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Flat Seven Shuffle

Dostępne opracowania:

fortepian solo (1)
gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy) (1)
gitara basowa solo (1)
gitara solo (1)

Flat Seven Shuffle znajdziesz w 4 publikacjach wymienionych poniżej:


Okładka: Friedland Ed, Bass Method - Complete Edition (Contains books I, II, III)

cena 80,95 zł.


nuty.pl

Friedland Ed
Bass Method - Complete Edition (Contains books I, II, III)

polski Szkoła gry na basie - zawiera części I, II i III
angielski Bass Method - Complete Edition (Contains books I, II, III)


Ilość stron:144
Format:230 x 305
Opracowanie na:gitara basowa solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara basowa (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:1 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Downing Doug
Zawartość:

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Kod produktu:NPL061927
Produkty podobne:Friedland Ed - Bass Method Beginner's Pack, Book 1

Szkoła nauki gry na basie - wydanie zawiera 3 części książki. Jest to doskonała pozycja dla początkujących basistów.
Część pierwsza mieści w sobie m. in.:
- opis budowy gitary basowej
- tłumaczenie symboli muzycznych
- technikę gry
- ćwiczenia techniczne
- ponad 100 piosenek i riffów

Druga część książki mieści w sobie m. in.:
- skale mollowe i durowe
- akrody gitarowe
- tabulaturę
- charakterystyczne rytmy

Trzecia część książki mieści w sobie m.in:
- trudniejsze piosenki, riffy i ćwiczenia
- slap & pop
- różnorodne style muzyczne do wykonania na basie
- akordy gitarowe

The Hal Leonard Bass Method is designed for anyone just learning to play electric bass. It is based on years of teaching bass students of all ages, and it also reflects some of the best bass teaching ideas from around the world!
This complete edition contains books 1, 2 and 3 bound together in one easy - to - use volume.
Book 1 includes:
- Tuning
- Playing Position
- Musical Symbols
- Notes Within the First Five Frets
- Common Bass Lines, Patterns, and Rhythms
- Rhythms Through Eighth Notes
- Playing Tips and Techniques
- More Than 100 Great Songs, Riffs, and Examples

Book 2 includes:
- The box Shape
- Moveable Boxes
- Notes in Fifth Position
- Major & Minor Scales
- The Classic Blues Line
- The Shuffle Rhythm
- Tablature

Book 3 includes:
- More Great Songs, Riffs, and Examples
- Sixteenth Notes
- Playing Off Chord Symbols
- Slap & Pop
- Hammer Ons & Pull Offs
- Playing Different Styles and Grooves

Lista utworów:
Bass Method - Complete Edition (Friedland Ed)

Spis treści:

The Electric Bass
The Bass Amp
Tuning
Playing Positions
Musical Symbols
Right - Hand Technique
Fingerstyle
Pick Style
Left - Hand Technique
The 1 - 2 - 4 Fingering system
Open - String Exercises
The Rake
Notes On The E String
Little Rock
Kindla Folky
More Notes on the E String
Lookin' Sharp
The Shift
Notes on the A string
You Go, Slav
Repeat Sign
One More Time
Cattle Crossing
More Notes on the A string
The Finger Roll
Roll It
Rolly
12 - Bar Blues
A little Heavy
Notes on the D String
Private Eye
Minor League
D - Lite
More Notes on the D string
Three - String Review
Crossin' Three
The Octave
Octa Gone
Notes on the G String
Gee Whiz
All Right
More Notes on the G String
All Four One
F / X
More Octaves
Octave Blues
Ties
Taiwan On
3 / 4 Time & the Dotted Half Note
Three's a Crowd
Tell It
Changin' Times
Rests
Rock 'n' Rest
D. C. al Fine
Three Play
Eighth Notes
Movin' 8's
Eight Ball
Eight Rests
Rok Gruv
Bop Bop
D. C. al Coda
Coda Pendant
Dee Dee
Using a Metronome
The Classic Rhythm
Down Home
Raitt On
Minor's Tale
A Classic Variation
Classic Blues
Petty Thief
Third Position
3rd Watch
Flying Leap
0 and 3
Shifty
Shift - Crazy Blues
Stones - y
Etude Brute
The Box Shape
E, A & B Box
Box Lunch
Box - E Blues
Movable Boxes
Your Move
Move It
Movie Star
5th Position
On the G String
Shift Practice
Shifty Henry
On the D String
Dee Gee
5 - 3 - 1
Dig It
On The A String
Introducing Tablature
Tab Hunter
Pay the Tab
On The E String
Open / Closed
Da Blues
All Together Now
Swing Time
One Finger Per Fret
The Major Scale
Scale Sequence # 1
Scale Sequence # 2
Key Signatures
Universal Fingerings
Scale Sequence # 3
Scale Sequence # 4
Pasta Mon
D - Lish
A - Flat Tire
Open E.
G3
B - Flat Jump
The Ckassic Blues Line
Gee Blues
Aay, Blues!
Low Down
Understanding Bass Lines
Syncopated Eighth Notes
Off Beat
Funky Soul Groove
That '70s Thing
The Major Triad
Tri Again
Funky Li'l Blues
The Minor Scale
Minor Scale Sequence
Relative Minor and Major
House O' Horror
Noir
Jazz Minor
Modulation
Minor Modulation
Mod Crazy
Minor Triads
Bogey Man
Roots
Gypsy Swing
Room - ba with a View
Eighth - Note Triplets
The '50s
12 / 8 Time
Bumpin'
The Shuffle Rhythm
Old Days
One - and Two - Measure Repeats
Bad Bone
Uptown Down
Classic Flat 7
Rollin'
Go On
The Chromatic Walkup
Open Up
Staccato
Double Up
Rez - Q
Curtis
Kickin' It
Sixteenth Notes
One Drop
Dada Dadat
Jog Wheel
Sixteenth Rests
Layin' Back
Nazz - T
Plutonic
Funky 16th - Note Syncopation
Ookachu Wha?
Groove
Combo
Minor Glitch
Do It Now
Soul Groove
D - Troit
Seventh Chords
Floaty
Vanilla
L'il Thing
Funk Time
Little M
Shufflin'
Middle Man
On The Verge
Slides
Slippin' & Slidin'
Minor Pentatonic
Venture Forth
Deja View
Hammer - Ons & Pull - Offs
Hammer Head
X - Tender
Major Pentatonic
Just Like My Girl
N'awlins Beat
Playing Off Chord Symbols
Just Roots
Roots & 8ths
Jumping Octaves
Your Turn
Adding the 5th
Use the 5
5 by 8
Root - 5 - 8
You Go It
Chromatic Approach
Chromatic R - 5 - 8
It's Up to You
Scale Approach
Scale R - 5 - 8
All Yours
Dominant Approach
Dominant to the 5th
You Go, Hugo
Using Triads to Create Bass Lines
Walking Triads
Walk This Way
Simple Triads
On Your Own
Triads & Dotted Quarters
Uh Huh
Locking In to the Groove
Groove Jam
Time 2 Groove
Slap Funk
Slap This
Pent Up
The Pop
Combinning Slap And Pop
Octave Slap
Chroamtic Octaves
Gritty
The Pressure Roll
Dead Notes
Dead End
Keep In Together
It's an Eyeful!

Okładka: Stetina Troy, Left-handed Guitar

cena 109,95 zł.


nuty.pl

Stetina Troy
Left-handed Guitar

polski Podręcznik do nauki gry na gitarze dla leworęcznych
angielski Left-handed Guitar


Ilość stron:80
Format:230 x 305
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:1 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL065152

Szkoła nauki gry na gitarze Troya Stetiny. Książka przeznaczona jest dla osób leworęcznych. Autor prezentuje od podstaw technikę gry, zagadnienia dotyczące dźwięków na poszczególnych strunach, akordów, skali, riffów, a także przedstawia sposoby gry w stylach takich jak: rock, blues, jazz na gitarze z odwrotnie założonymi strunami. Stetina charakteryzuje poszczególne style muzyczne i popiera je przykładami utworów. Dodatkowo do książki dołączona jest płyta CD zawierająca 99 wersji demonstracyjnych poszczególnych utworów i solówek.


Attention all Southpaws: it's time to turn your playing around! We're proud to announce that our groundbreaking guitar method solely devoted to lefties is now available with a CD! Complete with photos, diagrams and grids designed especially for the left-handed player, this book/CD pack teaches fundamentals such as: chords, scales, riffs, strumming; rock, blues, fingerpicking and other styles; tuning and theory; reading standard notation and tablature; and much more! Now with CD!


Lista utworów:
Fingerpicking Styles
Strumming Style Notation
The Blues
Reading Tablature
Barre Chords
Power Chords And Riffs
Reading Music On The Staff

Spis treści:

Welcome to Left - Handed Guitar!
Famous Lefties
About the Audio
Playing Left - Handed Guitar Today
Tuning
A Few More Things
Reading Music on the Staff
String 1: E
String 2: B
Rests and Dotted Half Notes
Sharps
String 3: G
Eighth Notes
String 4: D
More Sharps and Flats
String 5: A
String 6: E
More Flats
Strumming - Style Notation
Open Major Chords
Slash Notation
Time Values
Syncopation
Open Minor Chords
Open Seventh Chords
Strumming Patterns
Root/Chord Strumming
Vocal Accompaniament
Reading Tabulature
Boogie Patterns in E
Single - Note Riffs
Arpeggiated Chords
Power Chords and Riffs
Open Power Chords
Extanded Open Power Chords
Movable Power Chords
Guitar Ariculations
Barre Chords
E-form Barre Chords
A-form Barre Chords
Progressions
Seventh Barre Chords
The Blues
The 12-Bar Blues Progression
The Shuffle Rhythm
Sixth Comping
Blues Shuffle
The Blues Scale
Texas Blues Shuffle
Fingerpicking Styles
Common Arpeggiation Patterns
Fingerstyle Accompaniament
Ragtime
Hybrid Picking
Classical
Chord Refernce
Scale Reference
Appendix: Using Right - Handed Materials
Notation Guide

Okładka: Leavitt William, A Modern Method For Guitar - Volumes 1, 2, 3 Complete

cena 198,95 zł.


nuty.pl

Leavitt William
A Modern Method For Guitar - Volumes 1, 2, 3 Complete

polski Wspóczesna szkoła na gitarę - części 1,2,3 - całość
angielski A Modern Method For Guitar - Volumes 1, 2, 3 Complete


Ilość stron:432
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Feist Jonathan
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL076172
Produkty podobne:Leavitt William - A Modern Method For Guitar - Volume 2
Leavitt William - A Modern Method For Guitar, Volume 1
Leavitt William - Méthode Moderne De Guitare: Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition) - Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition), Volume 1

Trzy częściowa szkoła gry na gitarze Williama Leavitta, zebrana została w jednej publikacji. Jest ona wykorzystywana do nauki gry na gitarze w prestiżowym Berklee College of Musik. Część pierwsza zajmuje się harmonią, melodyką, akompaniamentem a także podstawowymi technikami (np. arpeggio). W części drugiej wprowadzone zostają zagadnienia interwałów, przewrotów akordów, improwizacji, gitary rytmicznej i gry w duecie. Część trzecia pogłębia wiedzę zdobytą wcześniej.

Now guitarists can have all three volumes of this classic guitar method in one convenient book! Created by popular demand, this new edition of the method used as the basic text for the renowned Berklee College of Music guitar program is a complete compilation of the original Volumes 1, 2, and 3. Innovative solos, duets and exercises progressively teach melody, harmony and rhythm. Perfect for the serious guitar student and instructor alike.

Lista utworów:
Lullaby [Brahms, Johannes]
Merrily We Roll Along
White Coral Bells
Old Macdonald Had A Farm
The Cobra [Leavitt, William]
The Pebble [Leavitt, William]
Two-part Invention (No.13) [Bach, Johann Sebastian]
My Old Kentucky Home [Foster, Stephen]
Long, Long Ago
The Waltz [Leavitt, William]
Andante (Symphony No.94 'The Surprise') [Haydn, Franz Joseph]
Home On The Range
Rock Candy [Leavitt, William]
An Ancient Rock [Leavitt, William]
Accidentally [Leavitt, William]
Another Waltz [Leavitt, William]
Big Ben [Leavitt, William]
Duet For Dot [Leavitt, William]
Duet For Two [Leavitt, William]
Frere Jacques
Giant Steps [Leavitt, William]
America, The Beautiful

Spis treści:

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar – The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales – Position II
Principal Real Melodic Minor Scales – Position II
Triad studies – chords in G major
Arpegios – Three note chords -major triads
Arpegios – Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales – poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies – chords in F Major
Technical study
About chord construction
Major scales – position IV
Principal Real Melodic Minor Scales – Position IV
Chord construction – four part harmony
Arpeggios
Rhythm Guitar – The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes – A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios – four note F chords
Arpeggios – four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales – Position V
Chord construction – three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios – Four note Bb chords
Arpeggios – Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar – The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment – The Appogiatura
Rhythm Guitar – The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios – four note Eb Chords
Arpeggios – four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales – Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios – four note Db chords
Arpeggios – Four note B chords
Rhythm Guitar – The right hanad (Samba)
Polka -dot (polka duet)
Major Scales – Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios – Four note F# chords
Arpeggios – Four note Gb chords
Arpeggios – Four note C# chords
Chords (Three note voicings) Dominant 7 chords – open voicings – all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios – Diminished chords (spelling most used)
Arpeggios – Dominant 7(b5)
Theory: Diatonic 7 Chords – Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales – position X
Principal Real Melodic Minor Scales – Position X
Chords (Three note voicings) Major 6 and 7 chords – close and open voicings
Chord construction – five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar – The right hanad (Joropo, Nanigo)
Arpeggio study – seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords – close and open voicings
Iim7-V7I chord study
Chord-scale relationships – special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody – from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships – major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar – The right hanad (Paso Doble)
Chord study – Minor 7 with 5b in the bass
Chord spelling – five note arpeggios – Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling – five note arpeggios – Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling – five note arpeggios – Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings – adding the 5th degree
Chords-preparation of four-part open voicings – adding the root
Chord spelling – five note arpeggios – minor 9(b5) chords
About improvisation
„It's Late” (duet)
Chords-preparation of four part open voicings – adding the 3rd degree
Chords-preparation of four part open voicings – adding the 7rd degree
Scale – chord relationship – Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Okładka: Evans Lee, The Elements Of Jazz

cena 48,95 zł.


nuty.pl

Evans Lee
The Elements Of Jazz

polski Elementy jazzu
angielski The Elements Of Jazz


Ilość stron:32
Format:230 x 305
Opracowanie na:fortepian solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:3 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL079863
Produkty podobne:Evans Lee - Beginning Jazz Improvisation
Evans Lee - Learning To Improvise Jazz Accompaniments

Niniejsza szkoła jazzu na fortepian autorstwa Lee Evansa zawiera takie zagadnienia, jak: synkopowanie, akordy septymowe, charakterystyczne przebiegi harmoniczne, gra non-legato i improwizowanie. Poszczególne tematy omówione są na przykładzie utworów. Dodatkowo publikacja zawiera cztery utwory jazzowe na fortepian na cztery ręce.


Covers syncopation, antic-ipation, blue notes, non-legato touch, 7th chords, walking bass, grace notes, ostinato (riffs), block chords, quartal jazz and other elements. Packed with solos utilizing these elements and techniques, plus four duets.


Spis treści:

Foreword
Practice Instructions
Up 'n' Down
Up 'n' Down together
Opposites Attract
The Eighth Wonder
Rub Your Belly, Pat Your Head
Pat Your Belly, Rub Your Head
Short'n' Sweet Blues
Seventh Heaven
Flat Five
Skip It!
Major-Minor Calypso Mix
Offbeat
Walking Bass Blues (duet)
Graceful
Saving Grace
Turn of the Century Blues
Call and Response Blues
Soft and Gentle
Crushed
Jazzin' the Scale
Blue Note Blues
The Two Graces
Raggin' It
The Long and Short of It
Dig the Riff
The Shrill Thriling Trill
Block Party
Shuffleboard (duet)
Struttin' Blues (duet)
Make Up Your Mind
The Sidewalks of New York (duet) (in Quartal Style)
Full Quart





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