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Prototype

Dostępne opracowania:

fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy (1)
gitara i CD (zawiera zapis tradycyjny oraz tabulaturę, dodatkowo linię melodyczną, akordy, teksty) (1)
książka (1)

Prototype znajdziesz w 3 publikacjach wymienionych poniżej:


Okładka: Outkast, Outkast - Selections From Speakerboxxx/the Love Below

cena 82,95 zł.


nuty.pl

Outkast
Outkast - Selections From Speakerboxxx/the Love Below

Ilość stron:90
Format: 228.6 x 304.8
Opracowanie na:fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy
Rodzaj produktu:nuty drukowane
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL058670


Eleven songs from the Grammy-winning, RIAA Diamond-certified double CD from the Atlanta-based super duo of Big Boi and Andre 3000. Includes the infectious megahit Hey Ya!, which has been described as The Beatles meets Motown, and: Bowtie • Church • Ghetto Musick • Love Hater • My Favorite Things • Prototype • Roses • She Lives in My Lap • She's Alive • The Way You Move.


Lista utworów:
Bowtie (Outkast)
Church (Outkast)
Ghetto Musick (Outkast)
Hey Ya! (Outkast)
Love Hater (Outkast)
My Favorite Things (Lorrie Morgan)
Prototype (Outkast)
Roses (Outkast, silverchair, Steve Green)
She Lives In My Lap (Outkast)
She's Alive (Outkast)
The Way You Move (Outkast featuring Sleepy Brown)

Okładka: Gumm Alan, Music Teaching Style

cena 193,95 zł.


nuty.pl

Gumm Alan
Music Teaching Style

polski Muzyczne style nauczania
angielski Music Teaching Style


Ilość stron:192
Format:178 x 254
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065612

Publikacja Alana Gumma jest prezentacją stylów nauczania muzyki. Autor przedstawia nietypowe podejście do sztuki nauczania, a także popiera idee anegdotami i cytatami wielkich artystów i mistrzów. Głównym celem sposobów nauczania Gumma jest zdobycie doskonałego doświadczenia w nauczaniu i osiągnięcie trwałego sukcesu.


Music Teaching Style is an exciting, balanced approach to student performance, music learning and personal change. Written in an informal, engaging style, the text is highlighted by anecdotes, quotations, challenges for self-reflection, and techniques used by the author and top professionals in the field. The result - a fulfilling, productive and successful music teaching experience.


Spis treści:

Part 1. Overview
1. Setting the Context
Need for a Definition
Related Concepts
Personality
Learning Styles
Effective teaching
Conclusion
Discussion questions
2. Establishing a definition
The nature of music teaching style
Principle of tradicity
Several behaviors but one style
Stable and pervasive
Underlying focus
Many ways to be effective
Principle - based teaching
A clear and distinct definition
A new vantage point
A three - level model
Conclusion
Discussion questions
Part 2. Dimensions of music teaching style
3. Assertive teaching
Assertive vs. Aggressive
Cycle of teaching
Clear directions
Monitor student behavior
Specific feedback
Anticipating problems
Recognize cycles of misbehavior
Classroom rules
Consequences
Alerting
Conclusion
Discussion questions
4. Nonverbal motivation
Visual appearance
Proximity
Pacing
Conclusion
Discussion questions
5. Time efficiency
Concepts of time
Quickness
Quantity
Active learning
Conclusion
Discussion questions
6. Positive learning environment
Contingent approval
Transactional teaching
Time to think
Clarification
Encouragement
Elaboration
Awareness of student realities
Interpersonal relations
Conclusions
Discussion questions
7. Group dynamics
Self - responsibility
Student-to-student interactions
Leadership
Social loafing
Individualized listening and reading
Conclusion
Discussion questions
8. Music concept learning
Comprehensive musicianship
Concept of music
Questioning
Accountability
Questions as assessment
Handling incorrect answers
Types of questions
Critical thinking
Conclusion
Discussion questions
9. Artistic music performance
Multimodal learning
Asural Imagery
Psychomotor learning
Sound-to-performance cycle
Metaphor
Modeling and movement
Emotion and enthusiasm
Conclusion
Discussion questions
10. Student independence
Students as innovators
Creativity
Affective learning
Transformational teaching
Deepest levels of questioning
Discussion and dialogue
Student input in decision - making
Acceptance
Conclusion
Discussion questions
Part 3. Revealing your style
11. Types and trends of style
Prototypes
Comprehensive musicianship focus
Performance priorities
Intellectual focus
Group interaction priorities
Behavior management priorities
Styles that lack priority
Developmental teaching
Self - reflective stage
Broadening stage
Interdependent transition
Deepenning stages I and II
Development through insight
Conclusion
Discussion questions
12. Sorting out priorities
Trade offs
The Tyranny of time
Too much or too little control
Broader activity or deeper reflection
Principle of tradicity
Teacher - agenda interactions
Student - focused interactions
Subject matter interactions
You cannot touch learning
Conclusion
Discussion questions
Part 4. Choosing a new direction
13. Know yourself
Psychological controls
Internal - external
Time perceptions
Detail - holistic perspectives
To judge or not to judge
Absolute - relative
Background experience
We teach as we were taught
We teach what we know
Where we teach affects how we teach
Identity shapes our interactions
Conclusion
Discussion questions
14. Know your students
Developmental learning
External to internal
Dependent to independent
Student motivetion
Conclusion
Discussion questions
15. Know your subject matter
Music performance skills
Music knowledge
Creative experiences
Planning for balance in subject matter
Conclusion
Discussion questions
16. Learn what learning looks like
Define learning outcomes
Monitor learning
Conclusion
Discussion questions
17. Choose your focus
You get what you pay for
Focus away from the teacher
Focus on music
Refine your vision
18. Establish a set of principles
Make success the focus
Focus on all students' success
Get out of the way as the focus
Maintain a successful pace
Be independently succesfful
Teach deeply as well as broadly
Teach comprehensively
Final conclusion
About the author
Music teaching style inventory
Learning style glossary
References
General bibliography

Okładka: Holly Buddy, Jam With Buddy Holly

cena 137,95 zł.


nuty.pl

Holly Buddy
Jam With Buddy Holly

polski Jam z Buddym Holly
angielski Jam With Buddy Holly


Ilość stron:56
Format:230 x 305
Opracowanie na:gitara i CD (zawiera zapis tradycyjny oraz tabulaturę, dodatkowo linię melodyczną, akordy, teksty)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
akompaniament na płycie CD (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
biografii: angielska
tytułów utworów: angielska
słów utworów: angielska
Stopień trudności:5 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyAutor aranżacji/opracowania: Bull Stuart, Finch Steve
Wykonawca: Holly Buddy
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL074475

Charles Hardin Holley, znany jako Buddy Holly to amerykański piosenkarz rockandrollowy, gitarzysta i kompozytor. Pomimo, iż Buddy Holly pozostał czynnym muzykiem zaledwie 18 miesięcy, wywarł trwały wpływ na muzykę rockową i stał się jej jedną z największych legend. Holly wiele eksperymentował z instrumentarium, brzmieniem i nastrojem, przez co stał się prototypem progresywnego rockmana. Niniejsza publikacja zawiera największe przeboje Buddy'ego Holly'ego w opracowaniu na gitarę, m. in. "That'll Be the Day" i "It Doesn't Matter Anymore". Dodatkowo do książki została dołączona płyta CD z wersjami demonstracyjnymi, jak i samymi akompaniamentami, dzięki czemu możesz grać razem z płytą.

Buddy Holly was one of the first major rock'n'roll groundbreakers. He wrote his own songs, recorded with a self-contained guitar-bass-drums combo and even changed the image of what a rock singer could look lie. His vocal style and mature, melodic compositions inspired many of the rockers who would emerge in the 60s and 70s, from the Beatles and Bob Dylan to the Hollies.
The combination of musical notation and guitar tablature in this book together with the backing tracks on the CD gives you the opportunity to learn eight of Buddy Holly's tracks note for note and then jam along with a professional session band. the track listing reflects some of Holly's most popular recordings, providing something for guitarists to have fun with and improvise with, as well as something to aspire to. This guitar workshop is a powerful learning tool that will help you develop your riffs, licks and improvisational skills.
The CD is split into two sections; section 1 is the backing tracks minus lead guitar & vocals, while section 2 is the backing tracks with all guitar parts added, so in addition to the written tab you can hear the rhythm, fills and solos as they should be played! The 'Jam With...' series allows you to accurately recreate the original songs, or to use the transcriptions in this book in conjunction with the backing tracks as a basis for your own improvisation.

Lista utworów:
Every Day (Holly Buddy)
Heart Beat (Holly Buddy)
It Doesn't Matter Any More (Holly Buddy)
Not Fade Away (Holly Buddy)
Oh Boy (Holly Buddy)
Peggy Sue (Holly Buddy)
Rave On (Holly Buddy)
That'll Be The Day (Holly Buddy)





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