się w magazynie "Keys". Same kompozycje mogą stanowić wspaniałe wprowadzenie do stylu impresjonistycznego. Słowniczek francusko - angielski dla pojęć w utworach ułatwia odczytanie kompozycji.

New Age sounds blend with hints of Native American melodies and flute songs in this beautiful collection of six solos for the early-intermediate to intermediate-level pianist. Each solo stands alone, but the entire book can also be played in recital as a suite - the tempos alternate in a pleasing way to create a tightly woven, finely detailed desert landscape. Level: Early-Intermediate/Intermediate (Hal Leonard Student Piano Library Levels 4-5); Range: full grand staff and leger lines; Meters: 2/2, 3/4, 4/4, 7/8; Technical Features: broken chord accompaniments, some double-note intervals in both hands, cross-hand patterns, interlocked hand position, legato pedal, pedal points, multiple textures. Length: 2-5 pages; Average performance time: 2 minutes, 30 seconds. Performance time for entire suite: 10 minutes, 3 seconds.

A beginning fake book for players new to faking. Includes over 100 songs, all in the key of C with chords that have been simplified, but remain true to each tune. Also features easy-to-read, large music notation. Songs include: Above All • Awesome God • Blessed Be Your Name • Breathe • Come, Now Is the Time to Worship • Days of Elijah • Forever • He Is Exalted • The Heart of Worship • Here I Am to Worship • I Could Sing of Your Love Forever • I Give You My Heart • Lord, I Lift Your Name on High • Open the Eyes of My Heart • Shout to the Lord • Step by Step • We Bow Down • You Are My All in All • You Are My King (Amazing Love) • You're Worthy of My Praise • and more.

With lush harmonies, soaring melodies and irresistible Latin rhythms, this radiant solo suite will transport pianists and audiences alike to the Caribbean for a feast of musical treats!ŽThe menu includes the spirited, Calypso-flavored Jamaican Skies; an elegant, tropical delicacy in Key Lime Sunset; a sultry, spicy dance in Mango Tango; and ends with a showy, Flamenco finale titled Montego Guitar. Superbly suited as concert or recital fare for intermediate/early advanced players (HLSPL Level 5);Ž Range:Ž full grand staff, leger lines, 8va, 8vb;Ž Meters: 4/4, 6/8, 4/4, 3+3+4/8;Ž Technical features:Ž shifting harmonies producing accidentals, some multiple voicing in each hand, multiple textures, flexible tempi, and an attractive introduction to Latin rhythms. Length:Ž 3 - 4 pages; Average performance time:Ž 2,'Ž Performance time, entire suite:Ž 8'.

A dozen contemporary expressions of worship for solo piano: Beautiful One • Enough • Forever • Holy Is the Lord • Shout to the North • You Are My King • more. Includes chord symbols and optional interludes.

Over 100 more songs from the 1940s, including: The Anniversary Waltz • Baby, It's Cold Outside • BÚsame Mucho (Kiss Me Much) • But Beautiful • Diamonds Are a Girl's Best Friend • Ev'ry Time We Say Goodbye • Harlem Nocturne • It's a Most Unusual Day • Once in Love with Amy • Speak Low • There's No Business like Show Business • You'll Never Walk Alone • and more.

This landmark series collects compelling, useful, singer-friendly arias from a distinctly American opera tradition. Each volume includes information about every opera and an aria plot note. A majority of the music in the four volumes has never before been available outside of the opera vocal scores, and some arias in the series have never been in print at all before now. Most arias are appropriate for college-level singers. Composers such as Samuel Barber, William Bolcom, Douglas Moore, Virgil Thomson and Gian Carlo Menotti are well represented. Additionally, arias are included from important works such as Regina, A Streetcar Named Desire, The Ghosts of Versailles, The Great Gatsby, Little Women and many others. Stephen Sondheim graciously agreed to adapt new aria editions of two pieces from Sweeney Todd for the series: “The Contest” in the Tenor volume and “Epiphany” in the Baritone/Bass edition.

Lista utworów:
Al norte (To the North!) from SIMÓN BOLÍVAR (T. Musgrave)
Always Through The Changing from THE BALLAD OF BABY DOE (D. Moore)
Be good to her from THE SAINT OF BLEECKER STREET (G.C. Menotti)
Birdie's Aria from REGINA (M. Blitzstein)
The Black Swan from THE MEDIUM (G.C. Menotti)
Bride's Song, The from THE LABYRINTH (G.C. Menotti)
But you do not know this man from A VIEW FROM THE BRIDGE (W. Bolcom)
Dear Husband: Come this fall from JOHN BROWN (K. Mechem)
Dearest Mama from THE BALLAD OF BABY DOE (D. Moore)
Do not utter a word from VANESSA (S. Barber)
Escúchame from FLORENCIA IN EL AMAZONAS (D. Catán)
Fair Robin I love from TARTUFFE (K. Mechem)
Father, I beg you from TARTUFFE (K. Mechem)
Give me some music from ANTONY AND CLEOPATRA (S. Barber)
Green finch and linnet bird from SWEENEY TODD (S. Sondheim)
Have peace, Jo from LITTLE WOMEN (M. Adamo)
Hello! Oh, Margaret, it's you from THE TELEPHONE (G.C. Menotti)
I have been wandering through the green woods from WUTHERING HEIGHTS (B. Herrmann)
I have dreamt from WUTHERING HEIGHTS (B. Herrmann)
I want magic! from A STREETCAR NAMED DESIRE (A. Previn)
Joy beyond measure, Mother! from LITTLE WOMEN (M. Adamo)
Kiss Me Not Goodbye from THE MIGHTY CASEY (W. Schuman)
Lola's Aria from GALLANTRY (D. Moore)
Loved One, Beloved from TEA (Tan Dun)
Monica's Waltz from THE MEDIUM (G.C. Menotti)
Music, music, music from REGINA (M. Blitzstein)
My sleeping beauty from THE HERO (G.C. Menotti)
Now, my fairest friend from WINTER'S TALE (J. Harbison)
Oh, Sweet Jesus from THE SAINT OF BLEECKER STREET (G.C. Menotti)
Open the window from WUTHERING HEIGHTS (B. Herrmann)
Prayer, A from THE MIGHTY CASEY (W. Schuman)
Sea Air from A STREETCAR NAMED DESIRE (A. Previn)
Silver Aria, The from THE BALLAD OF BABY DOE (D. Moore)
Somehow I never could believe from STREET SCENE (K. Weill)
Steal me, sweet thief from THE OLD MAID AND THE THEIF (G.C. Menotti)
The Foreign Woman's Aria from THE CONSUL (G.C. Menotti)
They are always with me from THE GHOSTS OF VERSAILLES (J. Corigliano)
To this we've come from THE CONSUL (G.C. Menotti)
What good would the moon be? from STREET SCENE (K. Weill)
What will it be for me? from REGINA (M. Blitzstein)
Where is the old warm world? from THE GREAT GATSBY (J. Harbison)
Who is there to love me? from A HAND OF BRIDGE (S. Barber)
Why must the greatest sorrows come from VANESSA (S. Barber)
Willow Song from THE BALLAD OF BABY DOE (D. Moore)

Discover the Lead on these Smash Hits. The book contains carefully selected and edited arrangments, with chord symbols in concert pitch. The accompanying CD includes full backing tracks, and demonstration recordings to help you learn the songs. Includes 'Anything Is Possible' (Will Young), 'Just A Little' (Liberty X) and 'One Step Closer' (S Club Juniors). Suitable for players grade 1-2 standard.

Lista utworów:
Anything Is Possible (Dennis Cathy, Braide Chris)
Bop Bop Baby (Murphy Graham, Brien O'Chris)
Hero (Iglesias Enrique)
Hey Baby (Channel Bruce, Cobb Margaret)
How You Remind Me (Kroeger Chad)
It's Ok (Eriksen Mikkel)
Just A Little (Escoffery Michelle, Hammnd-Hagan John)
One Step Closer (Dennis Cathy, Percy Mike, Lever Timothy)

King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera; the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama, but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural beings and thier worshippers, or servants, shepherds and similar characters, the main action mostly occurs in the spoken sections, and even the two singing characters, Philidel and Grimbald speak more than they sing.

Lista utworów:
Brave Souls (Purcell Henry)
Come If You Dare (Purcell Henry)
Come, Follow Me (Purcell Henry)
Come, Shepherds (Purcell Henry)
Fairest Isle (Purcell Henry)
For Love Ev'ry Creature (Purcell Henry)
Great Love (Purcell Henry)
Hither, This Way (Purcell Henry)
How Blest Are Shepherds (Purcell Henry)
How Happy The Lover (Purcell Henry)
I Call (Purcell Henry)
Let Not A Moonborn Elf (Purcell Henry)
No Part Of My Dominion (Purcell Henry)
Our Natives Not Alone Appear (Purcell Henry)
Recitative, 'The White Horse Neigh'd' (Purcell Henry)
Recitative, 'Woden First To Thee' (Purcell Henry)
Round Thy Coast (Purcell Henry)
Saint George (Purcell Henry)
See, See, We Assemble (Purcell Henry)
Shepherd, Shepherd, Leave Decoying (Purcell Henry)
Sound A Parley (Purcell Henry)
The Lot Is Cast (Purcell Henry)
Thou Doting Fool (Purcell Henry)
'tis I That Have Warm'd Ye (Purcell Henry)
To Woden Thanks We Render (Purcell Henry)
Two Daughters Of This Aged Stream (Purcell Henry)
What Ho! Thou Genius (Purcell Henry)
What Power Art Thou (Purcell Henry)
Ye Blust'ring Brethren (Purcell Henry)
You Say Tis Love (Purcell Henry)
Your Hay It Is Mow'd (Purcell Henry)

Publikacja gromadzi w sobie 44 popularne arie na głos sopranowy, pochodzące z oper różnych kompozytorów włoskich, niemieckich i francuskich. Są to dzieła artystów tworzących w okresach od wczesnego romantyzmu aż po neoromantyzm. W zbiorze odnaleźć można m. in. dzieła przedstawicieli włoskiego stylu bel canto - Belliniego (np. arię z opery "Norma"), Donizettiego (arie z opery "Łucja z Lamermoor") oraz Rossiniego (aria z "Cyrulika sewilskiego"). Cechują się one szczególnym eksponowaniem piękna i możliwości głosu ludzkiego. Ponadto w publikacji znajdują się również słynne dzieła francuskich kompozytorów (w tym trzy arie z opery "Carmen" Bizeta) oraz kompozytorów niemieckich - Marschnera (z opery "Hans Heiling") oraz Webera (m. in. arie z opery "Oberon"). Wszystkie te kompozycje są w opracowaniu na głos solowy sopranowy i fortepian. Posiadają teksty w oryginalnej wersji językowej oraz tłumaczenie niemieckie.

Prezentowana publikacja zawiera trzydzieści cztery wybrane arie operowe w opracowaniu na głos wokalny (alt lub mezzosopran) i fortepian. Pochodzą one z twórczości kompozytorów różnych okresów historycznych - od baroku do romantyzmu. W zbiorze odnaleźć można m. in. barokowe arie z oper Georga Friedricha Haendla - "Xerxes" oraz "Alcina", klasyczne arie Amadeusza Mozarta z jego oper "Cosi fan tutte" oraz "Tytus", arie romantyczne Carla Marii Webera (z oper "Oberon" i "Euryanthe"), Gioacchino Rossiniego (z opery "Cyrulik sewilski"), oraz Georgesa Bizet'a (z opery "Carmen").

Edward Grieg (1843 - 1907) to norweski dyrygent, pianista i kompozytor, pochodzenia szkockiego, nazywany "Chopinem północy". Jeszcze za życia kompozytora opublikowano ponad 148 jego pieśni solowych. Grieg przywiązywał ogromną wagę do tekstu słownego. Jego pieśni charakteryzują się niezwykłą zgodnością słowa i melodii (zarówno we frazowaniu jak i akcentacji). Zeszyt drugi "Complete Songs" jest to zbiór wybranych pieśni na głos i fortepian Griega. Publikacja zawiera kompozycje z op. 58, 59, 60, 61, 67, 69, 70 oraz pieśni sygnowane "EG" - od numeru 121 do 157. Jedynie w pieśni pt. "Doomed" głos wokalny został zanotowany w kluczu basowym. Partie głosu wokalnego we wszystkich pozostałych utworach posiadają zapis w kluczu wiolinowym.

Lista utworów:
Akt I
Nr. 1 Introduktion
Nr. 2 Szene und Chor - Nichts! Umsonst befrage ich
Nr. 3 Rezitativ - Doch dieser Gott, was vermag er
Nr. 4 Duett - Da bin ich! Gefall ich euch nicht
Akt II
Nr. 5 Allgemeiner Chor - Wein und Bier
Nr. 6 Szene und Recitativ - O heiliges Sinnbild
Da ich nun verlassen soll
Nr. 7 Rondo vom goldenen Kalb - Ja, das Gold regiert die Welt
Nr. 8 Schwerter Szene und Choral - Wir danken für dein Lied
Nr. 9 Walzer und Chor - Leichte Wölklichen sich erheben
Akt III
Nr. 10 Intermezzo und Lied - Blümlein traut, sprecht für mich
Nr. 11 Szene und Recitativ - Hier herein? Folget mir
Nr. 12 Kavatine - Gegrüßt sei mir, o heil'ge Stätte
Nr. 13 Szene - Von dannen, sie naht
Nr. 14 Rezitativ - Ich gäb was drum, wenn ich nur wüßt
Nr. 14a Lied vom König von Thule - Es war ein König in Thule
Nr. 14b Juwelen Arie - Ha, welch Glück, mich zu sehn
Nr. 15 Szene - Herr, mein Gott! Was seh ich
Nr. 16 Quartett - Bitte, o nehmt meinen Arm
Nr. 17 Szene - Nein, noch heute will ich ihr es sagen
Nr. 18 Duett - Es ist schon spät, lebt wohl
Nr. 19 Margarete am Spinnrad - Ach, endlich sind sie fort
Nr. 20 Szene und Recitativ - Margarete! Siebel
Romanze - Als noch in Freude dir die Tage entschwunden
Verwendlung
Nr. 21 Szene in der Kirche - O Herr, so lasse hier niederknien Margareten
Verwendlung
Nr. 22 Soldatenchor - Hört ihr sie? Ja, sie sind's
Legt die Waffen nieder
Nr. 23 Rezitativ - Nun kommt, mein Freund
Nr. 24 Serenade - Scheinst zu schlafen, du im Stübchen
Nr. 25 Duell Terzett - Ihr sollt mir Rede stehn
Nr. 26 Tod Valentins - Schnell hierher, Nachbarn kommt
Akt V
Nr. 27 Die Walpurgisnacht - Hexen zum Brocken in Scharen ziehn
Nr. 28 Szene und Chor - Bis naht das erste Morgenrot
Nr. 29 Trinklied - In des Nektars weißen Schaum
Verwandlung
Nr. 30 Gefängnis - Szene - Geh jetzt! Der Tag bricht an
Nr. 31 Terzett Finale - Auf, eilet! Schon naht sich der Morgen
Nr. 32 Apotheose - Gerettet! Christ ist erstanden

Can any of us resist smiling when we revisit the nursery rhymes of our childhood? Perhaps our love of music began with the musical quality of those words we learned as very young children.
This collection of solo Piano pieces for the intermediate pianist is based on the Mother Goose poem that begins, Monday's child is fair of face.... The rhyme has been lovingly recreated as seven short character pieces, written in a charming lyrical style, that depict the various moods of each day of the week's child.
Early-intermediate level Piano solos in a variety of simple keys with scale passages, 16th-note passages, syncopation and a lyrical, Romantic style.

Lista utworów:
Monday's Child (Orignal Poem) (Brady Deborah)
Monday's Child (Brady Deborah)
Tuesday's Child (Brady Deborah)
Wednesday's Child (Brady Deborah)
Thursday's Child (Brady Deborah)
Friday's Child (Brady Deborah)
Saturday's Child (Brady Deborah)
Sunday's Child (Brady Deborah)

Composer Carla Bartlett writes musical letters to tell her friends how special they are. This collection assembles ten of her compositions - in styles from samba to rock and country to jazz - at the intermediate to early advanced level. The CD features Carla performing the pieces.

This folio celebrates the Gaither's long career in Christian music with 30 of their best-loved songs, including: Abide in Me Ě Because He Lives Ě He Started the Whole World Singing Ě I Am Loved Ě I Will Praise Him Ě The King Is Coming Ě Something Beautiful Ě There's Something About That Name Ě Upon This Rock Ě We'll Be There Ě Worthy the Lamb Ě and more.

Students join Spike and Party Cat as they explore the sights and tourist attractions in Music City. Their visit includes assignments that help students sharpen their music reading skills, learn to read ledger-line notes, and identify intervals, half and whole steps, and major/minor five-finger patterns. Corresponds to Piano Lessons Books 3 and 4.

Five whimsical pieces for piano solo, great for introducing the jazz improvisation idiom to classically trained piano students: Cowboy Karen • Fancy Footwork • Melody for Dennis • Prairie Gary • Sally Saddle.

Tsitsaros' lyrical talent and superb compositional skill are on display in these seven solos, each one a dance written in a specific nationalistic Romantic style.

The ancient Greek sign of the fish (Ichthys) is an instantly recognizable Christian symbol in pop culture. It is used on car bumpers, clothing, jewelry, business logos, and more. Hal Leonard is proud to offer The Fish Series, showcasing the wide variety of music styles that comprise the Contemporary Christian genre. From the early pioneers of CCM to today's current hits, there's something for everyone! 50 songs perfect for a worship band or solo praise, including: Amazing Grace (My Chains Are Gone) • Beautiful One • Days of Elijah • Forever • In Christ Alone • Mighty to Save • Revelation Song • Sing to the King • and many more.

Kabalevsky's pedagogical works develop real musical culture in children. This volume contains both the easier pieces from opus 39 and the intermediate pieces from opus 27 into one convenient and value-priced edition.

Lista utworów:
Margarete (Faust) - Valentins Gebet: Da ich nun verlassen soll (Gounod Charles)
Margarete (Faust) - Marsch (Gounod Charles)
Hoffmanns Erzählungen - Es war einmal am Hofe von Eisenack (Offenbach Jacqes)
Hoffmanns Erzählungen - Phöbus stolz im Sonnenwagen (Offenbach Jacqes)
Hoffmanns Erzählungen - Kein andrer Hausherr im Land (Offenbach Jacqes)
Hoffmanns Erzählungen - Barkarole: Schöne Nacht, du Liebesnacht (Offenbach Jacqes)
Hoffmanns Erzählungen - Lechte, heller Spiegel (Offenbach Jacqes)
Die verkaufte Brat - Gern ja will ich dir vertrauen (Smetana Friedrich)
Die verkaufte Brat - Wer in Lieb' entbrannt (Smetana Friedrich)
Die verkaufte Brat - Weiß ich don eine (Smetana Friedrich)
Fürst Igor - Vor mir taucht auf das Bild des Ruhmes (Borodin Alexander)
Fürst Igor - Auf den Flügeln linden Zephyrs (Borodin Alexander)
Carmen - Ja, die Liebe hat bunte Flügel (Bizet Georges)
Carmen - Euren Toast kann ich wohl erwidern (Bizet Georges)
Carmen - Ich seh die Mutter dort (Bizet Georges)
Carmen - Draußen am Wall von Sevilla (Bizet Georges)
Carmen - Hier an dem Herzen treu geboren (Bizet Georges)
Die Perlenfischer - O süße Stund' (Bizet Georges)
Boris Godunoff - Polonaise (Mussorgski Modest)
Boris Godunoff - Hör, Zarewitsch (Mussorgski Modest)
Eugen Onegin - Wohin, wohin, wohin seid ihr entschwunden (Tschaikovsky Peter)
Eugen Onegin - Ein jeder kennt die Lieb' auf Erden (Tschaikovsky Peter)
Pique Dame - Als deine Liebe du mir schenktest (Tschaikovsky Peter)
Rusalka - Gleitender Mond (Dvorak Antonin)
Sadko - Die Südse birgt in tiefen Felsenhöhlen (Rimsky-Korssakow Nikolai)
Cavalleria rusticana - Siziliana: O Lola, rosengleich blühn deine Wangen (Mascagni Pietro)
Cavalleria rusticana - Intermezzo sinfonico (Mascagni Pietro)
Cavalleria rusticana - Laßt uns preisen den Herrn (Mascagni Pietro)
Tiefland - Es kam in jeder Nacht ein Wolf (d'Albert Eugen)
Tiefland - Hüll in die Mantille (d'Albert Eugen)