Major Triads

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What Is Country Music?
Scales and Chords
Major Scales and Keys
The Mixolydian Mode
The Pentatonic Scale
Triads and Seventh Chords
Keyboard Harmony and Voicings
Major Triad Inversions
"Alternating Eighth" and Arpeggio Patterns
Major Triads with Octave Doubling
"Alternating Eighths" and Arpeggios with Octave Doubling
Moving from Chord to Chord
Walkups and Walkdowns
"Hammer" or "Slip-Note" Techniques
Dominant Seventh Chord Inversions and Patterns
Mixolydian Patterns for Country Blues
Progressions and Comping
Rhythmic Concepts
Traditional Country Waltz
The "Two-Beat" Feel
Western Swing
Bluegrass
Honky-Tonk / Outlaw / Country Pop
Nashville Country Waltz
Classic Country Rock
Country Rock Ballad (Eighth-Note Feel)
Country Rock Ballas (Sixteenth-Note Feel)
Country Pop "Easy Listenning"
Country Gospel
Country Blues
Right - Hand Techniques for Fills and Solos
Adding Fills to Comping Patterns
Soloing with Pentatonic Scales
Soloing with Mixolydian Modes and Grace Notes
Using Pentatonic Scales over Different Chords
Using Intervals within Pentatonic Scales
Using "Double Fourths" within Pentatonic Scales
Creating Modern Country Rock Solos
Style File

Approaching Jazz Improvisation Through Triads And Melodic Extensions
Harmony Reviev
Scale Construction
Key Signatures and the Cycle of Fifths
Triad Construction
Diatonic Triads
Diatonic Seven th Chords
Chord Function
Diatonic Chord Progressions
Tensions
Major and Minor Triads and Melodic Extensions
Dividing the Fretboard into Four Areas Using Alternating Minor and Major Triads Melodic Extensions and Relatend Fingerings through Four Areas of the Fretboars
Melodic Extensions and Relatend Fingerings Through Four Areas of the Fretboard
Phrasing and Articulation
Articulation: The Rest Stroke
Melodic Extensions of G Minor: Eighth-Note Triplets and Rest Strokes
Melodic Extensions of Dominant Chords
Building Your Solos Using Triads And Melodic Extensions
Stylistic Interpretation
Minor Lines over Dominant 7 Chords
Building a Solo with Traids And Melodic Line Extensions
Fretboard Harmony: Guide Tonews And 2-and 3-Note Voicings
Voice Leading
How to Play Guide Tones on the Guitar
3-Note Voicings: Adding a Chord Tone or Tension
Minor Key Guide-Tone Voice Leading for II/V7?1 Progressions: 2-and 3-Note Voicings
Chord Substitutions
Using Guide-Tone Lines in Soloing
Direct Approach
Indirect Approach
Chromatic Approach
Double-Indirec Approach
Solo Structure: The Shape of Things to Come
Guide-Tone Lines for II-7(b5)/V7(b9)/I in Minor
More Guide-Tone Lines: b9 to 5
Soloing Over Standard Tunes: II/V/I in Major and Minor Keys
Harmonic Concepts For Improvisation
Altered Tensions
V7 Tensions b9 and#9
V7 Tensions b9 and b13
Tensions b9, #9, and b13
V7 (+5)
The Augmented Trad
Wrap-Up
"Hearing Things" (Garrison Fewell, Steve LaSpina, and John Riley)
About the Author
Discograp-hy as Leader
Revies

How to use this book
Tools for success
Triads
Major triads
more views of Major triads
build the circle of fifths with Major triads
Major key signatures on the circle of fifths
Major 8-note scales around the circle of fifths
minor triads
Major and minor triads on a ladder and on the circle of fifths
parallel and relative relationship
augmented and diminished triads
four qualities of triads
Harmonizing with root position chords
7 diatonic triads, 3 primary triads
dominant seventh chord
how to add chords to melodies
lead sheet notation
accompaniment patterns
review diatonic triads
intervals of the Major and harmonic minor scales
Inversions
Chord Progressions
Seventh Chords
lead sheet notation
Find it Fast (index)
Movable Keyboard Maps
accompaniment styles

Introduction
Scope
Practice tips
Part one : major tiads
Major triads
Guidelines for major triads
Minor triads
Guidelines for minor triads
Part two: seventh chords
Major seventh
Guidelines for major seventh
Dominant seventh
Guidelines for dominant seventh
Minor seventh chords
Guidelines for minor seventh chords
Minor seventh - flat five
Guidelines for minor seventh - flat five
About the author

Introduction
About the CD
Equipment
How to play Chords on Bass
Double Stops
Single Interval Exercises
Combined Interval Exercises
Major Triads
Triad Studies in C - Closed Voicings
Triad Studies in Bb - Open Voicings
Minor Triads
Triad Studies in C - Closed Voicings
Triad Studies in Bb - Open Voicings
Diminished and Augmented Triads
Mixed Triad Exercises
Montuno Pattern
Seventh Chords
Seventh Chord Exercises
Chord Progression in C
Chord Progression in Bb
Arpeggiated Chord Progression in G
Broken Chord Progression in G
Jazz blues in F
Playing Chords with a bass Line
I-IV-I-IV-V in C
I-IV-I-II-V in D
II-V-I in C
II-V-I-IV in Bb
Rock Groove in Fmi
Gospel Groove in G
Walking Bass line with 3rd and 7th Chord Fragments
Fun Rock Pattern with passing Chords
Fun Rock Patterns over bb Blues Progression
Using Chords in Different Styles
Heavy Metal
Grunge
Funk
Funk Rock
Jazz
Bossa Nova
Rock 'n' Roll
Chord Glossary
Triads
Sixth Chords
Seventh Chords
Extended Chords
Altered Chords

College song
Major and minor triads
Etiude in C - Aaron
Beautiful dreamer - Foster
High tide - Aaron
Mexican hat dance
Extension study no. 1
Extension study no. 2
Jeanie with the light brown hair - Foster
Interwals
Trill study
Day-dreams - Aaron
Old english folk dance
Thum crossing, chromatic scale
Etude in B flat - Aaron
Swiss yodler
Cadence chords
Land of the midnight sun - Aaron
Rest tones and active tones
Rigoletto - Verdi
Rivulet - Aaron
Minor scale
Swanee river - Foster
Dolores - Waldteufel
Major and minor sixths
Study insixths (wrist staccato)
Oh! Susanna - Foster
Study in broken chords
The maiden's wish - Chopin
The star-spangled banner
Mazurka - Aaron
Arpeggio study
Skip to my Lou
Prayer - Aaron
Gold and silver - Lehar
Prelude in A Major - Chopin
Augmented and diminished triads
Songs my mother taught me - Dvorak
Major scales and major triads
Minor scales and minor triads
Major tonich chord arpeggios
Minor tonic chord apreggios
Dictionary of musical terns

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales Position II
Principal Real Melodic Minor Scales Position II
Triad studies chords in G major
Arpegios Three note chords -major triads
Arpegios Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies chords in F Major
Technical study
About chord construction
Major scales position IV
Principal Real Melodic Minor Scales Position IV
Chord construction four part harmony
Arpeggios
Rhythm Guitar The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios four note F chords
Arpeggios four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales Position V
Chord construction three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios Four note Bb chords
Arpeggios Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment The Appogiatura
Rhythm Guitar The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios four note Eb Chords
Arpeggios four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios four note Db chords
Arpeggios Four note B chords
Rhythm Guitar The right hanad (Samba)
Polka -dot (polka duet)
Major Scales Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios Four note F# chords
Arpeggios Four note Gb chords
Arpeggios Four note C# chords
Chords (Three note voicings) Dominant 7 chords open voicings all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios Diminished chords (spelling most used)
Arpeggios Dominant 7(b5)
Theory: Diatonic 7 Chords Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales position X
Principal Real Melodic Minor Scales Position X
Chords (Three note voicings) Major 6 and 7 chords close and open voicings
Chord construction five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar The right hanad (Joropo, Nanigo)
Arpeggio study seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords close and open voicings
Iim7-V7I chord study
Chord-scale relationships special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar The right hanad (Paso Doble)
Chord study Minor 7 with 5b in the bass
Chord spelling five note arpeggios Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling five note arpeggios Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling five note arpeggios Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings adding the 5th degree
Chords-preparation of four-part open voicings adding the root
Chord spelling five note arpeggios minor 9(b5) chords
About improvisation
It's Late (duet)
Chords-preparation of four part open voicings adding the 3rd degree
Chords-preparation of four part open voicings adding the 7rd degree
Scale chord relationship Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords

Introduction
A Brief History of the Blues
Equipment You'll Need
Chapter 1 Basics
Part of the Guitar
Holding Your Guitar
How to tune Your guitar
Basic Music Notation
Major scales
Chords
Chapter 2 Basic Open Chords
Chord Diagram
Slash Notation
Holding a Pick
Major Triads
Major 6
Dominant 7
Minor Triads / Minor 7
Augmented Triads
Diminished 7
Chapter 2 Review
Chapter 3 12-Bar Blues
The Basic 12-Bar Blues
Blues in E
Blues in A
Blues in C
Blues in G
Chapter 3 Review
Chapter 4 Barre and Movable Chords
What is a barre chord?
Names of the barre chords
E-form Barre chords
A-form Barre chords
D-form Barre chords
Shifting Techniques
Putting it together
Chapter 4 Review
Chapter 5 Power chords and Boogie-Woogie Style
Tab
Power Chords
Power Major 6 Chords
Boogie-Woogie No. 1
Power Dominant 7 Chords
Boogie-Woogie No. 2
Movable Power chords
Boogie-Woogie Variations
Chapter 5 Review
Chapter 6 Fingerstyle Blues
Right - Hand Letters
Basic Right - Hand Position
Thumbpicks and Fingerpicks
Basic Fingerstyles
Finger - Painting Blues
Alternating Bass
Back and Forth Blues
Fingerpicking
Toothpick Blues
Left - Hand Techniques
Hammer-on
Pull-off
Slide
Bend
Vibrato
Hammer-on Blues
Chapter 6 Review
Chapter 7 Various Blues Accompaniment Styles
Alternative & New Chord Forms
Shufflin with Newbies
Slidin' Nine
Single - Note Riffs
Lonesome Boogie
Double - Stop Riffs
Double-Pleasure Blues
Small - Chord Riffs
Small But Good
Other Blues Forms
8-Bar, 16-Bar, and 24-Bar Blues
12 Bar Blues Variations
More Turnarounds
Other Considerations
Open Tunings
Using a Capo
Closing

Part I - Basic Chord, From Triads Up to and Including 7th Chords, and Altered Chords
Major Triads; Dominant Seventh Chords
Major Triads; Dominant Seventh Chords
Major Triads; Dominant Seventh Chords
Major Triads; Dominant Seventh Chords
Major Triads; Dominant Seventh Chords
Major Triads; Dominant Seventh Chords
Major Triads; Dominant Seventh Chords
Diminished Chords
Diminished Chords
Diminished Chords
Augmented Chords
Augmented Chords
Augmented Chords
Major Seventh Chords
Major Seventh Chords
Minor Seventh Chords
Minor Seventh Chords
Major and Minor Seventh Chords; Diminished and Augmented Chords
Minor Seventh Chords with Raised 7th Degree
Minor Seventh Chords with Raised 7th Degree
Minor Seventh Chords with Flatted 5th Degree (Half Diminished Chords)
Minor Seventh Chords with Flatted 5th Degree (Half Diminished Chords)
Major and Minor Sixth Chords
Major and Minor Sixth Chords
Dominant Seventh Chords with Altered 5th Degree
Dominant Seventh Chords with Altered 5th Degree
Part II - Extended Chords 9th, 11th and 13th Chords and Additional Altered Chords
Major, Minor and Dominant Ninth Chords; Flatted 9th Chords
Major, Minor and Dominant Ninth Chords; Flatted 9th Chords
Major, Minor and Dominant Ninth Chords; Flatted 9th Chords
Major and Minor Sixth Chords with Added Ninth
Suspensions
Suspensions
Non-Harmonic Bass Tones
Non-Harmonic Bass Tones
Polychards
Polychards
Dominant Eleventh Chords
Dominant Ninth Chords with Raised 11th
Minor Eleventh Chords
Dominant Thirteenth Chords
Dominant Seventh Chords With Added Flatted 13th
Dominant Seventh Chords with Raised 9th or Lowered 10th
Incorrect Chord Symbol Usage

Contributor Contents
Abot Rose
Let Us See Those O O O O's
Allison Irl
Chord Inversions
Bradshaw David
Three Muscle Exercises
Chenée Ann
Trill Exercises for the Fourth and Fifth Fingers
Chiurco Erna
Scale Variation for the Beginning Student
De Vito Albert
Finger Control Leads to good tone quality
Playing "fp" on a Sustained Chord
Using the Damper pedal
Brush Stroke
Tone Quality
Shading of Chords
Third Study
Sixth Study
Scales and Arpeggios, Rhythms and Phrasing
Practice Suggestions
Complex Rhythms
Two against Three or Four against Six
Three against Two or Six against Eighth
Four against three or eighth against Six
Five against three or ten against six
Three against five or six against ten
Four against five or eight against ten
Five against four or ten against eight
Major Scales
Minor Scales
Whole tone scales
Chromatic scales
Diminished scales
Arpeggios on the Major Triads, root position
First and second inversions
Arpeggios on the minor triads, root position
First and Second inversions
Arpeggios on the Dominant seventh, root position
First, Second and Third Inversions
Diminished seventh chords in arpeggio form
Augmented chords in arpeggio form
Augmented seventh chords in arpeggio form
Augmented seventh chord with a minor third (example)
Seventh Chords with a diminished fifth (example)
Major sixth chords in arpeggio form
Minor sixth chords in arpeggio form
Minor seventh chords in arpeggio form
Minor seventh chords with a diminished
Minor seventh chords in arpeggio form
Minor seventh chords with a diminished
Major seventh chords in arpeggio form
Major seventh chord with an Augmented fifth
Major seventh chord with a diminished fifth
Major seventh chords with a minor
Major seventh chord with a Minor third and an Augmented fifth
Major seventh chord with a Minor third and a Diminished fifth
Edwards Carole
Flying in a Plane and coming down
Etts May
Thumb Under Exercise
Thumb under exercise based on scale fingering
Thumb under exercise based on arpeggio
Skipping exercise
Garte Esther
The fish exercises and stories
Fish exercise and story no. 1
Fish exercise, a Musical fish, no. 2
Fish exercise, the Fish goes visiting, no. 3
Kirshbaum Bernard
Suggestions - good practice habits, good study habits and musical interpretation
Diatonic scale study for the development of control and speed
Arpeggio study for the development of control and speed
Further diatonic study for speed
Movement of thumb over Held notes and fingers over thumb
Study points on the paraphrased two part inventions by J.S. Bach
Two part invention
Lang Bertha
Legato third development
Development of light touch
McClanahan Richard
Double third exercise based on the dominante seventh chord
Nehman Sara
Chord Studies
Rosenfeld Saul
Hand Stretching and flexibility
Chromatic exercise using five fingers
Sirooni Alice
Finger independence exercises
Repeated Notes
Skaggs Hazel Ghazarian
New scale formation for technical preparation in performing contemporary music
Stenzler Sylvia L.
Diminished Seventh Chords used in Chromatic progression and variations
Broken chords in chromatic movement
Stojowski Luisa
Pedaling suggestions
Tecklin Libbie
Chromatic scale for the development of strength in using the third, fourth and fifth fingers, both hands
Chord study, major keys
Minor keys
Zabrack Harold
Hand Musculature exercise
Development Exercise for Bridge of Hand
Tonic Seventh Broken Chord exercise in chromatic modulation
Piano technique, a psycho-physical investigation

I. Keyboard Geography
Twins and Triplets Relay Race
Very Young Beginners and Early Level I
Keyboard Orientation
Beginners of All Ages
Musical Stairway
Very Young Beginners and Early Level I
Clues for Steps and Skips
Very Young Beginners and Early Level I
II. Five Finger Tune-Up Patterns
Musical Alphabet Tune-Up Cards
Very Young Beginners and Level I
Major Tune-Up Flash Cards
Very Young Beginners Through Level III
Mystery Tune-Up
Very Young Beginners and Level I
Major Tune-Up Spelling
Young Beginners, Level I and Level II
Five Note Tune-Up Flash Cards
Very Young Beginners Through Level III
III. Lines and Spaces Recognition
Relating the Grand Staff and Keyboard
Very Young Beginners and Level I
Hand Staff
Very Young Beginners and Level I
Scrambled Alphabet
Very Young Beginners and Level I
Around the World
Very Young Beginners and Level I
Word Spell
Very Young Beginners and Level I
What Is It?
Very Young Beginners and Level I
Musical Tic-Tac-Toe
Very Young Beginners and Level I
Think
Very Young Beginners and Level III
Reading Musical Words
Late Level I and Level II
Grand Staff Upset
Late Level I and Level II
Baseball
Late Level I and Level II
IV. Key Signatures
Key Signature Patterns
Double Dice Game
Cheer for the Flats and Sharps!
Key Signature Dice Game
Key Signature Ear Training
Key Signature and Matching Note Relay
Key Signature Clues
Key Signature Tic-Tac-Toe
Scrambled Eggs
Key Signature and Minor Triad Matching Game
Key Signature Math
Key Signature Baseball
Circle-of-Fifths Relay
Circle of Fifths Partner Challenge Race
Key Signature Upset
V. Ear Training and Rhythms
Rhythm Reading Cards
Rhythmic Dice
Sharp Card Ear Training
Rhythmic Song Puzzle
Identifying Intervals
Basketball
Ear Training With Key Signatures
Self-Dictation
Question-and-Answer Dictation
Advanced Dictation
VI. Triads
Chord Sets match-Up Activity
Chord Set Mental Gymnastics
Building Triads
Triad Tic-Tac-Toe
Playing Minor and Relative Major Triads
Triad Spell
Triad Baseball
Chord Clues
Triad Upset
Advanced Mental Gymnastics

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Major Triads znajdziesz w 12 publikacjach wymienionych poniżej: