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Got To Give It Up

Dostępne opracowania:

fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy, diagramy chwytów gitarowych (1)
książka (1)

Got To Give It Up znajdziesz w 2 publikacjach wymienionych poniżej:

Okładka: Motown, Motown Anthology

cena 110,95 zł.


Motown Anthology

angielski Motown Anthology

Ilość stron:314
Format:230 x 305
Opracowanie na:fortepian solo (i wokal) lub keyboard lub gitara zawiera dodatkowo linię melodyczną, teksty, akordy, diagramy chwytów gitarowych
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Fortepian (1) lub Głos wokalny lub Gitara lub Keyboard
Rodzaj produktu:nuty drukowane
Wersja językowa:tytułów utworów: angielska
słów utworów: angielska
UWAGA: korzystanie z publikacji nie wymaga znajomości języka obcego, ponieważ publikacja nie zawiera opisów
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL047966

Publikacja zawiera 68 utworów, m.in.: Baby love, How sweet it is, I want you back, More love, Time will reveal, Things you do, Dancing in the Street, Easy, For Once in My Life, How Sweet It Is (To Be Loved by You).

A must-have collection of 68 Motown masterpieces, including: ABC • Ain't No Mountain High Enough • Ain't Too Proud to Beg • Baby Love • Dancing in the Street • Easy • For Once in My Life • How Sweet It Is (To Be Loved by You) • I Can't Help Myself (Sugar Pie, Honey Bunch) • Just My Imagination (Running Away with Me) • Let's Get It On • My Girl • Shop Around • War • You Can't Hurry Love • many more!

Lista utworów:
A Place In The Sun (Lit, Stevie Wonder)
ABC (The Jackson 5)
Ain't No Mountain High Enough (Diana Ross, Marvin Gaye & Tammi Terrell)
Ain't Nothing Like The Real Thing (Aretha Franklin, Donny & Marie, Marvin Gaye & Tammi Terrell)
Ain't Too Proud To Beg (The Rolling Stones, The Temptations)
Baby I Need Your Lovin' (Johnny Rivers, O.C. Smith, The Four Tops)
Baby Love (The Supremes)
Ben (Michael Jackson)
Bernadette (The Four Tops)
Dancing In The Street (Martha & The Vandellas, Mick Jagger and David Bowie, Van Halen)
Easy (Amanda McBroom, Melissa Manchester, The Commodores)
For Once In My Life (Stevie Wonder)
Going To A Go-Go (The Miracles, The Rolling Stones)
Got To Be There (Michael Jackson)
Got To Give It Up (Marvin Gaye)
Heatwave (Love Is Like A Heatwave) (Linda Ronstadt, Martha & The Vandellas)
How Sweet It Is (To Be Loved By You) (James Taylor, Marvin Gaye)
I Can't Get Next To You (The Temptations)
I Can't Help Myself (Sugar Pie, Honey Bunch) (The Four Tops)
I Hear A Symphony (The Supremes)
I Heard It Through The Grapevine (Gladys Knight & The Pips, Marvin Gaye, Michael McDonald)
I Second That Emotion (Smokey Robinson & The Miracles)
I Want You Back (N Sync, 'N Sync, The Jackson 5)
If I Were Your Woman (Gladys Knight & The Pips)
I'll Be There (Bobby Darin, Mariah Carey, Megadeth, The Jackson 5)
I'm Losing You (I Know) (Rare Earth, Rod Stewart with Faces, The Temptations)
It's The Same Old Song (The Four Tops)
Just My Imagination (Running Away With Me) (Rolling Stones, The Temptations)
Let's Get It On (Marvin Gaye)
Lookin' Through The Windows (The Jackson 5)
Love Is Like An Itching In My Heart (The Supremes)
Maybe Tomorrow (The Jackson 5)
Mercy, Mercy Me (The Ecology) (Marvin Gaye)
Money (That's What I Want) (Barrett Strong, The Beatles)
More Love (Smokey Robinson & the Miracles)
My Girl (Smokey Robinson, The Temptations)
My Guy (Mary Wells)
My World Is Empty Without You (The Supremes)
Never Can Say Goodbye (Gloria Gaynor, The Jackson 5)
Nowhere To Run (Martha & The Vandellas, The Isley Brothers)
Ooo Baby Baby (Linda Ronstadt, The Miracles)
Papa Was A Rollin' Stone (George Michael, The Temptations)
Reach Out And Touch (Somebody's Hand) (Diana Ross)
Sail On (The Commodores)
Shake Me, Wake Me (When It's Over) (The Four Tops)
Shop Around (The Captain & Tennille, The Miracles)
Smiling Faces Sometimes (Rare Earth, The Undisputed Truth)
Somebody's Watching Me (Rockwell)
Someday We'll Be Together (Diana Ross & The Supremes)
Standing In The Shadows Of Love (The Four Tops)
Still (98 Degrees, Jennifer Lopez, The Commodores)
Stop! In The Name Of Love (The Supremes)
Take A Look Around (The Temptations)
The Love You Save (The Jackson 5)
The Tracks Of My Tears (Linda Ronstadt, The Miracles)
The Way You Do The Things You Do (The Temptations)
Three Times A Lady (The Commodores)
Time Will Reveal (DeBarge)
Touch Me In The Morning (Diana Ross)
War (Bob Marley and The Wailers, Bruce Springsteen, Edwin Starr, Joe Satriani, The Temptations)
Way Over There (The Miracles)
What's Going On (All Star Tribute, Marvin Gaye)
Where Did Our Love Go (The Supremes)
You Can't Hurry Love (Dixie Chicks, Phil Collins, The Supremes)
You Keep Me Hangin' On (Kim Wilde, The Supremes, Vanilla Fudge)
You're All I Need To Get By (Marvin Gaye)
You've Made Me So Very Happy (Blood, Sweat & Tears, Brenda Holloway, Gloria Estefan)
You've Really Got A Hold On Me (Smokey Robinson, The Beatles, The Miracles)

Okładka: Beall Eric, Making Music Make Money

cena 148,95 zł.


Beall Eric
Making Music Make Money

polski Rób muzykę rób pieniądze
angielski Making Music Make Money

Ilość stron:272
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Kod produktu:NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.

Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.

Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Artist or band demos
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author


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