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All The Man That I Need

Dostępne opracowania:

gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy, teksty) (1)
gitara basowa solo (1)
harmonijka ustna solo (1)
książka (3)
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All The Man That I Need znajdziesz w 8 publikacjach wymienionych poniżej:


Okładka: Harp David, Bending The Blues, How to master the most important harmonica technique

cena 48,95 zł.


nuty.pl

Harp David
Bending The Blues, How to master the most important harmonica technique

polski Bending The Blues, Jak osiągnąć podstawową technikę gry na harmonijce ustnej
angielski Bending The Blues, How to master the most important harmonica technique


Ilość stron:64
Format:115 x 305
Opracowanie na:harmonijka ustna solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Harmonijka (1)
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor wstępu: Harp David
Kod produktu:NPL052356

Prezentowana publikacja - "Bending The Blues, How to master the most important harmonica technique" to szkoła gry na harmonijce ustnej dla początkujących. Obok podstawowych instrukcji z rysunkami (układ ust i języka, wydobycie dźwięku, oddychanie) zawiera informacje m.in. o skalach (w tym przede wszystkim o skali bluesowej) i akordach (notacja). Całość w angielskiej wersji językowej.

'If you can't bend at all yet, you should probably begin at the beginning, and hey, that's where you are right now! Just keep on reading each section and trying each exercise as you go. Make sure that you don't get hung up or stuck on any of the early sections or exercises, even if they seem hard'.

Learn how to master the most important harmonica technique in this step-by-step method by David Harp.

Lista utworów:
Bending The Blues (Harp David)

Spis treści:

Please read this first!
Why I wrote this book
Why we need to bend
For beginners who can't wait
My Notation System
Degrees of bending
The blues scale
About blues licks and riffs (The "I'm a man" lick...The "Spoonful" Lick)
Exploring your mouth (Tongue exercises, Articulation, Closed nose)
The pre-bending effect (Bob Dylan Style, John Lennon Style)
Getting single notes
The major scale
General instructions (listening to the slowest tongue, the Whee-Oh, The Whistling Analogy)
Different Harps: Which to use?
The Bends (draw, Troubleshoooting, If you can't seem to get it)
Advanced techniques
Blow Bending
Bending the Chromatic
The Scales
Other harp books

Okładka: Stevens John, The Songs of John Lennon The Beatles Years

cena 159,95 zł.


nuty.pl

Stevens John
The Songs of John Lennon The Beatles Years

polski Piosenki John'a Lennon'a z okresu "The Beatles"
angielski The Songs of John Lennon The Beatles Years


Ilość stron:312
Format:150 x 220
Opracowanie na:książka z przykładami nutowymi
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
tytułów utworów: angielska
słów utworów: angielska
Stopień trudności:3 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Gedutis Susan
Kod produktu:NPL062488

Książka poświęcona w całości twórczości John'a Lennon'a. Są tutaj opisane dokładnie poszczególne utwory, ich zapis nutowy, analizy harmoniczne i rytmiczne oraz geneza powstania. Publikacja zawiera również biografię John'a z lat 1964/1969.


An essential guide for all songwriters and Beatles fans, this book explores John Lennon's songwriting genius with a guided tour through 25 of his Beatles-era hits. Author John Stevens explains Lennon's intuitive talent from a technical point of view, through the lens of songwriting's three basic elements: melody, harmony and lyric. He shows how Lennon fashioned songs that were at once politically and socially relevant during the '60s, yet remain ageless and timeless today. Features in-depth musical analysis of: A Hard Day's Night • Ticket to Ride • Norwegian Wood • Strawberry Fields Forever • Come Together • and more. John Stevens is a songwriting professor at Berklee College of Music. For more than 20 years, he has taught The Music of John Lennon, one of the most popular courses in the Berklee curriculum. You've got the Beatles' records and the John Lennon records; now with this book, you can have the Owner's Manual. This will tell you how the songs are built and how they work. Good stuff. - Marshall Crenshaw, Singer/Songwriter


Lista utworów:
You Can't Do That
If I Fell
I Call You Name
A Hard Day's Night
Baby's in Black
I'm a Loser
I Don't Want to Spoil the Party
I Feel Fine
Ticket to Ride
You've Got to Hide Your Love Away
Norwegian Wood
Day Tripper
In My Life
Tomorrow Never Knows
Rain
She Said She Said
Strawberry Fields Forever
A Day in the Life
Lucy in the Sky with Diamonds
All You Need Is Love
I Am the Walrus
Revolution 9
Revolution
Julia
Come Together

Spis treści:

PREFACE
ACKNOWLEDGMENTS
INTRODUCTION
lENNON TIMELINE
CHAPTER 1 Music Lingo Primer (Explanation and Illustration of Analysis Techniques)
CHAPTER 2 1964, Part I
You Can't Do That
If I Fell
I Call You Name
A Hard Day's Night
CHAPTER 3 1964, Part II
Baby's in Black
I'm a Loser
I Don't Want to Spoil the Party
I Feel Fine
CHAPTER 4 1965
Ticket to Ride
You've Got to Hide Your Love Away
Norwegian Wood
Day Tripper
In My Life
CHAPTER 5 1966
Tomorrow Never Knows
Rain
She Said She Said
Strawberry Fields Forever
CHAPTER 6 1967
A Day in the Life
Lucy in the Sky with Diamonds
All You Need Is Love
I Am the Walrus
CHAPTER 7 1968
Revolution 9
Revolution
Julia
CHAPTER EIGHT 1969
Come Together
CHAPTER NINE August 20, 1969
ABOUT THE AUTHOR
INDEX

Okładka: Murray Peter, Essential Bass Technique - 2nd Edition

cena 64,95 zł.


nuty.pl

Murray Peter
Essential Bass Technique - 2nd Edition

polski Technika gry na gitarze basowej, 2 edycja
angielski Essential Bass Technique - 2nd Edition - The definitive technique manual for bass guitar


Ilość stron:48
Format:230 x 305
Opracowanie na:gitara basowa solo
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara basowa (1)
Rodzaj produktu:książka
Wersja językowa:wstępu: angielska
opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL064800

Prezentowana książka to zaprezentowanie technik gry na gitarze basowej wg Petera Murray'a. Znajdziesz tu różnorodne zagadnienia pozwalające udoskonalić grę na instrumencie. Cała szkoła napisana jest w języku angielskim, ale zamieszczonych jest dużo ilustracji obrazujących daną problematykę i ułatwiających zrozumienie danego zagadnienia.


Peter Murray's new book, which scored an A+ rating from Bass Player magazine, provides bassists with everything they need to know to play effectively, helping them master the basics, and then explore what's beyond. Essential to any bass player! Once in a while, a book comes along that stands head and shoulders above the endless rows of 'method books' that fill the racks in music stores. This is one of those exceptional books. If you're a beginner, study of Murray's method could save you from countless hours of frustration (and possibly injury) by showing you the correct way to use you hands right from the start; if you're a more advanced player, it should help you to refine your ability and overcome the technical barriers that can block further development. Bravo! - Jim Roberts, Bass Player magazine


Spis treści:

Foreword
To the left - handed, fretless and many - stringed
Basic principles of technique
Economy of motion
Tone quality and consistency
Natural movement
Strength
Chops & the Chops "Reservoir"
Factors related to technique
The study of technique
For Beginners
For intermediate players
For advanced players
Practicing Technique
Tools
Precticing Technique
Divide and conquer
Using this book
Right - hand technique
Thumb position
The opposable thumb
Finger technique
Direction of finger movement
Finger distance from the strings
Finger pressure
Alternating fingers
Raking
String Skipping
Pinky and ring fingers
Right wrist and forearm
Left - hand technique
Thumb position
Spacing of fingers
Finger / string contact
Left - hand muting
Finger position
Fretting position
Finger pressure
Ascending on One String
Transitions between hand positions
Barring
Hammer - ons and pull - offs
String bending and vibrato
Playing harmonics
Left Arm position
Quasi - chromatic exercise
Muting summary

Okładka: Johnson Robert, Acoustic Country Blues Guitar

cena 108,95 zł.


nuty.pl

Johnson Robert
Acoustic Country Blues Guitar

polski Gitara akustyczna w stylach country i blues
angielski Acoustic Country Blues Guitar


Ilość stron:82
Format:230 x 305
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy, teksty)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
słów utworów: angielska
Stopień trudności:3 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL065379

Publikacja poświęcona jest kompozycjom Roberta Johnsona w stylu country i blues na gitarę. Znajdziesz tu takie utwory, jak: "Lead Pencil Blues", "Life Saver Blues", "My Black Mama", "Roll and Tumble Blues", "You Gonna Need Somebody When You Die" i wiele innych. Do każdego utworu dodany jest krótki opis dotyczący zarówno historii jak i problemów w nim zawartych. Dodatkowo książka zawiera fotografie artysty.


This valuable collection presents note-for-note transcriptions and performance notes for 12 timeless songs that inspired the legendary Robert Johnson, including: Cross Road Blues • I'm Gonna Yola My Blues Away • Lead Pencil Blues • Life Saver Blues • My Black Mama • Roll and Tumble Blues • You Gonna Need Somebody When You Die • and more, by seminal bluesman such as Blind Blake, Son House, Skip James, Lonnie Johnson, Booker White and others. This unrivaled primer in how to play country blues also includes a preface and introduction, rare photos, notes on country blues guitar techniques and more.


Lista utworów:
Cross Road Blues (Crossroads) (Cream, Eric Clapton)
I Believe I'll Dust My Broom (Robert Johnson)
I'm Gonna Yola My Blues Away (Skip James)
Lead Pencil Blues (Johnnie Temple)
Life Saver Blues (Lonnie Johnson)
My Black Mama (Son House)
One Time Blues (Blind Blake)
Police Station Blues (Peetie Wheatstraw)
Roll And Tumble Blues (Hambone Willie Newbern)
Sleepy Man Blues (Bukka White)
This Old World's In A Tangle (Calvin Frazier)
You Gonna Need Someone When You Die (Charley Patton)

Okładka: Gumm Alan, Music Teaching Style

cena 223,95 zł.


nuty.pl

Gumm Alan
Music Teaching Style

polski Muzyczne style nauczania
angielski Music Teaching Style


Ilość stron:192
Format:178 x 254
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065612

Publikacja Alana Gumma jest prezentacją stylów nauczania muzyki. Autor przedstawia nietypowe podejście do sztuki nauczania, a także popiera idee anegdotami i cytatami wielkich artystów i mistrzów. Głównym celem sposobów nauczania Gumma jest zdobycie doskonałego doświadczenia w nauczaniu i osiągnięcie trwałego sukcesu.


Music Teaching Style is an exciting, balanced approach to student performance, music learning and personal change. Written in an informal, engaging style, the text is highlighted by anecdotes, quotations, challenges for self-reflection, and techniques used by the author and top professionals in the field. The result - a fulfilling, productive and successful music teaching experience.


Spis treści:

Part 1. Overview
1. Setting the Context
Need for a Definition
Related Concepts
Personality
Learning Styles
Effective teaching
Conclusion
Discussion questions
2. Establishing a definition
The nature of music teaching style
Principle of tradicity
Several behaviors but one style
Stable and pervasive
Underlying focus
Many ways to be effective
Principle - based teaching
A clear and distinct definition
A new vantage point
A three - level model
Conclusion
Discussion questions
Part 2. Dimensions of music teaching style
3. Assertive teaching
Assertive vs. Aggressive
Cycle of teaching
Clear directions
Monitor student behavior
Specific feedback
Anticipating problems
Recognize cycles of misbehavior
Classroom rules
Consequences
Alerting
Conclusion
Discussion questions
4. Nonverbal motivation
Visual appearance
Proximity
Pacing
Conclusion
Discussion questions
5. Time efficiency
Concepts of time
Quickness
Quantity
Active learning
Conclusion
Discussion questions
6. Positive learning environment
Contingent approval
Transactional teaching
Time to think
Clarification
Encouragement
Elaboration
Awareness of student realities
Interpersonal relations
Conclusions
Discussion questions
7. Group dynamics
Self - responsibility
Student-to-student interactions
Leadership
Social loafing
Individualized listening and reading
Conclusion
Discussion questions
8. Music concept learning
Comprehensive musicianship
Concept of music
Questioning
Accountability
Questions as assessment
Handling incorrect answers
Types of questions
Critical thinking
Conclusion
Discussion questions
9. Artistic music performance
Multimodal learning
Asural Imagery
Psychomotor learning
Sound-to-performance cycle
Metaphor
Modeling and movement
Emotion and enthusiasm
Conclusion
Discussion questions
10. Student independence
Students as innovators
Creativity
Affective learning
Transformational teaching
Deepest levels of questioning
Discussion and dialogue
Student input in decision - making
Acceptance
Conclusion
Discussion questions
Part 3. Revealing your style
11. Types and trends of style
Prototypes
Comprehensive musicianship focus
Performance priorities
Intellectual focus
Group interaction priorities
Behavior management priorities
Styles that lack priority
Developmental teaching
Self - reflective stage
Broadening stage
Interdependent transition
Deepenning stages I and II
Development through insight
Conclusion
Discussion questions
12. Sorting out priorities
Trade offs
The Tyranny of time
Too much or too little control
Broader activity or deeper reflection
Principle of tradicity
Teacher - agenda interactions
Student - focused interactions
Subject matter interactions
You cannot touch learning
Conclusion
Discussion questions
Part 4. Choosing a new direction
13. Know yourself
Psychological controls
Internal - external
Time perceptions
Detail - holistic perspectives
To judge or not to judge
Absolute - relative
Background experience
We teach as we were taught
We teach what we know
Where we teach affects how we teach
Identity shapes our interactions
Conclusion
Discussion questions
14. Know your students
Developmental learning
External to internal
Dependent to independent
Student motivetion
Conclusion
Discussion questions
15. Know your subject matter
Music performance skills
Music knowledge
Creative experiences
Planning for balance in subject matter
Conclusion
Discussion questions
16. Learn what learning looks like
Define learning outcomes
Monitor learning
Conclusion
Discussion questions
17. Choose your focus
You get what you pay for
Focus away from the teacher
Focus on music
Refine your vision
18. Establish a set of principles
Make success the focus
Focus on all students' success
Get out of the way as the focus
Maintain a successful pace
Be independently succesfful
Teach deeply as well as broadly
Teach comprehensively
Final conclusion
About the author
Music teaching style inventory
Learning style glossary
References
General bibliography

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.


nuty.pl

Beall Eric
Making Music Make Money

polski Rób muzykę rób pieniądze
angielski Making Music Make Money


Ilość stron:272
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Kod produktu:NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.


Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.


Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

Okładka: Howard George, Getting Signed!

cena 171,95 zł.


nuty.pl

Howard George
Getting Signed!

polski Otrzymywanie kontraktów!
angielski Getting Signed!


Ilość stron:233
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065657

Przewodnik dla wszystkich muzyków dążących do uzyskania kontraktów z wytwórniami muzycznymi, a nieznających prawa i zasad niezbędnych do ubiegania się o tego typu dokumenty. Autor książki - George Howard doskonale pokieruje Cię przez współczesny labirynt przemysłu muzycznego i pomoże doprowadzić Twoje nagrania do szczytu sukcesu.


For unsigned musicians, it is vital to long-term success to sign a contract with a record label. However, preparing your music, targeting a label, and getting your demo into the hands of someone who will listen is challenging, if you don't know where to start. Getting Signed!, by record industry veteran George Howard, guides you through the maze of today's music industry, and will help you move your demo to the top of the stack. Even if you are not yet ready for a record deal, it will help you assemble a team that will make sure your music gets heard by as many people as possible. The next time an aspiring recording artist comes to us for advice, we'll advise them to read this book first. George Howard really knows what he's talking about. - Chris Franz and Tina Weymouth, members of Talking Heads and Tom Tom Club


Spis treści:

1 - The demo - breaking through: history, attitude and your demo
What is demo?
The demo: A multi - purpose tool
1. What is Label? ... and what the hell does A&R stand for anyway?
What is A&R?
What is a Record Label? Major vs. Indies
Record Label Architecture
Independent Promotion: More Indies
Summary
Workshop
2. Three case studies in breaking through: Nirvana, Def Jam, and Bob Dylan
The Essential Quality in an Artist
The problem
How Artists really get signed: A signing drama
The solution
Case 1: Nirvana - How Nirvana got their record deal
Case 2: Def Jam Recordings - The importance of the visionary at the label
Case 3: Bob Dylan - How Dylan got his record deal
Summary
Workshop
3. Demo track selection and sequencing: Start with the songs
How A&R people listen to demos
The Importance of Song Sequence: put your best song forward
How many songs, and why
Workshop
4. Recording Your Demo: getting it down
The recording studio
A schedule for making the most of your studio experience
Costs associated with studios
Home recording
Pro Tools
Home recording tips
Copryhights and demos
Workshop
5. Packaging and presenting your demo: All dressed up and everywhere to go
Elements of a Successful demo package
What's Inside the envelope
Summary
Workshop
2. The Team: Agents, Managers, and Lawyers
6. Performances and booking agents: The live life
How performing impacts all facets of your career
Maximizing the gig
Gigs outside your home town
Booking agents: how they work and when you need them
Building a following
Summary
Workshop
7. Management: Finding it and making it work for you
The three "Must - Have's" of Management
The Importance of Money: How management gets paid
Managers and publishing
Finding the right manager
Labels and Artist managers
Summary
Workshop
8. Lawyers: Protecting and Serving
The role of lawyers
When to get a lawyer
Finding the right lawyer
How lawyers differ from managers
Summary
Workshop
3. Additional Players - Giant steps: independent publicity and promotion, publishing, distribution, and labels
9. Publicity and Promotion: getting the word out
How publicists work
Maximizing your publicity experience
Publicity costs
Radio Promotion
When usigned artist should consider Indie promo
How promotion can help you get a deal
The cost of Indie promo
How to get and keep radio play
When to Hire an Indie Promoter
Summary
Workshop
10. Publishing: Rights and wrongs
Mechanicals
Why Publishers want you to get a record deal
The "Controlled Composition" clause
The importance of the Mechanical
Administration Deals
Co - Publishing Deals
Syncs and Placements: your Music in Movies and TV
When to get a Publishing deal
Publishing Pitfalls
Performance rights organizations (ASCAP, BMI, SESAC)
Summary
Workshop
Distribution: Moving Product
How Distribution Works
Co - op
Distribution follows marketing
Starting Your Own Label
P&D Deals: Distributors as Marketers and Manufacturers
Why Distributors Avoid Unsigned Artists
When to Consider Distirbution
One - Stops and Rackjobbers
Summary
Workshop
12. Contracts: getting the best deal
The Royalty deal
How Royalties are calculated
Profit Sharing / Joint - Venture Deals
Term ("Licensing") Deals
Demo Deals
Important Contract Points
Summary
Workshop
13. You've got a deal! or did you know that "Utopia" Means "No Place?"
What happens when you get signed
Issues surrounding scheduling your release
Atwork
Working with Your A&R Person
Key People at the Labels
Keeping the Label Focused on You
Summary
Workshop
Appendix A: Sample contract
Appendix B: Suggested reading
Appendix C: "From the Field" Bios
Index

Okładka: , Jazz Trombone Tunes

cena 182,95 zł.


nuty.pl

Jazz Trombone Tunes

polski Jazzowe melodie na puzon
angielski Jazz Trombone Tunes


Ilość stron:24 + 44
Format:230 x 305
Opracowanie na:puzon tenorowy suwakowy i fortepian + akompaniamnet na CD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Puzon (1)
Fortepian (1)
akompaniament na płycie CD (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
tytułów utworów: angielska
UWAGA: korzystanie z publikacji nie wymaga znajomości języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudności:2 w skali od 0 do 10
Stopień trudności akompanamentu:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL065995
Produkty podobne: - Jazz Trombone Aural Tests and Quick Studies
- Jazz Trombone CD, Level 4
- Jazz Trombone CD, Level 5
- Jazz Trombone Scales
- Jazz Trombone Tunes
Różni - Jazz Trombone Tunes, Level 1

Piętnaście znanych utworów jazzowych na puzon i fortepian z dołączoną płytą CD (akompaniament i wykonanie wzorcowe). Utwory podzielone są na trzy sekcje: Blues i korzenie, Standardy i Jazz współczesny. W partii puzonu podany jest prosty zarys melodii i miejsce na improwizację. Podpisane są też akordy.

Associated Board Jazz Syllabus to kompleksowe wprowadzenie do świata muzyki jazzowej. Pionierski zestaw publikacji i strukturalny program nauczania zawiera elementy konstrukcyjne potrzebne by zagrać muzykę jazzową z wyobraźnią, rozumiejąc w jaki sposób od początku właściwie i efektownie zaimprowizować. Jazz Trombone Tunes to seria o stopniowanym stopniu trudności, zapewniająca bogactwo repertuaru jazzowego reprezentującego szeroką i urozmaiconą muzykę jazzową, od świetnej afroamerykańskiej tradycji do dynamicznych i wielokulturowych dźwięków dzisiejszej muzyki jazzowej. Każda książka zawiera płytę CD na której znajdują się ścieżki samego akompaniamentu, jak również zapisy pełnych wykonań.


The Associated Board's Jazz Syllabus is a comprehensive introduction to the world of jazz. A pioneering set of publications and a structured learning program provide the building blocks needed to play jazz with imagination, understanding, and style and to improvise effectively right from the start. Jazz Trombone Tunes is a series of graded folios providing a wealth of jazz repertoire representing the breadth and diversity of jazz, from the great African-American tradition to the vibrant and multicultural sounds of jazz today. Each book includes a CD that provides minus-one backing tracks as well as recordings of full performances. Level 2 includes: Nobody Knows the Trouble I've Seen • Blues for Pat • A Caddy for Daddy • A String of Pearls • Grand Street • Don't Tell Me Now • more.


Lista utworów:
Oh Lord, don't let them drop that atomic bomb on me (Charles Mingus)
Nobody knows the trouble I've seen (traditional)
A caddy for daddy (Hank Mobley)
Blues for Pat (Charlie Haden)
Those cheerful blues (Eddie Harvey)
A string of pearls (Jerry Gray)
Li'l darlin' (Neal Hefti)
I'm an old cowhand (Johny Mercer)
Grand street (Sonny Rollins)
Ja-da (Bob Carleton)
Don't tell me now (Steve Arguelles)
Road rage (Mark Bassey)
Ek se (Abdullah Ibrahim)
Nkebo Baaya (E. T. Mensah)
Rings (Geoff Keezer)





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