We Are Singing

•Centrum Dystrybucji Nut•				System sklepów muzycznych

The whole neck mapped out
Scale numbering system
Half steps and whole steps
Modal madness
Real rock & blues soloing
Satch's drone tones
The nashville system
Transposing
Two-five-ones
One-six-two-five
Learning by ear
When in doubt, play I-IV
Relative major and minor
The blues ain't all sad
The C-A-G-E-D theory
The ABCs and 123s of chords
Arpeggio road maps
Four fingers, please
Warm-ups made easy
Alternate picking
Getta tuna
Soundhole solution
Electric vs. acoustic, pt.1
Electric vs. acoustic, pt.2
Heavier strings, better tone
Tube amps, big sounds
Amp modelers
Small amps, big sounds
Amp up, guitar down
Gig bags vs. shells
Cable Quality
Gain and sustain
Hear the rig
Distortion vs. overdrive
Clean and compressed
Your heroes all cheat
Pedal positioning
Tape 'em down
Pedal boards
Carry that weight
Keep your strap pn
Loop it or lose it
Don't turn up, tilt up
Heavy picks
Pracice for perfection
Guitar TV
Video teachers
Network news
Other instruments
Analyze your originals
Singing and playing
Simplify for songwriting
Keep it fun
Tournarounds for everyone
Easy funk guitar
This is not the blues
Alternate voicings
Damp it
Get a metronome
Inject some intervals
Open-string soloing
Harmonics
Alternate tunings
Exotic scales
Live experience is golden
Climatic conditions
Fingertips and nails
Change one string at a time
Coricidan bottle blues
Get tooled up
Tube replacement schedule
Insure your investment
Hazardous materials
Flying with your guitar
Even in a flight case...
Shipping your guitar or amp
Proof of ownership
Winding new strings
A properly strung 12-string
Sharpen your pencils
Grinds, not groans
SRV broken-string solution
Cleaning the body & neck
Cleaning the fretboard
Truss rod adjustments
And... action
Seting intonation
Locking tuners
Avoiding broken strings on a floating bridge
Changing strings on a floating bridge
Keep it level
More floating bridge tips
Miking Amps in the studio
Recording acoustic guitars
Save your studio ears
Home recording necessities
Effects and band size
Cut through on solos
Speaker placement at a gig
Eliminate hum
Stop microphone shock

Foreword
Benefis of the Joy Of Improv
introduction to Book One
General Guidelines
The Art of Practicing
The Great Swing 8th Note Debate
The JOI Enhanced CD
JoyOfImprov Methods and Techniques
The JOI Solo Pattern
Building Technique
JazzHarmon
Learning The Chord Voicings
Singing the Master Solos
Summary
Autumn Blues
Leaf line
Lullabye In Blue
The Joy of C
Blue Prints
A Froggy Day
Rainy Day Blues
Precipitation
Sugar Blues
Sweet and Low
All Blue
Less of Me
Blues on Top
Turvy
Blue Over You
Getting Contrapuntal Over You
Love Isn't Blue
Love Notes
Unistly Blue
Buck Trends
Blues Angle
The Eyes Have It
how high the blues
birds bounce
Totally Blue
Love Line
Blue Days
Reminiscence
Blue Bird
Flow Play
What Is Blue?
What's This Line Called, Luv?
Blue-Green
Purple Porpoise Place
A Blueish State
A Line in the Sano
Home Improvement Blues
Hoosier Influence?
Gnarly Blues
Nordust
indigo Blue
Aura Changes
Another Blues
Send in the Clones
Blue With You
It Can Happen For You
Blues Guys
Sky Line
All Things Blue
The More Things Change
Blue Groove
Groovier High
Where to Go From Here
With Solfege and Scale Step Numbers

Introduction
Chapter one
C Major diatonic scale, letter names and numbers
Treble clef and ledger lines
4/4 or common time
Note and rest values
Examples
Exercises
Song #1
Answers and assignment
Chapter two
G Major and F Major diatonic scales
Key signatures
Sharps, flats and enharmonic equivalents
Number characters, bells and gongs
Cut time and dotted notes
Examples
Exercises
Song #2
Answers and assignment
Chapter three
B flat Major and E flat Major diatonic scales
Other key signatures
Accidentals, half-steps and horns
3/4 time
Ties
Pick-up notes
Examples
Exercises
Song #3
Answers and assignment
Chapter four
Minor scales
Modulations
Triplets
Beginning syncopation
Examples
Exercises
Song #4
Answers and assignment
Chapter five:
The blues scale
Jazz eights
Advanced syncopation
Examples
Exercises
Song #5
Answers and assignment
Appendix: steps to sightsinging

Part 1: Getting started
How to read music
Scales
Intervals
Chords
Building harmonies
Part 2: Tips & techniques. How to sing like a pro
Cohesiveness of backing vocal
Vocal effects
Practise and rehearsal
Part 3: Songbites. For practising 3-part harmony
Doh-dee-doh
Don't get a tatoo
London traffic
Tell your mama
Don't be so good
Go walk the dog
Find my way
We can make it
Och, Baby
Doo-ee-ooh
Hoo hoo hoo
You'll have my love
The good vibes
Dance, dance, dance
Katmandu
Business suit
I pay my taxes
Country ahs
Part 4: Advenced sightsinging
Singing through chords
Diatonic progression
Chart reading (bass and chords)
Duets
Four-part harmony

Introduction
Your voice (and how it works)
A Scenario: Is This You?
How the Body Produces Sound
The High and Low Voices
Breaks
All About Breathing
Why Squeez, Hold, or Push?
Pitch
Controlling the Flow of Air
Right Breathing, Everyday Breathing
The Four Breathing Rules
Mental vs. Physical Effort
Right Placement
Speaking and singing are similar actions
Resonance
Working with vowels
Scales
Scale I: Working the Registers
Bad Habits
Going through the Break
Placing the Voice
Keeping the Throat Open
Scale II: Stretching the Cords
Too Breathy
Too Sharp/Shrill
A "Trashed" Voice
Scale III: Working the break
Scale IV: Bridging the Middle
A Weak Chest Voice
For advanced singers: The Pharyngeal voice
Singing songs
Open Up Your Voice
Phonetics: How words sound
Rewriting Your lyrics: A sample
Emotion & Songs
Closing
Appendix
A: Nodes & Your Health
B: The Scales (In All Twelve Keys)
CD Index
About the author
Acknowledgements

Preface
Background: Beal Matthews Jr. and the Jordanaires
Birth of the Numbering System in Nashville
Early Development of the Numbers
Mechanics of the Numbering System
Building Chords by thje Numbers
Transposing and Modulating
Building New Chords
Language of the Recording Studio
Hit Songs by the Numbers
Final Note

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