Bad Omen

James Galway is one of today's best known performers, a rare example of the musician who is equally successful in both classical and popular repertoire. Since he left the Berlin Philharmonic Orchestra in 1975, he has appeared regularly on the world's stages and television screens, playing works that range from Mozart, Bach and Vivaldi through Debussy, Poulenc and Khachaturian to Japanese and Irish melodies, Country, Pop and Jazz.

Lista utworów:
Suite in B Minor (Bach J. S.)

This beautiful collection in The World's Great Classical Music series features works for flute and piano in a newly engraved, clean edition complete with composer biographies and historical notes. It contains 12 favorite pieces by C.P.E. Bach, J.S. Bach, Handel, Haydn, Mozart, Quantz and Telemann, plus a foreword which talks about playing baroque music.

The Associated Board's Jazz Syllabus is a comprehensive introduction to the world of jazz. A pioneering set of publications and a structured learning program provide the building blocks needed to play jazz with imagination, understanding, and style and to improvise effectively right from the start. Jazz Flute Tunes is a series of graded folios providing a wealth of jazz repertoire representing the breadth and diversity of jazz, from the great African-American tradition to the vibrant and multicultural sounds of jazz today. Each book includes a CD that provides minus-one backing tracks as well as recordings of full performances. Level 2 includes: Old Joe Clark (traditional) • Things Are Getting Better (Cannonball Adderly) • I'm an Old Cowhand (Johnny Mercer) • Song for My Father (Horace Silver) • I'll Take Les (John Scofield) • Oye como va (Tito Puente) • and more.

Friedrich Zipp (1914 - 1997) niemiecki kompozytor muzyki współczesnej i teoretyk muzyki, początkowo komponował dzieła wyłącznie instrumentalne, aż do czasu całkowitego zrozumienia tajemnicy ludzkiego głosu. Wtedy zaczął pisać prace badawcze biorąc pod uwagę różne rodzaje muzyki wokalnej, nie wyłączając muzyki ludowej. Suita op. 35a na flet i fortepian, powstała jeszcze w okresie, kiedy kompozytor zajmował się muzyką wyłącznie instrumentalną. Składa się z czterech części:
I - Giocoso (ćwierćnuta = 80 - 88);
II - Andante (ćwierćnuta = 56 - 60);
III - Molto vivace (ćwierćnuta = 92);
IV - Introduktion (ćwierćnuta = 58).