Ani me, ani be

Lista utworów:
A Call From The Vatican (Maury Yeston)
A Very Special Day (Richard Rodgers)
All Through The Night (Bettina Hall/William Gaxton, Bing Crosby and Zizi Jeanmarie, Cyndi Lauper, Jules Shear)
And This Is My Beloved (George Forrest, Robert Wright)
Another Suitcase In Another Hall (Andrew Lloyd Webber)
Art Is Calling For Me (Victor Herbert)
Dear Friend (Paul McCartney, Stacie Orrico)
Gooch's Song (Jerry Herman)
Gypsy In Me (Cole Porter)
How Could I Ever Know? (Lucy Simon)
I Do Not Know A Day I Did Not Love You (Richard Rodgers)
I Don't Know His Name (Jerry Bock)
I Hate Men (Cole Porter)
I Loved (J'aimais) (Francois Rauber, Gerard Jouannest)
I Whistle A Happy Tune (Richard Rodgers)
If I Were A Bell
I'll Follow My Secret Heart (Noel Coward)
I'll Know
Is It Really Me?
It Wonders Me
Like A Woman Loves A Man (Frank Loesser)
Look For A Sky Of Blue (Rick Besoyan)
Moonfall (Rupert Holmes)
My True Love
Poor Wand'ring One (Arthur Sullivan, Sir Arthur Sullivan)
Raunchy (Bill Justis, Ernie Freeman)
Rosa's Confession (Rupert Holmes)
Simple (Maury Yeston)
Simple Little Things
So Far (Richard Rodgers)
Take Me To The World (Stephen Sondheim)
The Glamorous Life (Stephen Sondheim)
The Greatest Of These (Harvey Schmidt, Tom Jones)
The Sound Of Music
The Sun, Whose Rays Are All Ablaze (Sir Arthur Sullivan)
This Place Is Mine (Maury Yeston)
Unusual Way (In A Very Unusual Way) (Linda Eder)
Vilia (Franz Lehar)
Warm All Over (Frank Loesser)
What Will It Be For Me? (Marc Blitzstein)
When Did I Fall In Love (Jerry Bock)
Will He Like Me? (Jerry Bock)
Without You (Dixie Chicks, Jesse McCartney, Kirk Franklin, Mariah Carey, MXPX, Nilsson)

This landmark series collects compelling, useful, singer-friendly arias from a distinctly American opera tradition. Each volume includes information about every opera and an aria plot note. A majority of the music in the four volumes has never before been available outside of the opera vocal scores, and some arias in the series have never been in print at all before now. Most arias are appropriate for college-level singers. Composers such as Samuel Barber, William Bolcom, Douglas Moore, Virgil Thomson and Gian Carlo Menotti are well represented. Additionally, arias are included from important works such as Regina, A Streetcar Named Desire, The Ghosts of Versailles, The Great Gatsby, Little Women and many others. Stephen Sondheim graciously agreed to adapt new aria editions of two pieces from Sweeney Todd for the series: “The Contest” in the Tenor volume and “Epiphany” in the Baritone/Bass edition.

Lista utworów:
Al norte (To the North!) from SIMÓN BOLÍVAR (T. Musgrave)
Always Through The Changing from THE BALLAD OF BABY DOE (D. Moore)
Be good to her from THE SAINT OF BLEECKER STREET (G.C. Menotti)
Birdie's Aria from REGINA (M. Blitzstein)
The Black Swan from THE MEDIUM (G.C. Menotti)
Bride's Song, The from THE LABYRINTH (G.C. Menotti)
But you do not know this man from A VIEW FROM THE BRIDGE (W. Bolcom)
Dear Husband: Come this fall from JOHN BROWN (K. Mechem)
Dearest Mama from THE BALLAD OF BABY DOE (D. Moore)
Do not utter a word from VANESSA (S. Barber)
Escúchame from FLORENCIA IN EL AMAZONAS (D. Catán)
Fair Robin I love from TARTUFFE (K. Mechem)
Father, I beg you from TARTUFFE (K. Mechem)
Give me some music from ANTONY AND CLEOPATRA (S. Barber)
Green finch and linnet bird from SWEENEY TODD (S. Sondheim)
Have peace, Jo from LITTLE WOMEN (M. Adamo)
Hello! Oh, Margaret, it's you from THE TELEPHONE (G.C. Menotti)
I have been wandering through the green woods from WUTHERING HEIGHTS (B. Herrmann)
I have dreamt from WUTHERING HEIGHTS (B. Herrmann)
I want magic! from A STREETCAR NAMED DESIRE (A. Previn)
Joy beyond measure, Mother! from LITTLE WOMEN (M. Adamo)
Kiss Me Not Goodbye from THE MIGHTY CASEY (W. Schuman)
Lola's Aria from GALLANTRY (D. Moore)
Loved One, Beloved from TEA (Tan Dun)
Monica's Waltz from THE MEDIUM (G.C. Menotti)
Music, music, music from REGINA (M. Blitzstein)
My sleeping beauty from THE HERO (G.C. Menotti)
Now, my fairest friend from WINTER'S TALE (J. Harbison)
Oh, Sweet Jesus from THE SAINT OF BLEECKER STREET (G.C. Menotti)
Open the window from WUTHERING HEIGHTS (B. Herrmann)
Prayer, A from THE MIGHTY CASEY (W. Schuman)
Sea Air from A STREETCAR NAMED DESIRE (A. Previn)
Silver Aria, The from THE BALLAD OF BABY DOE (D. Moore)
Somehow I never could believe from STREET SCENE (K. Weill)
Steal me, sweet thief from THE OLD MAID AND THE THEIF (G.C. Menotti)
The Foreign Woman's Aria from THE CONSUL (G.C. Menotti)
They are always with me from THE GHOSTS OF VERSAILLES (J. Corigliano)
To this we've come from THE CONSUL (G.C. Menotti)
What good would the moon be? from STREET SCENE (K. Weill)
What will it be for me? from REGINA (M. Blitzstein)
Where is the old warm world? from THE GREAT GATSBY (J. Harbison)
Who is there to love me? from A HAND OF BRIDGE (S. Barber)
Why must the greatest sorrows come from VANESSA (S. Barber)
Willow Song from THE BALLAD OF BABY DOE (D. Moore)

Publikacja zawiera trzy Arie koncertowe Wolfganga Amadeusa Mozarta na głos wokalny sopranowy i akompaniament fortepianowy. Wśród nich znajdziesz: "Bella Mia Fiamme, Addio! KV 528", "Ah, Lo Previdii KV 272" i "Ch'io mi scordi di te? KV 505".

Zeszyt pierwszy "Opern - Arien" gromadzi w sobie szesnaście wybranych arii z oper Giuseppe Verdiego, w opracowaniu na głos wokalny - sopran i fortepian. Verdi to najsłynniejszy kompozytor włoskiej opery. Jego dzieła w tym gatunku są pełne wewnętrznej harmonii, niezwykle melodyjne i łatwe do zapamiętania. Wśród arii znajdujących się w prezentowanym zbiorze odnaleźć można m. in. arię Gildy z opery "Rigoletto", czy arię Lady Makbeth z opery "Mackbeth". Wszystkie arie posiadają tekst w języku włoskim oraz w języku niemieckim.