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Smiling Faces Sometimes

Dostępne opracowania:

fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy, diagramy chwytów gitarowych (1)
książka (1)

Smiling Faces Sometimes znajdziesz w 2 publikacjach wymienionych poniżej:


Okładka: , R&b Ballads

cena 95,95 zł.


nuty.pl

R&b Ballads

Ilość stron:144
Format: 228.6 x 304.8
Opracowanie na:fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy, diagramy chwytów gitarowych
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1) lub Głos wokalny lub Gitara lub Keyboard
Rodzaj produktu:nuty drukowane
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL049880

40 hitów, a wśród nich: Ain't No Mountain High Enough • Ain't Nothing Like the Real Thing • Do You Know Where You're Going To? • Easy • I Heard It Through the Grapevine • I Second That Emotion • I'll Be There • My Girl • Reach Out and Touch • Still • i wiele więcej.


40 hits, including: Ain't No Mountain High Enough • Ain't Nothing Like the Real Thing • Do You Know Where You're Going To? • Easy • I Heard It Through the Grapevine • I Second That Emotion • I'll Be There • My Girl • Reach Out and Touch • Still • and more.


Lista utworów:
Ain't No Mountain High Enough (Diana Ross, Marvin Gaye & Tammi Terrell)
Ain't Nothing Like The Real Thing (Aretha Franklin, Donny & Marie, Marvin Gaye & Tammi Terrell)
Ben (Michael Jackson)
Do You Know Where You're Going To? (Diana Ross)
Easy (Amanda McBroom, Melissa Manchester, The Commodores)
Got To Be There (Michael Jackson)
How Sweet It Is (To Be Loved By You) (James Taylor, Marvin Gaye)
I Hear A Symphony (The Supremes)
I Heard It Through The Grapevine (Gladys Knight & The Pips, Marvin Gaye, Michael McDonald)
I Second That Emotion (Smokey Robinson & The Miracles)
If I Were Your Woman (Gladys Knight & The Pips)
I'll Be There (Bobby Darin, Mariah Carey, Megadeth, The Jackson 5)
Just My Imagination (Running Away With Me) (Rolling Stones, The Temptations)
Let's Get It On (Marvin Gaye)
Maybe Tomorrow (The Jackson 5)
Mercy, Mercy Me (The Ecology) (Marvin Gaye)
My Girl (Smokey Robinson, The Temptations)
Never Can Say Goodbye (Gloria Gaynor, The Jackson 5)
Reach Out And Touch (Somebody's Hand) (Diana Ross)
Smiling Faces Sometimes (Rare Earth, The Undisputed Truth)
Someday We'll Be Together (Diana Ross & The Supremes)
Still (98 Degrees, Jennifer Lopez, The Commodores)
The Tracks Of My Tears (Linda Ronstadt, The Miracles)
Three Times A Lady (The Commodores)
Time Will Reveal (DeBarge)
Touch Me In The Morning (Diana Ross)
What's Going On (All Star Tribute, Marvin Gaye)
Where Did Our Love Go (The Supremes)
You're All I Need To Get By (Marvin Gaye)
You've Made Me So Very Happy (Blood, Sweat & Tears, Brenda Holloway, Gloria Estefan)
You've Really Got A Hold On Me (Smokey Robinson, The Beatles, The Miracles)

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.


nuty.pl

Beall Eric
Making Music Make Money

polski Rób muzykę rób pieniądze
angielski Making Music Make Money


Ilość stron:272
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Kod produktu:NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.


Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.


Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author





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