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It's Natural to Have a Flat

Dostępne opracowania:

gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy, teksty, diagramy chwytów gitarowych) (1)
gitara solo (1)

It's Natural to Have a Flat znajdziesz w 2 publikacjach wymienionych poniżej:


Okładka: , CMT's 100 Greatest Country Songs

cena 159,95 zł.


nuty.pl

CMT's 100 Greatest Country Songs

polski 100 najlepszych piosenek country
angielski CMT's 100 Greatest Country Songs


Ilo¶ć stron:342
Format:230 x 305
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy, teksty, diagramy chwytów gitarowych)
Obsada:Instrument (w nawiasie ilo¶ć materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:tytułów utworów: angielska
słów utworów: angielska
UWAGA: korzystanie z publikacji nie wymaga znajomo¶ci języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudno¶ci:3 w skali od 0 do 10
Dostępno¶ćw magazynie, wysyłka natychmiastowa
Zawarto¶ć:

Zajrzyj do ¶rodka. Oto kilka stron z publikacji:

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Kod produktu:NPL065074

Obszerna publikacja zawieraj±ca aż 100 piosenek country uznanych za najlepsze przez Country Music Television. W¶ród tytułów znajdziesz takie utwory, jak: "Amazed", "Boot Scootin' Boogie", "A Boy Named Sue", "Coal Miner's Daughter", "Crazy", "The Devil Went down to Georgia", "Folsom Prison Blues", "Friends in Low Places", "God Bless the U.S.A.", "Hey, Good Lookin'", "I Hope You Dance", "Okie from Muskogee", "Stand by Your Man", "Take Me Home, Country Roads", "Tennessee Waltz", "You Are My Sunshine" i wiele innych.


This folio features the top 100 country music songs as determined by Country Music Television cable network, including: Act Naturally • Always on My Mind • Amazed • Boot Scootin' Boogie • A Boy Named Sue • Coal Miner's Daughter • Crazy • The Devil Went down to Georgia • Folsom Prison Blues • Friends in Low Places • God Bless the U.S.A. • Hey, Good Lookin' • I Hope You Dance • Okie from Muskogee • Stand by Your Man • Take Me Home, Country Roads • Tennessee Waltz • You Are My Sunshine • and more.


Lista utworów:
(I Never Promised You A) Rose Garden (Lynn Anderson, Martina McBride)
A Boy Named Sue (Johnny Cash)
A Good Hearted Woman (Waylon Jennings & Willie Nelson)
Act Naturally (Buck Owens, The Beatles)
Always On My Mind (Elvis Presley, The Pet Shop Boys, Willie Nelson)
Amarillo By Morning (Paul Frasier, Terry Stafford)
Amazed (Lonestar, Phillips, Craig & Dean, The Offspring)
Back In The Saddle Again (Gene Autry, Ray Whitley)
Before The Next Teardrop Falls (Freddy Fender)
Behind Closed Doors (Charlie Rich, Pillar)
Blue (A Perfect Circle, Joni Mitchell, LeAnn Rimes)
Blue Eyes Crying In The Rain (Elvis Presley, Willie Nelson)
Blue Moon Of Kentucky (Bill Monroe, Elvis Presley, Patsy Cline)
Boot Scootin' Boogie (Brooks & Dunn)
Breathe (Christy Nockels, Faith Hill, Jeremy Camp, Melissa Etheridge, Newsboys, Pink Floyd)
Can The Circle Be Unbroken (Will The Circle Be Unbroken) (The Nitty Gritty Dirt Band)
Chiseled In Stone (Max Barnes, Vern Gosdin)
Coal Miner's Daughter (Loretta Lynn)
Coat Of Many Colors (Shania Twain with Alison Krauss & Union Station)
Crazy (Aerosmith, Gnarls Barkley, K-Ci & Jojo, Mercyme, Pat Green, Patsy Cline)
Delta Dawn (Helen Reddy)
Desperado (Don Henley, Glenn Fry)
D-I-V-O-R-C-E (Tammy Wynette)
Don't Come Home A Drinkin' (With Lovin' On Your Mind) (Loretta Lynn)
Don't Rock The Jukebox (Alan Jackson)
Don't Toss Us Away (Bryan Maclean)
El Paso (Marty Robbins)
Faded Love (Bob Wills, Patsy Cline, Willie Nelson & Ray Price)
Family Tradition (Hank Williams Jr.)
Fancy (Destiny's Child, Reba McEntire)
Flowers On The Wall (Eric Heatherly, Statler Brothers)
Foggy Mountain Breakdown (Lester Flatt & Earl Scruggs)
Folsom Prison Blues (Johnny Cash)
Forever And Ever, Amen (Randy Travis)
Friends In Low Places (Garth Brooks)
Galveston (Glen Campbell)
Go Rest High On That Mountain (Vince Gill)
God Bless The U.S.A. (American Idol Finalists, Lee Greenwood)
Green Green Grass Of Home (Elvis Presley, Porter Wagoner, Tom Jones)
Guitars, Cadillacs (Dwight Yoakam)
Harper Valley P.T.A. (Jeannie C. Riley)
Have I Told You Lately That I Love You (Gene Autrey, Kitty Wells & Red Foley, Ricky Nelson)
He Stopped Loving Her Today (George Jones)
He'll Have To Go (Jim Reeves)
Hello Darlin' (Conway Twitty)
Hello Walls (Faron Young)
Here's A Quarter (Call Someone Who Cares) (Travis Tritt)
Hey, Good Lookin' (Hank Williams, Jimmy Buffett w/Clint Black, Kenny Chesney, Alan Jackson, To)
I Am A Man Of Constant Sorrow (The Soggy Bottom Boys)
I Can't Stop Loving You (Conway Twitty, Don Gibson, Elvis Presley, Kitty Wells, Ray Charles)
I Fall To Pieces (Aaron Neville & Trisha Yearwood, Patsy Cline)
I Hope You Dance (Lee Ann Womack with Sons of the Desert)
I Walk The Line (Johnny Cash)
I Will Always Love You (Dolly Parton, Whitney Houston)
I'd Be Better Off (In A Pine Box) (Doug Stone)
If You've Got The Money (I've Got The Time) (Lefty Frizzell, Willie Nelson)
I'm So Lonesome I Could Cry (B.J. Thomas, Elvis Presley, Hank Williams, Sr.)
Independence Day (Ani DiFranco, Martina McBride)
Is There Life Out There (Rick Giles, Susan Longacre)
It Wasn't God Who Made Honky Tonk Angels (Kitty Wells)
It's Your Love (Tim McGraw with Faith Hill)
Killin' Time (Clint Black)
King Of The Road (Randy Travis, Roger Miller)
Kiss An Angel Good Mornin' (Charley Pride)
Lovesick Blues (Cliff Friend)
Make The World Go Away (Eddy Arnold, Elvis Presley)
Mama He's Crazy (Kenny O'Dell)
Mammas Don't Let Your Babies Grow Up To Be Cowboys (Gibson/Miller Band, Waylon Jennings & Willie Nelson)
My Home's In Alabama (Alabama)
Okie From Muskogee (Merle Haggard)
On The Other Hand (Randy Travis)
Passionate Kisses (Mary Chapin Carpenter)
Please Remember Me (Tim McGraw)
Rhinestone Cowboy (Glen Campbell)
Ring Of Fire (Johnny Cash)
Seven Year Ache (Rosanne Cash)
She's In Love With The Boy (Trisha Yearwood)
Should've Been A Cowboy (Toby Keith)
Smoky Mountain Rain (Ronnie Milsap)
Something In Red (Lorrie Morgan)
Stand By Your Man (Billy Sherrill, Tammy Wynette)
Strawberry Wine (Deana Carter)
Sunday Mornin' Comin' Down (Johnny Cash, Kris Kristofferson)
Sweet Dreams (Air Supply, Amanda McBroom, Barbara Cook, Emmylou Harris, Patsy Cline)
Take Me Home, Country Roads (John Denver)
Take This Job And Shove It (David Allen Coe)
Tennessee Waltz (Patti Page, Patty Page, Pee Wee King)
The Chair (George Strait)
The Dance (Garth Brooks, Prince)
The Devil Went Down To Georgia (Charlie Daniels Band)
The Gambler (Kenny Rogers)
There Stands The Glass (Johnny Bush, Webb Pierce)
Walking The Floor Over You (Ernest Tubb, George Hamilton IV)
When I Call Your Name (Vince Gill)
When You Say Nothing At All (Alison Krauss & Union Station, Keith Whitley)
Where Were You (When The World Stopped Turning) (Alan Jackson)
Wide Open Spaces (Dixie Chicks)
You Are My Sunshine (Duane Eddy, Ray Charles)
Your Cheatin' Heart (Hank Williams, Patsy Cline)
You're Still The One (Shania Twain)

Okładka: Leavitt William, A Modern Method For Guitar - Volumes 1, 2, 3 Complete

cena 198,95 zł.


nuty.pl

Leavitt William
A Modern Method For Guitar - Volumes 1, 2, 3 Complete

polski Wspóczesna szkoła na gitarę - czę¶ci 1,2,3 - cało¶ć
angielski A Modern Method For Guitar - Volumes 1, 2, 3 Complete


Ilo¶ć stron:432
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilo¶ć materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudno¶ci:4 w skali od 0 do 10
Dostępno¶ćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Feist Jonathan
Zawarto¶ć:

Zajrzyj do ¶rodka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL076172
Produkty podobne:Leavitt William - A Modern Method For Guitar - Volume 2
Leavitt William - A Modern Method For Guitar, Volume 1
Leavitt William - Méthode Moderne De Guitare: Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition) - Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition), Volume 1

Trzy czę¶ciowa szkoła gry na gitarze Williama Leavitta, zebrana została w jednej publikacji. Jest ona wykorzystywana do nauki gry na gitarze w prestiżowym Berklee College of Musik. Czę¶ć pierwsza zajmuje się harmoni±, melodyk±, akompaniamentem a także podstawowymi technikami (np. arpeggio). W czę¶ci drugiej wprowadzone zostaj± zagadnienia interwałów, przewrotów akordów, improwizacji, gitary rytmicznej i gry w duecie. Czę¶ć trzecia pogłębia wiedzę zdobyt± wcze¶niej.

Now guitarists can have all three volumes of this classic guitar method in one convenient book! Created by popular demand, this new edition of the method used as the basic text for the renowned Berklee College of Music guitar program is a complete compilation of the original Volumes 1, 2, and 3. Innovative solos, duets and exercises progressively teach melody, harmony and rhythm. Perfect for the serious guitar student and instructor alike.

Lista utworów:
Lullaby [Brahms, Johannes]
Merrily We Roll Along
White Coral Bells
Old Macdonald Had A Farm
The Cobra [Leavitt, William]
The Pebble [Leavitt, William]
Two-part Invention (No.13) [Bach, Johann Sebastian]
My Old Kentucky Home [Foster, Stephen]
Long, Long Ago
The Waltz [Leavitt, William]
Andante (Symphony No.94 'The Surprise') [Haydn, Franz Joseph]
Home On The Range
Rock Candy [Leavitt, William]
An Ancient Rock [Leavitt, William]
Accidentally [Leavitt, William]
Another Waltz [Leavitt, William]
Big Ben [Leavitt, William]
Duet For Dot [Leavitt, William]
Duet For Two [Leavitt, William]
Frere Jacques
Giant Steps [Leavitt, William]
America, The Beautiful

Spis tre¶ci:

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar – The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales – Position II
Principal Real Melodic Minor Scales – Position II
Triad studies – chords in G major
Arpegios – Three note chords -major triads
Arpegios – Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales – poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies – chords in F Major
Technical study
About chord construction
Major scales – position IV
Principal Real Melodic Minor Scales – Position IV
Chord construction – four part harmony
Arpeggios
Rhythm Guitar – The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes – A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios – four note F chords
Arpeggios – four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales – Position V
Chord construction – three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios – Four note Bb chords
Arpeggios – Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar – The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment – The Appogiatura
Rhythm Guitar – The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios – four note Eb Chords
Arpeggios – four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales – Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios – four note Db chords
Arpeggios – Four note B chords
Rhythm Guitar – The right hanad (Samba)
Polka -dot (polka duet)
Major Scales – Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios – Four note F# chords
Arpeggios – Four note Gb chords
Arpeggios – Four note C# chords
Chords (Three note voicings) Dominant 7 chords – open voicings – all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios – Diminished chords (spelling most used)
Arpeggios – Dominant 7(b5)
Theory: Diatonic 7 Chords – Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales – position X
Principal Real Melodic Minor Scales – Position X
Chords (Three note voicings) Major 6 and 7 chords – close and open voicings
Chord construction – five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar – The right hanad (Joropo, Nanigo)
Arpeggio study – seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords – close and open voicings
Iim7-V7I chord study
Chord-scale relationships – special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody – from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships – major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar – The right hanad (Paso Doble)
Chord study – Minor 7 with 5b in the bass
Chord spelling – five note arpeggios – Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling – five note arpeggios – Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling – five note arpeggios – Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings – adding the 5th degree
Chords-preparation of four-part open voicings – adding the root
Chord spelling – five note arpeggios – minor 9(b5) chords
About improvisation
„It's Late” (duet)
Chords-preparation of four part open voicings – adding the 3rd degree
Chords-preparation of four part open voicings – adding the 7rd degree
Scale – chord relationship – Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords





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