Publikacje: Latarski Don

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The blues shuffle The full chord shuffle The classic schuffle The sound of blues lead guitar Hammer on examples Pull-off examples Slide examples Bending examples Vibrato examples First step to creating a blues solo Locating the notes in E7 Combining the root and 3rd of E7 Locating the b7 of E7 Combining the root, 3rd, 5th and b7 The IV chord Locating the notes in A7 Combining the root, 3rd, 5yh and b7 The V chord Locating the notes in B7 Ideas for soloing over the B7 chords Building a simple solo with chord tones Ramblin' Adding the 6th to the I, IV nad V chords I can see the train afar Creating tension and release Adding the 4th to the I, IV nad V chords Go by the four Blues riffs that use the 4th The blues 5th Riffs that use the blues 5th Make mine with the blues Adding the 9th to the I, IV nad V chords Liftin' me up The blues rock connection Integrating the blues rock scale Young drifter, old road Doggin' My tail More patterns for the blues-rock scale Moving the blues to different keys Locating the chord tones in the key of A Steppin' Out Walking on the C Jumping at the double stop Creating extended fingerings Common extended fingerings for the blues rock scale Creating extended fingerings: the sweet major sound Lazy river blues Creating extended fingerings: the blues major sound Creating extended fingerings for minor blues A minor connection When people look down Breaking out of common patterns The mixolydian blues scale Inroductions Melodic style intro, key of F Descending dominant chord inro, Key of E Riff intro, key of G Melodic intro, key of B flat Rhytmic chords, Key of A Turnaround-style intro, key of E Turnaround-style intro, key of G Diminished arpeggio intro, key of G Passing chord intro. key of B flat Gospel style intro. key of C Jazz-style intro, key of A Riff-based intro, key of B flat Quick-change intro, key of C Endings Traditional ending, key of C The break ending key of C The break ending with quater-note triplets, key of C Melodic riff ending, key of C Chromatic chord movement, Key of F Quater note triplet ending, key of G Cha Cha Cha ending, key of C minor The "A train" ending, key of F Riff- style ending, key of G Chromatic slide up, key of E Turaround-style ending, Key of E Turaround-style ending, Key of G Turaround-style ending, Key of B flat Modern blues trics: the whole tone sound Saints and sinners The diminished sound Cantaloupe shuffle The chromatic run-up The chord rake Major rakes Minor rakes Dominant rakes Combining the rake with other techniques Using the 6th interval to embellish the dominant 7th chord The shapes of the 6th interval on the 1st and 2nd strings Comping through a blues using 6th intervals Moving 6ths on the 1st and 3rd strings Using the 6th to embellish the 7th chord on the 2nd and 4th string The shapes of the 6th interval on the 2nd and 4th strins Working with 6ths on the 2nd and 4th strins More work with 6ths on the 2nd and 4th strins The funk blues sound The funk/blues The Memphis connection Unfinished business Blues forms and chord progressions The standard 12-bar form The quick change blues form Turnaround changes Major 6 blues Variation on the major 6th blues Another Variation on the major 6th blues Major 6th with a quick change Another variation Substituting for the V chord Rhythm & blues Minor key blues progression Minor key blues Variation 1 Merging minor and dominant blues B.B. King style minor blues Peter Green style minor blues Eight bar blues Eight bar blues (key to the highway style) Example Example Turarounds Turarounds in E Turarounds in E Turarounds in E Turarounds in E Turarounds in A Turarounds in A Turarounds in A Turarounds in A Turarounds in A