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Word Of Mouth

Dostępne opracowania:
fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy (1)
gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy) (1)
gitara i CD (1)
gitara i CD (zawiera zapis tradycyjny oraz tabulaturę) (1)
głos wokalny solowy (średni) i fortepian (1)
głos wokalny solowy i fortepian lub keyboard (linia melodyczna, funkcje harmoniczne, akompaniament) (1)
książka (3)
perkusja (dodatkowo zawiera płytę DVD) (1)

Word Of Mouth znajdziesz w 10 publikacjach wymienionych poniżej:

Okładka: Christian Charlie, The Best Of Charlie Christian

cena 167,95 zł.

nuty.pl

Christian Charlie
The Best Of Charlie Christian

Ilość stron:	96
Format:	171.45 x 266.7
Opracowanie na:	gitara i CD (zawiera zapis tradycyjny oraz tabulaturę)
Dostępność	w magazynie, wysyłka natychmiastowa
Kod produktu:	NPL052114

Explore the riffs, solos and sounds of the original electric jazz guitar virtuoso with this comprehensive book/CD pack! Wolf Marshall uses excerpts from 15 of Christian's classics to demonstrate his groundbreaking techniques, including: Air Mail Special • Benny's Bugle • Good Enough to Keep (Air Mail Special) • Grand Slam • Honeysuckle Rose • I've Found a New Baby (I Found a New Baby) • Seven Come Eleven • Shivers • Solo Flight • Stardust • Wholly Cats • and more. Includes an introduction and foreword, and a Charlie Christian biography and axology.

Lista utworów:
A Smooth One (Benny Goodman)
Air Mail Special (Benny Goodman & His Orchestra)
Benny's Bugle (Benny Goodman)
Gone With 'What' Wind (Benny Goodman, Count Basie)
Good Enough To Keep (Air Mail Special) (Benny Goodman, Charlie Christian, Jimmy Mundy)
Grand Slam (Benny Goodman)
Honeysuckle Rose (Django Reinhardt)
I've Found A New Baby (I Found A New Baby) (Benny Goodman, Ted Lewis and his band)
Seven Come Eleven (Benny Goodman)
Shivers (Benny Goodman)
Six Appeal (Benny Goodman)
Solo Flight (Benny Goodman, Patty Larkin)
Stardust (Artie Shaw)
Till Tom Special (Benny Goodman)
Wholly Cats (Benny Goodman)

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.

nuty.pl

Beall Eric
Making Music Make Money

polski

Rób muzykę rób pieniądze
angielski

Making Music Make Money

Ilość stron:	272
Format:	152 x 229
Opracowanie na:	książka
Rodzaj produktu:	książka
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Autorzy	Edytor: Lindsay Susan Gedutis
Kod produktu:	NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.

Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.

Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

cena 171,95 zł.

nuty.pl

Howard George
Getting Signed!

polski

Otrzymywanie kontraktów!
angielski

Getting Signed!

Ilość stron:	233
Format:	152 x 229
Opracowanie na:	książka
Rodzaj produktu:	książka
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Kod produktu:	NPL065657

Przewodnik dla wszystkich muzyków dążących do uzyskania kontraktów z wytwórniami muzycznymi, a nieznających prawa i zasad niezbędnych do ubiegania się o tego typu dokumenty. Autor książki - George Howard doskonale pokieruje Cię przez współczesny labirynt przemysłu muzycznego i pomoże doprowadzić Twoje nagrania do szczytu sukcesu.

For unsigned musicians, it is vital to long-term success to sign a contract with a record label. However, preparing your music, targeting a label, and getting your demo into the hands of someone who will listen is challenging, if you don't know where to start. Getting Signed!, by record industry veteran George Howard, guides you through the maze of today's music industry, and will help you move your demo to the top of the stack. Even if you are not yet ready for a record deal, it will help you assemble a team that will make sure your music gets heard by as many people as possible. The next time an aspiring recording artist comes to us for advice, we'll advise them to read this book first. George Howard really knows what he's talking about. - Chris Franz and Tina Weymouth, members of Talking Heads and Tom Tom Club

Spis treści:

1 - The demo - breaking through: history, attitude and your demo
What is demo?
The demo: A multi - purpose tool
1. What is Label? ... and what the hell does A&R stand for anyway?
What is A&R?
What is a Record Label? Major vs. Indies
Record Label Architecture
Independent Promotion: More Indies
Summary
Workshop
2. Three case studies in breaking through: Nirvana, Def Jam, and Bob Dylan
The Essential Quality in an Artist
The problem
How Artists really get signed: A signing drama
The solution
Case 1: Nirvana - How Nirvana got their record deal
Case 2: Def Jam Recordings - The importance of the visionary at the label
Case 3: Bob Dylan - How Dylan got his record deal
Summary
Workshop
3. Demo track selection and sequencing: Start with the songs
How A&R people listen to demos
The Importance of Song Sequence: put your best song forward
How many songs, and why
Workshop
4. Recording Your Demo: getting it down
The recording studio
A schedule for making the most of your studio experience
Costs associated with studios
Home recording
Pro Tools
Home recording tips
Copryhights and demos
Workshop
5. Packaging and presenting your demo: All dressed up and everywhere to go
Elements of a Successful demo package
What's Inside the envelope
Summary
Workshop
2. The Team: Agents, Managers, and Lawyers
6. Performances and booking agents: The live life
How performing impacts all facets of your career
Maximizing the gig
Gigs outside your home town
Booking agents: how they work and when you need them
Building a following
Summary
Workshop
7. Management: Finding it and making it work for you
The three "Must - Have's" of Management
The Importance of Money: How management gets paid
Managers and publishing
Finding the right manager
Labels and Artist managers
Summary
Workshop
8. Lawyers: Protecting and Serving
The role of lawyers
When to get a lawyer
Finding the right lawyer
How lawyers differ from managers
Summary
Workshop
3. Additional Players - Giant steps: independent publicity and promotion, publishing, distribution, and labels
9. Publicity and Promotion: getting the word out
How publicists work
Maximizing your publicity experience
Publicity costs
Radio Promotion
When usigned artist should consider Indie promo
How promotion can help you get a deal
The cost of Indie promo
How to get and keep radio play
When to Hire an Indie Promoter
Summary
Workshop
10. Publishing: Rights and wrongs
Mechanicals
Why Publishers want you to get a record deal
The "Controlled Composition" clause
The importance of the Mechanical
Administration Deals
Co - Publishing Deals
Syncs and Placements: your Music in Movies and TV
When to get a Publishing deal
Publishing Pitfalls
Performance rights organizations (ASCAP, BMI, SESAC)
Summary
Workshop
Distribution: Moving Product
How Distribution Works
Co - op
Distribution follows marketing
Starting Your Own Label
P&D Deals: Distributors as Marketers and Manufacturers
Why Distributors Avoid Unsigned Artists
When to Consider Distirbution
One - Stops and Rackjobbers
Summary
Workshop
12. Contracts: getting the best deal
The Royalty deal
How Royalties are calculated
Profit Sharing / Joint - Venture Deals
Term ("Licensing") Deals
Demo Deals
Important Contract Points
Summary
Workshop
13. You've got a deal! or did you know that "Utopia" Means "No Place?"
What happens when you get signed
Issues surrounding scheduling your release
Atwork
Working with Your A&R Person
Key People at the Labels
Keeping the Label Focused on You
Summary
Workshop
Appendix A: Sample contract
Appendix B: Suggested reading
Appendix C: "From the Field" Bios
Index

cena 171,95 zł.

nuty.pl

Wow Worship Red Songbook

polski

Czerwona księga pieśni uwielbienia
angielski

Wow Worship Red Songbook

Ilość stron:	248
Format:	230 x 305
Opracowanie na:	fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Fortepian (1) lub Głos wokalny lub Gitara lub Keyboard
Rodzaj produktu:	nuty drukowane
Wersja językowa:	tytułów utworów: angielska słów utworów: angielska UWAGA: korzystanie z publikacji nie wymaga znajomości języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudności:	4 w skali od 0 do 10
Dostępność	w magazynie, wysyłka natychmiastowa
Autorzy	Edytor: Inman Bruce, Barker Ken Transkrypcja: Inman Bruce, Roberts Brent, Wolaver Bill, Zaloudik Danny
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL065658

Rozpalona do czerwoności kolekcja współczesnych artystów chrześcijańskich ze szczytów list przebojów, włączając: Above All (Michael W. Smith) • All I Want Is You (Planetshakers) • Beautiful Savior (Casting Crowns) • Did You Feel the Mountains Tremble? (Delirious?) • Enough (Jeremy Camp) • I'll Fly Away (Jars of Clay) • Lord, I Lift Your Name on High (Sonicflood) • The Potter's Hand (Darlene Zschech) • We Fall Down (Steven Curtis Chapman with Chris Tomlin) • You Are So Good to Me (Third Day).

A red-hot collection of today's top Christian artists, including: Above All (Michael W. Smith) • All I Want Is You (Planetshakers) • Beautiful Savior (Casting Crowns) • Did You Feel the Mountains Tremble? (Delirious?) • Enough (Jeremy Camp) • I'll Fly Away (Jars of Clay) • Lord, I Lift Your Name on High (Sonicflood) • The Potter's Hand (Darlene Zschech) • We Fall Down (Steven Curtis Chapman with Chris Tomlin) • You Are So Good to Me (Third Day) • and more.

Lista utworów:
Above all
All I want is you
Amazing love
As the deer
Be the centre
Beautiful savior
Did you feel the mountains tremble?
Enough
Famous one
Give us clean hands
Hallelujah (Your love is amazing)
Here I am to worship
How deep the father's love for us
I exalt thee
I love you, lord
I'll fly away
Jesus, lover of my soul
Let my words be few
Lord, I lift your name on high
May the words of my mouth
Medley: What a friend we have in Jesus/The old rugged cross/How great thou art
More than a friend
Once again
Open the eyes of my heart
The potter's hand
The power of your love
Sanctuary
Spirit of the living God
This is a redeemer
Victory chant
We fall down
We will glorify
Word of God, Speak
You are so good to me

Okładka: Różni, Smooth Jazz Guitar Solos

cena 79,95 zł.

nuty.pl

Różni
Smooth Jazz Guitar Solos

polski

Utwory jazzowe na gitarę
angielski

Smooth Jazz Guitar Solos

Ilość stron:	64
Format:	230 x 305
Opracowanie na:	gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy)
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Gitara (1)
Rodzaj produktu:	nuty drukowane
Wersja językowa:	wstępu: angielska tytułów utworów: angielska
Stopień trudności:	4 w skali od 0 do 10
Dostępność	w magazynie, wysyłka natychmiastowa
Autorzy	Autor aranżacji/opracowania: Jones Andy Autor okładki: Chloë Alexander Redaktor: Evans Peter
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL066602

Kolekcja 15 popularnych utworów jazzowych w aranżacji Andy'ego Jones'a na gitarę solo. Wśród tytułów znajdziesz m. in.: "Fly Me To The Moon", "I Wanna Be Around", "I'm Gettin' Sentimental Over You", "The Girl From Ipanema" i wiele innych. We wstępie książki znajdują się objaśnienia oznaczeń zawartych w notacji muzycznej.

Fifteen Jazz standards superbly arranged by Andy Jones for guitar tablature and standard notation, complete with chord symbols. Includes Chelsea Bridge, Honeysuckle Rose, I'm Gettin' Sentimental Over You, Undecided plus many more.

Lista utworów:
Chelsea Bridge (Strayhorn Billy)
Fly Me To The Moon (In Other Words) (Howard Bart)
Here's That Rainy Day (Burke Johnny, Heusen Jimmy Van)
Honeysuckle Rose (Waller Thomas 'Fats')
I Wanna Be Around (Mercer Johnny, Vimmerstedt Sadie)
I'll Remember April (Raye Don, Paul Gene de, Johnson Patricia)
I'm Getting Sentimental Over You (Bassman Geo)
Lazy River (Carmichael Hoagy, Arodin Sidney)
Recado Bossa Nova (The Gift) (Ferreira Djalma, Antonio Luiz)
Satin Doll (Ellington Duke, Strayhorn Billy)
Taking A Chance On Love (Duke Vernon)
The Girl From Ipanema (Jobim Antonio Carlos)
The Nearness Of You (Carmichael Hoagy)
Undecided (Shavers Charles)
When Sunny Gets Blue , (Fisher Marvin)

Okładka: Lütgen B., 9790014007034Die Kunst der Kehlfertigkeit, Band 1

cena 110,95 zł.

nuty.pl

Lütgen B.
9790014007034Die Kunst der Kehlfertigkeit, Band 1

polski

Sztuka śpiewania na głos średni i fortepian, z. 1
angielski

Art of Velocity, Vol. 1
niemiecki

Die Kunst der Kehlfertigkeit, Band 1

Ilość stron:	32
Format:	190 x 270
Opracowanie na:	głos wokalny solowy (średni) i fortepian
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Partytura (1) Głos wokalny solowy - Mezzosopran (0) lub Głos wokalny solowy - Baryton Fortepian (0)
Rodzaj produktu:	nuty drukowane
Wersja językowa:	wstępu: angielska, niemiecka, francuska tytułów utworów: niemiecka
Dostępność	w magazynie, wysyłka natychmiastowa
Autorzy	Edytor: Hedmont Marie
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL067634
Produkty podobne:	Lütgen B. - Art of Velocity, Vol. 1 Lütgen B. - Art of Velocity, Vol. 1

Celem tych ćwiczeń wokalnych jest nadanie głosu niejakiej gładkości i sprawienie, by był zdolny do swobodnego wykonywania pasaży koloraturowych. Sens stosowania ćwiczeń tego typu przyrównać można do nauki przez pianistów utworów ze ''Szkoły biegłości'' Czernego. Ćwiczenia w zbiorze ponumerowane są kolejno według stopnia trudności. Pierwsze pozycje zawierają typowe, proste ćwiczenia dla początkujących, kolejne stają się coraz bardziej pouczające dla wykonawcy i wymagają swoistego doświadczenia w śpiewie. Ćwiczenia śpiewa się wykorzystując nazwy solmizacyjne dźwięków.

The aim of these studies is to impart to the voice ample flaxability and smoothness, so that it may be rendered capable of executing, with ease and elegance, coloratura passages and embellishments contained in the words of our great composers. They should assist the Vocalist in the same way that Czaerny's ''School of Velocity'' does the Pianist. Starting from the principle that it is impractical to practise several difficult passagesat a time. I begin with exercises for 2, 3 and 4 tones, in order to advance by steps to more difficult exercises, leaving in to the discretion of the teacher gradually to transpose them a semitone up or down.

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

cena 293,95 zł.

nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski

Kurs nagrywania AudioPro, cz. 3

The AudioPro Home Recording Course, Volume 3

Ilość stron:	272
Format:	215 x 275
Opracowanie na:	książka
Rodzaj produktu:	nuty drukowane + 2 płyty CD
Wersja językowa:	angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL078018
Produkty podobne:	Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully

cena 79,95 zł.

nuty.pl

Fleming Tom
Play Like A Pro

polski

Graj jak profesjonalista
angielski

Play Like A Pro

Ilość stron:	48
Format:	230 x 305
Opracowanie na:	gitara i CD
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Gitara (1) akompaniament na płycie CD (1)
Rodzaj produktu:	nuty drukowane + płyta CD
Wersja językowa:	wstępu: angielska opisów: angielska tytułów utworów: angielska
Stopień trudności:	4 w skali od 0 do 10
Dostępność	w magazynie, wysyłka natychmiastowa
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL078102

Szkoła gry na gitarze Toma Fleminga z serii "Next Step Guitar" (kolejny krok w grze na gitarze) obejmuje tematy dotyczące rozmaitych technik gitarowych, rozmieszczenia dźwięków na gryfie instrumentu, gry poszczególnych interwałów, itp. Dodatkowo szkoła zawiera krótkie utwory będące ćwiczeniami utrwalającymi dane zagadnienie. Do książki została dołączona płyta CD z nagranymi wersjami demonstracyjnymi utworów, oraz z samymi akompaniamentami, dzięki czemu możesz ćwiczyć razem z płytą.

Elevate your playing to the level of a true professional with this wide-ranging tutorial that will put your playing to the test - complete with a CD of backing tracks and demonstrations.

Play Like A Pro takles almost every aspect of your guitar playing, offering a host of guidance and advice to make sure you're guitar playing reaches its very best.

Perfect your timing with play-along rhythm exercises
Create memorable solos with slick phrasing and smooth voice leading
Master the arts of bending, tapping, muting, damping, vibrato, harmonics and lots more.

Every lesson is supported by a CD of backing tracks and demonstrations.

Spis treści:

CD track listing
Introduction
How to use this book
You should hear Yourself
The basics
A Word About Tuning
It's about time
Time's up
Chop!
Dugga Dugga Chop!
Say it with rests: the art of phrasing
Total Noodle Balckout
Cut the Clutter
More about time
Chug Chug Chug
Voice leading
Bad Voicing
Good Voicing
Memorable solos
So Low
Dirty but clean?
Take You to the leaners
Beyond licks
G-Up!
That elusive groove thing
Groovin' Up Slowly
Grease My Palm With Gold
String bending
Types of Bends
Simple Bend
Bend and Release
Pre-Bend
Pre-Bend and Release
Bend it Like Beck
Control that vibrato!
Vibromatic override
Types of vibrato
Rock Vibrato
Classical Vibrato
Arm Vibrato
Damping and muting
Palm Muting
Left-Hand Damping
Damp It!
Got hem Mutin' Dampin' Blues Again
Double-stops
Octaves
Eight Over the One
Smooth Octaves
Effects (aka "FX")
Chorus of Approval
Bend and tap
Bend it! Tap it!
Harmonics
Ringing In Tune
Legato
Join the Dots
Fun with tunings
Stuck in D
Weave Your Own
Where now?
Suggested reading

Okładka: Ortega Fernando, The Shadow Of Your Wings

cena 91,95 zł.

nuty.pl

Ortega Fernando
The Shadow Of Your Wings

polski

Cień twoich skrzydeł
angielski

The Shadow Of Your Wings

Ilość stron:	96
Format:	230 x 305
Opracowanie na:	głos wokalny solowy i fortepian lub keyboard (linia melodyczna, funkcje harmoniczne, akompaniament)
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Partytura (1) Głos wokalny (0) Fortepian (0) lub Gitara lub Keyboard
Rodzaj produktu:	nuty drukowane
Wersja językowa:	tytułów utworów: angielska słów utworów: angielska UWAGA: korzystanie z publikacji nie wymaga znajomości języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudności:	4 w skali od 0 do 10
Dostępność	w magazynie, wysyłka natychmiastowa
Zawartość:	Zajrzyj do środka. Oto kilka stron z publikacji:
Kod produktu:	NPL079588

Fernando Ortega jest meksykańskim przedstawicielem muzyki CCM, czyli współczesnej muzyki chrześcijańskiej. Znany jest przede wszystkim z aranżacji popularnych hymnów i pieśni. Ortega jest także laureatem trzech nagród Dove Awards. Niniejsza publikacja zawiera utwory z albumu "The Shadow of Your Wings" wydanego w 2006 roku, na którym znalazły się hymny i pieśni sakralne. Utwory zostały opracowane na głos wokalny z akompaniamentem (fortepian lub keyboard). Wśród tytułów znajdziesz m. in.: "Open My Lips", "There Is Power in the Blood" czy "Oh God, You Are My God".

The World of Christian Music says that Ortega has hit a homerun again with his latest release. Our matching folio features all 14 songs, including: All Flesh Is Like the Grass • Grace and Peace • Let the Words of My Mouth • Oh God, You Are My God • Open My Lips • Savior, Like a Shepherd Lead Us • There Is Power in the Blood • and more.

Lista utworów:
All Creatures of Our God and King (Ortega Fernando)
All Flesh Is Like the Grass (Ortega Fernando)
Come, Let Us Worship (Ortega Fernando)
Crown Him With Many Crowns (Ortega Fernando)
Doxology (Ortega Fernando)
Grace and Peace (Ortega Fernando)
Great is thy Faithfulness (Ortega Fernando)
I Heard The Voice Of Jesus Say (Ortega Fernando)
Let the Words of My Mouth (Ortega Fernando)
Oh God, You Are My God (Ortega Fernando)
Open My Lips (Ortega Fernando)
Savior, Like a Shepherd Lead Us (Ortega Fernando)
Sing to Jesus (Ortega Fernando)
There is power in the Blood (Ortega Fernando)

cena 130,95 zł.

nuty.pl

Smith Steve
Pathways Of Motion

angielski

Pathways Of Motion

Ilość stron:	108
Format:	227 x 305
Opracowanie na:	perkusja (dodatkowo zawiera płytę DVD)
Obsada:	Instrument (w nawiasie ilość materiałów wykonawczych) Perkusja (1)
Rodzaj produktu:	nuty drukowane + materiał VIDEO
Wersja językowa:	wstępu: angielska opisów: angielska
Dostępność	w magazynie, wysyłka natychmiastowa
Autorzy	Wykonawca: Smith Steve
Kod produktu:	NPL084305

This book and DVD set presents a wealth of information, based around hand technique, that also covers rudiments, musical phrasing and much more. Based around Smith 's current use and analysis of matched-grip Drumset technique. Video, text, and notation come together in this package to clearly explain and demonstrate four distinct grips that Smith has identified and developed in his own playing. Each grip is thoroughly explored in its basic motions on the snare drum, and then translated to drumset applications and phrases. Going beyond hand technique, the book includes dozens of challenging and fun rudimental phrases that are used to apply the grips, but that also build phrasing ideas, vocabulary and chops. Ergonomic Drum setup, Moeller motions and other topics are also covered, accompanied by plenty of exciting solo playing from Smith . The book is packed with insights and practical ideas of how a drummer can develop the building blocks of a usable and hip-sounding vocabulary that has nearly limitless applications. The accompanying DVD contains matching videos for all the lessons included in the text. Each lesson is clearly numbered and titled, making it easy to work with text, notation and video together as you study these concepts. The video files are also available online for download or streaming using a unique access code in the book.

Spis treści:

Foreword
Drum Setup
PACK 1 FOUR VERSIONS OF MATCHED GRIP
Lesson 1 Introduction
Lesson 2 Symmetrical vs. Asymmetrical Grip
Lesson 3 Matched Grip Hands Positions: Grip 1
Lesson 4 Grip 1: Triplets
Lesson 5 Matched Grip hands Positions: Grip 2
Lesson 6 Matched Grip hands Positions: Grip 3
Lesson 7 Matched Grip hands Positions: Grip 4
PACK DEVELOPING REBOUND AND FINESSE
Lesson 8 The Drummset Approach
Lesson 9 Developing Rebound: Grip 1
Lesson 10 Developing Rebound: Grip 2
Lesson 11 Developing Rebound: Grip 3
Lesson 12 Developing Rebound: Grip 4
PACK 3 DEVELOPING REBOUND AND RUDIMENTAL CONCEPTS
Lesson 13 The Accented Upstroke
Lesson 14 Double-Stroke Patterns
Lesson 15 Double-Stroke Patterns, Part 2
Lesson 16 Paradiddles @ Accented Upstroke, Grip 1
Lesson 17 Paradiddles @ Accented Upstroke, Grip 2
Lesson 18 Double Paradiddle with Accented Upstroke
PACK 4 PARADIDDLE VARIATIONS
Lesson 19 Four Variations Of The Single Paradiddle
Lesson 20 Double Strokes With Swing Feel
Lesson 21 Paraddidles With Swing Feel
Lesson 22 Smoothing Out The Double Stroke Roll
Lesson 23 Paradiddles Between Snare and Bass Drum
Lesson 24 Double Stroke Variations Between Snare and Bass Drum
Lesson 25 Non-Symmetrical Grip and More Double Stroke Variations
PACK 5 STICKINGS, RUDIMENTS, AND MOELLER MOTIONS
Lesson 26 Two-Note Idea On Bass Drum
Lesson 27 One Time Throught Each Pattern
Lesson 28 Moeller Motion
Lesson 29 Motion Between The Notes
Lesson 30 Flamp Tap
Lesson 31 Flammed Mills
Lesson 32 Flammed Mills Slowed Down
Lesson 33 Paradiddle-diddle
Lesson 34 Applying Paradiddle-diddles To Drumset
PACK 6 MORE RUDIMENTAL COMBINATIONS
Lesson 35 Why Rudiments?
Lesson 36 Double Paradiddle With Accent Variations
Lesson 37 Diddle Accent Variations on Drumset
Lesson 38 Triple Paradiddle Accents
Lesson 39 Paradiddle-Diddle-Diddle
Lesson 40 Combining Triple Paradiddle @ Paradiddle-Diddle-Diddle
Lesson 41 3-Note Sticking With 4-Note Rhythm
Lesson 42 3-Note Sticking With 4-Note Rhythm, Pt. 2
Lesson 43 Solo With Application Of These Concepts
AFTERWORD

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