Walkin Blues

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Introduction
Goal Statement
Acknowledgments
Using the CD
About the Notation
Part 1
Some Basic Tips on Playing
The Right Hand Position
The Left Hand Position
The Chromatic Warm - Up Exercise
Let's Add the Metronome
The Root - Five - Octave Exercise
First Things First: Here's the Neck
The Major Scale and Numerical System
The Open String Position
The Basic Rhythms
Take A Little Rest
Part 2
Play the Root
Using the Octave
Adding the Fifth
Approach Notes
Chromatic Approach
Scale Approach
Dominant Approach
Part 3
Box Shapes, Pentatpnic Scales, and Blues
The Walking Blues Line
New Rhythms
Anticipating the Downbeat
Upbeats
Sixteenths
Wrapping It Up
Full - Length Tunes
About the Author

Preface
Goal Statement
Acknowledgements
About The Author
Using The Audio
Part One
Drummers
The Big Couch
Rhytmic Development
Chord Construction
The Numerical Shorthand System
Keeping The Form
Common Forms
Walking
Start With The Roots
Adding The Fifth
Approach Notes
Chromatic Approach
Scale Approach
Dominant Approach
The Two Feel
Playing in 3/4 Time
Latin
Latin / Swing
Ballads
Soloing
Preparing to solo
Part Two
Performance Protocol
Intros
Endings
Standard Preformance Format
Give the Drummer Some
Putting It into Action
"Bad Shoes Blues"
"I Don't Care"
"Primary Color Bossa"
"Purple Porpoise Road"
"Waiting for Kodak"
"Red and Yellow"
"Cancellation"
A Final Word
Glossary of Terms

Preface
Part I: What is the blues?
Blues Styles
Three Common Blues Characteristics
The 12-Bar Blues Progression
The Repetitive Bass Pattern, or "Walking Blues"
The Forms of Blues Lyrics and Blues Melodies
Straight Eights, Swing Eights
Part II: Classic Blues Tunes and Worksheets
Bumblebee Blues
Shake, Rattle And Roll
Hound Dog
Blues Suede Shoes
Jailhouse Rock
Tutti Frutti
In The Mood
Jump, Jive An' Wail
I Got You (I Feel Good)
Night Train
Part III: An Introduction to Improvising the Blues
Exercise 1: Black-Key Improvisation
Exercise 2: White-Key Improvisation, the D Dorian Scale
Exercise 3: Improvising a Right-Hand Melody in D Dorian
Exercise 4: The D Minor Pentatonic Scale
Exercise 5: Improvising a D Blues on the Minor Pentatonic Scale
Exercise 6: The D Blues Scale
Exercise 7: D Blues for the Right Hand Alone
Exercise 8: D Blues for the Left Hand Alone
Exercise 9: Hands Together
D Blues Improvisation
D Blues Improvisation Model
Exercise 10: Keep The Beat
Exercise 11: Improvisation
Exercise 12: Let's Improvise More Melodies
Exercise 13: Improvisation
Sample Improvisation, Analyzed
Exercise 14: Practice Those Riffs
Exercise 15: You're Ready For The Blues
Exercise 16: Expanding Your Improvisations
Some Final Words About Blues Improvisation
Glossary of Terms
Answers

The Electric Bass
The Bass Amp
Tuning
Playing Positions
Musical Symbols
Right - Hand Technique
Fingerstyle
Pick Style
Left - Hand Technique
The 1 - 2 - 4 Fingering system
Open - String Exercises
The Rake
Notes On The E String
Little Rock
Kindla Folky
More Notes on the E String
Lookin' Sharp
The Shift
Notes on the A string
You Go, Slav
Repeat Sign
One More Time
Cattle Crossing
More Notes on the A string
The Finger Roll
Roll It
Rolly
12 - Bar Blues
A little Heavy
Notes on the D String
Private Eye
Minor League
D - Lite
More Notes on the D string
Three - String Review
Crossin' Three
The Octave
Octa Gone
Notes on the G String
Gee Whiz
All Right
More Notes on the G String
All Four One
F / X
More Octaves
Octave Blues
Ties
Taiwan On
3 / 4 Time & the Dotted Half Note
Three's a Crowd
Tell It
Changin' Times
Rests
Rock 'n' Rest
D. C. al Fine
Three Play
Eighth Notes
Movin' 8's
Eight Ball
Eight Rests
Rok Gruv
Bop Bop
D. C. al Coda
Coda Pendant
Dee Dee
Using a Metronome
The Classic Rhythm
Down Home
Raitt On
Minor's Tale
A Classic Variation
Classic Blues
Petty Thief
Third Position
3rd Watch
Flying Leap
0 and 3
Shifty
Shift - Crazy Blues
Stones - y
Etude Brute
The Box Shape
E, A & B Box
Box Lunch
Box - E Blues
Movable Boxes
Your Move
Move It
Movie Star
5th Position
On the G String
Shift Practice
Shifty Henry
On the D String
Dee Gee
5 - 3 - 1
Dig It
On The A String
Introducing Tablature
Tab Hunter
Pay the Tab
On The E String
Open / Closed
Da Blues
All Together Now
Swing Time
One Finger Per Fret
The Major Scale
Scale Sequence # 1
Scale Sequence # 2
Key Signatures
Universal Fingerings
Scale Sequence # 3
Scale Sequence # 4
Pasta Mon
D - Lish
A - Flat Tire
Open E.
G3
B - Flat Jump
The Ckassic Blues Line
Gee Blues
Aay, Blues!
Low Down
Understanding Bass Lines
Syncopated Eighth Notes
Off Beat
Funky Soul Groove
That '70s Thing
The Major Triad
Tri Again
Funky Li'l Blues
The Minor Scale
Minor Scale Sequence
Relative Minor and Major
House O' Horror
Noir
Jazz Minor
Modulation
Minor Modulation
Mod Crazy
Minor Triads
Bogey Man
Roots
Gypsy Swing
Room - ba with a View
Eighth - Note Triplets
The '50s
12 / 8 Time
Bumpin'
The Shuffle Rhythm
Old Days
One - and Two - Measure Repeats
Bad Bone
Uptown Down
Classic Flat 7
Rollin'
Go On
The Chromatic Walkup
Open Up
Staccato
Double Up
Rez - Q
Curtis
Kickin' It
Sixteenth Notes
One Drop
Dada Dadat
Jog Wheel
Sixteenth Rests
Layin' Back
Nazz - T
Plutonic
Funky 16th - Note Syncopation
Ookachu Wha?
Groove
Combo
Minor Glitch
Do It Now
Soul Groove
D - Troit
Seventh Chords
Floaty
Vanilla
L'il Thing
Funk Time
Little M
Shufflin'
Middle Man
On The Verge
Slides
Slippin' & Slidin'
Minor Pentatonic
Venture Forth
Deja View
Hammer - Ons & Pull - Offs
Hammer Head
X - Tender
Major Pentatonic
Just Like My Girl
N'awlins Beat
Playing Off Chord Symbols
Just Roots
Roots & 8ths
Jumping Octaves
Your Turn
Adding the 5th
Use the 5
5 by 8
Root - 5 - 8
You Go It
Chromatic Approach
Chromatic R - 5 - 8
It's Up to You
Scale Approach
Scale R - 5 - 8
All Yours
Dominant Approach
Dominant to the 5th
You Go, Hugo
Using Triads to Create Bass Lines
Walking Triads
Walk This Way
Simple Triads
On Your Own
Triads & Dotted Quarters
Uh Huh
Locking In to the Groove
Groove Jam
Time 2 Groove
Slap Funk
Slap This
Pent Up
The Pop
Combinning Slap And Pop
Octave Slap
Chroamtic Octaves
Gritty
The Pressure Roll
Dead Notes
Dead End
Keep In Together
It's an Eyeful!

Introduction
The Basics
The Blues - Triads
The Blues - Diatonic Passing Tones
The Blues - Chromatic Tones
Minor Scales and Minor Blues
Rhythm Changes
Other Common Harmonic Progressions
Glossary
About the Author

Introduction
The Tunings
Robert Johnson's Arrangements
The Fingerstyle Technique of Robert Johnson
The Guitars
Guitar Notation Legend

Banjo parts
Tuning to the recording
Tuning to a piano or pitch pipe
How to hold your banjo
Left hand position
Let's play and sing
The G chord
Left - hand finger numbers
The D7 chord
The C chord
The G7 chord
Tabulature
Time signatures
Quarter notes
More rests
Notes on the third string...G & A
Notes on the second string...B & C
Moving from string to string
Note on the first string...D
2/4 time
Eight notes
Half notes
The right hand position
More notes on the first string...E & F
The F chord
Right - hand rolls
The alterating thumb roll
Repeat sings & 1s and 2nd endings
Notes on the fourth string... D, E & F
Pickup notes
Half & whole steps
Note on the fifth string...G
Ties
The Am chord
The Em & D chords
The forward roll
The basic forward roll
Forward roll variations
The forward - backward roll
The pinch
Hammering-on
Sixteenth notes
The pull-off
The slide
Three new chords...Dm, A & A7
3/4 time
Comon chords for banjo in G tuning

About the author
Introduction
Chord melody concepts
Diatonic substitution
Minor third substitution
Chord-note
Back cycling
The V chord
Chord scales with tension (using 7 flat 9)
Modal chord scales (lydian, dorian, mixolydian)
Ascending and descending bass harmony
Contrary motion
Walking bass lines
Lines in the spaces
Chord melody songs

Introduction
About the CD
Equipment
How to play Chords on Bass
Double Stops
Single Interval Exercises
Combined Interval Exercises
Major Triads
Triad Studies in C - Closed Voicings
Triad Studies in Bb - Open Voicings
Minor Triads
Triad Studies in C - Closed Voicings
Triad Studies in Bb - Open Voicings
Diminished and Augmented Triads
Mixed Triad Exercises
Montuno Pattern
Seventh Chords
Seventh Chord Exercises
Chord Progression in C
Chord Progression in Bb
Arpeggiated Chord Progression in G
Broken Chord Progression in G
Jazz blues in F
Playing Chords with a bass Line
I-IV-I-IV-V in C
I-IV-I-II-V in D
II-V-I in C
II-V-I-IV in Bb
Rock Groove in Fmi
Gospel Groove in G
Walking Bass line with 3rd and 7th Chord Fragments
Fun Rock Pattern with passing Chords
Fun Rock Patterns over bb Blues Progression
Using Chords in Different Styles
Heavy Metal
Grunge
Funk
Funk Rock
Jazz
Bossa Nova
Rock 'n' Roll
Chord Glossary
Triads
Sixth Chords
Seventh Chords
Extended Chords
Altered Chords

Preface
Introduction
Chapter 1
Starting from scratch
The chord sequence
Chapter 2
How to use example patterns/ How do I go about creating my own hot licks
A word about style
Everything times twelve
Chapter 3
Warm up your ears
Our example patterns
Cute
Introducing the II V I
Walkin' shoes
Introducing sequential harmony
All the things you are
Introducing the cycle of fifths
Satin doll
Introducing the triton substitution
Lullaby of birdland
Introducing the turnaround
Introducing the blues scale
It don't mean a thing (if it aint got that swing)
Introducing inner chromatic lines
Introducing the major 7th

Contents
Introduction
You/Your right hand
The Concept
Let's walk the bass
It's your turn
Convenient chord tones
Mixing chromatic and chord tones
It's your turn #3
Scale shapes and the minor 7 chord
It's your turn #4
2 for 1 major triad inversion
More II, V, I examples
It's your turn #5
How about some substitutions
It's your turn #6
Some chord placement options
It's your turn #7
3 full lenght examples
"Bb blues" original progression
"Bb blues"
"Just buds" original progression
"Just buds"
"All the stuff you wanna be" original progression
"All the stuff you wanna be"
Chord reference chapter
Major triad
Minor triad
Major 7
Minor 7
Dominant 7
Dominant 7 altered
Minor 7(b5) (or half diminished)
Diminished 7
Substitution list
Afterthought
About the author
Chromatic approach over chord changes
It's your turn #2

Foreword
Practice Instructions
Up 'n' Down
Up 'n' Down together
Opposites Attract
The Eighth Wonder
Rub Your Belly, Pat Your Head
Pat Your Belly, Rub Your Head
Short'n' Sweet Blues
Seventh Heaven
Flat Five
Skip It!
Major-Minor Calypso Mix
Offbeat
Walking Bass Blues (duet)
Graceful
Saving Grace
Turn of the Century Blues
Call and Response Blues
Soft and Gentle
Crushed
Jazzin' the Scale
Blue Note Blues
The Two Graces
Raggin' It
The Long and Short of It
Dig the Riff
The Shrill Thriling Trill
Block Party
Shuffleboard (duet)
Struttin' Blues (duet)
Make Up Your Mind
The Sidewalks of New York (duet) (in Quartal Style)
Full Quart

The History of the Piano in Blues Music
Introduction
The Pentatonic Scale
12-Bar Blues
Sliding Notes and Crushing Notes, Neighbor Chords
Altered Notes, Running Triplets
Jimmy Yancey - Type Parallel 3rds and 6ths
Jimmy Yancey - Type Boogie
Boogie-Woogie Walking Bass, Huey Smith-Type Lick
Ostinato Riff, Texas Boogie - Type Riff
I to V
Ray Charles - Type Riff
All -Purpose Lick
All Purpose Variation #1
All Purpose Variation #2
Bar-Line Break-Up
Turnaround #1
Turnaround #2
Turnaround #3
Pentatonic Turnaround #1
Pentatonic Turnaround #2
Tag #1
I-IV Walk Up #1
I-IV Walk Up #2
Willie Tee-Type IV Approach
I-IV Intro Walk-Up
Rolling Notes
Crushing and Sliding #1
Crushing and Sliding #2
Stride Lick In 10ths
Left-Hand 10ths
V-Chord Lick
Full - Length 16-Bar Swing Solo
12-Bar Cow Cow
Boogie-Woogie Variation

Wstęp
Założenia ogólne nowej metody nauczania
Podstawy teoretyczne
Wskazania praktyczne i inne rady
Uwarunkowania techniczne
Zasady dbałości o instrument
Zagadnienia podstawowe
Budowa kontrabasu
Postawa grającego
Układ prawej ręki - technika jazzowa pizzicato
Oznaczenie strun kontrabasu
Postawy realizacji zapisu nutowego
Spotkanie ze smyczkiem - technika arco
Budowa smyczka
Sposób trzymania smyczka systemem francuskim
Sposób trzymania smyczka systemem niemieckim
Sposób prowadzenia smyczka
Flażolety
Układ flażoletów na gryfie
Flażolety oktawowe
Różne rodzanie smyczkowania
Smyczkowanie na jednej strunie
Smyczkowanie na dwóch sąsiednich strunach
Smyczkowanie przez dwie struny
Flażolety w pozycji IV
Flażolety oktawowe z flażoletami w pozycji IV - zmiany pozycji
Stawiamy po raz pierwszy palce na gryfie - pozycja IV
Układ lewej ręki
Przechodzimy do pozycji I
Układ lewej ręki
Legato przez dwie struny - technika przygotowywawcza (dwudźwięki)
Gamy i pasaże na poznanych dźwiękach
Bonus: inne ciekawe elementy w muzyce
Synkopy
Triole
Łuk przetrzymujący
Walking bass - akompaniament spacerującego basu
Pentatonika i skala bluesowa
Wariacje na temat
Technika podstawowa - podsumowanie
Tonacja G-dur
Tonacja D-dur
Tonacja a-moll naturalna
Pentatonika e i a
Dynamika
Tempo

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