The More We Got Together

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Preface
Part I: What is the blues?
Blues Styles
Three Common Blues Characteristics
The 12-Bar Blues Progression
The Repetitive Bass Pattern, or "Walking Blues"
The Forms of Blues Lyrics and Blues Melodies
Straight Eights, Swing Eights
Part II: Classic Blues Tunes and Worksheets
Bumblebee Blues
Shake, Rattle And Roll
Hound Dog
Blues Suede Shoes
Jailhouse Rock
Tutti Frutti
In The Mood
Jump, Jive An' Wail
I Got You (I Feel Good)
Night Train
Part III: An Introduction to Improvising the Blues
Exercise 1: Black-Key Improvisation
Exercise 2: White-Key Improvisation, the D Dorian Scale
Exercise 3: Improvising a Right-Hand Melody in D Dorian
Exercise 4: The D Minor Pentatonic Scale
Exercise 5: Improvising a D Blues on the Minor Pentatonic Scale
Exercise 6: The D Blues Scale
Exercise 7: D Blues for the Right Hand Alone
Exercise 8: D Blues for the Left Hand Alone
Exercise 9: Hands Together
D Blues Improvisation
D Blues Improvisation Model
Exercise 10: Keep The Beat
Exercise 11: Improvisation
Exercise 12: Let's Improvise More Melodies
Exercise 13: Improvisation
Sample Improvisation, Analyzed
Exercise 14: Practice Those Riffs
Exercise 15: You're Ready For The Blues
Exercise 16: Expanding Your Improvisations
Some Final Words About Blues Improvisation
Glossary of Terms
Answers

The Chromatic Walkup
Open Up
Double Up
Staccato
Rez - Q
Curtis
Kickin' It
Sixteenth Notes
One Drop
Dada Dadat
Jog Wheel
Sixteenth Rests
Layin' Back
Nazz - T
Plutonic
Funky 16th - Note Syncopation
Ookachu Wha?
Groove
Combo
Minor Glitch
Do It Now
Soul Groove
D - Troit
Seventh Chords
Floaty
Vanilla
L'il Thing
Funk Time
Little M
Shufflin'
Middle Man
On The Verge
Slides
Slippin' & Slidin'
Minor Pentatonic
Venture Forth
Deja View
Hammer - Ons & Pull - Offs
Hammer Head
X - Tender
Major Pentatonic
Just Like My Girl
N'awlins Beat
Playing Off Chord Symbols
Just Roots
Roots & 8ths
Jumping Octaves
Your Turn
Use the 5
5 By 8
Root - 5 - 8
You Got It
Chromatic Approach
Chromatic R - 5 - 8
It's Up to You
Scale Approach
Scale R - 5 - 8
All Yours
Dominant Approach
Dominant to the 5th
You Go, Hugo
Using Triads to Create Bass Lines
Walking Triads
Walk This Way
Simple Triads
On Your Own
Triads & Dotted Quarters
Uh Huh
Locking In to the Groove
Groove Jam
Time 2 Groove
Slap Funk
Slap This
Pent Up
Octave Slap
Chromatic Octaves
Gritty
Dead End
Keep It Together
It's an Eyeful

The Chromatic Walkup
Open Up
Staccato
Double Up
Rez-Q
Curtis
Kickin' It
Sixteenth Notes
One Drop
Dada Dadat
Jog Wheel
Sixteenth Rests
Layin' Back
Nazz-T
Plutonic
Funky16th-Note Syncopation
Ookachu Wha?
Groove
Combo
Minor Glitch
Do It Now
Soul Groove
D-Troit
Seventh Chords
Floaty
Vanilla
L'il Thing
Funk Time
Little M
Shufflin'
Middle Man
On the Verge
Slides
Slippin' & Slidin'
Minor Pentatonic
Venture Forth
Deja View
Hammer-Ons & Pull-Offs
Hammer Head
X-Tender
Major Pentatonic
Just Like My Girl
N;awlins Beat
Playing Off Chord Symbols
Just Roots
Roots & 8ths
Jumping Octaves
Your Turn
Use the 5
5 By 8
Root-5-8
You Got It
Chromatic Approach
Chromatic R-5-8
It's Up to You
Scale Approach
Scalr R-5-8
All Yours
Dominant Approach
Dominant to the 5th
You Go, Hugo
Using Triads to Create Bass Line
Walking Triads
Walk This Way
Simple Triads
On Your Own
Triads & Dotted Quarters
Uh Huh
Locking In The Groove
Groove Jam
Time 2 Groove
Slap Funk
Slap This
Pent Up
Octave Slap
Chromatic Octaves
Gritty
Dead End
Keep It Together
It's an Eyeful!

PREFACE
ACKNOWLEDGMENTS
INTRODUCTION
lENNON TIMELINE
CHAPTER 1 Music Lingo Primer (Explanation and Illustration of Analysis Techniques)
CHAPTER 2 1964, Part I
You Can't Do That
If I Fell
I Call You Name
A Hard Day's Night
CHAPTER 3 1964, Part II
Baby's in Black
I'm a Loser
I Don't Want to Spoil the Party
I Feel Fine
CHAPTER 4 1965
Ticket to Ride
You've Got to Hide Your Love Away
Norwegian Wood
Day Tripper
In My Life
CHAPTER 5 1966
Tomorrow Never Knows
Rain
She Said She Said
Strawberry Fields Forever
CHAPTER 6 1967
A Day in the Life
Lucy in the Sky with Diamonds
All You Need Is Love
I Am the Walrus
CHAPTER 7 1968
Revolution 9
Revolution
Julia
CHAPTER EIGHT 1969
Come Together
CHAPTER NINE August 20, 1969
ABOUT THE AUTHOR
INDEX

Introduction
The songs
Recording credits
Firehouse
Lesson 1: Tuning... Getting the sound
Lesson 2: Riff Variations
Lesson 3: Some space to breath
Lesson 4: More variations
Lesson 5: Bridge /Solo Section
Lesson 6: Intro reprise and outro
Lesson 7: Full song - rhythm guitar
Lesson 8: Interlude and bridge melodies
Lesson 9: Guitar solo
Transcription: "Firehouse"
"Walk this way", Aerosmith
Lesson 10: Tuning,,, Getting the sound
Lesson 11: Blues power
Lesson 12: Verse comping
Lesson 13: Chorus comping
Lesson 14: Piecing it together
Lesson 15: Swingin' licks and hybrid scales
Lesson 16: Outro solo
Transcription: "Walk this way"
"You really got me", Van Halen
Lesson 17: Tuning... Getting and sound
Lesson 18: Riff motif and tonal structure
Lesson 19: Dressing it up
Lesson 20: Second verse and chorus fills
Lesson 21: Its solo time!
Lesson 22: Mopping up
Lesson 23: Full song structure
Transcription: "You really got me"
Notation guide

Introduction
The Basics
Tuning and Tone
Slides
Hammer - ons
Pull - offs
Combining Slur Techniques
Vibrato
Quarter - and Half Step Bends
Whole and 1 1/2 Step Bends
Multiple Bends
Melodic Concepts
Pitch Axis
Melodic Motifs
Sequencing Scales
Major Pentatonic Frameworks
Minor Pentatonic Frameworks
The Key - Center Approach
Chords / Scales in Major Keys
Chords / Scales in Minor Keys
Chords / Scales in Blues
Arpeggios
Chromaticism
Pedal Tones
Harmonic Embellishments
Thirds and Fourths
Sixths
Octaves and Fifths
Chord Melody
Open Strings
Harmonics
Rhythmic Concepts
Using Rests
Rhythmic Accents
Guitar Nuances
Combining Duple and Triplet Rhythms
Sequences with Shifting Rhythms
Balancing Speed with Lyricism
Rhythmic Motifs
Rhythmic Displacement
Metric Modulation
Free - Time Phrasing
Odd - Meter Phrasing
Stealing Rhythms
Solo Structure
Two - Bar Phrasing
Four - Bar Phrasing
Breathing Spaces
Call and Response in Blues
Call and Response in Other Styles
Repetition
Using Dynamics
Pitch Direction
Embellishing the Melody
Tension and Resolution
Structuring an Extended Solo
Guitar Notation Legend
About the Author

Function Of Chords
C Major Scale
Chord Symbols
Music Examples
The Major Pentatonic Scale
Major Pentatonic Scales In All Keys
The Relative minor Pentatonic Scale
Playing From A Fake Book
(Relative) Minor Pentatonic Scale In All Keys
The Major Pentatonic Scale (Add b7)
Major Pentatonic Scale (Add b7) In All Keys
The Parallel Minor Pentatonic Scale
Basic Blues Improvisation
Riffs
Parallel Minor Pentatonic Scales In All Keys
The Major Blues Scale
Major Blues Scales In All Keys
Adding Notes To The Major Blues Scale
Adding The b7
Adding The #5 (b6)
Major Blues Scales (add b7) In All Keys
Major Blues Scales (aff #5-b6) In All Keys
The Minor Blues Scale
Minor Blues Scales In All Keys
The Minor Blues Scale With Added 7th
Summary of Scale Use For Basic Blues
Summary of Blues Scale Use
Minor Blues Scales Add 7
Putting It All Together
Finding Chord / Scale Relationships
Summary of Pentatonic Scale Use
Summary of Blues Scale Use
Summary of Scale Use For Basic Blues
Appendix
Summary of Pentatonic Scale Use
Summary of Blues Scale Use
Summary of Scale Use For Basic Blues

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

The More We Got Together

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