Sław języku

Cykl pieśni o tematyce jesiennej współczesnego polskiego kompozytora, prof. Bronisława Kzimierza Przybylskiego, w obecnym wydaniu na wiolonczelę i gitarę . Wśród tytułów m. in.: "Moja melancholia", "Pożegnanie ptaków" i "Powracające wspomnienie". Średni czas trwania wszystkich utworów: 13, 30 min.

Justus Johann Friedrich Dotzauer was born on January 20, 1783 at Haselrich, Germany. In his childhood Justus played the piano, violin and cello. The organist and composer Ruttinger instructed him in music theory and elementary composition. Dotzauer left for Meiningen in 1799 and continued his studies under the famous German violoncellist and concertmaster of the ducal chapel Krigck. Two years later, he was admitted to the Meinigen court chapel. There he stayed until 1805, when he left for a Leipzig chapel. While he was in Leipzig, he played in the Gewandhaus orchestra until 1811. He often visited Berlin to listen to Romberg. Sotzauer played in the Dresden chapel for forty years (from 1821 until 1850 as principal violoncellist), taking part in symphonic and operatic performances. In 1850, he left his post in the court orchestra and retired. He died in Dresden on March 6, 1860. Dotzauer was no ordinary composer - he wrote an opera, several masses, symphonies, overtures and nine concertos, three concertinos, the Double concerto for two cellos, chamber and solo compositions (sonatas, fantasias, variations, divertissements and pot - pourris).

Lista utworów:
Potpourri op. 21 (Dotzauer J. F.)

Gottfried Weber is most famous for his songs and church music. He also wrote Trio per violino, viola e violoncello op. 26 and more. A copy of notes was provided by International Guitar Research Archiv (USA). Editorial dynamics are in brackets, Fingering (for cello and guitar) and articulations were made by the editor; alternative notes are in brackets.

Lista utworów:
Variations op. 2 (Weber Gottfried)

Publikacja zawiera cykl 24 Preludiów wiosennych o pogodnym brzmieniu stworzonych przez polskiego kompozytora współczesnego - prof. Bronisława Kazimierza Przybylskiego. Liczne są tu zmiany metrorytmiczne, np. 3/8 - 2/8 - 3/8. Każdy utwór zawiera inną technikę wykonawczą, np. w Preludium 22 każda nuta jest z przednutką, a Preludium 13 opiera się na triolach szesnastkowych. W prezentowanej publikacji utwory opracowane zostały na wiolonczelę i gitarę.