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What Can You Do

Dostępne opracowania:

gitara basowa (zawiera zapis tradycyjny oraz tabulaturę), akordy (1)
gitara basowa i CD (zawiera zapis tradycyjny oraz tabulaturę) (1)
gitara basowa solo (1)
gitara solo (1)
głos wokalny solowy (sopran) i fortepian (1)
książka (6)
książka + CD (2)
trąbka B solo (1)
więcej opracowań ...

What Can You Do znajdziesz w 14 publikacjach wymienionych poniżej:


Okładka: , Songs Of The '70s for Trumpet

cena 78,95 zł.


nuty.pl

Songs Of The '70s for Trumpet

polski Przeboje lat 70. na trąbka
angielski Songs Of The '70s for Trumpet


Ilość stron:72
Format:230 x 305
Opracowanie na:trąbka B solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Trąbka B (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:tytułów utworów: angielska
UWAGA: korzystanie z publikacji nie wymaga znajomości języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudności:3 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL055881
Produkty podobne: - Songs of the '50s for Trumpet

Niniejsza książka zawiera aż 70 popularnych piosenek z lat 70-tych w opracowaniu na trąbkę. Wśród tytułów znajdziesz m. in.: "Baby What A Big Surprise", "After The Love Has Gone", "How Deep Is Your Love", "Joy To The World", "She's Always A Woman", "Sometimes When We Touch", "Wonderful Tonight", "You Are So Beautiful" i wiele innych.


Over 65 super '70s hits arranged for solo instruments. Includes: ABC • Copacabana • Dust in the Wind • Fire and Rain • How Deep Is Your Love • I'll Be There • Imagine • Joy to the World • Let It Be • She's Always a Woman • Wonderful Tonight • You Are So Beautiful • and more.


Lista utworów:
(They Long To Be) Close To You (The Carpenters)
ABC (The Jackson 5)
After The Love Has Gone (Earth, Wind & Fire)
Annie's Song (John Denver)
Baby What A Big Surprise (Chicago)
Ben (Michael Jackson)
Copacabana (At The Copa) (Barry Manilow)
Could It Be Magic (Barry Manilow)
Deja Vu (Dionne Warwick, Yngwie Malmsteen)
Do You Know Where You're Going To? (Diana Ross)
Don't Cry Out Loud (Melissa Manchester)
Don't Let The Sun Go Down On Me (Elton John, Elton John & George Michael)
Dust In The Wind (Kansas)
Easy (Amanda McBroom, Melissa Manchester, The Commodores)
Fire And Rain (James Taylor)
Goodbye To Love (The Carpenters)
How Can You Mend A Broken Heart (The Bee Gees)
How Deep Is Your Love (The Bee Gees)
I Am Woman (Helen Reddy)
I Honestly Love You (Olivia Newton-John)
I Won't Last A Day Without You (The Carpenters)
I Write The Songs (Barry Manilow)
If (Bread, Joe Henderson, Pink Floyd)
If You Leave Me Now (Chicago)
I'll Be There (Bobby Darin, Mariah Carey, Megadeth, The Jackson 5)
I'll Never Love This Way Again (Dionne Warwick)
Imagine (John Lennon and the Plastic Ono Band)
It's Impossible (Somos Novios) (Elvis Presley, Perry Como)
Joy To The World (David Lanz, Mannheim Steamroller, Mariah Carey, Nat King Cole, Steve Green, Three Dog Night, Whitney Houston)
Let It Be (The Beatles)
Looks Like We Made It (Barry Manilow)
Love Story (Francis Lai)
Love Will Keep Us Together (The Captain & Tennille)
Mandy (Barry Manilow)
Maybe I'm Amazed (Paul McCartney)
My Love (Lenny Kravitz, Paul McCartney & Wings, Petula Clark)
Nadia's Theme (Barry DeVorzon & Perry Botkin, Jr.)
Nothing From Nothing (Billy Preston)
Oye Como Va (Santana)
Precious And Few (Climax)
Rainy Days And Mondays (The Carpenters)
Reach Out And Touch (Somebody's Hand) (Diana Ross)
Rise (Herb Alpert)
Rocky Mountain High (John Denver)
September (Deborah Cox, Earth, Wind & Fire)
She's Always A Woman (Billy Joel)
Show Me The Way (Peter Frampton, Styx)
Sir Duke (Stevie Wonder)
So Far Away (Carole King, Dire Straits, Rod Stewart)
Sometimes When We Touch (Dan Hill)
Somewhere In The Night (Barry Manilow)
Stayin' Alive (N-Trance, The Bee Gees)
The First Time Ever I Saw Your Face (Roberta Flack)
The Godfather (Love Theme) (Nino Rota)
The Long And Winding Road (The Beatles)
The Rainbow Connection (Kenneth L. Ascher, Paul Williams)
The Way We Were (Barbra Streisand)
Three Times A Lady (The Commodores)
Top Of The World (The Carpenters)
We've Only Just Begun (The Carpenters)
What I Did For Love (Marvin Hamlisch)
Wonderful Tonight (David Kersh, Eric Clapton)
Yesterday Once More (The Carpenters)
You And Me Against The World (Helen Reddy)
You Are So Beautiful (Joe Cocker)
You Are The Sunshine Of My Life (Stevie Wonder)
You've Got A Friend (James Taylor)

Okładka: Kringel Chris, Funk Bass

cena 109,95 zł.


nuty.pl

Kringel Chris
Funk Bass

Ilość stron:96
Format:230 x 305
Opracowanie na:gitara basowa i CD (zawiera zapis tradycyjny oraz tabulaturę)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara basowa (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:2 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

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Kod produktu:NPL059763

Publikacja ,,Bass Method" jest praktycznym przewodnikiem nauki gry na gitarze basowej. W książce omówione są: gryf gitary, podstawowa teoria muzyki, skale muzyczne, interwały, triady, harmonizacja, konstrukcje akordów, skale pentatoniczne, harmonia modalna, substytuty akordów i reharmonizacje (książka jest napisana w języku angielskim). Dodatkowo do książki dołączona jest płyta CD. Na płycie tej znajduje się 99 ścieżek dźwiękowych do ćwiczeń, w wersji demo oraz w wersji tzw. play along, w której nagrany jest tylko sam akompaniament.


The Hal Leonard Funk Bass Method is your complete guide to learning funk bass. It uses real funk songs to teach you the basics of grooving and soloing funk bass in the style of Flea, Victor Wooten, Marcus Miller, Rocco Prestia, and many others. Songs include: Brick House • Can't Stop • Fire • Higher Ground • I'll Take You There • Let's Groove • Pick up the Pieces • Stay • Sumthin', Sumthin' • What Is Hip • and more.


Lista utworów:
Amazing Grace (Charlotte Church, Elvis Presley, Steve Vai, Tramaine Hawkins)
Brick House (Commodores)
Can't Stop (Hanson, Red Hot Chili Peppers, Rick James)
Come Original (311)
Fire (Delirious?, Jimi Hendrix, Ohio Players, Soulfly, Yngwie Malmsteen)
Funny (Boz Scaggs, Marcus Miller)
Higher Ground (John Denver, Red Hot Chili Peppers, Stevie Wonder)
Hot Water (Mark King, Mike Lindup, Philip Gould, Wally Badarou)
I'll Take You There (BeBe and CeCe Winans, The Staple Singers)
Let's Groove (Earth, Wind & Fire)
Love And Happiness (Al Green, Mabon Hodges)
Love Games (Mark King, Philip Gould)
Pick Up The Pieces (Average White Band)
Rockin' Robin (Bobby Day, Michael Jackson)
Sex In A Pan (Bela Fleck and the Flecktones)
Stay (Chaka Khan and Rufus, Eternal, Jeremy Camp, Lisa Loeb & Nine Stories, Maurice Williams & The Zodiacs, The Four Seasons)
Stay With Me Tonight (Raymond Edward Jones)
Sumthin', Sumthin' (Maxwell)
Virtual Insanity (Jason Kay, Toby Smith)
What Is Hip (Tower Of Power)

Okładka: Boytim Joan Frey, The First Book Of Soprano Solos

cena 83,95 zł.


nuty.pl

Boytim Joan Frey
The First Book Of Soprano Solos

polski Pierwsza książka na sopran solo
angielski The First Book Of Soprano Solos


Ilość stron:128
Format:230 x 305
Opracowanie na:głos wokalny solowy (sopran) i fortepian
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Partytura (1)
Głos wokalny - Sopran (0)
Fortepian (0)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Stopień trudności akompanamentu:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL060865
Produkty podobne:Boytim Joan Frey - Pierwsza książka na sopran solo - z. 2
Boytim Joan Frey - The First Book Of Soprano Solos
Boytim Joan Frey - The First Book Of Soprano Solos - Part II
Boytim Joan Frey - The Second Book Of Soprano Solos
Boytim Joan Frey - The Second Book Of Soprano Solos

W tomie I zaprezentowane są orginalne pieśni na głos sopran z towarzyszeniem fortepianu.Trzydzieści pięć pieśni stanowią syntezę od utworów barokowych po współczesne pieśni XX wieku.


This is among the most widely used teaching repertoire for singers in the U.S. Over 30 songs in each book, including American and British art songs, folk song arrangements, sacred songs and a sampling of beginning songs in German, Italian, Spanish and French. There is a completely different song selection for each voice type.


Lista utworów:
A Little China Figure (Leoni)
Bel piacere (Handel)
Bonne Nuit (Massenet)
El Majo Discreto (Granados) (Enrique Granados)
Et tra la la y el punteado (Granados) (Enrique Granados)
Everywhere I Look (Carew) (Molly Carew)
Have You Seen But A White Lily Grow? (Early 17th Century melody)
Hear My Cry, O God (Franck)
Heffle Cuckoo Fair (Shaw) (Martin Shaw)
I Love All Graceful Things (Thiman)
Into the Night (Edwards)
Let My Song Fill Your Heart (Charles) (Ernest Charles)
Let Us Dance, Let Us Sing (Purcell)
Lied Der Mignon (Schubert)
Little Elegy (Duke) (John Duke)
Love has eyes (Bishop)
Lullaby (Scott) (Gian-Carlo Menotti)
Minnelied (Mendelssohn)
My Johann (Grieg) (E. Grieg)
Night Is Falling (Haydn)
O Peace, Thou Fairest Child of Heaven (Arne)
Oh, What a Beautiful City (Boatner)
Piercing Eyes (Haydn)
Rose Softly Blooming (Spohr)
Si Mes Vers Avaient Des Ailes
The Beatitudes (Malotte) (Albert Hay Malotte, Tina English)
The Crucifixion (Barber) (Samuel Barber)
The Green Dog (Kingsley)
The K'e (Dougherty) (Celius Dougherty)
The Mermaid's Song (Haydn)
Waldensamkeit (Reger)
Water Parted from the Sea (Arne)
When I Have Sung My Songs (Charles) (Ernest Charles)

Okładka: Letsch Glenn, R&b Bass - A Guide To The Essential Styles And Techniques

cena 109,95 zł.


nuty.pl

Letsch Glenn
R&b Bass - A Guide To The Essential Styles And Techniques

angielski R&b Bass - A Guide To The Essential Styles And Techniques


Ilość stron:64
Format:230 x 305
Opracowanie na:gitara basowa (zawiera zapis tradycyjny oraz tabulaturę), akordy
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara basowa (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:tytułów utworów: angielska
UWAGA: korzystanie z publikacji nie wymaga znajomości języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudności:2 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL062443

prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3 prezentacja mp3

Jak grać na gitarze basowej w stylu R&B. Ta publikacja zawiera szereg informacji, które umożliwią prawidłową grę. Dodatkowo książka zawiera 19 utworów w stylu R&B, których wzorcowe wykonnie możemy odsłuchać z płyty CD. Są tu takie utwory jak: Cool Jerk • For Once in My Life • Good Times • Knock on Wood • Mustang Sally • i inne.

Powyżej prezentujemy kilka ścieżek z płyty CD.


The Hal Leonard R&B Bass Method is your complete guide to learning the styles and techniques of rhythm and blues bass. This book and CD pack uses actual classic R&B, Motown, soul, and funk songs to teach you how to groove in the style of James Jamerson, Bootsy Collins, George Porter, Jr., Donald Duck Dunn, Bob Babbitt, and many others. The 19 songs include: Cool Jerk • For Once in My Life • Good Times • Knock on Wood • Mustang Sally • Respect • Soul Man • Stand by Me • What's Going On • and more.


Lista utworów:
(I'm A) Road Runner (Brian Holland, Edward Holland, Jr., Lamont Dozier)
Bernadette (The Four Tops)
Cissy Strut (Arthur Neville, George Porter, Joseph Modeliste, Jr., Leo Nocentelli)
Cold Sweat, Pt. 1 (James Brown)
Cool Jerk (Capitols)
For Once In My Life (Kenny Burrell, Stevie Wonder)
Good Times
Groove Me (King Floyd)
I Can't Help Myself (Sugar Pie, Honey Bunch) (The Four Tops)
I'll Take You There (BeBe and CeCe Winans, The Staple Singers)
Knock On Wood (Eddie Floyd, Otis Redding)
Licking Stick - Licking Stick (James Brown)
Mustang Sally (Buddy Guy, Wilson Pickett)
Respect (Aretha Franklin, Pink, Train)
Signed, Sealed, Delivered I'm Yours (Stevie Wonder)
Soul Man (Sam & Dave)
Stand By Me (Ben E. King, Elvis Presley, Mickey Gilley, Oasis)
Super Bad Super Slick (James Brown)
What's Going On (All Star Tribute, Marvin Gaye)

Okładka: Murray Peter, Essential Bass Technique - 2nd Edition

cena 64,95 zł.


nuty.pl

Murray Peter
Essential Bass Technique - 2nd Edition

polski Technika gry na gitarze basowej, 2 edycja
angielski Essential Bass Technique - 2nd Edition - The definitive technique manual for bass guitar


Ilość stron:48
Format:230 x 305
Opracowanie na:gitara basowa solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara basowa (1)
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

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Kod produktu:NPL064800

Prezentowana książka to zaprezentowanie technik gry na gitarze basowej wg Petera Murray'a. Znajdziesz tu różnorodne zagadnienia pozwalające udoskonalić grę na instrumencie. Cała szkoła napisana jest w języku angielskim, ale zamieszczonych jest dużo ilustracji obrazujących daną problematykę i ułatwiających zrozumienie danego zagadnienia.


Peter Murray's new book, which scored an A+ rating from Bass Player magazine, provides bassists with everything they need to know to play effectively, helping them master the basics, and then explore what's beyond. Essential to any bass player! Once in a while, a book comes along that stands head and shoulders above the endless rows of 'method books' that fill the racks in music stores. This is one of those exceptional books. If you're a beginner, study of Murray's method could save you from countless hours of frustration (and possibly injury) by showing you the correct way to use you hands right from the start; if you're a more advanced player, it should help you to refine your ability and overcome the technical barriers that can block further development. Bravo! - Jim Roberts, Bass Player magazine


Spis treści:

Foreword
To the left - handed, fretless and many - stringed
Basic principles of technique
Economy of motion
Tone quality and consistency
Natural movement
Strength
Chops & the Chops "Reservoir"
Factors related to technique
The study of technique
For Beginners
For intermediate players
For advanced players
Practicing Technique
Tools
Precticing Technique
Divide and conquer
Using this book
Right - hand technique
Thumb position
The opposable thumb
Finger technique
Direction of finger movement
Finger distance from the strings
Finger pressure
Alternating fingers
Raking
String Skipping
Pinky and ring fingers
Right wrist and forearm
Left - hand technique
Thumb position
Spacing of fingers
Finger / string contact
Left - hand muting
Finger position
Fretting position
Finger pressure
Ascending on One String
Transitions between hand positions
Barring
Hammer - ons and pull - offs
String bending and vibrato
Playing harmonics
Left Arm position
Quasi - chromatic exercise
Muting summary

Okładka: Kerner Kenny, Going Pro

cena 115,95 zł.


nuty.pl

Kerner Kenny
Going Pro

polski Rozwijanie profesjonalnej kariery przemysłu muzycznego
angielski Going Pro - Developing a Proffesional Career in the Music Industry


Ilość stron:208
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL064993

Przewodnik Kenny'ego Kernera adresowany jest do wszystkich muzyków. DOstarcza on wszelkich informacji na temat dyrektorów artystycznych, muzycznych, handlowych; adwokatów muzycznych, spółek i studiów nagraniowych. Dowiesz się także zasad promowania muzyki i sposobów rozpowszechniania utworów, piosenek i nagrań muzycznych.


This handy guide provides everything you need to know to go pro, including information about personal managers, music attorneys, business managers and booking agents, record companies, A&R, publishing, songwriting, demo tapes and press kits, self-promotion, and much more. A must for all musicians!


Lista utworów:
Photos Sessions
Songwriting
Self-promotion
Record Companies
Press Packages, Demo Tapes)
Personal Managers
Naming Your Band
Meeting And Greeting
Leading A Band
Demos And Press Kits
Business Managers And Booking Agents
Bands (Auditioning Members)
A+r
Music Attorneys
Publishing

Spis treści:

Preface
Introduction: The real you
1: Bands
Auditioning Members
Leading a Band
One Chief, Many Indians
Two Cases in Point: The Knack and Mozart
Naming Your Band
Photo Sessions
The Press Package
Demo Tapes
Rehearsing
2: Personal managers
Management Traits
Who needs management?
Self - Evaluation
Management Options
Finding a Manager
Creating a "Buzz"
How Managers fing new talent
Attracting clients
The management contract
3: Music attorneys
Start Shopping Now
Attorney Checklist
Considerations and Complications
Who reps who?
4: Business managers & booking agents
Business managers
Compensation
Booking agents
How agents work
5: Record companies
Inside a record company
Recording contracts
Don't do this!
Names and Numbers
6: A & R
Makin' Records
Knowledge is good
Don' call us...
Decisions, decisions
Kerner's klass
Kenny's kids
Cartoon Boyfriend
Why your tapes get trashed
The three A&R deals
Signing Ingredients
The three A&R games
How to get it done, really
7: Publishing
Copyrights
Mechanical vs. Performance Royalties
How It works
Start Your own publishing company
Hang on to Your songs
"Music Publishers" by John Braheny
8: Songwriting
The Golden Rule
Hit songs vs. Hit Records
Observations
Structural Pointers
Dummy Lyrics
9: Demos & press kits
The Demo
Choosing Your best songs
Pre - production and recording
Reproducing your tapes
The press kit
Artist photos
Cover Letters
Following up
10: Self - promotion
Promote Your Shows
Press releases
More homework
Deadlines and publication dates
Paid advertisements
Merchandising
"Self - Awareness" by Dennis Anderson
11: Meeting & greeting
The "In Crowd"
What to Say
Telephone talk
Looks can kill
Getting ahead
"People Power" by Dan Kimpel
Rewind: Looking back
Review: Q&A
Recommended Sources
About the Author

Okładka: Baron Turner Jessica, Smart start Guitar

cena 94,95 zł.


nuty.pl

Baron Turner Jessica
Smart start Guitar

polski Szybki start w grze na gitarze
angielski Smart start Guitar


Ilość stron:32
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:książka + płyta CD
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:1 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL065186
Produkty podobne:Baron Turner Jessica - Smartstart Guitar

Książka jest samouczkiem gry na gitarze techniką akordową - tzw. chwytami - wg Jessici Baron Turner. Znajduje się tu 17 rozdziałów, każdy wprowadza nowe zagadnienie muzyczne. Do poszczególnych rozdziałów przyporządkowane są piosenki i popularne melodie, w zależności od stopnia trudności danej lekcji. Dodatkowo do publikacji została dołączona płyta CD, na której znajdują się wersje demonstracyjne utworów, jak i sam akompaniament. Publikacja jest przeznaczona dla dzieci w wieku 5-10 lat.


Every kid wants to play guitar, and this innovative new instructional method lets them do just that! It's designed for use in the general music classroom, and is developmentally structured to get all beginning guitar students playing and singing from the very first lesson, no matter what their level of experience. Whether you have a small group or a classroom full of students, the Book/CD pak and the video will help you, the music teacher provide a quality musical experience, even if you are a beginner yourself! It's easy to use and before you know it, you'll be helping even young children to play well and build general music skills, one success at a time! For ages 5-10.


Lista utworów:
Buffalo Gals (Won't You Come Out Tonight?) (Cool White (John Hodges))
Frere Jacques (Are You Sleeping?) (Traditional)
Hey, Ho! Nobody Home (Traditional)
I've Been Working On The Railroad (American Folksong, Bruce Gowers, Carol Rosenstein, Michael Lloyd, Traditional)
Joshua (Fit The Battle Of Jericho) (African-American Spiritual)
Kum Ba Yah (Ruth Artman, Traditional Spiritual)
Michael Finnegan (Traditional)
My Bonnie Lies Over The Ocean (John Jacobson, Kirby Shaw, Traditional)
Old Joe Clark (Tennessee Folksong)
Old Macdonald Had A Farm (Traditional)
On Top Of Old Smoky (Kentucky Mountain Folksong)
Row, Row, Row Your Boat (Bruce Gowers, Carol Rosenstein, Michael Lloyd, Traditional)
Shady Grove (Celius Dougherty)
She'll Be Comin' 'Round The Mountain (Traditional)
Sweet Betsy From Pike (American Folksong)
The Drunken Sailor (American Sea Chantey)
This Old Man (Bruce Gowers, Carol Rosenstein, Michael Lloyd, Robert Chilcott, Traditional, Traditional English)
Twinkle, Twinkle Little Star (Bruce Gowers, Carol Rosenstein, Michael Lloyd, Traditional)
When The Saints Go Marching In (Carol Rosenstein, James M. Black, Michael Lloyd, Traditional)

Okładka: Boonshaft Peter Loel, Teaching Music With Passion

cena 159,95 zł.


nuty.pl

Boonshaft Peter Loel
Teaching Music With Passion

polski Nauka muzyki z pasją
angielski Teaching Music With Passion


Ilość stron:192
Format:127 x 203
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065269

Publikacja Petera Loela Boonshafta jest arcydziełem skupiającym myśli, idee i różnorakie zagadnienia dotyczące muzyki. Autor zawarł w niej sposoby nauki muzyki, także własne doświadczenia, anegdoty i inspirujące do działań cytaty uczonych i mistrzów, m. in. Toma Donaldsona, Dr. Tima Lautzenheisera, Jamesa Swearingena i Dr. W. Francisa McBetha. Książka napisana jest prostym językiem angielskim.


Teaching Music with Passion is a one-of-a-kind, collective masterpiece of thoughts, ideas and suggestions about the noble profession of music education. Both inspirational and instructional, it will surely change the way you teach (and think) about music. Filled with personal experiences, anecdotes and wonderful quotations, this book is an easy-to-read, essential treasure! One of the most 'real' writings I have read during my 35 years in music education. - Mel Clayton, President, MENC: The National Association for Music Education


Spis treści:

Foreword by Dr. Tim Lautzenheiser
Preface: A corner, a congressman and an Oyster
The 33 P's of a Wonderful Rehearsal
Common Misunderstandings in Conducting
"Put Yourself in a Straightjacket and Dance a Free Dance"
But How Do I get Them to Watch?
Effective Rehearsal Communication
Plain Vanilla Conducting
"What's Hiding in an Empty Box" or Is Passion a Four - Letter Word?
"Do or do not, there is no try"
Those who can - teach
"If You don't know, i can't tell you!"
Postlude: A Lie, the future and a Puppeteer
About the Author

Okładka: Gumm Alan, Music Teaching Style

cena 223,95 zł.


nuty.pl

Gumm Alan
Music Teaching Style

polski Muzyczne style nauczania
angielski Music Teaching Style


Ilość stron:192
Format:178 x 254
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065612

Publikacja Alana Gumma jest prezentacją stylów nauczania muzyki. Autor przedstawia nietypowe podejście do sztuki nauczania, a także popiera idee anegdotami i cytatami wielkich artystów i mistrzów. Głównym celem sposobów nauczania Gumma jest zdobycie doskonałego doświadczenia w nauczaniu i osiągnięcie trwałego sukcesu.


Music Teaching Style is an exciting, balanced approach to student performance, music learning and personal change. Written in an informal, engaging style, the text is highlighted by anecdotes, quotations, challenges for self-reflection, and techniques used by the author and top professionals in the field. The result - a fulfilling, productive and successful music teaching experience.


Spis treści:

Part 1. Overview
1. Setting the Context
Need for a Definition
Related Concepts
Personality
Learning Styles
Effective teaching
Conclusion
Discussion questions
2. Establishing a definition
The nature of music teaching style
Principle of tradicity
Several behaviors but one style
Stable and pervasive
Underlying focus
Many ways to be effective
Principle - based teaching
A clear and distinct definition
A new vantage point
A three - level model
Conclusion
Discussion questions
Part 2. Dimensions of music teaching style
3. Assertive teaching
Assertive vs. Aggressive
Cycle of teaching
Clear directions
Monitor student behavior
Specific feedback
Anticipating problems
Recognize cycles of misbehavior
Classroom rules
Consequences
Alerting
Conclusion
Discussion questions
4. Nonverbal motivation
Visual appearance
Proximity
Pacing
Conclusion
Discussion questions
5. Time efficiency
Concepts of time
Quickness
Quantity
Active learning
Conclusion
Discussion questions
6. Positive learning environment
Contingent approval
Transactional teaching
Time to think
Clarification
Encouragement
Elaboration
Awareness of student realities
Interpersonal relations
Conclusions
Discussion questions
7. Group dynamics
Self - responsibility
Student-to-student interactions
Leadership
Social loafing
Individualized listening and reading
Conclusion
Discussion questions
8. Music concept learning
Comprehensive musicianship
Concept of music
Questioning
Accountability
Questions as assessment
Handling incorrect answers
Types of questions
Critical thinking
Conclusion
Discussion questions
9. Artistic music performance
Multimodal learning
Asural Imagery
Psychomotor learning
Sound-to-performance cycle
Metaphor
Modeling and movement
Emotion and enthusiasm
Conclusion
Discussion questions
10. Student independence
Students as innovators
Creativity
Affective learning
Transformational teaching
Deepest levels of questioning
Discussion and dialogue
Student input in decision - making
Acceptance
Conclusion
Discussion questions
Part 3. Revealing your style
11. Types and trends of style
Prototypes
Comprehensive musicianship focus
Performance priorities
Intellectual focus
Group interaction priorities
Behavior management priorities
Styles that lack priority
Developmental teaching
Self - reflective stage
Broadening stage
Interdependent transition
Deepenning stages I and II
Development through insight
Conclusion
Discussion questions
12. Sorting out priorities
Trade offs
The Tyranny of time
Too much or too little control
Broader activity or deeper reflection
Principle of tradicity
Teacher - agenda interactions
Student - focused interactions
Subject matter interactions
You cannot touch learning
Conclusion
Discussion questions
Part 4. Choosing a new direction
13. Know yourself
Psychological controls
Internal - external
Time perceptions
Detail - holistic perspectives
To judge or not to judge
Absolute - relative
Background experience
We teach as we were taught
We teach what we know
Where we teach affects how we teach
Identity shapes our interactions
Conclusion
Discussion questions
14. Know your students
Developmental learning
External to internal
Dependent to independent
Student motivetion
Conclusion
Discussion questions
15. Know your subject matter
Music performance skills
Music knowledge
Creative experiences
Planning for balance in subject matter
Conclusion
Discussion questions
16. Learn what learning looks like
Define learning outcomes
Monitor learning
Conclusion
Discussion questions
17. Choose your focus
You get what you pay for
Focus away from the teacher
Focus on music
Refine your vision
18. Establish a set of principles
Make success the focus
Focus on all students' success
Get out of the way as the focus
Maintain a successful pace
Be independently succesfful
Teach deeply as well as broadly
Teach comprehensively
Final conclusion
About the author
Music teaching style inventory
Learning style glossary
References
General bibliography

Okładka: Lautzenheiser Tim, White Brad, Essential Elements for Choir

cena 217,95 zł.


nuty.pl

Lautzenheiser Tim, White Brad
Essential Elements for Choir

polski Zasadnicze elementy dla chóru
angielski Essential Elements for Choir


Ilość stron:48
Format:230 x 305
Opracowanie na:książka + CD
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065627

Publikacja Timiego Lautzenheisera i Brada Whita jest przeznaczona dla nauczycieli chóru. Znajdują się tu karty pracy na każdy miesiąc roku szkolnego, a także przykłady listów i podań w sprawach koncertów, wyjazdów, itp. Do książki dołączona jest płyta CD-ROM, na której znajdują się dokumenty z książki w formie multimedialnej, co umożliwia m. in. korespondencję nauczyciela z rodzicami uczniów.


This valuable resource by Tim Lautzenheiser and Brad White contains 32 letters focusing on music advocacy, the importance of the arts in our schools, and the benefits of music study in the development of the child as well as letters specific to choral music. These letters are included on the enclosed CD-ROM and may be exported to a word processing program for easy editing, customization, and mail merging to parents, administrators, and community members.


Spis treści:

About the CD-ROM
Using this Book
Part 1: Music Advocacy
The time in now - a personal viewpoint
August: Welcome back to school
September: Importance of Parental Support
October: Mid - term reminder of the importance of music
November: A thanksgiving message of gratitude
December: The global language - music
January: The value of Music beyond performance
February: Being a Part of a musical community
March: A reminder of Music's Importance to success in life
April: Music Education - more than just music
May: Parents Ensure Music Education's future
June: Thank You an keep making music
General Letter #1: Letter to parents supporting music learning
General Letter #2: Recruiting Junior high to high school
Administrator Letter #1: The value of music learning
Administrator Letter #2: The Importance of Music in Our Schools
Part 2: All about choir
Why sing in a choir?
Booster club membership
Parent time & talent survey
Fundraising
Parent volunteer thank you
Choir concert etiquette
Letter Supporting student's request for time off from work
Invitation to teacher appreciation concert
Choir progress report
Choir trip
Privete lessons 1
Private lessons 2
Student who is considering dropping choir
Enrolling in high school choir
End of school year - returning student
Choir Enrichment Activities
Careers in Choral Music
Part 3: Resource information
Advocacy Guidelines
Advocacy Guidelines - What Parents can do
National Coalition for Music Education Materials
About the Authors

Okładka: Wadhams Wayne, Inside The Hits

cena 191,95 zł.


nuty.pl

Wadhams Wayne
Inside The Hits

polski Wnętrza hitów
angielski Inside The Hits


Ilość stron:584
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor aranżacji/opracowania: Gedutis Susan, Nathan David
Kod produktu:NPL065629

Obszerna publikacja będąca zbiorem interpretacji i analiz największych przebojów różnorodnych artystów, m. in.: Tracy Chapman, The Beatles, Michaela Jacksona, The Kinks, The Zombies, Paula Simona i wielu innych. Autor książki - Wayne Wadhams - bada kluczowe składniki, które tworzą piosenkę - melodię, tekst, produkcję, wykonania artystyczne, itp. Znajdziesz tu zaskakujące odpowiedzi na ciekawe i prowokujące pytania.


How does a song become more than words and music to represent or influence the voice of a generation? Inside the Hits dissects more than 60 of the most powerful and memorable hit songs since the birth of rock and roll to reveal the roots of their success. Author Wayne Wadhams examines the key ingredients that made the songs work then and now, including: melody, lyrics, performance, production, artist image, promotion, and market timing. What really stopped Mick Jagger from getting 'Satisfaction'? How did a secretary who was mistaken for a prostitute give Donna Summer her new sound? Find all the answers in Inside the Hits. 'Reading Inside the Hits was like reliving some of the most memorable moments in rock and roll. A captivating read for industry professionals and fans alike.' - Phil Ramone


Spis treści:

Introduction: Goal and Game Plan
Part 0. What the Hits have common
Part 1. Rock's First Decade, and What made it all possible
1. Passion, Personality, and an Unlike Monarch
2. The Pretty Boys: Teen Idols from Philly and Beyond
3. Serious Doo - Wop at Chicago's Best
4. Girl Groups tothe Rescue - Reluctantly
5. Motown: A short of rythm 'n' class
6. The funny men: Novelty Records
7. Life's Beach, and Then it ends
8. Desperation alley: A lost soul in love hell
9. Rock production meets the classics - and triumphs
Part 2. The Beatles
1. Timing, Teamwork, Genius
2. Jewels in the Crown, Nails in the coffin
Part 3. The British Invasion, first wave: Adventures in excess and elegance
1. The Kinks: Crotchbusters extraordinaire
2. The Zombies
3. The Yardbirds: Heavy Breathing the Blues
4. The Searches
5. Herman's Hermits: Manufacturing pop
6. The Troggs: Here today, gone today
7. The Rolling Stones: No holes barred
Part 4. Meanwhile, back at the ranch: an explosion of New America Sounds and Styles, 1965 - 1973
1. The byrds
2. The lovin' spoonful: Just a-Pickin' and a-Grinnin'
3. The Turtles: Pop prefection by the Numbers
4. The doors: Prophets of sex, drugs and more sex
5. Aretha Franklin: The past stops here, amen
6. Buffalo springfield: What's wrong with this picture?
7. Crosby, stills & nash: reluctant heroes
8. Creedence clearwater revival: American, The view from L.A.
9. Stevie Wonder: Artists take what's theirs, finally
10. Paul Simon: The fear behind the fun
Part 5. Movements of brillance, 1974 - 1988
1. Tina Turner
2. Paul Young
3. The Pointer Sisters
4. The Police: Surrepticity Stalking
5. The Eagles
6. Toto: Pop rules! Screw the critics
7. The Doobie brothers
8. Robbie Nevil: Life's Great / Awful
9. Michael Jackson
10. Steely Dan and Donald Fagen: Architects of Perfection
11. Raging Hormones, Rude Emotions: Letting It All Hang Out
12. Tracy Chapman and theFolk Re-Re-Revival
Epilogue
Key HIT Elements Matrix
Glossary
List and Index od Defined terms
Index
Index of credits

Okładka: Lautzenheiser Tim, Menghini Charles, Essential Elements 2000 Band Directors Communication Kit - Cd-rom

cena 219,95 zł.


nuty.pl

Lautzenheiser Tim, Menghini Charles
Essential Elements 2000 Band Directors Communication Kit - Cd-rom

angielski Essential Elements 2000 Band Directors Communication Kit - Cd-rom


Ilość stron:48
Format:230 x 305
Opracowanie na:książka + CD
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065642

Publikacja Timiego Lautzenheisera i Brada Whita jest przeznaczona dla nauczycieli prowadzących zespoły muzyczne. Znajdują się tu karty pracy na każdy miesiąc roku szkolnego, a także przykłady listów i podań w sprawach koncertów, wyjazdów, itp. Do książki dołączona jest płyta CD-ROM, na której znajdują się dokumenty z książki w formie multimedialnej, co umożliwia m. in. korespondencję nauczyciela z rodzicami uczniów.


In the Band Director's Communications Kit, Dr. Tim Lautzenheiser has provided every teacher with communication letters focusing on music advocacy, the importance of the arts in our schools, and the benefits of musical study in the development of the child. Dr. Charles Menghini, Director of Bands at VanderCook College of Music, Chicago, has contributed additional letters written specifically for band - essential time savers for the busy band director.


Spis treści:

About the CD-ROM
Using this book
Part 1: Music advocacy
The Time is Now - a personal viewpoint
August: Welcome back to school
September: Importance of parental support
October: Mid - term reminder of the importance of music
November: A thanksgiving message of gratitude
December: The global language - music
January: The Value of music beyond performance
February: Being a Part of a musical community
March: A reminder of music's importance to success in life
April: Music Education - More than Just Music
May: Parents Ensure Music Education's Future
June: Thank You and Keep Making Music
General Letter #1: Letter to parents supporting music learning
General Letter #2: Recruiting Junior High to High School
Administrator Letter #1: The Value of Music Learning
Administrator Letter #2: The Importance of Music in Our Schools
Part 2: All about band
End of Pre - Season Marching Band Practice
Invitation to Parent Support Group Meeting
Parent Time & Talent Survey
School - Owned Instrument Issue
Home Practice Letter
Concert Invitation & Etiquette Reminder
Letter Supporting Student's Request for time off from work
First time chaperon thank you
Repeat chaperon thank you
Private Lessons
The importance of a quality musical instrument
Solicitation of financial contribution
Recognizing outstanding work
End of school year - returning student
Student considering quitting band
Summer music camp
College Notification Letter
Part 3: Resource information
Advocacy Guidelines
Advocacy Guidelines - What Parents can do
National Coalition for music education materials
National coalition for music education materials
About the authors

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.


nuty.pl

Beall Eric
Making Music Make Money

polski Rób muzykę rób pieniądze
angielski Making Music Make Money


Ilość stron:272
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Kod produktu:NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.


Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.


Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

Okładka: Howard George, Getting Signed!

cena 171,95 zł.


nuty.pl

Howard George
Getting Signed!

polski Otrzymywanie kontraktów!
angielski Getting Signed!


Ilość stron:233
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065657

Przewodnik dla wszystkich muzyków dążących do uzyskania kontraktów z wytwórniami muzycznymi, a nieznających prawa i zasad niezbędnych do ubiegania się o tego typu dokumenty. Autor książki - George Howard doskonale pokieruje Cię przez współczesny labirynt przemysłu muzycznego i pomoże doprowadzić Twoje nagrania do szczytu sukcesu.


For unsigned musicians, it is vital to long-term success to sign a contract with a record label. However, preparing your music, targeting a label, and getting your demo into the hands of someone who will listen is challenging, if you don't know where to start. Getting Signed!, by record industry veteran George Howard, guides you through the maze of today's music industry, and will help you move your demo to the top of the stack. Even if you are not yet ready for a record deal, it will help you assemble a team that will make sure your music gets heard by as many people as possible. The next time an aspiring recording artist comes to us for advice, we'll advise them to read this book first. George Howard really knows what he's talking about. - Chris Franz and Tina Weymouth, members of Talking Heads and Tom Tom Club


Spis treści:

1 - The demo - breaking through: history, attitude and your demo
What is demo?
The demo: A multi - purpose tool
1. What is Label? ... and what the hell does A&R stand for anyway?
What is A&R?
What is a Record Label? Major vs. Indies
Record Label Architecture
Independent Promotion: More Indies
Summary
Workshop
2. Three case studies in breaking through: Nirvana, Def Jam, and Bob Dylan
The Essential Quality in an Artist
The problem
How Artists really get signed: A signing drama
The solution
Case 1: Nirvana - How Nirvana got their record deal
Case 2: Def Jam Recordings - The importance of the visionary at the label
Case 3: Bob Dylan - How Dylan got his record deal
Summary
Workshop
3. Demo track selection and sequencing: Start with the songs
How A&R people listen to demos
The Importance of Song Sequence: put your best song forward
How many songs, and why
Workshop
4. Recording Your Demo: getting it down
The recording studio
A schedule for making the most of your studio experience
Costs associated with studios
Home recording
Pro Tools
Home recording tips
Copryhights and demos
Workshop
5. Packaging and presenting your demo: All dressed up and everywhere to go
Elements of a Successful demo package
What's Inside the envelope
Summary
Workshop
2. The Team: Agents, Managers, and Lawyers
6. Performances and booking agents: The live life
How performing impacts all facets of your career
Maximizing the gig
Gigs outside your home town
Booking agents: how they work and when you need them
Building a following
Summary
Workshop
7. Management: Finding it and making it work for you
The three "Must - Have's" of Management
The Importance of Money: How management gets paid
Managers and publishing
Finding the right manager
Labels and Artist managers
Summary
Workshop
8. Lawyers: Protecting and Serving
The role of lawyers
When to get a lawyer
Finding the right lawyer
How lawyers differ from managers
Summary
Workshop
3. Additional Players - Giant steps: independent publicity and promotion, publishing, distribution, and labels
9. Publicity and Promotion: getting the word out
How publicists work
Maximizing your publicity experience
Publicity costs
Radio Promotion
When usigned artist should consider Indie promo
How promotion can help you get a deal
The cost of Indie promo
How to get and keep radio play
When to Hire an Indie Promoter
Summary
Workshop
10. Publishing: Rights and wrongs
Mechanicals
Why Publishers want you to get a record deal
The "Controlled Composition" clause
The importance of the Mechanical
Administration Deals
Co - Publishing Deals
Syncs and Placements: your Music in Movies and TV
When to get a Publishing deal
Publishing Pitfalls
Performance rights organizations (ASCAP, BMI, SESAC)
Summary
Workshop
Distribution: Moving Product
How Distribution Works
Co - op
Distribution follows marketing
Starting Your Own Label
P&D Deals: Distributors as Marketers and Manufacturers
Why Distributors Avoid Unsigned Artists
When to Consider Distirbution
One - Stops and Rackjobbers
Summary
Workshop
12. Contracts: getting the best deal
The Royalty deal
How Royalties are calculated
Profit Sharing / Joint - Venture Deals
Term ("Licensing") Deals
Demo Deals
Important Contract Points
Summary
Workshop
13. You've got a deal! or did you know that "Utopia" Means "No Place?"
What happens when you get signed
Issues surrounding scheduling your release
Atwork
Working with Your A&R Person
Key People at the Labels
Keeping the Label Focused on You
Summary
Workshop
Appendix A: Sample contract
Appendix B: Suggested reading
Appendix C: "From the Field" Bios
Index





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