Dear John

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Introduction
CD Track List
Rules of the (Fret)Board
Chapter 1 Harmony Review and Introduction to Voice Leading
Harmony review
Voice Leading in Action: Simple Chord Familes on the Guitar Neck
Voice Leading Chord Tones and Tensions
Other Smooth Moves: Parallel Movement
Drop-2 Voicings
Chapter 2 Major II/V/I Progressions
II/V/I Practice Guide
Practicing II/V/I Progressions
How to Work with Comping Rhythms
Comping Rhythms
II-7/V7/IMaj7 Progressions
Chapter 3 Minor II/V/I Progressions
I-7(b5)/V7(b9)/I-7 Progresions
Chapter 4 Practice Tunes and Rhythms
(None of the Things You Were)
(None of the Things You Were) Variation Using Rhythm No. 1
(Spring Arrives)
(Spring Arrives) Variation Using Rhythm No. 2
(Dear Old Stockmarket)
(Dear Old Stockmarket) Variation Using Rhythm No. 4
(I Smell Catastrophe)
(I Smell Catastrophe) Variation Using Rhythm No. 3
(Turn On Your Headlight)
(Turn On Your Headlight) Variation Using Rhythm No. 5
(If I Knew How to Cook)
(If I Knew How to Cook) Variation Using Rhythm No. 3
(I Should Have Thought About Me) Using Rhythm No. 12
(Rambos Chin) Using Rhythm No. 11
(On Great Love) Using Rhythm No. 9
(Remember Me) Using Rhythm No. 10
Rhythm Changes
Rhythm Changes (Mixed Comping Rhythms)
Blues in F - Try Your Own Comping Thythms
Blues in F Using Rhythm No. 2
Chapter 5 Extra Credit: Advanced Progressions and Turnarounds
The Functions of #IV-7(b5): What It Is and How to Use It
Madal Interchange: What It Is and How to Use It
Interpolative II-7: What It Is and How to Use It
Chromatic Approach: What It Is and How to Use It
Diatonic Turnarounds: What It Is and How to Use It
Dominant Approach: What It Is and How to Use It
Sub V7 Dominant Substitutions
Using Dominant Approach With Blues Changes
Dominant Approach Applied to Dominant 7 and Substitute Dominant 7 Turnarounds
Dominant Approach: Dominant to Dominant 7
Dominant Cycle of Fifths: Mixolydian to Mixolydian
Dominant Cycle of Fifths: Mixed to Mixed Dominants
Dominant Chords: What They Are and How to Use Them
For Further Listening
Glossary
Appendix Modes and Chord Scales
Chord Scale Quick Finder
Scale Syllabus for Improvisation
Modes in Seventh Chords for Guitar
About the Author

Fundamentals
How the fingers are numbered
How the white keys are named
How the music is written
Application
Right hand (C, D, E) - "At sea level"
Left Hand (A, B, C) - "Seize the C's"
Alternating hands - "Say si si"
Four notes up and four notes down - "Alma mater"
Starting on fourth count in 4/4 time - "Upidee"
Introducing 3/4 time - "The lass tih the delicate air"
The phrase mark - "Two bits from symphonies"
Presenting rests - "It ain't gonna rain no more"
Omitting finger numbers - "Li'l Liza Jane"
The tie - "Red river valley"
Natural accents - "The rose of Tralee"
A brief history of piano
Sight reading hints - "When love is kind"
The sharp sign - "Sweet Marie"
F-sharp in the signature - "Nut brown maiden"
The flag sign - "Martha"
B-flat in the signature - "Country gardens"
Accidentals (sharp, flat and natural) - "My sweetheart's the man in the moon"
How to play in rhythm - "Those endearing your charms"
How to use the damper pedal
Pedal your own canoe
Music terms - "In the gloaming"
A unique musical coincidence - "Fifth symphony" - Beethoven
The dotted quarter note in 4/4 time - "None but the lonely heart"
Bringing out the melody - "Drink to me only with thine eyes"
Minor mood - "The cruel landlord"
The Metronome - "My heart is in the highlands"
Crescendo and diminuendo - "You tell me your dream"
The dictionary habit - "The lost chord"
The octave higher sign - "Drigo's serenade"
Intervals - "Too-ra-lay"
The pianoforte - "I'll take you home again Kathleen"
Schaum piano quiz
Musical dictionary

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