C Major and A Minor

This book is a step-by-step guide to MI's well-known Harmony and Theory class. It includes complete lessons and analysis of: intervals, rhythms, scales, chords, key signatures; transposition, chord inversions, key centers; harmonizing the major and minor scales; and more!

The Music Theory series is designed from the ground-up to explain the terminology and musical structures needed for modern applications. Level One is an introductory course which covers music notation, key signatures, basic scales, intervals, modes, diatonic relationships and 3-and 4-part chords. Level Two is an intermediate-level course covering larger chord forms, 'definitive' chords in major and minor keys, substitutions, analysis of key centers in tunes, 'upper structure' chords, voiceleading, and pentatonic and blues scale applications, a complete glossary of terms, and hundreds of written theory exercises with answers.

This book is the product of Mark Harrison's experience teaching hundreds of students at the world-famous Grove School of Music in Los Angeles. Suitable for instrumentalists, vocalists, composers and songwriters, this Level 3 course covers the chord tones, extensions and scale sources for all major, minor, dominant and diminished chords, and then applies the contemporary shape concept to create voicings, polychords, and to harmonize melodies.

This book stands alone or integrates with any method. For all ages, in private or group study, its graphics put chord shapes of triads, seventh chords, inversions and chord progressions securely into the hands. Summary charts and keyboard maps speed up learning and review. Notation and graphics give standard arpeggio fingerings for major and minor triads and all seventh chords. A section on other keyboard patterns in repertoire, such as chords divided between the hands, may be used as 5-minute units at lessons.

Eartraining is a vital (and sometimes neglected) skill that enables musicians to 'hear ahead' in their playing and writing. These unique, modern courses have been used by hundreds of students (from beginners to working pros) at the acclaimed Grove School of Music in Los Angeles. These methods use SOLFEG (the syllables Do, Re, Mi, etc.) to apply the techniques within a key-center based 'relative pitch' framework. Level One works on hearing and transcribing melodies, rhythms, intervals and bass lines and moves on to identify triads and simple progressions. Level Two covers hearing and transcribing triad and four-part chord progressions, key changes, chromatic tones, modal scales, and combining melodic and harmonic dictation.