The Changes

•Centrum Dystrybucji Nut•				System sklepów muzycznych

Find the Right Reed
Stop Sticky Pads
Teeth Patches
Good Finger Technique
Ligatures
Stuff It
Key - Spring Tension
Jaw - Dropping
Metal vs. Rubber
Building Vibrato
Organize Your Practice
Sound Bad = Good Practice
Multiphonics
Harmonic Minor
Harmonic Minor Lick
Interval Training
Play With a Tuner
Taking the Lead
Plaing Second Alto
Record Yourself
Build Your Music Library
Buy Solo Transtriptions
Get a Leak Light
Find a Good Repairpersons
Is Your Reed Sealing?
Fix Warped Reeds
Avoid Squeaks
Listen to All Styles
Set up a Home Studio
Know Your Major Scales
Blues Scales
Many Blues Scales Forms
Bird Blues
Growling
Horn Hygiene
Get Horn Insurance
Sax in the Back Seat
Reed Guards
ii-V-I Progression
ii-V-I Pattern
Join a Band
Play, Play, Play
Mile High Horn
Give Your Neck a Break
Get a Good Sax Stand
Do your Homework
Doubles Your Pleasure
Own Several Music Stands
Read the Changes
Swing It!
Get a Stage Microphone
Doodle Tonguing
Subscribe to Music Magazines
Study with Several Teachers
Practice Overtones
Plaing Low Notes
Hitting the Hight Notes
High-Note Fingerings
High-Note Exercise
The Collector's Piece!
Always Use Metronome
Choose the Right Mouthpiece
Mouthpiece Anatomy
Don't Be a Copycat
Train Your Ears
Practice Hard Scales First
How to Practicde Tunes
Practice Changes with a Piano
The Mouthpiece Cap
The Scoop
Buy Music Play - Alongs
Duck Calls?
Get Some Earplugs
Keep a Pencil in Your Case
Shed the Sweet Tooth
The Enternal Triangle
Tonguing It All
Hello, My Name Is...
Reed Adjustment
Breathe Correctly
Take Gigant Steps
Choose the Right Case
Palm Keys
Try Stronger
Reeds
Plaing Fast
Protect the Neck
Try a New Neck
Transcribe Solos
Quit Your Jawing
Studio Sessions
Mind Your Minors
Neck Straps
Learn How to Transpone
Practice Softly
Practice Long Tones
Buing a Professional Horn
ID, Please
Build Your Repertoire
Don't Blow These Off
Safe Sax

CD Tracks
Introduction
PART I. Getting Oriented
Pitch axis
Tetrachords
Modes
Practice Vamp 1
Practive Vamp 2: Two Modes
PART II. Progressions
Two Modes
Three Modes
Three Modes
Three Modes
Four Modes
Four Modes
Five Modes
What's Next?
About the Author

Introduction
G Tuning: First Position - Soloing and playing backup in G, in first position, using blues and major scales
G Tuning: Moveable Scales - Playing a moveable blues scale and major scale throughout a tune, in any key
G Tuning: "Following the Changes" - Using barred chords for backup and solos, in any key
G Tuning: Minor Chords - Playing minor chords and minor chord families
G Tuning: More Chords - 7ths, 9ths, 6ths, diminished, augmented and slant chords
D Tuning: First Position - Soloing and playing backup in D, in first position, using blues and major scales
The G / D Conversion - How to play a G tuning lick in D tuning by "moving up a string"
D Tunig: Moveable Scales - Using a blues scale and major scale throughout a tune, in any key
D Tuning: "Following the changes" - Using barred chords for backup and solos, in any key
D Tuning: Chords and the G / D Conversion - Minor chords, 7ths, 9ths, 6ths, diminished, augmented and slant chords
The G / A and D / E Conversion - The relationship between G and A tunings; and between D and E tunings
Harmonics - How to play chords and single notes with natural and artificial harmonics
Using the practice tracks

Introduction
CD Track List
Rules of the (Fret)Board
Chapter 1 Harmony Review and Introduction to Voice Leading
Harmony review
Voice Leading in Action: Simple Chord Familes on the Guitar Neck
Voice Leading Chord Tones and Tensions
Other Smooth Moves: Parallel Movement
Drop-2 Voicings
Chapter 2 Major II/V/I Progressions
II/V/I Practice Guide
Practicing II/V/I Progressions
How to Work with Comping Rhythms
Comping Rhythms
II-7/V7/IMaj7 Progressions
Chapter 3 Minor II/V/I Progressions
I-7(b5)/V7(b9)/I-7 Progresions
Chapter 4 Practice Tunes and Rhythms
(None of the Things You Were)
(None of the Things You Were) Variation Using Rhythm No. 1
(Spring Arrives)
(Spring Arrives) Variation Using Rhythm No. 2
(Dear Old Stockmarket)
(Dear Old Stockmarket) Variation Using Rhythm No. 4
(I Smell Catastrophe)
(I Smell Catastrophe) Variation Using Rhythm No. 3
(Turn On Your Headlight)
(Turn On Your Headlight) Variation Using Rhythm No. 5
(If I Knew How to Cook)
(If I Knew How to Cook) Variation Using Rhythm No. 3
(I Should Have Thought About Me) Using Rhythm No. 12
(Rambos Chin) Using Rhythm No. 11
(On Great Love) Using Rhythm No. 9
(Remember Me) Using Rhythm No. 10
Rhythm Changes
Rhythm Changes (Mixed Comping Rhythms)
Blues in F - Try Your Own Comping Thythms
Blues in F Using Rhythm No. 2
Chapter 5 Extra Credit: Advanced Progressions and Turnarounds
The Functions of #IV-7(b5): What It Is and How to Use It
Madal Interchange: What It Is and How to Use It
Interpolative II-7: What It Is and How to Use It
Chromatic Approach: What It Is and How to Use It
Diatonic Turnarounds: What It Is and How to Use It
Dominant Approach: What It Is and How to Use It
Sub V7 Dominant Substitutions
Using Dominant Approach With Blues Changes
Dominant Approach Applied to Dominant 7 and Substitute Dominant 7 Turnarounds
Dominant Approach: Dominant to Dominant 7
Dominant Cycle of Fifths: Mixolydian to Mixolydian
Dominant Cycle of Fifths: Mixed to Mixed Dominants
Dominant Chords: What They Are and How to Use Them
For Further Listening
Glossary
Appendix Modes and Chord Scales
Chord Scale Quick Finder
Scale Syllabus for Improvisation
Modes in Seventh Chords for Guitar
About the Author

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