Bleed

Welcome to Learn To Play Bass with Metallica: Volume 2. Metallica is the foremost authority in heavy metal. Their debut album, Kill 'Em All, set the standard for speed metal with its driving rhythms and articulate riffs. Each album after that raised the bar for the quality of what a heavy metal band could accomplish. The late Cliff Burton, Jason Newstead, Bob Rock, and Robert Trujillo have filled the bassist chair over the years, each leaving their indelible, bone - crushing mark on Metallica's albums.
The intent of this second volume of Learn to play Bass with Metallica is to provide the intermediate through advanced bassist with techniques to help with their own creative processes, using the music of Metallica as the source material. It is recommended that you as an aspiring bassist try to hook up with other players and form bands, as this is crucial in putting these concepts into the contexts in which they can be fully realized. It is also important that you not only listen to the examples on the enclosed CD, but also the actual recorded songs as played by the band.

Introduction
About the Author
Acknowledgements
Chapter 1 - A Refresher Course on the basics
Chapter 2 - Right - Hand Technique Review
"Whiplash", "Enter Sandman", "Fuel" and "Orion"
Chapter 3 - Left Hand Technique Review
"Seek and Destroy", "No Remorse", "The Four Horseman" and "For Whom the Bell Tolls"
Chapter 4 - Scale Studies - Part 1
"The Gold That Failed" and "Slither"
Chapter 5 - The bass Player's Toolbox - Part 1
"Metal Militia", "King Nothing" and "Orion"
Chapter 6 - The Bass Player's Toolbox - Part 2
"Wherever I May Roam", "Metal Militia", "Seek and Destroy", "Where the Wild Things Are", "No Remorse" and "...And Justice for All"
Chapter 7 - Further Adventurse in Rhythm
"The Four Horseman", "One", "Ride the Lightning" and "The Unforgiven II"
Chapter 8 - Scale Studies - Part 2
"Phantom Lord", "Seek and Destroy", "Master of Puppets", "Wherever I May Roam", "Damage, Inc." and "Through the Never"
Chapter 9 - Arpeggios
"(Anesthesia) - Pulling Teeth" and "My Friend of Misery"
Chapter 10 - Further Adventures in Rhythm
"Welcome Home (Sanitarium)", "The Unforgiven", "Tje Shortest Straw" and "Battery"
Chapter 11 - The Bass Player's Toolbox - Part 3
"Master of Puppets", "For Whom the Bell Tolls", "No Remorse", "Fuel", "To Live Is to Die", "Welcome Home (Sanitarium)", "Where the Wild Things Are", "Until It Sleeps" and "Bleeding Me"
Chapter 12 - Studies in Grooving and Effective Group Playing
"The unforgiven II", "One", "The Unforgiven", "Ride the Ligtning", "Battery", "Through the Never" and "Harvester of Sorrow"
Chapter 13 - Soloing
"For Whom the Bell Tolls", "Orion" and "(Anesthesia) - Pulling Teeth"
Epilogue

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