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Back Into Your System

Dostępne opracowania:

gitara (zawiera zapis tradycyjny oraz tabulaturę) i DVD (1)
gitara i CD (2)
kotły (1)
książka (2)

Back Into Your System znajdziesz w 7 publikacjach wymienionych poniżej:


Okładka: , Modern Rock TrackPak

cena 191,95 zł.


nuty.pl

Modern Rock TrackPak

angielski Modern Rock TrackPak


Format:152.4 x 228.6
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę) i DVD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara elektryczna (1)
Rodzaj produktu:książka + płyta DVD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL061177

Publikacja zawiera DVD ROM z 12 utworami będącymi stylem modern rock takich zespołów jak Nirvana, Jet czy The Offspring. Oprogramowanie Mac. Książka zawiera tradycyjny zapis, słowa oraz tabulaturę.


Apple's popular GarageBand software gives you the power and flexibility to make your own music happen - and Hal Leonard TrackPaks(TM) give you the tracks for the songs, no matter which instrument you play! Each TrackPak includes: • DVD-ROM with 12 hit songs, edited, mixed and ready to drop into GarageBand • Book with transcriptions in standard notation and guitar tablature, as well as lyrics for reference • Complete songs plus individual loops, beats, grooves and riffs for all of the instruments • Recordings that sound amazing! Take a drum loop from inch.Smells Like Teen Spirit inch. and loop it for your own project. Like the guitar riffs from Los Lonely Boys' inch.Heaven inch.? They're here, ready to be adapted to your own creative ideas. Other songs include: Aerials (System of a Down) • Alive (P.O.D.) • All the Small Things (Blink-182) • Are You Gonna Be My Girl (Jet) • Come Out and Play (The Offspring) • Here Without You (Three Doors Down) • Just Like You (Three Days Grace) • Man in the Box (Alice in Chains) • This Love (Maroon5) • and Wish You Were Here (Incubus). GarageBand has been named the Product of the Year by Music Trades magazine!


Lista utworów:
Aerials (System Of A Down)
Alive (Jennifer Lopez, Kenny Wayne Shepherd, Oasis, Ozzy Osbourne, P.O.D. (Payable On Death), Pearl Jam, The Bee Gees)
All The Small Things (Blink 182)
Are You Gonna Be My Girl (Jet)
Come Out And Play (The Offspring)
Heaven (Bebe & Cece Winans, Bryan Adams, DJ Sammy & Yanou Featuring Do, Los Lonely Boys, Talking Heads, The Rolling Stones, Warrant)
Here Without You (3 Doors Down)
Just Like You (Three Days Grace)
Man In The Box (Alice In Chains)
Smells Like Teen Spirit (Nirvana)
This Love (Maroon5, Sarah Brightman)
Wish You Were Here (Incubus, Pink Floyd)

Okładka: King B.B., B.B. King - Isong Cd-rom

cena 183,95 zł.


nuty.pl

King B.B.
B.B. King - Isong Cd-rom

polski B.B. King - Piosenki na płycie CD-rom
angielski B.B. King - Isong Cd-rom


Ilość stron:4
Format:230 x 305
Opracowanie na:gitara i CD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
akompaniament na płycie CD (1)
Rodzaj produktu:płyta CD - program komputerowy
Wersja językowa:opisów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyWykonawca: King B.B.
Zawartość:

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Kod produktu:NPL061775

Niniejsza pozycja zawiera płytę CD-rom, na której znajduje się program komputerowy do odtwarzania utworów, oraz sześć popularnych utworów gitarzysty i wokalisty bluesowego - B. B. Kinga. Dzięki programowi możesz nauczyć się grać piosenki B. B. Kinga nawet bez znajomości nut. Na płycie krok po kroku wyjaśniony jest przebieg gry utworu. Zapis obejmuje także tabulaturę. Utwory możesz odsłuchać w wersji demonstracyjnej, jak również dostosować tempo do ćwiczeń bez zmiany wysokości dźwięków.

Minimalne wymagania systemu:
Windows:
procesor Pentium, 4MB RAM, 1MB Video RAM, 8 x CD-ROM, karta muzyczna kompatybilna z Sound Blaster, QuickTime 3.0 lub nowszy.

Macintosh:
Power Macintosh, 4MB RAM, 1MB Video RAM, 6 x CD-ROM, QuickTime 2.5 lub nowszy.


iSong is the only teaching tool that actually syncs to the original recordings of legendary musicians and today's top stars! Each iSong pack includes arrrangements ranging from very simple to note-accurate transcriptions, a performance video, and a virtual fretboard or keyboard, all in one wholly interactive environment. No matter what your skill level, or whether or not you read music, iSong is a great way for you to learn songs you've always wanted to play! Each iSong CD-ROM features six innovative teaching tools in a state-of-the-art interactive environment: Animated score and TAB, Synced instructor video, iLevel arrangements widely ranging in difficulty, Virtual 'live' fretboard or keyboard, Tempo control, Looping with exact cueing. This package includes: The Thrill Is Gone • 3 O'Clock Blues • Bad Luck • Sweet Little Angel • Please Love Me • Five Long Years.


Lista utworów:
Bad Luck Soul (B.B. King)
Five Long Years (B.B. King, Eric Clapton)
Please Love Me (B.B. King)
Sweet Little Angel (B.B. King)
The Thrill Is Gone (B.B. King)
Three O'Clock Blues (B.B. King)

Okładka: St. James Adam, 101 Guitar Tips

cena 80,95 zł.


nuty.pl

St. James Adam
101 Guitar Tips

angielski 101 Guitar Tips


Ilość stron:88
Format:230 x 305
Opracowanie na:gitara i CD
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL062435

Książka zawiera 101 porad dla gitarzystów. Znajdziesz tu porady dotyczące skal i teorii muzyki, ale również w jaki sposób nagrywać gitarę, jak ją stroić przy użyciu tunera i wiele, wiele innych. Do książki dołączona jest płyta CD z nagranymi wzorcowymi wykonaniami.


101 Guitar Tips contains invaluable guidance on everything from scales and music theory to truss rod adjustments, proper recording studio set-ups, and much more. The book also features snippets of advice from some of the most celebrated guitarists and producers in the music business, including B.B. King, Steve Vai, Joe Satriani, Warren Haynes, Laurence Juber, Pete Anderson, Tom Dowd and others, culled from the author's hundreds of interviews.


Spis treści:

The whole neck mapped out
Scale numbering system
Half steps and whole steps
Modal madness
Real rock & blues soloing
Satch's drone tones
The nashville system
Transposing
Two-five-ones
One-six-two-five
Learning by ear
When in doubt, play I-IV
Relative major and minor
The blues ain't all sad
The C-A-G-E-D theory
The ABCs and 123s of chords
Arpeggio road maps
Four fingers, please
Warm-ups made easy
Alternate picking
Getta tuna
Soundhole solution
Electric vs. acoustic, pt.1
Electric vs. acoustic, pt.2
Heavier strings, better tone
Tube amps, big sounds
Amp modelers
Small amps, big sounds
Amp up, guitar down
Gig bags vs. shells
Cable Quality
Gain and sustain
Hear the rig
Distortion vs. overdrive
Clean and compressed
Your heroes all cheat
Pedal positioning
Tape 'em down
Pedal boards
Carry that weight
Keep your strap pn
Loop it or lose it
Don't turn up, tilt up
Heavy picks
Pracice for perfection
Guitar TV
Video teachers
Network news
Other instruments
Analyze your originals
Singing and playing
Simplify for songwriting
Keep it fun
Tournarounds for everyone
Easy funk guitar
This is not the blues
Alternate voicings
Damp it
Get a metronome
Inject some intervals
Open-string soloing
Harmonics
Alternate tunings
Exotic scales
Live experience is golden
Climatic conditions
Fingertips and nails
Change one string at a time
Coricidan bottle blues
Get tooled up
Tube replacement schedule
Insure your investment
Hazardous materials
Flying with your guitar
Even in a flight case...
Shipping your guitar or amp
Proof of ownership
Winding new strings
A properly strung 12-string
Sharpen your pencils
Grinds, not groans
SRV broken-string solution
Cleaning the body & neck
Cleaning the fretboard
Truss rod adjustments
And... action
Seting intonation
Locking tuners
Avoiding broken strings on a floating bridge
Changing strings on a floating bridge
Keep it level
More floating bridge tips
Miking Amps in the studio
Recording acoustic guitars
Save your studio ears
Home recording necessities
Effects and band size
Cut through on solos
Speaker placement at a gig
Eliminate hum
Stop microphone shock

Okładka: Brahms Johannes, Chabrier Emmanuel, Chausson Ernest, Chopin Fryderyk, Franck César, Lalo Édouard Victor Antoine, Liszt Ferenc, Offenbach Jacques, Sarasate Pablo de, Schumann Robert, Suppé Franz von, Brahms, Schumann and more - Vol. 3

cena 146,95 zł.


nuty.pl

Brahms Johannes, Chabrier Emmanuel, Chausson Ernest, Chopin Fryderyk, Franck César, Lalo Édouard Victor Antoine, Liszt Ferenc, Offenbach Jacques, Sarasate Pablo de, Schumann Robert, Suppé Franz von
Brahms, Schumann and more - Vol. 3

polski Brahms, Schumann i inni - z. 3 - Zbiór 74 kompletnych partii orkiestrowych dla kotłów i perkusji zapisanych na płycie CD-ROM
angielski Brahms, Schumann and more - Vol. 3 - Complete Timpani and Percussion Parts to 74 Orchestral Masterworks on CD-ROM


Ilość stron:8
Format:230 x 305
Opracowanie na:kotły
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Kotły (1) : Perkusja
Rodzaj produktu:nuty w pliku *.pdf na płycie CD
Wersja językowa:wstępu: angielska
opisów: angielska
tytułów utworów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

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Kod produktu:NPL065110

Publikacja jest zbiorem 74 kompletnych partii orkiestrowych dla kotłów i perkusji (jeżeli występuje), zapisanych na płycie CD-ROM w postaci popularnego formatu plików *.pdf. Można je otworzyć przy pomocy komputera PC lub MAC i darmowego programu Adobe Reader a następnie wedle potrzeby wybrać i wydrukować interesujące nas utwory. Warto nadmienić, iż zakupienie tych nut w formie publikacji wydanych drukiem przekroczyłoby kwotę 500 dolarów. Poniżej przedstawiamy listę dzieł zawartych na tej płycie:

Johannes Brahms
Symphony No. 1 in C Minor, Op. 68
Symphony No. 2 in D Major, Op. 73
Symphony No. 3 in F Major, Op. 90
Symphony No. 4 in E Minor, Op. 98
Piano Concerto No. 1 in D Minor, Op. 15
Piano Concerto No. 2 in Bb Major, Op. 83
Violin Concerto in D Major, Op. 77
Concerto for Violin and Cello in A Minor, Op. 102
Academic Festival Overture
Alto Rhapsody, Op. 53
Ein deutsches Requiem, Op. 45
Hungarian Dances Nos. 1, 3 & 10 (orch. Brahms)
Hungarian Dances Nos. 2 & 7 (orch. Hallen)
Hungarian Dance No. 4 (orch. Juon)
Hungarian Dances Nos. 5 & 6 (orch. Parlow)
Hungarian Dances Nos. 11- 16 (orch. Parlow)
Hungarian Dances No. 17 - 21 (orch. Dvorak)
Nänie for Chorus and Orch, Op. 82
Schicksalslied, Op. 54
Serenade No. 1 in D Major, Op. 11
Serenade No. 2 in A Major, Op. 16
Tragic Overture
Variations on a Theme by Haydn, Op. 56a

Emmanuel Chabrier
Espana

Ernest Chausson
Symphony in Bb Major
Poeme, Op. 25

Frederic Chopin
Piano Concerto No. 1 in E Minor
Piano Concerto No. 2 in F Minor

Franck, Cesar
Symphony in D Minor
Symphonic Variations
Psyche Nos. 1-4

Edouard Lalo
Symphonie Espagnole in D Minor

Franz Liszt
Faust Symphony
Dante Symphony
Piano Concerto No. 1 in Eb Major
Piano Concerto No. 2 in A Major
Totentanz
Les Preludes (Symphonic Poem No. 3)
Hungarian Rhapsody No. 1
Hungarian Rhapsody No. 2
Hungarian Rhapsody No. 3
Hungarian Rhapsody No. 4
Hungarian Rhapsody No. 5
Hungarian Rhapsody No. 6
Hungarian Rhapsody No. 13
Mephisto Waltz No. 1
Mephisto Waltz No. 2

Jacques Offenbach
Orpheus in the Underworld Overture
Sarasate, Pablo de
Carmen Fantasy, Op. 25

Robert Schumann
Symphony No. 1 in Bb Major (Spring), Op. 38
Symphony No. 2 in C Major, Op. 61
Symphony No. 3 Eb Major (Rhenish), Op. 97
Symphony No. 4 in D Minor, Op. 120
Piano Concerto in A Minor, Op. 54
Cello Concerto in A Minor, Op. 129
Concert Piece for 4 Horns, Op. 86
Introduction and Allegro Appassionato, Op. 92
Genoveva Overture, Op. 81
Manfred Overture in Eb Major, Op. 115
Overture, Scherzo & Finale, Op. 52

Franz von Suppe
Poet and Peasant Overture
Light Cavalry Overture


The Orchestra Musican's CD-ROM Library is an unprecedented collection, affording musicans the opportunity to build their own personal library of orchestral repertoire at an incredibly low price. If these parts were purchased separately, this collection would easily cost $500.00 or more. The Orchestra Musican's CD-ROM Library can be used by virtually all computers. Works are viewable and printable on either PC or Macintosh using the CD drive of your computer. No acces codes or special software is required. The CD employs Adobe Acrobat reader technology which is included on the CD. Use the CD drive in your computer to view each part or to print letter-size copies with your printer. Complete system requirements are found on page 8 of this booklet.


Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.


nuty.pl

Beall Eric
Making Music Make Money

polski Rób muzykę rób pieniądze
angielski Making Music Make Money


Ilość stron:272
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Kod produktu:NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.


Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.


Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

cena 293,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski Kurs nagrywania AudioPro, cz. 3
angielski The AudioPro Home Recording Course, Volume 3


Ilość stron:272
Format:215 x 275
Opracowanie na:książka
Rodzaj produktu:nuty drukowane + 2 płyty CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078018
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully

Okładka: Lung Sam, The Jazz Piano Chord Book

cena 72,95 zł.


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Lung Sam
The Jazz Piano Chord Book

angielski The Jazz Piano Chord Book


Ilość stron:152
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Kod produktu:NPL084151

The Jazz Piano Chord Book , with over 1,700 jazz Piano chord voicings contained within, is an essential resource for jazz Pianists, whether they're newcomers to the style or established players who want to improve upon existing skills. "It's straightforward, clear and a really helpful and practical aid for beginning and inexperienced jazz musicians. Even those with a bit of time under their belt playing jazz would gain a great deal from this book." - Julian Joseph , internationally renowned jazz pianist and composer. The handy and compact layout of this convenient Chord Book  allows you to quickly and easily find the chord you are looking for. Its layout of the almost innumerable harmonic variations of each Piano chord, as well as the great reference system for substitutions and related chords, makes this book invaluable for any pianist looking to expand their harmonic horizons.  "The new Jazz Piano Chord Book is a great tool for finding new harmonies, and the left-hand voicings are an extra bonus. The size is perfect! This book is very useful for all of us and we'll certainly use this at our next piano camp." - Robert Wells , pianist, with links to RYTMUS and Roland Sweden, as well as his own Robert Wells Academy. It is not only a reference guide though, the lengthy introduction explores what jazz harmony is, how chord variations and voicings contribute to it, and how knowing them can enhance your playing incomparably. With sections for chords built from every root note, divided into major, minor, dominant, diminished and augmented, this book is not comprehensive but is as close to that as you can get. The infinite different ways of voicing each chord are condensed into the most popular and musically interesting, so you'll be able to use The Jazz Piano Chord Book  to help you improvise with other musicians in an inventive way, or just to comp with other players competently.  The Jazz Piano Chord Book  is compatible with all jazz chord symbol notation, so you'll be able to use it to find any chord that you might need to play with ease. With its compact size and durable design, it will slip easily into any case, crucially allowing you to take it with you wherever you go, so you'll never be caught short without that chord again! For a complete and authoritative reference guide to injecting some vitality and beauty into your Piano playing, you should never be going anywhere without The Jazz Piano Chord Book , an essential list of chords for any aspiring pianist, whatever your ability.





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