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It's Late

Dostępne opracowania:

fortepian (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczn±, teksty, akordy (1)
gitara (zawiera zapis tradycyjny oraz tabulaturę, dodatkowo linię melodyczn± teksty, akordy) (1)
gitara solo (1)
ksi±żka (1)

It's Late znajdziesz w 4 publikacjach wymienionych poniżej:


Okładka: Nelson Ricky, The Ricky Nelson Guitar Collection

cena 99,95 zł.


nuty.pl

Nelson Ricky
The Ricky Nelson Guitar Collection

Ilo¶ć stron:80
Format: 228.6 x 304.8
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, dodatkowo linię melodyczn± teksty, akordy)
Rodzaj produktu:nuty drukowane
Wersja językowa:angielska
Dostępno¶ćw magazynie, wysyłka natychmiastowa
Zawarto¶ć:

Zajrzyj do ¶rodka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL058325


This stellar collection features 14 top hits by rock & roll heartthrob Ricky Nelson, showcasing the playing of legendary guitarists Joe Maphis and James Burton. Includes note-for-note transcriptions with tab for: Be-Bop Baby • Believe What You Say • Garden Party • Hello Mary Lou • I'm Walkin' • It's Late • It's Up to You • Just a Little Too Much • Lonesome Town • Never Be Anyone Else but You • Poor Little Fool • Travelin' Man • Waitin' in School • Young World.


Lista utworów:
Be-Bop Baby (Ricky Nelson)
Believe What You Say (Ricky Nelson)
Garden Party (Ricky Nelson)
Hello Mary Lou (Ricky Nelson, Statler Brothers)
I'm Walkin' (Ricky Nelson)
It's Late (Queen, Ricky Nelson)
It's Up To You (John Denver, Ricky Nelson)
Just A Little Too Much (Ricky Nelson)
Lonesome Town (Paul McCartney, Ricky Nelson)
Never Be Anyone Else But You (Ricky Nelson)
Poor Little Fool (Ricky Nelson)
Travelin' Man (Bob Seger, Ricky Nelson, Stevie Wonder)
Waitin' In School (Ricky Nelson)
Young World (Ricky Nelson)

Okładka: , The 1940s

cena 137,95 zł.


nuty.pl

The 1940s

Ilo¶ć stron:392
Format:220 x 300
Opracowanie na:fortepian (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczn±, teksty, akordy
Obsada:Instrument (w nawiasie ilo¶ć materiałów wykonawczych)
Wiolonczela (1)
Fortepian (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:tytułów utworów: angielska
słów utworów: angielska
UWAGA: korzystanie z publikacji nie wymaga znajomo¶ci języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudno¶ci:4 w skali od 0 do 10
Dostępno¶ćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL060897

W ksi±żce znajduje się kolekcja najważniejszych utworów lat 40-tych. 105 najpopularniejszych hitów zostało przetranskrybowane na fortepian, gitarę i głos z orginalnym tekstem.


An amazing collection of over 100 songs that came out of the 1940s, including: Ac-cent-tchu-ate the Positive • Anniversary Song • Be Careful, It's My Heart • Bewitched • Boogie Woogie Bugle Boy • Don't Get Around Much Anymore • Have I Told You Lately That I Love You • I'll Remember April • Is You Is, or Is You Ain't (Ma' Baby) • It Could Happen to You • It Might As Well Be Spring • Route 66 • Sentimental Journey • Stella by Starlight • The Surrey with the Fringe on Top • Take the A Train • They Say It's Wonderful • This Nearly Was Mine • You Belong to My Heart (Solamente Una Vez) • You'd Be So Nice to Come Home To • You're Nobody 'til Somebody Loves You • and more.


Lista utworów:
(I Love You) For Sentimental Reasons (King Cole Trio)
(There'll Be Bluebirds Over) The White Cliffs Of Dover (Walter Kent)
A Dream Is A Wish Your Heart Makes (Linda Ronstadt)
A Dreamer's Holiday (Mabel Wayne)
A Sunday Kind Of Love (Jo Stafford, Reba McEntire)
Ac-cent-tchu-ate The Positive (Harold Arlen)
Adios (Glenn Miller, Madriguera Band)
All Or Nothing At All (Frank Sinatra w/Harry James Orchestra)
Angel Eyes (John Hiatt)
Anniversary Song (Al Jolson, Saul Chaplin)
Anything You Can Do (Irving Berlin)
Be Careful, It's My Heart (Irving Berlin)
Beat Me Daddy, Eight To The Bar (Andrews Sisters, Commander Cody)
Bewitched (Betty Smith Group)
Boogie Woogie Bugle Boy (Andrews Sisters, Bette Midler)
Buttons And Bows (Jay Livingston, Ray Evans)
Candy (J. Mercer, J. Stafford & Pied Pipers)
Chi-Baba Chi-Baba (My Bambino Go To Sleep) (Blue Barron's Orchestra, Peggy Lee, Perry Como)
Come Rain Or Come Shine (Harold Arlen)
Comme Ci, Comme Ca (Frank Sinatra, Johnny Desmond, Tony Martin)
Crazy He Calls Me (Billie Holiday)
Cruising Down The River (Eily Beadell, Nell Tollerton)
Daddy's Little Girl (Al Martino, Dick Todd, The Mills Brothers)
Day By Day (Axel Stordahl, Oscar Ahnfelt, Paul Weston, Sammy Cahn, Stephen Schwartz)
Dearly Beloved (Jerome Kern)
Dolores (Wayne Shorter)
Don't Get Around Much Anymore (Bob Russell, Duke Ellington)
Easy Does It (Jimmy Young, Sy Oliver)
Enjoy Yourself (It's Later Than You Think) (Carl Sigman, Herb Magidson)
Everything Happens To Me (Matt Dennis)
Feudin' And Fightin' (Burton Lane)
God Bless' The Child (Arthur Herzog Jr., Billie Holiday)
Haunted Heart (Arthur Schwartz)
Have I Told You Lately That I Love You (Gene Autrey, Kitty Wells & Red Foley, Ricky Nelson)
Hey! Ba-Ba-Re-Bop (Tex Beneke and the Glenn Miller Band)
How Are Things In Glocca Morra (Tommy Dorsey)
I Could Write A Book (Jerry Butler)
I Don't Want To Walk Without You (Jule Styne)
I Got It Bad And That Ain't Good (Duke Ellington)
I Got The Sun In The Morning (Irving Berlin)
I Guess I'll Hang My Tears Out To Dry (Dexter Gordon)
I Love You (Faith Evans, Faith Hill, Jeff Deyo, Martina McBride, Sarah McLachlan)
I Love You So Much It Hurts Me (Jimmy Wakely, Patsy Cline)
I Remember You (Jo Stafford)
I Said My Pajamas (And Put On My Pray'rs) (Tony Martin & Fran Warren)
I Wish I Didn't Love You So (Frank Loesser)
I'll Remember April (Woody Herman & His Orchestra)
I'm A Lonely Little Petunia (In An Onion Patch) (Johnny Kamano, Maurie Hartmann)
I'm Beginning To See The Light (Don George, Duke Ellington, Harry James, Johnny Hodges)
I'm Old Fashioned (Jerome Kern)
In Love In Vain (Jerome Kern)
Is You Is, Or Is You Ain't (Ma' Baby) (Louis Jordan and his Tympany Five)
It Could Happen To You (June Christy)
It Might As Well Be Spring (Richard Rodgers)
It Only Happens When I Dance With You (Dick Hyman)
It's A Grand Night For Singing (Richard Rodgers)
It's A Pity To Say Goodnight (Ella Fitzgerald)
Java Jive (Ben Oakland, Milton Drake)
Jingle Jangle Jingle (I Got Spurs) (Joseph J. Lilley)
June Is Bustin' Out All Over (Richard Rodgers)
Just A Little Lovin' (Will Go A Long Way) (Eddy Arnold)
Just Squeeze Me (But Don't Tease Me) (Duke Ellington)
Lili Marlene (Hans Leip, Mack David, Norbert Schultz)
Long Ago (And Far Away) (Jerome Kern)
Love Letters (Bonnie Raitt, Elton John, Elvis Presley, Ketty Lester, Rob Schneiderman)
Managua, Nicaragua (Irving Fields)
Manana (Peggy Lee)
Moonlight In Vermont (John Blackburn, Karl Suessdorf)
Nature Boy (Nat King Cole, Primus)
Oh, What A Beautiful Mornin' (Richard Rodgers)
Old Devil Moon (Burton Lane)
On A Slow Boat To China (Frank Loesser)
One Dozen Roses (Dick Jurgens, Walter Donovan)
Open The Door, Richard! (Count Basie and His Orchestra)
Pistol Packin' Mama (Al Dexter)
Red Roses For A Blue Lady (Eddy Arnold)
Route 66 (Manhattan Transfer)
Seems Like Old Times (Carmen Lombardo, John Jacob Loeb)
Sentimental Journey (Ben Homer, Bud Green, Les Brown)
Shoo Fly Pie And Apple Pan Dowdy (Guy Wood)
Sleepy Lagoon (Eric Coates)
Stella By Starlight (Ray Charles)
Take The 'A' Train (Billy Strayhorn)
Tangerine (Jimmy Dorsey & His Orchestra)
That Old Black Magic (Harold Arlen)
The Dummy Song (Billy Rose, Lew Brown, Ray Henderson)
The Frim Fram Sauce (Joe Ricardel, Redd Evans)
The Hucklebuck (Andy Gibson)
The Last Time I Saw Paris (Jerome Kern)
The Old Piano Roll Blues (Cy Coben)
The Surrey With The Fringe On Top (Richard Rodgers)
The Things We Did Last Summer (Jule Styne)
There! I've Said It Again (Dave Mann, Redd Evans)
They Say It's Wonderful (Irving Berlin)
This Nearly Was Mine (Richard Rodgers)
To Each His Own (Monty Alexander)
Wait Till You See Her (Richard Rodgers)
When My Blue Moon Turns To Gold Again (Cindy Walker, Cliffie Stone)
Why Don't You Do Right (Get Me Some Money, Too!) (Peggy Lee)
Yes Indeed (Sy Oliver)
You Belong To My Heart (Solamente Una Vez) (Agustin Lara)
You Don't Know What Love Is (Carol Bruce)
You'd Be So Nice To Come Home To (Cole Porter)
You're Nobody 'til Somebody Loves You (Dean Martin)
Zip-A-Dee-Doo-Dah (Allie Wrubel)

Okładka: Small Mark, Taylor Andrew, Masters Of Music

cena 137,95 zł.


nuty.pl

Small Mark, Taylor Andrew
Masters Of Music

polski Mistrzowie muzyki
angielski Masters Of Music


Ilo¶ć stron:336
Format:152 x 229
Opracowanie na:ksi±żka
Rodzaj produktu:ksi±żka
Wersja językowa:angielska
Dostępno¶ćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL064994

Publikacja gromadzi w sobie wywiady i konwersacje wychowanków z Collegu Muzycznego Berklee z różnymi mistrzami muzyki i artystami. Autorzy prezentuj± rozmowy z takimi osobisto¶ciami, jak: Quincy Jones, Branford Marsalis, Steve Vai, Mike Stern, Bill Frisell, Al Di Meola, Joe Zawinul i wieloma innymi, którzy wyznaj± zaskakuj±ce i humorystyczne historie swoich dróg do sukcesu.


Culled from exclusive interviews from Berklee Today, the alumni magazine of Berklee College of Music, this collection of candid interviews with such illustrious alumni as Quincy Jones, Branford Marsalis, Steve Vai, Paula Cole, Mike Stern, Bill Frisell and many others is a gold mine of wisdom, humor and insight. Read about the unique, unexpected challenges that success can bring.


Lista utworów:
It's Late
Teeah-wanna
Paso Doble
Daydreams
Pretty Please

Spis tre¶ci:

Preface
George Martin
Emily Remler
Alan Silvestri
Ernie Watts
Arif Mardin
Sadao Watanabe
Abraham Laboriel
Terri Lyne Carrington
Joe Zawinul
John Scofield
Branford Marsalis
Toshiko Akiyoshi
Jan Hammer
Steve Vai
Joe Lovano
John Robinson
Mike Stern
Quincy Jones
Herb Pomeroy
Harvie Swartz
Al Di Meola
Alf Clausen
Patty Larkin
Steve Smith
Aerosmith
Howard Shore
Paula Cole
Neil Stubenhaus
Bill Frisell
Rob Mounsey
Vinnie Colaiuta

Okładka: Leavitt William, A Modern Method For Guitar - Volumes 1, 2, 3 Complete

cena 171,95 zł.


nuty.pl

Leavitt William
A Modern Method For Guitar - Volumes 1, 2, 3 Complete

polski Wspóczesna szkoła na gitarę - czę¶ci 1,2,3 - cało¶ć
angielski A Modern Method For Guitar - Volumes 1, 2, 3 Complete


Ilo¶ć stron:432
Format:230 x 305
Opracowanie na:gitara solo
Obsada:Instrument (w nawiasie ilo¶ć materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudno¶ci:4 w skali od 0 do 10
Dostępno¶ćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Feist Jonathan
Zawarto¶ć:

Zajrzyj do ¶rodka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL076172
Produkty podobne:Leavitt William - A Modern Method For Guitar - Volume 2
Leavitt William - A Modern Method For Guitar, Volume 1
Leavitt William - Méthode Moderne De Guitare: Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition) - Volume 1
Leavitt William - Modern Method For Guitar (Spanish Edition), Volume 1

Trzy czę¶ciowa szkoła gry na gitarze Williama Leavitta, zebrana została w jednej publikacji. Jest ona wykorzystywana do nauki gry na gitarze w prestiżowym Berklee College of Musik. Czę¶ć pierwsza zajmuje się harmoni±, melodyk±, akompaniamentem a także podstawowymi technikami (np. arpeggio). W czę¶ci drugiej wprowadzone zostaj± zagadnienia interwałów, przewrotów akordów, improwizacji, gitary rytmicznej i gry w duecie. Czę¶ć trzecia pogłębia wiedzę zdobyt± wcze¶niej.

Now guitarists can have all three volumes of this classic guitar method in one convenient book! Created by popular demand, this new edition of the method used as the basic text for the renowned Berklee College of Music guitar program is a complete compilation of the original Volumes 1, 2, and 3. Innovative solos, duets and exercises progressively teach melody, harmony and rhythm. Perfect for the serious guitar student and instructor alike.

Lista utworów:
Lullaby [Brahms, Johannes]
Merrily We Roll Along
White Coral Bells
Old Macdonald Had A Farm
The Cobra [Leavitt, William]
The Pebble [Leavitt, William]
Two-part Invention (No.13) [Bach, Johann Sebastian]
My Old Kentucky Home [Foster, Stephen]
Long, Long Ago
The Waltz [Leavitt, William]
Andante (Symphony No.94 'The Surprise') [Haydn, Franz Joseph]
Home On The Range
Rock Candy [Leavitt, William]
An Ancient Rock [Leavitt, William]
Accidentally [Leavitt, William]
Another Waltz [Leavitt, William]
Big Ben [Leavitt, William]
Duet For Dot [Leavitt, William]
Duet For Two [Leavitt, William]
Frere Jacques
Giant Steps [Leavitt, William]
America, The Beautiful

Spis tre¶ci:

Book 1
Section I
Tuning, the staff, clef sign, common note values
Notes in the first position
Sea to sea (duet)
Note and chord review (upper register)
One, two, three, four (duet)
Rhythm accompaniment
Review (lower register)
Imitation duet
Sharps and flats
Here we go again (duet)
Rhythm accompaniment (bass notes and chords)
Eight notes - counting and picking
Etude no. 1 (duet)
Rests, tied notes, dotted notes
Etude no. 2 (duet)
First solo
Rhythm accompaniment (chord diagrams explained)
Second solo
Etude no. 3 (duet)
Picking etude no. 1 (Right hand development)
Etude
Two, two (duet)
Key of G Major (first position)
Rhythm accompaniment (chord diagrams)
Sixteenth notes
Duet in G
Picking etude no. 2
Another duet in G
Key of F Major (first position)
Rhythm accompaniment (chord diagrams and grand barre)
Duet in F
The triplet
Waltz in F (solo)
Key of of A Minor (first position)
Rhythm accompaniment (chord diagrams)
Pretty pickin' (duet)
Dotted eight and sixteenth notes
Key of E minor (scales in first position)
Rhythm accompaniment (chord diagrams)
Take your pick (duet)
Rhythm accompaniment (movable chord forms)
Chromatic scale (first position)
Speed studies
Key of D Minor (scales in first position)
Rhythm accompaniment
Endurance etude (Picking etude no. 3)
Key of B flat (scales in first position)
Rhythm accompaniment
Duet in B flat
Reverse alternate picking study
Key of D Major (scale in first position)
Duet in D
Rhythm accompaniment
Key of E flat Major (scale in first position)
Movable chord forms
Chord simplification and substitution chart
Picking - a different technique
Dynamic etude no. 4 (duet)
Key of A major (first position)
Duet in A
Duet in E flat
Section 2
Position playing
Major scales (C Major, fingering type 1, second position)
Chord etude no. 1
Etude no. 5 (duet)
Reading studies (C Major, fingering type 1, second position)
Ballad (duet)
Movable chord forms
Chord forms (derivative fingerings)
Rhythm accompaniment - right hand technique
Picking etude no. 4
F Major scale (Fingering type 1A, second position)
Chord forms
Chord etude no. 2
Another duet in F
Reading studies (F Major, fingering type 1A, second position)
Play it pretty (duet)
Chord forms
Triplet study
Speed study - fingering type 1
Speed study - fingering type 1A
G Major scale (fingering type 2, second position)
Dottef eight and sixteenth study
Waltz for two (duet)
Chord forms
Reading studies (G Major, fingering type 2, second position)
Blues in G (duet - muffled effect)
Chord etude no. 3
Rhythm accompaniment - right hand technique (basic latin beat)
Picking etude no. 5
Short and sweet (duet)
D Major scale (fingering type 3, second position)
Chord forms
Melodic rhythm study no. 1 (syncopation)
Chord etude no. 4
Staccato, legato
Reading studies (D Major, fingering type 3)
Dee-oo-ett (duet)
Chord forms
Speed study - fingering type 2
Speed study - fingering type 3
A major scale (fingering type 4, second position)
Chord etude no. 5
Reading studies (A Major, fingering type 4, second position)
Tres sharp (duet)
Sixteenth note study
Chord forms
Speed study - fingering type 4, second position
Chord forms
Second position review
Chord forms Quarter note triplets
Major scales in third position (B flat, E flat, A flat, D flat)
Third position review
Chord forms
Major scales in first position (A flad, D flat)
First position review
Major scales in fourth position (G, D, A, E)
Chord forms
Fourth position review
Chord forms
Author's notes
Index
Book 2
Section 1
Four basic major scale fingering patterns (explanation)
C Major Scale - Ascending - 5 Positions
C Major Scale - Descending - 5 Positions
"Getting Up There" (Duet)
"Chord Etude No. 6" (Solo)
Melodic Rhythm Study No. 2
Triads (3 Note C Chords Maj. Min. Dim. Aug.)
F Major Scale - Ascending - 5 Positions
F Major Scale - Descending - 5 Positions
"Another Waltz for Two" (Duet)
Chord Forms and Speed Study
Triads (F Chords Maj. Min. Dim. Aug.)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
"Chord Etude No. 7" (solo)
G Major Scale - Ascending - 5 Positions
G Major Scale - Descending - 5 Positions
"Sea - See - Si" (Duet)
Chord Forms
Triads (G Chords) and Finger Stretching Exercises
D Major Scale - Ascending - 5 Positions
D Major Scale - Descending - 5 Positions
"Melodic Rhythm Study No. 3" (Duet)
Intervals
Triads (D Chords... across and up the fingerboard)
A Major Scale - Ascending - 5 Positions
A Major Scale - Descending - 5 Positions
"Chord Etude No. 8" (Solo)
Rhythm Guitar - The Right Hand (Rock Style Ballad)
Chord Forms
"Tranquility" (Duet)
Triads (A Chords...across and up the fingerboard)
B Major Scale - Ascending - 5 Positions
B Major Scale - Descending - 5 Positions
"Waltz in B" (Duet)
Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises
Triads (B Chords...across and up the fingerboard)
Pentatonic Scales
Tremolo Study
E Major Scale - Asending - 5 Positions
E Major Scale - Descending - 5 Positions
Chord Forms
Major Scale Review - Positions II, III, V
Major Scale Construction (Explanation)
Triads (Eb Chords...across and up the fingerboard)
Theory Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Key of G Maj.
Diatonic Triads - Key of F Maj.
Diatonic Triads - Key of B Maj.
Diatonic Triads - Key of Es Maj.
5th Positions Study" (Duet)
Major Triads Exercises (up the fingerboard - all strings)
Minor Triads Exercise (up the fingerboard - all strings)
Section 2
One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.)
Real Melodic (Or Jazz) Minor Scale (Expl.)
C Real Melodic Minor - 5 Positions
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
"Melodic Rhythm Study No. 5" (Duet)
One Octave Arpeggios - Triads (in D and C)
Chord Forms and "Slur" (Expl.)
"Trill"
Theory - Diatonic 7th Chords in Major Keys (Expl.)
Arpeggios - Diatonic Seventh (In G)
Arpeggios - Diatonic Seventh (In C)
G Real Melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Maj. Triad from the Root
"Chord Etude No. 9" (Solo)
"The Wanderer" (Duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - Diatonic Sevenths (In F)
Theory - Chord Scale Relationships - Diatonic Str's (Expl)
D Real Melodic Minor - 5 Positions
Chord Forms - 3rd in the Bass
Two Octave Arpeggios - G Maj. Triad from the 3rd
Two Octave Arpeggios - F Maj. Triad from the 5th
Rhythm Guitar - The right hand (Jazz Waltz)
"Interved Mordent" and "Mordent" (Expl.)
Arpeggios - Diatonic Seventh (In B)
A Real melodic Minor - 5 Positions
Chord Forms
Two Octave Arpeggios - C Minor Triad from the Root
"Appogiatura" and "Turn" or "Grupeto" (Expl.)
"Melodic Rhythm Study" (Duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Diatonic Sevenths (In Es)
Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.)
7th position study" (Duet)
"Solo in G"
B Real Melodic Minor - 5 Positions
Chord Forms - 7th in the Bass
"Chord Etude No. 11" (Solo)
Two Octave Arpeggios - G Minor Triad from the 3rd
Two Octave Arpeggios - F Minor Triad from the 5th
Key Signatures (Explanation)
Theory - Chord to chord motion (A Brief Discussion)
Chromatic Scale
Es Real Melodic Minor - 5 Positions
Chord Forms and "Chord Etude No. 12" (Solo)
Speed Study
Two Octave Arpeggios - C Diminished Triad from the Root
G Dim. Triad from the 3rd, D Dim. Triad from the Root
"Melodic Rhythm Study No. 7" (Duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two Octave Arpeggios - B, Fis and D Augmented Triads
Chord Scale Relationships (Theory) - Non - Diatonic
Minor 6th and (unaletered) Dom.7 chords
"Solo in D"
Index
Book 3
Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
Solo in Bb
Rhythm Guitar – The right hanad (rhumba)
Explanation of voices in chords
Triad Stuides
Adjacent Strings
Major Scales – Position II
Principal Real Melodic Minor Scales – Position II
Triad studies – chords in G major
Arpegios – Three note chords -major triads
Arpegios – Three note chords -minor triads
About chord symbols
Reference chart for major sscale gingering types
Major scales – poisition III
Melodic rhythm study No. 8 (duet)
About Practising
Triad Studies – chords in F Major
Technical study
About chord construction
Major scales – position IV
Principal Real Melodic Minor Scales – Position IV
Chord construction – four part harmony
Arpeggios
Rhythm Guitar – The right hanad (Tango, Merengue)
C major scale (12 position)
Natural minor scale
Modes – A brief discussion
Harmonic minor scales
A harmonic minor (nine position)
A minor etude (solo)
Melodization of triads
Recognition of melodic degrees- Altered 5 and #4
About chord voicind
Arpeggios – four note F chords
Arpeggios – four note G chords
Chord scale relationships
Major scales position V
Principal Real Melodic Minor Scales – Position V
Chord construction – three note voicings
Melodization of tonic major triads
Melodization of tonic and subdominant minor chords
Diminished scale in position
Chord construction
Recognition of melodic degrees- Dominant 7 chords
Speed study
Arpeggios – Four note Bb chords
Arpeggios – Four note D chords
Melodic rythm study no 9 (duet)
Rhythm Guitar – The right hanad (Mambo, bolero, conga)
Legato Staccato
F Major scale
D harmonic minor (nine positions)
Etude in D minor (solo)
Melodic Embellishment – The Appogiatura
Rhythm Guitar – The right hanad (5/4 swing)
About altered chords and chord degrees
Arpeggios – four note Eb Chords
Arpeggios – four note A chords
Chord construction
Melodization of I Minor chords with harmonic minor scale
Arpeggio studies
Melodic rhytmic study no. 10 (duet)
Major scales – Position VII
Chords (three notes) melodization of diminished triads
Chords (three notes) melodization of augmented triads
Arpeggios – four note Db chords
Arpeggios – Four note B chords
Rhythm Guitar – The right hanad (Samba)
Polka -dot (polka duet)
Major Scales – Position VIII
Chords (three notes) melodization of tonic major chords
Melodization of minor 7 chords as Vim7
Subdominant major chords
Minor 7 chords
Arpeggios – Four note F# chords
Arpeggios – Four note Gb chords
Arpeggios – Four note C# chords
Chords (Three note voicings) Dominant 7 chords – open voicings – all inversions
B major scale (Twelve positions)
G harmonic minr (Nine positions)
Etude in G Minor (solo)
Arpeggios – Diminished chords (spelling most used)
Arpeggios – Dominant 7(b5)
Theory: Diatonic 7 Chords – Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and scale study
Cords Melodization of subdominant minor 6 chords
Major scales – position X
Principal Real Melodic Minor Scales – Position X
Chords (Three note voicings) Major 6 and 7 chords – close and open voicings
Chord construction – five part harmony
Five note arpeggios
Daydreams duet
Five note arpeggios
D major scale
B harmonic minor
B minor etude (solo_
Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
About chord progression (cycle 5)
Theory: Interchangeable chord structure
Rhythm Guitar – The right hanad (Joropo, Nanigo)
Arpeggio study – seventhchords
Chords (Three note voicings) melodization of Minor 7 chords as IIIm7
Five note arpeggios
Chords (Three note voicings) minor 7 and minor 6 chords – close and open voicings
Iim7-V7I chord study
Chord-scale relationships – special alterations on dominant 7 chords
Pretty please (duet)
Five-note arpeggios
Harmonization of a melody – from a lead sheet with chords indicated
Eb Major Scale (Twleve positions)
C Harmonic minor (nine positions)
Etude in C minor (solo)
Chord scale relationships – major chords, minor 7 chords
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Five note arpeggios
Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass
Rhythm Guitar – The right hanad (Paso Doble)
Chord study – Minor 7 with 5b in the bass
Chord spelling – five note arpeggios – Minor (maj7/9) and Dominant 7 (b5, b9) chords
A major scale (Twelve positions)
F# Harmonic minor
F# minor etude
Chord spelling – five note arpeggios – Dominant 7 (b9) sus4 and dominant 9(b5) chords
Chord (three notes) study in F major and study in F harmonic minor
Chord spelling – five note arpeggios – Dominant 7+9 sus4 and dominant 9(b5) chords
Additional fingerings for minor scales
Chord-scale relationship
Chords-preparation of four-part open voicings – adding the 5th degree
Chords-preparation of four-part open voicings – adding the root
Chord spelling – five note arpeggios – minor 9(b5) chords
About improvisation
„It's Late” (duet)
Chords-preparation of four part open voicings – adding the 3rd degree
Chords-preparation of four part open voicings – adding the 7rd degree
Scale – chord relationship – Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords





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