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Turn About znajdziesz w 11 publikacjach wymienionych poniżej:


Okładka: McGee David, B.B. King

cena 115,95 zł.


nuty.pl

McGee David
B.B. King

polski B.B. King - Biografia jeszcze jeden raz
angielski B.B. King - There Is Always One More Time


Ilość stron:352
Format:150 x 230
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL062070

Publikacja autorstwa Davida McGee opisuje biografię i twórczość legendarnego króla muzyki blues'owej - B. B. Kinga. Autor stworzył mapę życia artysty rozpoczynając od dzieciństwa spędzonego w Delcie Mississippi oraz czasów studenckich. Opisuje także szczegółowo dyskografię i wyróżnione albumy. Książka zawiera wywiady z B. B. Kingiem, jego producentami muzycznymi, aranżerami i współpracującymi z nim muzykami. Całość w angielskiej wersji językowej.

A celebration of an American musical giant, B. B. King: There Is Always One More Time charts B. B. King's rise from abject poverty in the Mississippi Delta to his place as an internationally beloved and respected entertainer. Unlike traditional biographies, this volume maintains a hard focus on the music B. B. has made over the course of a 51-year recording career. Working from exclusive first-hand interviews as well as exhustive research, author David McGee dissects B. B.'s in - print albums and gets the untold stories behind their making.

Spis treści:

Prologue
Delta Born, Delta Raised, Delta Scarred
Memphis: Arrival, Retreat, Return
The Modern Age
Pre-Album Singles: An Artist Revealed
The Crown Albums
"Ain't Nothing but a Business"
Drifting Blues
Manhattan Transfer
Rebirth
"Give me a Thrill, Stew"
What's Up, Doc?
Consolidating the Gains
Doc: Dum Spiro Spero
Auditing the Regency
Summitry of a Higher Order
Simplify, Simplify, Simplify!
Epilogue
Anthologies and Overviews: A Buyer's Guide
Endnotes
Bibliography
Acknowledgements
About the Author / Photo Credits
Index

Okładka: Kostelanetz Richard, The B.B. King Companion

cena 108,95 zł.


nuty.pl

Kostelanetz Richard
The B.B. King Companion

polski Biografia i twórczość B.B. Kinga
angielski The B.B. King Companion


Ilość stron:256
Format:150 x 230
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Kostelanetz Richard
Kod produktu:NPL062071

Muzyka B. B. Kinga, bardzo oszczędna lecz głęboko emocjonalna, zaliczana jest do stylów Memphis Blues, Modern Electric Blues i Soul Blues. Niniejsza książka została wydana w 80-tą rocznicę urodzin B. B. Kinga - gitarzysty i wokalisty określanego mianem króla bluesa. Richard Kostelanetz zebrał tu różne ciekawe artykuły, wywiady i historie na temat życia, twórczości i kariery B. B. Kinga. Całość w angielskiej wersji językowej.


In time for his 80th birthday, stories on the world's most popular blues performer B.B. King is a national treasure. For more than four decades, he has been the consummate blues performer. His unique guitar playing, powerful vocals, and repertoire of songs have taken him from tiny Itta Bena, Mississippi, to worldwide renown. In this comprehensive volume, the best articles, interviews, and reviews about B.B. King's life and career have been gathered. Learn how he first made his mark as a disc jockey in Memphis hawking Pepticon elixir and taking the moniker of the Beale Street Blues Boy; trace his early tours and recordings; see him be swept up in the blues revival; and finally, enjoy his fame as the greatest living exponent of the blues style. He turns 80 in September so the book is timed to take advantage of the well-deserved attention. • Extensively revised second edition • Includes 18 interviews


Spis treści:

Introducing - B.B. King: The Bach of Blues
Part One: Every Day I Have the Blues
B.B. King: A Golden Anniversary (2000) - Colin Escott
The Blues (1964) - Stanley Edgar Hyman
The Sophisticated Tradition (1972) - Richard Middleton
From Itta Bena to Fame (1952) - Jim Roberts
Part Two: How Blue Can You Get?
Rapping with the King (1970) - Tam Fiofori
B.B King (1971) - Michael Lydon
B.B. King & John Lee Hooker (1993) - Jas Obrecht
The Influence of B.B. King (1968) - Barret Hansen
Remembering My 1980 Biography (1995) - Charles Sawyer
Part Three: Lucille Talks Back
Conversation with B.B. King (1986) - Jerry Richardson and Rob Bowman
Blues Is King (1991) - Harols Steinblatt
B.B. King (1980, 1991) - Tom Wheeler and Jas Obrecht
Analysis of B. B. King's Guitar Style (1987) - Jerry Richardson
Part Four: Paying the Cost to be the Boss
E Pluribus Bluesman (1991) - Gene Santoro
In the Studio, January 17, 1991 - Colin Escott
The Legacy: Keep the Hammer Down (1996) - Charles Sawyer
Discography
Notes on Selected Recordings
Bibliographies
Notes on the Contributors
Permissions
Index

Okładka: Wise Les, Bebop Licks for Guitar

cena 105,95 zł.


nuty.pl

Wise Les
Bebop Licks for Guitar

polski Zagrywki gitarowe w stylu Bebop
angielski Bebop Licks for Guitar


Ilość stron:104
Format:230 x 305
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
biografii: angielska
tytułów utworów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

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Kod produktu:NPL064936

Książka została napisana z myślą o muzykach zainteresowanych nabyciem mocnej podstawy do gry jazzu. Publikacja zawiera ponad 800 zagrywek gitarowych w stylu gry takich muzyków, jak: Tal Farlow, Pat Martino, Wes Montgomery, Joe Pass, Johnny Smith i wielu innych. Dodatkowo do książki dołączona jest płyta CD zawierająca wersje demonstracyjne zawartych w książkach ćwiczeń i solówek.


Written for the musician who is interested in acquiring a firm foundation for playing jazz, this unique book/CD pack examines the phrases of the masters! Over 800 licks are provided in the styles of Tal Farlow, Pat Martino, Wes Montgomery, Joe Pass, Johnny Smith, and other jazz guitar greats! The book includes standard notation and tablature, and the CD contains note-for-note demonstrations of every lick.


Spis treści:

The Language of Improvisation
How to Use This Book
Major Ideas
Minor Ideas
Dominant 7th Ideas
IIm7 V7 Imaj7 Ideas
IIm7 V7 Ideas (one bar phrase)
Turnarounds
Idea Substitution Chart
About the Author

Okładka: Kerner Kenny, Going Pro

cena 115,95 zł.


nuty.pl

Kerner Kenny
Going Pro

polski Rozwijanie profesjonalnej kariery przemysłu muzycznego
angielski Going Pro - Developing a Proffesional Career in the Music Industry


Ilość stron:208
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL064993

Przewodnik Kenny'ego Kernera adresowany jest do wszystkich muzyków. DOstarcza on wszelkich informacji na temat dyrektorów artystycznych, muzycznych, handlowych; adwokatów muzycznych, spółek i studiów nagraniowych. Dowiesz się także zasad promowania muzyki i sposobów rozpowszechniania utworów, piosenek i nagrań muzycznych.


This handy guide provides everything you need to know to go pro, including information about personal managers, music attorneys, business managers and booking agents, record companies, A&R, publishing, songwriting, demo tapes and press kits, self-promotion, and much more. A must for all musicians!


Lista utworów:
Photos Sessions
Songwriting
Self-promotion
Record Companies
Press Packages, Demo Tapes)
Personal Managers
Naming Your Band
Meeting And Greeting
Leading A Band
Demos And Press Kits
Business Managers And Booking Agents
Bands (Auditioning Members)
A+r
Music Attorneys
Publishing

Spis treści:

Preface
Introduction: The real you
1: Bands
Auditioning Members
Leading a Band
One Chief, Many Indians
Two Cases in Point: The Knack and Mozart
Naming Your Band
Photo Sessions
The Press Package
Demo Tapes
Rehearsing
2: Personal managers
Management Traits
Who needs management?
Self - Evaluation
Management Options
Finding a Manager
Creating a "Buzz"
How Managers fing new talent
Attracting clients
The management contract
3: Music attorneys
Start Shopping Now
Attorney Checklist
Considerations and Complications
Who reps who?
4: Business managers & booking agents
Business managers
Compensation
Booking agents
How agents work
5: Record companies
Inside a record company
Recording contracts
Don't do this!
Names and Numbers
6: A & R
Makin' Records
Knowledge is good
Don' call us...
Decisions, decisions
Kerner's klass
Kenny's kids
Cartoon Boyfriend
Why your tapes get trashed
The three A&R deals
Signing Ingredients
The three A&R games
How to get it done, really
7: Publishing
Copyrights
Mechanical vs. Performance Royalties
How It works
Start Your own publishing company
Hang on to Your songs
"Music Publishers" by John Braheny
8: Songwriting
The Golden Rule
Hit songs vs. Hit Records
Observations
Structural Pointers
Dummy Lyrics
9: Demos & press kits
The Demo
Choosing Your best songs
Pre - production and recording
Reproducing your tapes
The press kit
Artist photos
Cover Letters
Following up
10: Self - promotion
Promote Your Shows
Press releases
More homework
Deadlines and publication dates
Paid advertisements
Merchandising
"Self - Awareness" by Dennis Anderson
11: Meeting & greeting
The "In Crowd"
What to Say
Telephone talk
Looks can kill
Getting ahead
"People Power" by Dan Kimpel
Rewind: Looking back
Review: Q&A
Recommended Sources
About the Author

Okładka: Buckingham Bruce, Guitar Basics

cena 131,95 zł.


nuty.pl

Buckingham Bruce
Guitar Basics

polski Podstawy gry na gitarze, poziom 1
angielski Guitar Basics, Level 1


Ilość stron:48
Format:230 x 305
Opracowanie na:gitara akompaniująca
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:książka + płyta CD
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
tytułów utworów: angielska
Stopień trudności:1 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL065150

Pierwsza część szkoły gry na gitarze Bruca Buckinghama. Ten zestaw oferuje niezbędne wskazówki na temat otwartych akordów, akordów barre, specjalnych akordów tworzących unikalne rockowe i bluesowe brzmienie, akompaniamentów akordowych; skalach, grze rytmicznej, bluesie i formach akordów ruchomych. Zawiera inwersje, "zabarwione" akordy, praktyczne wskazówki, diagramy akordów, piosenki i progresje. Dodatkowo do książki dołączona jest płyta CD zawierająca aż 90 pełnych wersji demonstracyjnych poszczególnych ćwiczeń zawartych w publikacji.


This pack gives essential instruction on open chords, barre chords, power chords, strumming; scales, rhythm playing, the blues, and moveable chord shapes. It includes inversions, 'color' chords, practice tips, chord charts, songs, and progressions.


Spis treści:

About the CD
Preface
1 - Chords in Open Position
The Diagram
Open Position Major Chords
Chord Pairs
More Chord Pairs
Rhythm, Time, and Groove
Strumming
Getting in Rhythm
Points to Remember
Progressions for Practice
Tunes
2 - Scales in Open Position
Scale Shapes
Picking
Different Keys
Sixteenth Notes
3 - Practice Tips
Practice Space
Short Practice Sessions
4 - Moveable Chords and Scales
Naming Barre Chords
Moveable Chords with Fifth - String Roots
Two Chords Progressions
Four - Measure Progressions
Moveable Chord Exercise
Writing Your Own Progressions
Power Chords
Boogie Bass Patterns
More Practice Progressions
Moveable Pentatonic Scales
Keys
5 - The Blues
The Blues Form
Typical Ending
Other Keys
Substitute "Color" Chords
The Turnaround
Blues Rhythm Patterns
6 - Rhythm Playing
Three - String Triads
The Backbeat
Minor Triad Inversions
More Inversions
Progressions for Practice
"Suspended" and "Add" Chords
Progressions for Practice
7 - Songs and progressions
Review and Practice
Audio Index

Okładka: Cooper Greg, Melodic Lines For The Intermediate Guitarist

cena 145,95 zł.


nuty.pl

Cooper Greg
Melodic Lines For The Intermediate Guitarist

polski Linie melodyczne dla średniozaawansowanych gitarzystów
angielski Melodic Lines For The Intermediate Guitarist


Ilość stron:40
Format:230 x 305
Opracowanie na:gitara (zawiera zapis tradycyjny oraz tabulaturę, akordy)
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
tytułów utworów: angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyćKliknij, aby powiększyć

Kod produktu:NPL065212

Pakiet - książka i CD - został stworzony z myślą o gitarzystach zainteresowanych poszerzaniem wiedzy na temat koncepcji prowadzenia linii melodycznych w grze na gitarze. Autor - Greg Cooper - przedstawia m. in.: ćwiczenia w skalach durowych i molowych, grę w stylach blues i jazz. Płyta CD dołączona do książki zawiera wersje demonstracyjne poszczególnych ćwiczeń.


This Centerstream book/CD pack is essential for anyone interested in expanding melodic concepts on the guitar. Author Greg Cooper covers: picking exercises; major, minor, dominant and altered lines; blues and jazz turn-arounds; and more.


Spis treści:

Foreword
Explanation of Neck Blocks
Picking Exercises
Major Lines
More Major Lines
More Major Lines , Key of G
Minor Lines
More Minor Lines
Minor Pentatonic
Dominant Lines
More Dominant Lines
Altered Lines
Blues Turn - Arounds, (V - IV - I)
Jazz Turn - Arounds, (ii - V - I)
About the Author

Okładka: Lautzenheiser Tim, White Brad, Essential Elements for Choir

cena 217,95 zł.


nuty.pl

Lautzenheiser Tim, White Brad
Essential Elements for Choir

polski Zasadnicze elementy dla chóru
angielski Essential Elements for Choir


Ilość stron:48
Format:230 x 305
Opracowanie na:książka + CD
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065627

Publikacja Timiego Lautzenheisera i Brada Whita jest przeznaczona dla nauczycieli chóru. Znajdują się tu karty pracy na każdy miesiąc roku szkolnego, a także przykłady listów i podań w sprawach koncertów, wyjazdów, itp. Do książki dołączona jest płyta CD-ROM, na której znajdują się dokumenty z książki w formie multimedialnej, co umożliwia m. in. korespondencję nauczyciela z rodzicami uczniów.


This valuable resource by Tim Lautzenheiser and Brad White contains 32 letters focusing on music advocacy, the importance of the arts in our schools, and the benefits of music study in the development of the child as well as letters specific to choral music. These letters are included on the enclosed CD-ROM and may be exported to a word processing program for easy editing, customization, and mail merging to parents, administrators, and community members.


Spis treści:

About the CD-ROM
Using this Book
Part 1: Music Advocacy
The time in now - a personal viewpoint
August: Welcome back to school
September: Importance of Parental Support
October: Mid - term reminder of the importance of music
November: A thanksgiving message of gratitude
December: The global language - music
January: The value of Music beyond performance
February: Being a Part of a musical community
March: A reminder of Music's Importance to success in life
April: Music Education - more than just music
May: Parents Ensure Music Education's future
June: Thank You an keep making music
General Letter #1: Letter to parents supporting music learning
General Letter #2: Recruiting Junior high to high school
Administrator Letter #1: The value of music learning
Administrator Letter #2: The Importance of Music in Our Schools
Part 2: All about choir
Why sing in a choir?
Booster club membership
Parent time & talent survey
Fundraising
Parent volunteer thank you
Choir concert etiquette
Letter Supporting student's request for time off from work
Invitation to teacher appreciation concert
Choir progress report
Choir trip
Privete lessons 1
Private lessons 2
Student who is considering dropping choir
Enrolling in high school choir
End of school year - returning student
Choir Enrichment Activities
Careers in Choral Music
Part 3: Resource information
Advocacy Guidelines
Advocacy Guidelines - What Parents can do
National Coalition for Music Education Materials
About the Authors

Okładka: Lautzenheiser Tim, Menghini Charles, Essential Elements 2000 Band Directors Communication Kit - Cd-rom

cena 219,95 zł.


nuty.pl

Lautzenheiser Tim, Menghini Charles
Essential Elements 2000 Band Directors Communication Kit - Cd-rom

angielski Essential Elements 2000 Band Directors Communication Kit - Cd-rom


Ilość stron:48
Format:230 x 305
Opracowanie na:książka + CD
Rodzaj produktu:książka + płyta CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Kod produktu:NPL065642

Publikacja Timiego Lautzenheisera i Brada Whita jest przeznaczona dla nauczycieli prowadzących zespoły muzyczne. Znajdują się tu karty pracy na każdy miesiąc roku szkolnego, a także przykłady listów i podań w sprawach koncertów, wyjazdów, itp. Do książki dołączona jest płyta CD-ROM, na której znajdują się dokumenty z książki w formie multimedialnej, co umożliwia m. in. korespondencję nauczyciela z rodzicami uczniów.


In the Band Director's Communications Kit, Dr. Tim Lautzenheiser has provided every teacher with communication letters focusing on music advocacy, the importance of the arts in our schools, and the benefits of musical study in the development of the child. Dr. Charles Menghini, Director of Bands at VanderCook College of Music, Chicago, has contributed additional letters written specifically for band - essential time savers for the busy band director.


Spis treści:

About the CD-ROM
Using this book
Part 1: Music advocacy
The Time is Now - a personal viewpoint
August: Welcome back to school
September: Importance of parental support
October: Mid - term reminder of the importance of music
November: A thanksgiving message of gratitude
December: The global language - music
January: The Value of music beyond performance
February: Being a Part of a musical community
March: A reminder of music's importance to success in life
April: Music Education - More than Just Music
May: Parents Ensure Music Education's Future
June: Thank You and Keep Making Music
General Letter #1: Letter to parents supporting music learning
General Letter #2: Recruiting Junior High to High School
Administrator Letter #1: The Value of Music Learning
Administrator Letter #2: The Importance of Music in Our Schools
Part 2: All about band
End of Pre - Season Marching Band Practice
Invitation to Parent Support Group Meeting
Parent Time & Talent Survey
School - Owned Instrument Issue
Home Practice Letter
Concert Invitation & Etiquette Reminder
Letter Supporting Student's Request for time off from work
First time chaperon thank you
Repeat chaperon thank you
Private Lessons
The importance of a quality musical instrument
Solicitation of financial contribution
Recognizing outstanding work
End of school year - returning student
Student considering quitting band
Summer music camp
College Notification Letter
Part 3: Resource information
Advocacy Guidelines
Advocacy Guidelines - What Parents can do
National Coalition for music education materials
National coalition for music education materials
About the authors

Okładka: Beall Eric, Making Music Make Money

cena 171,95 zł.


nuty.pl

Beall Eric
Making Music Make Money

polski Rób muzykę rób pieniądze
angielski Making Music Make Money


Ilość stron:272
Format:152 x 229
Opracowanie na:książka
Rodzaj produktu:książka
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
AutorzyEdytor: Lindsay Susan Gedutis
Kod produktu:NPL065656

Publikacja Erica Beall'ego stworzona jest z myślą o tworzeniu biznesu w dziedzinie muzyki. Główna uwaga skupia się na procesie eksploatacji i na znaczeniu tworzenia modelu solidnego interesu muzycznego. Eric Beall jest dyrektorem Zomba Music Publishing, oraz dawnym twórcą piosenek i producentem muzycznym.


Making Music Make Money will educate songwriters and aspiring music business entrepreneurs in the basics of becoming an effective independent music publisher. Eric Beall, creative director for Zomba Music Publishing, covers everything you need to know to get published, including: the role of a music publisher; copyright - how to get one, use one, and make money from one; building a business plan; identifying which songs to sell and to whom; and much more.


Spis treści:

1. Start me up: getting into the game
1. What is music publishing, anyway?
The creation
What's in it for us
Exploitation
Administration
Collection
Protecion
Asquisition
Pennies from heaven
2. It all starts with the song: evaluating your catalog
Do You own the songs?
Are these songs any good?
Can you find the songs?
3. The "F" word: Focus
Three things that focus will do
What to do if you won't or can't focus
4. Start me up: The Basics of business
The Name Game
Doing Business As...
And the Winner Is...
5. Do You know where you're going to?: The business plan
Goals
Strategy: Can't get there from here
What to do if your plan doesn't work
Listen to your phone
Hit'em where they ain't
If you got partners, put the plan on paper
Set a deadline
6. Step into my office: setting up shop
The Choices
The Setup
7. The inside scoop: setting up shop, part 2
Trade Magazines or Journals
Directories
Tip Sheets
8. It's All About the Paper: Setting up systems
Copyright Administration
Music Archives
The Song Submittal Form
Warning: Safety First!
9. Show me the money!: Financial Acoounting
How to play the game
The big playback
10. We are family: putting together your team
The Lawyer
The Accountant
The Performing Roghts Organization
Interns
2. Exploitation: the real work of publishing
11. Someone's knocking at the door: Welcome to the Land of Opportunity
Make stuff happen
Records
Artist or band demos
Radio
Television
Movies
Advertising
Live Performance
Stores, Restaurants, Clubs
This Is how we do it: Understanding the Musical Marketplace
Pop
Urban
Country
Rock
My name is: the creative director
Getting the Music Right
The Song quality checklist
We'd be so good together: The art of Collaboration
Finding collaborators
Matchmaker, matchmaker
The rules of collaboration
Do You hear what I hear?: Getting the Music Right (Means Getting the Demo Right)
The Three Philosophies of demos
Know Yourself
Studio / Recording Equipment
Musicians and Vocalists
Arangements and rearrangements
Costs
Songs for scale: understanding the Ancient art of song plugging
The Facts of Life as a Creative Director
Who's Looking"
Who's the Song right for?
Who's Listening?
And Here Comes the Pitch: Making the scales call
1: The Approach
2: The Pitch
3: The Follow - through
Smooth Operator: Song plugging master class
Relationship selling
The rules of office etiquette
The rules of the game: getting the music out
The song Plugger's glossary
Keep Rising to the Top: Moving the Writer Up
Everybody make some noise!
Planning the Attack: Timing is everything
Part 3: Taking care of business
License to fill (your coffers, that is): Fun with administration and licensing
Knowing what you have
Knowing what you're giving away
Ooh, you're my best friend: the collection crew
Harry Fox - Hungry like the wolf...
ASCAP / BMI / SESAC - They said it on the Air, on the Radio...
Foreign subpublishers - my money lies over the Ocean, My Money Lies Over the sea
Can't touch this: Protecting your copyrights
Understanding the Threat
Split Disputes: Smiling faces sometimes
Split Adjustments: got to give it up
Unauthorized use: that dirty little secret
Copyright infringement: You turned the tables on me
Copyright infringement: There goes my baby
Registering your claim for copyright
You're the one that I want: the final frontier (The art of Asquisition)
The sure thing: the single - song deal
The not - so - sure thing: the writer deal
Where the devil lives: the details
Conclusion: the end of the road
About the author

Okładka: Badreau Stephan, Walking Bass Lines For Jazz Guitar

cena 187,95 zł.


nuty.pl

Badreau Stephan
Walking Bass Lines For Jazz Guitar

polski Ruchomy bas na gitarze jazzowej
angielski Walking Bass Lines For Jazz Guitar


Ilość stron:64
Format:230 x 305
Opracowanie na:gitara i CD (zawiera zapis tradycyjny oraz tabulaturę), akordy, diagramy chwytów gitarowych
Obsada:Instrument (w nawiasie ilość materiałów wykonawczych)
Gitara (1)
akompaniament na płycie CD (1)
Rodzaj produktu:nuty drukowane + płyta CD
Wersja językowa:wstępu: angielska
biografii: angielska
opisów: angielska
Stopień trudności:4 w skali od 0 do 10
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL074370

Ruchoma linia basu występuje w muzyce jazzowej i w fingerstyle'u. W muzyce jazzowej (o czym traktuje ta książka) polega ona na jednoczesnym zapewnieniu ciągłości linii basu jako osobnego głosu, i wypełnienia harmonicznego. Najlepsi muzycy, tacy jak np. Martin Taylor, potrafią w te dwa głosy wpleść jeszcze melodię a nieraz i improwizację. Do publikacji dołączono płytę CD z nagraniami wszystkich przykładów w dwóch prędkościach oraz z akompaniamentami.

Walking Bass Lines for Jazz Guitar by Stephan Badreau is a step by step guide to harmonizing bass lines on the guitar.

The book will show the musician how to connect familiar chord shapes with the appropriate bass notes. It is full of ideas, examples, chord voicings and substitutions, as well as short chord progressions for you to try your new learned skills.

All examples are played on the accompanying CD at both slow and normal speed, as well as a drums-only version for play-along purposes.

Spis treści:

Contents
Introduction
You/Your right hand
The Concept
Let's walk the bass
It's your turn
Convenient chord tones
Mixing chromatic and chord tones
It's your turn #3
Scale shapes and the minor 7 chord
It's your turn #4
2 for 1 major triad inversion
More II, V, I examples
It's your turn #5
How about some substitutions
It's your turn #6
Some chord placement options
It's your turn #7
3 full lenght examples
"Bb blues" original progression
"Bb blues"
"Just buds" original progression
"Just buds"
"All the stuff you wanna be" original progression
"All the stuff you wanna be"
Chord reference chapter
Major triad
Minor triad
Major 7
Minor 7
Dominant 7
Dominant 7 altered
Minor 7(b5) (or half diminished)
Diminished 7
Substitution list
Afterthought
About the author
Chromatic approach over chord changes
It's your turn #2

Okładka: Gibson Bill, The AudioPro Home Recording Course, Volume 3

cena 293,95 zł.


nuty.pl

Gibson Bill
The AudioPro Home Recording Course, Volume 3

polski Kurs nagrywania AudioPro, cz. 3
angielski The AudioPro Home Recording Course, Volume 3


Ilość stron:272
Format:215 x 275
Opracowanie na:książka
Rodzaj produktu:nuty drukowane + 2 płyty CD
Wersja językowa:angielska
Dostępnośćw magazynie, wysyłka natychmiastowa
Zawartość:

Zajrzyj do środka. Oto kilka stron z publikacji:

Kliknij, aby powiększyć

Kod produktu:NPL078018
Produkty podobne:Gibson Bill - The AudioPro Home Recording Course, Volume 2

Publikacja jest trzecią częścią cyklu książek dotyczących nauki tworzenia własnego studia muzycznego. Niniejsza część obejmuje tematy dotyczące odpowiedniego oprogramowania, konfiguracji systemu, nagrań cyfrowych i różnic pomiędzy nagraniami analogowymi a cyfrowymi, przechowywania i kopiowania plików i wiele innych. Do książki zostały dołączone także dwie płyty CD z nagranymi przykładami muzycznymi danych zagadnień wraz z ich wyjaśnieniami. Całość w języku angielskim.

The AudioPro Home Recording Course was created to familiarise musicians with the fundamentals of studio recording using explanations and examples that are easy to understand.
The text is complemented by hundreds of illustrations and two CDs containing information and audio examples.
Volume three covers: MIDI (basic training, quantising, mixing with MIDI, notation software, controllers, setting up your system); MIDI sequencing (constructing MIDI drum parts, creating bass, guitar and keyboard parts, combining MIDI and live recording); digital effects (hardware vs. software plugins, details of using each type of effect); digital recording (analogue vs. digital, recording and playback formats, digital audio file formats, storage and backup, MDMs and computer-based hard disk systems, choosing the right software, common terms demystified, random access editing); synchronising (MIDI to audio sync, MIDI to MIDI sync, analogue to analogue sync).

Spis treści:

1. The Third Millennium
Moving Ahead
History
Preparation for What's to Come
The Internet
My Turning Point
2. Midi Theory
Intro to MIDI
MIDI Basic Training
The Language
MIDI IN, OUT, and THRU
MIDI Cables
Daisy Chain
Channels
MIDI Interface
MIDI Parameters
What Do MIDI Parameters Affect?
Controllers
Channel Modes
Omni Mode
Multi Mode
Mono Mode
Polyphony versus Multitimbrality
MIDI Time Code
System Messages
System Exclusive (Sys Ex)
Data Dump
The Handshake
Data Backup
Quantizing
The Basics
Strength
Sensitivity
How Tight Is Tight Enough?
Randomize
Real - Time
Step Record
Shifting Tracks
Velocites, Durations, and Tempos
Notation Software
Uses
Lyrics
Chord Symbols
Mixing with MIDI
Parameters
Comining MIDI Mix Tools
General MIDI Specifications
Standard MIDI File
Cross - Platform Compatibility
Keyboard and Mix Controllers
Keyboard Controllers
Mix Controllers
MIDI System Design - What Should I Have?
Synths
Sequencers
Interfaces
Mixers
Digital Audio Cards
Tactile Control Surfaces for Computer-Based Digital Workstations
3. MIDI Sequencing
Building the Band
Constructing MIDI Drum Parts
Fundamentals
The Groove
Groove Quantize
Drum Set Patterns
Accents
Fills
Believability
Construction
Percussion Patterns
Frosting
Many Instruments
Simple Parts That Work Together
Forming the bass line
Patterns
The Groove
Reality / Believability
Feel
Guitar Parts
Believability
The Groove
Patterns
Grand and Electric Piano Parts
The Groove
Patterns
Grand Pianos vs. Rhodes Pianos
Believability
Feel
The Frosting
Strings and Pads
Bass
Sound Effects
Combining MIDI and Live Recording
Drum Loops
4. Digital Recording
Analog Recording
Analog vs. Digital
Physical Properties of Sound
Amlitude
Frequency
Velocity
Wavelength
Envelope
Harmonic Content
Phase
Digital Theory
What's So Good about Digital Recording?
Bits / Bytes / Words
Advantage of Binary Code / PCM
Samples
Quantization / Bits
Aliasing
RAM Buffer
Sample Rates
Dither / Quantization Error
Noise Shaping
Converters
Oversampling
Dynamic Range
Format Conversion
Errors
Data Protection
Error Detection
Error Correction
Redundancy
Concealment
Muting
Digital Recording, Transmission, and Playback Formats
AES/EBU
S/P DIF
SDIF-1
SDIF-2
SMDI
MADI
DASH
Digital Audio File Formats
Sound Designer and Sound Designer II
AIFF-Apple's Audio Interchange File Format
WAV-Windows Audio File Format
Quick Time
RealAudio
SND Resource
Storage Mediums
Backing Up
CD-Compact Disc
HD-CD
CD-R and CD-RW-Recordable and Rewriteable Compact Disc
DAT
MiniDisc
Hard Disc
DVD
Divx
5. Digital Multitracks
Comparison of MDMs to Computer-Based Recording Systems
Formats
Other MDMs
Dedicated Digital Recording Systems
Samplers
Computer-Based Hard Disk Recording Systems
History
Differences between Hard Disk and Tape-based Recording?
Linear versus Nonlinear
Destructive versus Nondestructive Editing
Number of Tracks and Takes
Thing to Look For in the Software You Choose
Soundcards
Terms Common to Hard Disk Recording
Serial Bus / Data Transfer
SDS
SCSI
Fast and Wide SCSI-2 and 3
IDE/ATA
Firewire
Network and Online Data Transfer Rates
Apple Talk
Ethernet
Modem
Cable
ISDN (Integrated Services Digital Network)
T-1
T-3
Disk Management
Partitioning
Formatting
Compression
Repairing / Defragmenting
Protection: Practice Safe Computing
Keep Current
6. Digital Effects
Real-time versus Non-Real-time Digital Effects
Hardware versus Software versus Plug-ins
Digitally Controlled Amplifier
Digital Signal Processor
Pitch Change
Formants
Time Compression and Expansion
Spectral Effects
Multiband Compressor / Limiter
Peak Limiter
Expanders and Gates
Delay Effects
Reverb Effects
Equalizers
Delay
Chorus / Flanger
Invert Phase
Reverse
Special Effects
Variable Speeds
Fliter
Vinyl Simulation
Vocode
Lo-Fi
7. Random Access Editing
The Basics
Nondestructive Editing
Descructive Editing
Regions
Playlist / Edit Decision List
RAM Buffer
Gain Change / Normalizing
Cut, Copy and Paste
Undo, Redo, Save, Revert to Saved
Save As... Save a Copy As
Waveform / Pencil Editing
Smoothing
Preview Mode
Fades
Crossfades
Linear Fade
Curve Fade
S-Curve
Overlap Fade
Equal Gain
Equal Power
Pre-roll / Post-roll
Online / Offline
Editing withing the Software - Based Multitrack Domain
Soundfiles
Waveform View
Punch-in
Auto Record
Channels, Tracks, and Takes
Comping
Tuning
Finding the Groove
Quantizing Audio
Moving Audio Segments
Spot Mode
Slip Mode
Grid Mode
Shuffle Mode
Multitrack Backing Vocals
Breaths
Entrances
Releases
Intonation
Detuning
Readjusting Formants
Fills Fills, and Licks
Broadcast Audio
Voice-Over / Editing Speech
Application
Voice-Over
Timing
Ambience
Problematic Edits
Crossfade Ambience
Music Bed
Add Ambience
Reconstruct the Scene
Live with it
Breaths
Time Compression / Exapnsion
ADR / Foley
ADR
Foley
Getting the Program Ready for the Air
Normalize
Compress
Music
8. Synchronizing
Synchronizing Basics
Why Bother?
MIDI to Audio Sync
Timing Discrepancies
MIDI to MIDI Sync
Accuracy
Logjam
Processor Speed
Analog to Analog
LTC on Each Machine
Verifying Sync
Offsets
Regenerating Time Code
Free Wheeling
Jam Sync
Digital to Digital Sync
Components of Digital Sync
Time Base - Word Clock
Word Clock Rate
Pull-Up / Pull-Down
Address Code
Transport Control
MIDI Machine Control (MMC)
Variations in Accuracy
Sample - Accurate Sync
Frame - Accurate Sync with Phase Look
Frame - Accurata Sync with No Phase Lock / Continuous Sync
Frame - Accurate Trigger Sync
Various Sync Formats
Internal
MTC
SMPTE (LTC) 30fps, 29.97fps, 29.97df, 25, 24fps
Video Sync
VITC
Word 1x
Word 256x
S/P DIF and AES/EBU
SDIF-2 and MADI
Proprietary Sync Systems
ADAT and DA-88 Sync
9. Digital Mixing
How Are Digital and Analog Mixers Different?
The Analog Mixer
The Digital Mixer
Hardware versus Software
Automation
The Basics
Automation Types
Dynamic Automation
Auto Read
Absolute Mode / Auto Write / Replace
Auto Touch / Auto Latch
Trim Levels
Bypass / Auto Off / Rehearse
Mutes
Pan
Function of Fader Motors in the Digital Domain
Mix Editior Functions
Snapshot Automation
Operational Procedures
Saving
Undo
Building Automation
Software Plug-ins
Mix Procedure Using Automation
Inserts
Write Mutes
Drums
Documenting the Mix
Bass
Lead Vocal
Guitars and Synths
Backing Vocals
Intonation
Expression / Dynamics
Blend
Accuracy
The Rhythm Section
Locate Points
Copy Moves and Settings
EQ
Dynamic and Special Effects
Format
Hard Disk
DAT
10. Master Preparation
Editing the Mixed Master
The AM Version
The Album Version
The Dance Mix
Creative Restructuring
Mastering
What Is mastering?
To Master or Not to master
Monitoring Procedures
Assembling the Album
The CD Mastering Environment
Write Modes
Red Book
Yellow Book
Green Book
Orange Book, Part I and II
White Book
Blue Book / CD-Extra
Subcodes
PQ Subcodes
IRSC Code
Emphasis
SCMS
Track Number
Indexes
Noise Shaping
Equalizing
Real-time Analyzer (RTA)
Levels
Normalize
Real vs. Apparent Levels
How Hot Is Hot Enough?
Limiting / How to Sound Loud
Image Files
Mastering to Error Correcting Recorders
11. The Best of Botj Worlds
Acoustic Considerations
Chips or Tubes
Combining Tubes and Chips
Digital Modeling
Preamps
Old Effects versus New
Mixers
Cambling Considerations
Some Cable Theory
Do Cables Really Sound Different?
Choose Your Weapons Carefully





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