Waltz In E Flat Major

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To the player
PLaying music with bar chords
Bar studies Nos. 1-5
The full six-string bar
Full bar studies Nos. 1-3
3/8 time and thirty - second notes
Natural harmonics
Tuning with harmonics
Chordal voice-leading
Right hand preparation
Arpeggio practise
Eight - note triplets
The key of F
The fifth position
Fifth position pattern studies
Position shifting
The key of D Minor
Theory review
Practicing slur patterns
Common ornaments
The modent
The inverted modent
The trill
The key of D Major
The Key of B Minor
Low D tuning
The Key of A Major
F# melodic Minor
The seventh position
The Key of E Major
Double sharps and flats
Quarter - note triplets
Ninth position and beyond
Theory review
Artificial harmonics
Flamenco rasgueado
Tremolo playing

Welcome
1. First Chords, First Song
Columbus Stockade Blues
2. New Chord, New Strum
Careless Love
3. Tab Basics and Your First Melody
Get Along Home, Cindy
4. Reading Notes
Sally Goodin, Prat I
5. The G chord
Ida Red
Darling Corey
6. The C Chord
Hot corn, cold corn
7. More single notes
Sally Goodin, part II
8. Country backup basics
East Virginia Blues
9. Seventh Chords
East Virginia Blues
10. Waltz Time
In the Pines
11. Half Notes and Rests
Bank of the Ohio
12. Minor Chords
Scarborough Fair
13. A Minor key Melody
Shady Grove
14. The B7 Chord
Man of constant sorrow
Congratulations
Welcome
Tune - up track
1. The Alternating Bass
Columbus Stockade Blues
2. Blues in E
Stagolee
3. Major Scales and Melodies
The girl i left behind me
4. Starting to fingerpicking
Shady Grove
5. More Picking Patterns
Shenandoah
Will the Circle be unbroken?
6. The G Major scale
Sail Away Ladies
7. Bass Runs
I'm a Pilgrim
8. More Bass Runs
I'm a Pilgrim
Bury Me Beneath the Willow
9. Blues Basics
Alberta
10. Alternating - Bass Fingerpicking
Sugar Babe
11. Fingerpicking in 3/4
House of the Rising Sun
Congratulations
Welcome
Tune-up track
1. The Swing Feel
Frankie and Johny
2. Tackling the F chord
Delia
3. More Child Moves
Gambler's Blues
4. Introducing Travis Picking
Banks of the Ohio
5. Travis Picking, Continued
Crawdad
6. Hammer-ons
New River Train
7. Slider and pull-offs
Sail Away Ladies
8. Alternate Bass Notes
Little Sadie
9. The Pinch
Omie Wise
10. All Together Now
That'll Never Happen No More
Congratulations
About the Author

Note to the reader
Note to the teacher
About the guitar
How guitar music is written
Notes and rests
Tuning
Special tuning tips
Beginning to play
The sitting position
The right hand
The rest stroke
Tone quality
The shape of the nails
Finger identification
First practice of the rest stroke alternation
The left hand
The left-hand exercise
Putting both hands together
Further development
The free stroke
Notes on the first string
Counting
Exercise 1
Exercise 2
Exercise 3
Notes on the second string
Rest and damping
Exercise 5
Exercise 6
Exercise 7
Pick-up notes
Bank of the Ohio
Notes on the third string
Counting eighth notes
Exercise 8
Exercise 9
Exercise 10
Aura Lee
Thumb technique
Notes on the fourth string
Exercise 11
Exercise 12
Exercise 13
Notes on the fifth and sixth strings
Exercise 14
Fandango
Exercise 15
Ties
Exercise 16
Sharps and flats
Exercise 17
Exercise 18
Minuet
Chord technique
Exercise 19
Exercise 20
Cherry Song
Exercise 21
Arpeggios and Triplets
Technique of arpeggio
The Upward arpeggio
The downward arpeggio
Exercise 22
Exercise 23
Exercise 24
Combining chords and melody
Exercise 25
Exercise 26
La Volta
Practice suggestions
The Moorish dance
Evening Breeze
Etude
Minuet Theme
Flamenco Study
Song at nightfall
To the reader
A note to the teacher
Keys and scales
Scale of C Major
Other Major Keys
Scale of G Major
Minor Keys
Exercise 1
Study in G Major
Counting sixteenth notes
Exercise 2
Mixed Eighths and Sixteenths
Exercise 3
Etude in A Minor
Right hand fingering
General Principles
A Warning
Two Note Chords
Exercise 4
Crossing From String to String
Use of the Ring Finger
Exercise 5
Exercise 6 to 10
The Dotted Quarter Note
Exercise 11
Exercise 12
Packington's Pound
Right-Hand Technique
Choice of the Rest Stroke or Free Stroke
Single-Note Passages
Chords
Two-Note Chords with Rest Stroke
Exercise 13
Exercise 14
Chords of Three or More Notes
Arpeggios
To the reader
To the teacher
A practical warm-up routine
More advanced counting
The dotted eighth note
Grace notes
Andante
Syncopation
Exercise 1
The half bar
Andantino
More about chords
Exercise 2
Arpeggiated chords
When to arpeggiate
Amusement
Shorthand systems for chords
Components of a Major Chord
The Right Hand
Breaking up the Chords
Formation of More Complex Chords
On top of old smokey
Exploring new keys
Flat keys
Exercise 3
Study in F
Keys with more Sharps
Scale of A Major
Exercise 4
Andante
Alman
Scale of E Major
Exercise 5
Little Rondo

Sight reading drills (leger lines)
Radio and the classics - come on, rangers (Rossini)
The american folk song - Camptown races (Stephen Foster)
March temoi - Puppets on parade (Oesten)
Left hand technic - Swiming under water
Mood in music - A.M. and P.M. (Grieg and Chopin)
The folk dance - Mazukra (Saint Saens)
Harmonious Blacksmith Theme - Handel Bars (Handel)
The Three B's - Bach, Beethoven and Brahms
Arpeggio Triplet Study - Throwing Paper Airplanes
Contrast in touches - Air Mail (Mendelssohn)
Tonal expression - It was in the good old summertime (Spindler)
Left hand wrist staccato - Robert and Robot (Oesten)
Song of the west - Git along little dogies
Nationalism music - From Pole to Pole (Chopin to Paderewski)
Grace notes (Struck together) - Chinese serenade (Fliege)
Grace notes (Struck separately) Sun Dial Waltz (Chopin)
Schaum piano quiz no. 1
Key of A-flat major - The Pelican
Mexican folk song - Estrellita (Ponce)
Left hand melodic study - Shadows on the moon (Schumann)
Explenation of opus - Star of midnight (Dvorak)
Beethoven's pupils - Gertrude and Elizabeth
Two-Two time (C) Alla Breve- Working at the tool bench
Cross hand accompaniment - Just a song at twilight (Molloy)
Importance of slow practice - Wild goose chase
The trill - The cold shower (Grieg)
A musical form - Lilac time serenade (Shubert)
The turn - One good turn deserves another
A latin american dance - Mexican hat dance
Recital piece - Dangerous journey (Koelling)
Tchaikowsky's Friend - To a charming senorita
Exerpts from Mozart Sonata - Wishing well
Broken chord study - Hawaiian love song (Traux)
Schaum piano quiz no.2
Certificate of promotion
Schaum music dictionary

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Preface
Introduction
Section 1
Lesson 1 - Diatonic Seventh Chords
Lesson 2 - II-V-I Progressions - Major Keys Close Position Formula I
Lesson 3 - Applying Close Position Formula 1 Major Keys
Lesson 4 - II-V-I Progressions - Minor Keys Close Position Formula 1
Lesson 5 - Applying Close Position Formula 1 Minor Keys
Lesson 6 - Circle of Fifths Progressions and Root Movement by Fifth
Lesson 7 - Applying Close Position Formula 1 Swing Feel
Lesson 8 - Basic Stride Style
Lesson 9 - Close Position Formula 2
Lesson 10 - Applying Close Position Formula 2 and Chord Melody
Lesson 11 - Combined Close Position Formulas Jazz Waltz
Lesson 12 - Diminished Seventh Chords, Dominant Flat Nine Chords, Suspensions
Section 2
Lesson 13 - Open position 1 Voicings
Lesson 14 - Applying Open Position Formula 1
Lesson 15 - Open Position Formula 1 Circle of Fifths Progressions
Lesson 16 - Open Position 2 VOicings
Lesson 17 - Applying Open Position 2 Voicings
Lesson 18 - Circle of Fifths Progressions Combined Open Voicings
Lesson 19 - Open Voicings With Extensions
Lesson 20 - Rootless Voicings
Lesson 21 - Applying Rootless Voicing Formulas
Lesson 22 - Combined Rootless Voicings Circle of Fifths Progressions
Lesson 23 - Combined Open and Rootless Voicings Arranging Devices
Lesson 24 - More Rootless Voicings and Applications
Appendix

Foreword
Outlining hands (correlating fingers with staff names)
Sight reading discovery
Sight reading drills
Five-finger position in C Major - The woodchuck
Phrase development - Snug as a bug in a rug
How to count - Hannah from Montana
Rhytmic development - Crunchy flakes
Musical terms - Swinging along
Half steps and whole steps (Sharps, flats and naturals)
Accidencials - Tick-tack-toe
Five-finger position in G major - A nutty song
Crescendo and diminuendo - How to transpose - Down in a coal mine
AAndante and revew - The Kangarooster
Music appreciation - Beethoven - Bells are ringing
Arm phrasing touch - Steady Eddie
Bringing otu the melody - The Goofy gopher
Extend the right hand position - The dandy lion
Left hand development - Capitain silver
Piano quiz no. 1
Transposing - Jumping Beans
Technique - Warm-ups
Memorization - The snake dance
Major scale pattern
Scale writing
C major scale (Ascending) - The escalator
Broken chords and triad - The Sphinx
Five-finger position in F major - Tune of the tuna fish
Extended R. H. position in F major - Which is witch?
Contrast in music
Reading notes as well as finger numbers - Brahms' Lullaby
Recital piece
Left hand accompaniment patterns - Riding on a mule
Five-finger position in D major - Cycles
Common time
Extended R.H. position in D major - The movies
Intervals: The third - At the ice cream counter
New hand position (B flat major) - The picnic
The pianoforte and fortissimo - The life guard
Staccato study - The steam iron
Hand position: Key of A major - The Pet shop
Repertoire - The rodeo
The dotted quarter note in 4/4 time - Motorcycle police
The dotted quater note in 3/4 time - Schubertz Waltz
Reversible melody - A musical trick - The Cheerleader
Changing keys - Birthday greetings
Piano quiz no. 2
Certificate of promotion

Sight reading drills
Left hand echoes - Play ball
Syncopation in 3/4 time - Music Boc (Liadow)
Shifting melody from R.H. to L.H. - Stalactites and stalagmites
Different kinds of accents - The country fiddler (folk dance)
Arpeggio recital piece - The elevator
Music appreciation - The harpsichord player (J.S. Bach)
The folk song - The year 1620
Syncopation in 4/4 time - Short'nin' bread
Crossing hands (L.H. over) - Magic flute (Mozart)
6/8 time - The wishbone
Changing keys (Major to minor) - The campbells are coming
A classical recital piece - The dress parade (Schubert's "marche militaire")
Key of E-flat major - Little brown bug
Fermata - Sailing
How to practice - (Descriptive music) The clothes line waltz
Piano quiz no. 1
The repeat sign - legato thirds - Monkey sees! Monkey does!
The right hand positions - The ventriloquist and his dummy
Da capo al fine - Here we go for a touch down
Tarantella story - The spider dance
Sixteenth notes - Wun Long Pan
Two note slurs - The hair stylist
Chord inversions - The dentist
How to use the damper pedal
Aplying the pedal to broken chords - Shadow pictures
Pedal study - Strange Lands (Robert Schumann)
Chord recital piece - Hear those lovely bells
Contrary motion - Fire engine
Wrist staccato - A fine state of affairs
Key of E major - The telegraph operator
Interweaving hand legato - Over the hurdles
6/8 time in the key o B flat - The daily comics
Chromatic passages - Putting salt on a bird's tail or how not to catch a bird
American folk song - On the levee
Piano quiz no. 2
Certificate of promotion
Music dictionary

Waltz In E Flat Major

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