Epiphany

Lista utworów:
Body Mind & Soul (Michael Patrick Walker)
Church Rulez (Gary Adler)
Epiphany (Michael Patrick Walker)
Everybody Fits (Gary Adler)
I Believe (Blessid Union Of Souls, Chicago, Diamond Rio, Fantasia, Third Day, Zoegirl)
La Vida Eternal (Gary Adler)
Number 918 (Michael Patrick Walker)
Rhythm In Me (Michael Patrick Walker)
Something About You (Five For Fighting, MercyMe, The Four Tops)
The Calling (Mary Chapin Carpenter, Pat Metheny, Santana featuring Eric Clapton)
The Miracle Song (Michael Patrick Walker)
We Are The Altar Boyz (Gary Adler)

This landmark series collects compelling, useful, singer-friendly arias from a distinctly American opera tradition. Each volume includes information about every opera and an aria plot note. A majority of the music in the four volumes has never before been available outside of the opera vocal scores, and some arias in the series have never been in print at all before now. Most arias are appropriate for college-level singers. Composers such as Samuel Barber, William Bolcom, Douglas Moore, Virgil Thomson and Gian Carlo Menotti are well represented. Additionally, arias are included from important works such as Regina, A Streetcar Named Desire, The Ghosts of Versailles, The Great Gatsby, Little Women and many others. Stephen Sondheim graciously agreed to adapt new aria editions of two pieces from Sweeney Todd for the series: “The Contest” in the Tenor volume and “Epiphany” in the Baritone/Bass edition.

Lista utworów:
Al norte (To the North!) from SIMÓN BOLÍVAR (T. Musgrave)
Always Through The Changing from THE BALLAD OF BABY DOE (D. Moore)
Be good to her from THE SAINT OF BLEECKER STREET (G.C. Menotti)
Birdie's Aria from REGINA (M. Blitzstein)
The Black Swan from THE MEDIUM (G.C. Menotti)
Bride's Song, The from THE LABYRINTH (G.C. Menotti)
But you do not know this man from A VIEW FROM THE BRIDGE (W. Bolcom)
Dear Husband: Come this fall from JOHN BROWN (K. Mechem)
Dearest Mama from THE BALLAD OF BABY DOE (D. Moore)
Do not utter a word from VANESSA (S. Barber)
Escúchame from FLORENCIA IN EL AMAZONAS (D. Catán)
Fair Robin I love from TARTUFFE (K. Mechem)
Father, I beg you from TARTUFFE (K. Mechem)
Give me some music from ANTONY AND CLEOPATRA (S. Barber)
Green finch and linnet bird from SWEENEY TODD (S. Sondheim)
Have peace, Jo from LITTLE WOMEN (M. Adamo)
Hello! Oh, Margaret, it's you from THE TELEPHONE (G.C. Menotti)
I have been wandering through the green woods from WUTHERING HEIGHTS (B. Herrmann)
I have dreamt from WUTHERING HEIGHTS (B. Herrmann)
I want magic! from A STREETCAR NAMED DESIRE (A. Previn)
Joy beyond measure, Mother! from LITTLE WOMEN (M. Adamo)
Kiss Me Not Goodbye from THE MIGHTY CASEY (W. Schuman)
Lola's Aria from GALLANTRY (D. Moore)
Loved One, Beloved from TEA (Tan Dun)
Monica's Waltz from THE MEDIUM (G.C. Menotti)
Music, music, music from REGINA (M. Blitzstein)
My sleeping beauty from THE HERO (G.C. Menotti)
Now, my fairest friend from WINTER'S TALE (J. Harbison)
Oh, Sweet Jesus from THE SAINT OF BLEECKER STREET (G.C. Menotti)
Open the window from WUTHERING HEIGHTS (B. Herrmann)
Prayer, A from THE MIGHTY CASEY (W. Schuman)
Sea Air from A STREETCAR NAMED DESIRE (A. Previn)
Silver Aria, The from THE BALLAD OF BABY DOE (D. Moore)
Somehow I never could believe from STREET SCENE (K. Weill)
Steal me, sweet thief from THE OLD MAID AND THE THEIF (G.C. Menotti)
The Foreign Woman's Aria from THE CONSUL (G.C. Menotti)
They are always with me from THE GHOSTS OF VERSAILLES (J. Corigliano)
To this we've come from THE CONSUL (G.C. Menotti)
What good would the moon be? from STREET SCENE (K. Weill)
What will it be for me? from REGINA (M. Blitzstein)
Where is the old warm world? from THE GREAT GATSBY (J. Harbison)
Who is there to love me? from A HAND OF BRIDGE (S. Barber)
Why must the greatest sorrows come from VANESSA (S. Barber)
Willow Song from THE BALLAD OF BABY DOE (D. Moore)

Zbiór zawiera najbardziej nastrojowe, barokowe pieśni świąteczne. Choć przeznaczony na organy, jest skierowany raczej do grania w domach. Wszystkie utwory poza jednym można bowiem zagrać bez użycia pedałów (a więc i na fortepianie).

Pierwsza część zbioru preludiów organowych na cały rok liturgiczny belgijskiego kompozytora, pedagoga i kompozytora - Flora Peetersa (1903-1986). Peeters w wieku 16 lat rozpoczął studia w Instytucie Lemmens w Mechelen, a jego nauczycielami byli: Lodewijk Mortelmans, Jules van Nuffel i Oskar Depuydt. Jako organista i pedagog, Peeters cieszył się wielką sławę, dając koncerty na całym świecie.

Whether you need special music for the seasons of the church year (Advent, Christmas, Easter, Epiphany, Lent, Palm Sunday, etc.) or any other Sunday of the year, A Solo a Sunday is a must-have for your music library. Each arrangement is brand new and easy to play, requiring little or no practice. Since most churches have some form of blended worship, A Solo a Sunday includes 26 gospel and hymn standards plus 26 contemporary praise and worship songs.

This piano solo collection from Brookfield Press features David Lantz's lush arrangements of 14 songs appropriate for performance throughout the church year, including Advent, Christmas, Epiphany, Palm Sunday, Maundy Thursday/Good Friday, Pentecost, Patriotic, Thanksgiving and Communion, as well as beloved sacred songs for all seasons.