The G Harmonic And Melodic Minor Scales

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C
C#/Db
D
D#/Eb
E
F
F#/Gb
G
G#/Ab
A
A#/Bb
B
Introduction
The 17 scales and modes
Improvising and soloing

Introduction
How to Use This Book
Scale Construction
The Scales and Modes
Improvising and Soloing
C
C# / Db
D
D# / Eb
E
F
F# / Gb
G
G# / Ab
A
A# / Bb
B

Approaching Jazz Improvisation Through Triads And Melodic Extensions
Harmony Reviev
Scale Construction
Key Signatures and the Cycle of Fifths
Triad Construction
Diatonic Triads
Diatonic Seven th Chords
Chord Function
Diatonic Chord Progressions
Tensions
Major and Minor Triads and Melodic Extensions
Dividing the Fretboard into Four Areas Using Alternating Minor and Major Triads Melodic Extensions and Relatend Fingerings through Four Areas of the Fretboars
Melodic Extensions and Relatend Fingerings Through Four Areas of the Fretboard
Phrasing and Articulation
Articulation: The Rest Stroke
Melodic Extensions of G Minor: Eighth-Note Triplets and Rest Strokes
Melodic Extensions of Dominant Chords
Building Your Solos Using Triads And Melodic Extensions
Stylistic Interpretation
Minor Lines over Dominant 7 Chords
Building a Solo with Traids And Melodic Line Extensions
Fretboard Harmony: Guide Tonews And 2-and 3-Note Voicings
Voice Leading
How to Play Guide Tones on the Guitar
3-Note Voicings: Adding a Chord Tone or Tension
Minor Key Guide-Tone Voice Leading for II/V7?1 Progressions: 2-and 3-Note Voicings
Chord Substitutions
Using Guide-Tone Lines in Soloing
Direct Approach
Indirect Approach
Chromatic Approach
Double-Indirec Approach
Solo Structure: The Shape of Things to Come
Guide-Tone Lines for II-7(b5)/V7(b9)/I in Minor
More Guide-Tone Lines: b9 to 5
Soloing Over Standard Tunes: II/V/I in Major and Minor Keys
Harmonic Concepts For Improvisation
Altered Tensions
V7 Tensions b9 and#9
V7 Tensions b9 and b13
Tensions b9, #9, and b13
V7 (+5)
The Augmented Trad
Wrap-Up
"Hearing Things" (Garrison Fewell, Steve LaSpina, and John Riley)
About the Author
Discograp-hy as Leader
Revies

PART I. SCALE STUDIES IN MAJOR KEYS
CHAPTER 1: Theory Review
Scales
Intervals and Chords
Arpeggios
About Chord Symbols
EXERCISES Major Scales, Areggios, and Triad Inversion of I Major
CHAPTER 2: Diatonic Triads
EXERCISES Diatonic Triads and Inversion
EXERCISES Arpeggiated Diatonic Triads
Challenge
CHAPTER 3: Chord Progressions: Two - Octave Major Scales and Arpeggios
Cadences and Voice Leading
EXERCISES Cadences
EXERCISES Major Scales and Arpeggios, Two Octaves
CHAPTER 4: Rhythm: Working with a Metronome
EXERCISES Working with the Click
EXERCISES Scales/Arpeggios with Rhythmic Groupings
CHAPTER 5: Seventh Chords
Diatonic Harmony: Seventh Chords in the Key of C
EXERCISE Root - Position Diatonic Seventh Chords in All Major Keys
PART II. RHYTHM AND EXPRESSION
CHAPTER 6: Control of Dynamics, Phrasing, and Articulation
EXERCISES Dynamics Exercises
EXERCISES Articulation and Phrasing Exercises
CHAPTER 7: More Metronome Tips and Exploring Multiple Rhythms
EXERCISES Rhythmic Variation
EXERCISES Rhythmic Contrast
SCALE STUDIES IN MINOR KEYS
CHAPTER 8: Minor Scales
Mastering Minor Keys
Harmonic Minor Scales and Arpeggios
Harmonic Minor Diatonic Seventh Chord Qualities
Harmonic Minor Diatonic Seventh Chords, Twelve Keys
Traditional Melodic Minor Scales
Jazz (Real) Melodic Minor Scales
Jazz Melodic Minor Diatonic Seventh Chord Qualities
Jazz Melodic Minor Diatonic Seventh Chords, Twelve Keys
CHAPTER 9 Additional Cadences for Minor Keys
Cadence 1
Cadence 2
CHALLENGE Cadence 3

Introduction
Practice Tips
Chapter 1
Getting Started
Major Scales and Sequencing
Major Scales and Arpeggios
The Major Pentatonic Scale
Major Pentatonic Scales and Bends
The Minor Scales
Minor Scale Arpeggios
The Minor Pentatonic Scale
Minor Pentatonic Phrases
Three Note - Per - String Major Scales
Economy Picking and Three - Note - Per - String Minor Scales
Major Arpeggios
Minor Arpeggios and Sweep Picking
Connecting All Patterns
Three Octave Scales
Chromaticism and Passing Tones
Key Center Playing
Modulation
The Blues
Blues Variations
Minor Blues
The Dorian Scale
Dorian Phrases and Variations
The Mixolydian Scale
Mixolydian Phrases
Major Seventh Arpeggios
Minor Seventh Arpeggios
Dominant Seventh Arpeggios
Minor Seven Flat Five Arpeggios
Mixing Major Scales and Arpeggios
Mixing Minor Scales and Arpeggios
The Harmonic Minor Scale
Minor Key Center Playing
More Minor Key Center Playing
Improvising over Chord Progressions
Improvising over a Song
Afterword

Foreward
The rest stroke
Analysis of the movements of the fingers
Legato sound between notes repeated
Exercises for the right hand only
Preliminary exercises with both hands
Position of the guitar - right hand - left hand
The legato sound - explanation of symbols
Exercise N. 1
Exercise N. 2, N. 3, N. 4
Exercise N. 5
Three easy studies
Preparatory exercises to the scales
Beginning scales
All the diatonic scales in first position
All the two octave scales, including those with the change of position
The technique for the change if position in the scale
The barre
Barre on three strings - ex. 1 and 2
One octave scales using teh barre
Barre on 4 strings
Barre on 5 strings
Barre on 6 strings
Two octave scales using the barre
The diatonic scales in their maximum extension
Major - melodic and harmonic minor
Example of the way in which to study the scales

Introduction
The Basics
The Blues - Triads
The Blues - Diatonic Passing Tones
The Blues - Chromatic Tones
Minor Scales and Minor Blues
Rhythm Changes
Other Common Harmonic Progressions
Glossary
About the Author

Geometrical location of intervals
Harmonized Major scale
Harmonized Jazz Melodic minor Scale
Harmonized Harmonic Minor Scale
Creating Major Sounds
Creating Minor Sounds
Creating Minor 7b5 Sounds
Creating Dominant Sounds
Creating Altered Dominant Sounds
Bi - Tonal Arpeggios
Symmetrical Interval Stacks
Practice Hints
Sequences
Putting it together

Harmony
Modes
Major Scale Patterns
Major Chord Patterns
Major Chord Patterns
Diatonic Seventh Chords
Arpeggios
Dorian Mode
Mixolydian Mode
The II - V - I Progression
The Minor II - V - I
IIm7 - V7 Etude
One - Measure IIm7 - V7 Patterns
Descending Ninth Chords
Fourths
Bebop Mixolydian
The Diminished Scale
The Altered Scale
The Whole - Tone Scale
Polychords
Tritone Substitutions
The Passing Diminished
Pentatonics
Rhythm
Playing with a Metronome
Developing a Swing Feel
Energizing Your Lines
Manipulating Time
Three Against Four
Rhythmic Displacement
Jazz Legato Tonguing
Challenge Tempo
Melody
Creating Melodies
Melodic Embellishement
Contour Lines
The Blues Scale
Blues Guide - Tone Line
Melodies from the Blues Scale
Building a Solo
Arpeggiating Chords in a Progression
Chord Scales
Horizontal and Vertical Approaches
Making Patterns Musical
Soloing in a Limited Range
Finding Your Voice
Rhythm Changes
Playing in a Key Center
One - Chord Vamps
Neighboring Tones
Approach Notes
Developing a Motif
Developing Your Embouchure
About the Authors

Basic Harmony
The Puzzle System
Seventh Chord Harmony
Modal Harmony
Minor Scale Harmony
Power Chords
Blues Progressions
Riff and Arpeggios
Nondiatonic Harmony
Harmonic Minor
Melodic Minor
Symmetical Scales
Exotic Scales
Closing
Appendix

Introduction
The Basics
Tuning and Tone
Slides
Hammer - ons
Pull - offs
Combining Slur Techniques
Vibrato
Quarter - and Half Step Bends
Whole and 1 1/2 Step Bends
Multiple Bends
Melodic Concepts
Pitch Axis
Melodic Motifs
Sequencing Scales
Major Pentatonic Frameworks
Minor Pentatonic Frameworks
The Key - Center Approach
Chords / Scales in Major Keys
Chords / Scales in Minor Keys
Chords / Scales in Blues
Arpeggios
Chromaticism
Pedal Tones
Harmonic Embellishments
Thirds and Fourths
Sixths
Octaves and Fifths
Chord Melody
Open Strings
Harmonics
Rhythmic Concepts
Using Rests
Rhythmic Accents
Guitar Nuances
Combining Duple and Triplet Rhythms
Sequences with Shifting Rhythms
Balancing Speed with Lyricism
Rhythmic Motifs
Rhythmic Displacement
Metric Modulation
Free - Time Phrasing
Odd - Meter Phrasing
Stealing Rhythms
Solo Structure
Two - Bar Phrasing
Four - Bar Phrasing
Breathing Spaces
Call and Response in Blues
Call and Response in Other Styles
Repetition
Using Dynamics
Pitch Direction
Embellishing the Melody
Tension and Resolution
Structuring an Extended Solo
Guitar Notation Legend
About the Author

Authors page
Introduction
Music Terms and Fundamentals
The Major Scale
Chart of all Major Scales
Natural Minor Scale
Major Pentatonic
Minor Pentatonic
Blues Scales
Modes:
Ionian Mode
Dorian Mode
Phygrian Mode
Lydian Mode
Mixolydian Mode
Aeolian Mode
Locrian Mode
Harmonic Minor Scale
Melodic Minor
Diminished Scales
Whole Tone Scales
Exotic Scales:
Ehglimatic, Hirajoshi (Japan)
Kumor (Japan), Oriental, Pelog
Kokin Joshi (Japan), P'yongio, Iwato (Japan)
Chinese, Japanese, Egyptian
Scrabin, Hungarion Gypsy, Hungarian Major
Romanian, Persian, Hindustan
Neopolitan Minor, Neopolitan Major, Overtone
Prometheus, Ritusen, Arabian

Introduction: Summary of subject areas addressed in the book
Chapter One: Review of C, F and G major scales and key signatures; Review of SOLFEG and major scale resolutions; Melodic dictation with whole/half/quarter notes
Chapter Two: Diatonic major 3rd and minor 6th intervals; Introduction of eighth-note rhythms in dictation
Chapter Three: Diatonic minor 3rd and major 6th intervals; Introduction of D major scale and resolutions; Diatonic triad recognition - beginning with I-IV-V
Chapter Four: Diatonic 4th and 5th intervals; Diatonic triads and progressions - add the VI minor; Bass line dictation with half and quarter notes
Chapter Six: Diatonic major 2nd and minor 7th intervals; Introduction of dotted quarter-eight rhythms; Diatonic triads and progressions - add the III minor
Chapter Seven: Diatonic minor 2nd and major 7th intervals; Introduction of eight-note rhythmic anticipations; Diatonic triads and progressions - add the II minor; Bass line dictation - add eight notes and anticipations
Chapter Eight: Reviev and further drill on all of the above areas
Supplementary Worksheets: Keys of C, G, F, D and Bb; beginning on page

The function of chords
The major scale
The (natural) minor scale
Playing from a fake book
The harmonic minor scale
The harmonic major scale
The melodic minor scale
The diminished scale
The whole tone scale
Chord scale relationship chart
Chords
Altered dominant 7th chords
Combining scales and chords
Coda
Common chord progressions with chord/scale relationship

Modes & modal frameworks
Modes bright to dark
Major, minor or modal?
Modal melodic examples
When is it modal & when is it functional harmony?
Modal tunes in jazz practice
Chord symbols & modes
Tunes with modal & functionalharmony combinations
Tunes with modal mixture
Modal planing
Modal progressions
Motivic development
Compensitional devices for motivic development
Motivic development in modal improvisation
Quartal harmony
Other scales & colors
Scales for jazz improvisation
Chord / scale equivalency
Modes of the melodic minor scale
Relationship between 7th & 4th modes of melodic minor
Modes of the major scale with b6
Applications of major scale with b6 in a composition
Scales of limited transposition
Chord / scale relationship review
Hexatonic options
Determining the appropriate sound
Chord symbol & context
Melodic implications & chord symbol
Impositions over traditional frameworks
Extended tertian structures & triadic superimposition
Notation Shorthand
Triadic superimpositions formulas & examples
Pentatonic applications
Pentatonic applications
Pentatonic superimposition formulas
Pentatonic superimposition formulas
Coloring "outside" the lines & beyond
Approaches to coloring outside the lines
Beyond
Analysis: the big picture
Expanding harmonic vocabulary
Introduction
Voice leading
Harmonic rhythm
Mixture of harmonic colors
Types of motion
Creating with new vocabulary
Possible harmonizations of the Pitch "C"
CODA
Summary
App. 1: Reference for chord / scale relationships
App. 2: Elaborations of static harmony
App. 3: Endings
App. 4: Composing tips
App. 5: Theory applications

Introduction
Scales in the open position
C Major
G Major
D Major
A Major
E Major
A Natural Minor
A Melodic Minor
A Harmonic Minor
E Natural Minor
E Melodic Minor
E Harmonic Minor
B Natural Minor
F Major
B Major
D Natural Minor
G Natural Minor
E Minor Pentatonic
E Major Pentatonic
A Minor Pentatonic
A Major Pentatonic
B Minor Pentatonic
B Major Pentatonic
C Minor Pentatonic
C Major Pentatonic
D Minor Pentatonic
D Major Pentatonic
G Minor Pentatonic
G Major Pentatonic
D Blues Scale
A Blues Scale
E Blues Scale
Chromatic Scale From E
Position Playing: Moving Up The Neck...
C Major
G Major
A Blues Scale: 5th Position

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

What scales can do for You
How to use this book
Scale Theory
Major Scales and Key Signatures
The Circle of Fifths
Minor Scales
Harmonic and Melodic Minor Scales
Modes
The Dorian Mode
The Phrygian Mode
The Lydian Mode
The Mixolydian Mode
The Aeolian Mode
The Locrian Mode
Chromatic Scales
Rock Scales
Major Pentatonic Scales
Minor Pentatonic or Blues Scales
Jazz Scales
Jazz Melodic Minor
Lydian Flat - Seven Scales
Diminished Scales
Whole - Tone Scales
Altered Scales
How to Practice Scales
Practice Patterns for All Scales
Patterns for Ordering Scale Tones
Eighth - Note Patterns
Triplet Patterns
A Melodic Alternative
Patterns for Ordering Scales
The Scales
In-Position Major Scales
In-Position Minor Scales
Harmonic Minor Scales
Melodic Minor Scales
Chromatic Scales
Rock Scales
Major Pentatonic Scales
Minor Pentatonic Scales
Blues Scales with Major Third and Flatted Fifth
Jazz Scales
Lydian Flat-Seven Scales
Diminished Scales
Whole - Tone Scales
Altered Scales
Ideas for Extended Scales

Introduction
A word about tuning
Introducing the blues
Blues Boogie No. 1
Blues Boogie No. 2
Blues notes
Exercisin' the Blues
The pentatonic / blues scale
Five of a Kind
Fat man Blues
Chicago Blues
Bell 206B Blues
Modal Jazz
Dorian Daze
The Melodic Minor Scale
Smoky
More jazz
It's All Latin to Me
Octaves
Blowin'
Blooze
Bop!
Rock
Pure Power
Steakhouse Rock
Tricks and techniques
Bends
Simple Band
Bend and Release
Pre-Bend
Pre-Bend and Release
Bend It Like Back
Unison Bend
Rock It Up
Right - Hand Tapping
Tapping Exercise
Bend, Tap, and Release
Bend it! Tap it!
Harmonic minor scale and neo-classical metal
Musi-Ick
Outro
Angel Wings
CD track listing
Suggested reading

The G Harmonic And Melodic Minor Scales

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